As You Like It is a pastoralcomedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility.
As You Like It follows its heroine Rosalind as she flees persecution in her uncle's court, accompanied by her cousin Celia to find safety and, eventually, love, in the Forest of Arden. In the forest, they encounter a variety of memorable characters, notably the melancholy traveller Jaques, who speaks one of Shakespeare's most famous speeches ("All the world's a stage") and provides a sharp contrast to the other characters in the play, always observing and disputing the hardships of life in the country.
Historically, critical response has varied, with some critics finding the play a work of great merit and some finding it to be of lesser quality than other Shakespearean works.
The play has been adapted for radio, film, and musical theatre.
Characters
As You Like It, closing scene: the eight characters who marry with the god Hymen restoring harmony before they are commanded to dance. (Performance in Pop Up Globe, 2017)
Hymen, officiates over the weddings in the end; god of marriage, as appearing in a masque
Pages and musicians
Locations
The play is set in a duchy in France, beginning in a courtly environment; but most of the action takes place in a location called the 'Forest of Arden'.
The Gough Map (c.1360) showing the West Midlands location of the Forest of Arden around Tamworth, Shrewsbury West Bromwich and Henley in Arden
The Arden area is effectively bounded by Roman roads as follows: in the West by the Icknield Street, in the South by the Salt Road (the modern Alcester to Stratford Road), in the East by the Fosse Way, and in the North by the Watling Street. It includes Arden, Warwickshire, near Shakespeare's home town, which was the ancestral origin of his mother's family—whose surname was Arden.[5] That area was once heavily wooded, giving rise to the name.
Secondly the name evokes the Ardennes, a forested region covering an area located in southeast Belgium, western Luxembourg and northeastern France.
Synopsis
Marie Davey as Rosalind in As You Like It 2017
Frederick has usurped the duchy and exiled his older brother, Duke Senior. Duke Senior's daughter, Rosalind, has been permitted to remain at court because she is the closest friend of Frederick's only child, Celia. Orlando, a young gentleman of the kingdom who at first sight has fallen in love with Rosalind, is forced to flee his home after being persecuted by his older brother, Oliver. Frederick becomes angry and banishes Rosalind from court. Celia and Rosalind decide to flee together accompanied by the court fool, Touchstone, with Rosalind disguised as a young man and Celia disguised as a poor lady.
Rosalind, now disguised as Ganymede ("Jove's own page"), and Celia, now disguised as Aliena (Latin for "stranger"), arrive in the Arcadian Forest of Arden, where the exiled Duke now lives with some supporters, including "the melancholy Jaques", a malcontent