Lucius Tarquinius Superbus was the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic. He is commonly known as Tarquin the Proud, from his cognomen Superbus.
According to Roman tradition, Lucretia, anglicized as Lucrece, was a noblewoman in ancient Rome. Sextus Tarquinius (Tarquin) raped her and her subsequent suicide precipitated a rebellion that overthrew the Roman monarchy and led to the transition of Roman government from a kingdom to a republic. After Tarquin raped Lucretia, flames of dissatisfaction were kindled over the tyrannical methods of Tarquin's father, Lucius Tarquinius Superbus, the last king of Rome. As a result, the prominent families instituted a republic, drove the extensive royal family of Tarquin from Rome, and successfully defended the republic against attempted Etruscan and Latin intervention.
Cymbeline, also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain and based on legends that formed part of the Matter of Britain concerning the early historical Celtic British King Cunobeline. Although it is listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.
Lucius Junius Brutus was the semi-legendary founder of the Roman Republic, and traditionally one of its first consuls in 509 BC. He was reputedly responsible for the expulsion of his uncle the Roman king Tarquinius Superbus after the suicide of Lucretia, which led to the overthrow of the Roman monarchy. He was involved in the abdication of fellow consul Tarquinius Collatinus, and executed two of his sons for plotting the restoration of the Tarquins.
Publius Valerius Poplicola or Publicola was one of four Roman aristocrats who led the overthrow of the monarchy, and became a Roman consul, the colleague of Lucius Junius Brutus in 509 BC, traditionally considered the first year of the Roman Republic.
Arruns Tarquinius was one of the sons of Lucius Tarquinius Superbus, the last King of Rome. Ancient sources differ as to whether he was the second or third son. In the earliest accounts, passed through fragments of the first Roman historian, Fabius Pictor, he is the third son. According to Livy and Dionysius of Halicarnassus, he is the second son. Modern historians doubt the historicity of the specific actions attributed to Arruns and other members of his dynasty, regarding them as highly embellished by later accounts.
The gens Tarquinia was a plebeian family at ancient Rome, usually associated with Lucius Tarquinius Priscus and Lucius Tarquinius Superbus, the fifth and seventh Kings of Rome. Most of the Tarquinii who appear in history are connected in some way with this dynasty, but a few appear during the later Republic, and others from inscriptions, some dating as late as the fourth century AD.
Demaratus, frequently called Demaratus of Corinth, was the father of Lucius Tarquinius Priscus, the fifth King of Rome, the grandfather or great-grandfather of Lucius Tarquinius Superbus, the seventh and last Roman king, and an ancestor of Lucius Junius Brutus and Lucius Tarquinius Collatinus, the first consuls of the Roman Republic.
Sextus Tarquinius was one of the sons of the last king of Rome, Lucius Tarquinius Superbus. In the original account of the Tarquin dynasty presented by Fabius Pictor, he is the second son, between Titus and Arruns. However, according to Livy and Dionysius of Halicarnassus, he was either the third or first son, respectively. According to Roman tradition, his rape of Lucretia was the precipitating event in the overthrow of the monarchy and the establishment of the Roman Republic.
The Tragedy of Lucretia is a tempera and oil painting on a wood cassone or spalliera panel by the Italian Renaissance master Sandro Botticelli, painted between 1496 and 1504. Known less formally as the Botticelli Lucretia, it is housed in the Isabella Stewart Gardner Museum of Boston, Massachusetts, having been owned by Isabella Stewart Gardner in her lifetime.
Lucius Tarquinius Ar. f. Ar. n. Collatinus was one of the first two consuls of the Roman Republic in 509 BC, together with Lucius Junius Brutus. The two men had led the revolution which overthrew the Roman monarchy. He was forced to resign his office and go into exile as a result of the hatred he had helped engender in the people against the former ruling house.
Arruns Tarquinius, commonly called Egerius, was a member of the royal family of early Rome.
Spurius Lucretius Tricipitinus is a semi-legendary figure in early Roman history. He was the first Suffect Consul of Rome and was also the father of Lucretia, whose rape by Sextus Tarquinius, followed by her suicide, resulted in the dethronement of King Lucius Tarquinius Superbus, therefore directly precipitating the founding of the Roman Republic. It is believed that Lucretius and his accomplishments are at least partly mythical and most ancient references to him were penned by Livy and Plutarch.
Arruns Tarquinius was the brother of Lucius Tarquinius Superbus, the seventh and last King of Rome.
In Rome's early semi-legendary history, Tarquinia was the daughter of Lucius Tarquinius Priscus, the fifth king of Rome,. Her father, Lucius Tarquinius Priscus, gave her in marriage to Servius Tullius, the sixth king of Rome. She was the mother of Lucius Junius Brutus, who overthrew the monarchy and became one of Rome's first consuls in 509 BC. She had another son, who was put to death by Superbus after he took the Roman rule from Servius.
Lucretia and her Husband Lucius Tarquinius Collatinus or Tarquin and Lucretia is an oil painting attributed to Titian, dated to around 1515 and now in the Kunsthistorisches Museum in Vienna. The attribution to this artist is traditional but uncertain - the brightened palette suggests it could instead be by Palma Vecchio. However, others identify the painting as part of Titian's series of half-length female figures from 1514 to 1515, which also includes the Flora at the Uffizi, the Woman with a Mirror at the Louvre, the Violante and the Young woman in a black dress in Vienna, Vanity in Munich and the Salome at the Galleria Doria Pamphilj. There is an early copy in the Royal Collection.
Tarquin and Lucretia is an oil painting by Titian completed in 1571, when the artist was in his eighties, for Philip II of Spain. It is signed, and considered to have been finished entirely by Titian himself. It is one of a series of great works from Titian's last years, but unlike some of these, is fully finished. It is now in the Fitzwilliam Museum in Cambridge, England.
Willobie His Avisa is a narrative poem that was published as a pamphlet in London after being entered in the Stationers' Register on 3 September 1594. It purports to have been written by a person called "Henry Willobie" with an introduction by "Hadrian Dorrell". It is possible that these are pseudonyms, though a real Henry Willobie certainly existed.
The overthrow of the Roman monarchy was an event in ancient Rome that took place between the 6th and 5th centuries BC where a political revolution replaced the then-existing Roman monarchy under Lucius Tarquinius Superbus with a republic. The details of the event were largely forgotten by the Romans a few centuries later; later Roman historians presented a narrative of the events, traditionally dated to c. 509 BC, but it is largely believed to be fictitious by modern scholars.
The Rape of Lucretia is any of several paintings, variations of the same subject, which are usually attributed to either Felice Ficherelli or Guido Cagnacci and dated to the late 1630s or about 1640.
