Vortigern and Rowena | |
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Written by | William Henry Ireland |
Date premiered | 2 April 1796 |
Place premiered | Theatre Royal, Drury Lane, London |
Original language | English |
Genre | Historical |
Vortigern and Rowena, or Vortigern, an Historical Play, is a play that was touted as a newly discovered work by William Shakespeare when it first appeared in 1796. It was eventually revealed to be a Shakespeare hoax, the product of prominent forger William Henry Ireland and part of his wider series of forgeries. [1] Its first performance was on 2 April 1796, when it was ridiculed by the audience. Its titular protagonists, Vortigern and Rowena, are figures from Britain's traditional history.
Ireland had produced several earlier documents he claimed represented the writings of Shakespeare, but Vortigern and Rowena was the first play he attempted. He shortly followed it with a forged Henry II. He had announced his "discovery" of the lost play as early as 26 December 1794 but did not show his father a manuscript until March 1795. He also provided a purported correspondence between Shakespeare and a printer explaining why the play was unpublished, as well as a deed accounting for how it came to be in hands of the Irelands. [2] According to the deed, Shakespeare had willed all the manuscripts to an ancestor of the Irelands, also named William Henry Ireland, who had saved him from drowning. Years later, Ireland explained that he came up with this story to establish his right to the manuscripts in case a descendant of the bard might claim them. [3]
Hearing of a newly recovered "lost" Shakespeare play, Irish playwright Richard Brinsley Sheridan purchased the rights to the first production at Drury Lane Theatre in London for 300 pounds and the promise of half the revenues to Ireland's family. After reading the play, Sheridan noted its relative simplicity compared to Shakespeare's known works. Actor John Philip Kemble, the manager of Drury Lane, who would play the title role in the play's only production, had serious doubts about Vortigern's authenticity. Kemble's sister, Sarah Siddons, who had been cast as the title female role, dropped out one week before the scheduled opening for unknown reasons, though it is suspected that Kemble had successfully turned the famous actress against the work as well. [4] Irish Shakespearean scholar Edmond Malone published An Inquiry into the Authenticity of Certain Miscellaneous Papers and Legal Instruments on 21 March 1796, about the authenticity of Vortigern and the other documents "discovered" by Ireland. Siddons' role of Edmunda was taken by Mrs Powell when it opened on 2 April 1796. [5] The play did have its supporters; Henry James Pye and James Bland Burgess wrote prologues for it, while Robert Merry wrote an epilogue. [6]
When Vortigern and Rowena opened on 2 April 1796 Kemble used the chance to hint at his opinion by repeating Vortigern's line "and when this solemn mockery is o'er", and the play was derided by the audience. It was not performed again until 2008. Some early critics accused William Henry Ireland's father Samuel of the forgery, though William assumed responsibility in two printed confessions. Samuel himself continued to regard the play as authentic and edited it in 1799, including a foreword in which he attacked Malone's findings and denounced the "illiberal and injurious treatment" he had received. [6] Nevertheless, neither Ireland's reputation recovered from the fiasco, and William eventually moved to France, where he lived for several decades. He tried to publish Vortigern and Rowena as his own work when he returned to England in 1832, but met with little success. [7]
The original 1796 Drury Lane cast included John Philip Kemble as Vortigern, Robert Bensley as Constantius, William Barrymore as Aurelius, Thomas Caulfield as Uter, John Whitfield as Wortimerus, Charles Kemble as Pascentius, Robert Benson as Hengist, Thomas King as Fool, Vincent De Camp as Servant, Dorothea Jordan as Flavia, Jane Powell as Edmunda, Charlotte Tidswell and Elizabeth Heard as attendants. Charles Dignum, George Frederick Cooke, Samuel Thomas Russell and John Hayman Packer appeared in additional roles of the entertainment.
The story begins as the King of the Britons Constantius offers half his crown to his adviser Vortigern for his loyal service. Vortigern immediately plots the king's murder to take the crown for himself. Meanwhile, the court Fool warns two of Vortigern's children, Pascentius and Flavia, of the bad times ahead and the three of them leave the court with Flavia in drag. Constantius' sons Aurelius (Ambrosius Aurelianus) and Uter (Uther Pendragon), studying in Rome, receive word of Vortigern's treachery and go to Scotland to raise an army against their father's killer. In response Vortigern summons an army of Saxons, led by Hengist and Horsus, to defend him from the Scots. He falls in love with Hengist's beautiful daughter Rowena, and proclaims her his queen, much to the chagrin of his wife Edmunda and his two remaining sons, Wortimerus (Vortimer) and Catagrinus (Catigern), who flee. Vortigern's family eventually all join Aurelius and Uter's army, and Aurelius and Flavia declare their mutual love. In the end the Saxons are routed and Aurelius defeats Vortigern but spares his life, and then marries Flavia. The final speech is delivered by the Fool, who admits that the play is not very tragic, as "none save bad do fall, which draws no tear". [6]
Like other apocryphal plays attributed to Shakespeare, The Birth of Merlin and Locrine , Vortigern and Rowena takes the Matter of Britain as its subject, drawing especially from Geoffrey of Monmouth's Historia Regum Britanniae and Raphael Holinshed's Chronicle, the same source used by Shakespeare. [1] Shakespeare used Britain's mythical history in several of his plays, including King Lear and Cymbeline , based on the stories of Leir of Britain and Cunobelinus, respectively. The play is essentially a pastiche of Shakespeare, with Vortigern serving as a Macbeth figure; other Shakespearean elements include the use of Holinshead and Flavia's cross-dressing. [1]
The play experienced a comedic revival by the Pembroke Players at the Pembroke College New Cellars, Cambridge, on 19 November 2008. [8] The production was directed by Pembroke third-year Alexander Whiscombe, and starred David Harrap in the title role with Eystein Thanisch as Aurelius. [9] [10] The American Shakespeare Center in Staunton, Virginia included the play as part of its Staged Reading Series in November 2013. [11]
Join the Pembroke Players for a one-night stand in the New Cellars on November the 19th [2008], possibly this play's first performance for over two hundred years...
Ambrosius Aurelianus was a war leader of the Romano-British who won an important battle against the Anglo-Saxons in the 5th century, according to Gildas. He also appeared independently in the legends of the Britons, beginning with the 9th-century Historia Brittonum. Eventually, he was transformed by Geoffrey of Monmouth into the uncle of King Arthur, the brother of Arthur's father Uther Pendragon, as a ruler who precedes and predeceases them both. He also appears as a young prophet who meets the tyrant Vortigern; in this guise, he was later transformed into the wizard Merlin.
Hengist and Horsa are Germanic brothers said to have led the Angles, Saxons and Jutes in their supposed invasion of Britain in the 5th century. Tradition lists Hengist as the first of the Jutish kings of Kent.
Uther Pendragon (Brittonic), also known as King Uther, was a legendary King of the Britons and father of King Arthur.
Vortigern, also spelled Vortiger, Vortigan, Voertigern and Vortigen, was a 5th-century warlord in Britain, known perhaps as a king of the Britons or at least connoted as such in the writings of Bede and Gildas. His existence is contested by scholars and information about him is obscure.
This article contains information about the literary events and publications of 1796.
William Henry Ireland (1775–1835) was an English forger of would-be Shakespearean documents and plays. He is less well known as a poet, writer of gothic novels and histories. Although he was apparently christened William-Henry, he was known as Samuel through much of his life, and many sources list his name as Samuel William Henry Ireland.
Charles Kemble was a Welsh actor of a prominent theatre family.
John Philip Kemble was a British actor. He was born into a theatrical family as the eldest son of Roger Kemble, actor-manager of a touring troupe. His elder sister Sarah Siddons achieved fame with him on the stage of the Theatre Royal, Drury Lane. His other siblings, Charles Kemble, Stephen Kemble, Ann Hatton, and Elizabeth Whitlock, also enjoyed success on the stage.
Rowena in the Matter of Britain was the daughter of the purported Anglo-Saxon chief Hengist and wife of Vortigern, "King of the Britons". Presented as a beautiful femme fatale, she won her people the Kingdom of Kent through her treacherous seduction of Vortigern. Contemporary sources are nearly non-existent, so it is impossible to know if she actually existed.
Events from the year 1796 in Great Britain.
Samuel Ireland, English author and engraver, is best remembered today as the chief victim of the Ireland Shakespeare forgeries created by his son, William Henry Ireland.
The Ireland Shakespeare forgeries were a cause célèbre in 1790s London, when author and engraver Samuel Ireland announced the discovery of a treasure-trove of Shakespearean manuscripts by his son William Henry Ireland. Among them were the manuscripts of four plays, two of them previously unknown.
Walley Chamberlain Oulton (1770?–1820?) was an Irish playwright, theatre historian and man of letters.
Abraham Portal was an English goldsmith and dramatist.
Jane Powell or Mrs Powell was a British actress. She was also known as Mrs Renaud and Mrs Farmer.
Vincent De Camp (1777-1839) was a British stage actor.
William Barrymore (1759–1830) was a British stage actor. Originally from Taunton he was part of a company of strolling players in the West Country, and was acting at Plymouth in 1780. He first appeared at the Theatre Royal, Drury Lane in 1782, under the management of Richard Sheridan, and became a long-standing member of the company. He is also the namesake of the famed Barrymore family.
Montague Talbot (1774–1831) was an Irish stage actor and theatre manager.
Thomas Caulfield (1766–1815) was a British stage actor who after a period in London's West End spent the later part of his career in the United States.
Robert Benson (1765–1796) was an English stage actor of the eighteenth century. The son of two actors, he made his first London appearance at the Theatre Royal, Haymarket in 1778 as a child actor playing the Duke of York in Richard III and acted occasionally at the Theatre Royal, Drury Lane over the following years. After an absence of some time, he returned to Drury Lane in November 1786 having now graduated to adult roles. He became a reliable member of the company known for his character roles as comic eccentrics and smooth young gentleman. For the summer of 1791 he took over the management of Richmond Theatre with James Thompson and William Macready. He also acted at Haymarket during the summers and authored an operatic farce Britain's Glory which premiered there in 1795. In 1783 he married the actress Susanna Satchell (1758–1814), the sister of Elizabeth Satchell.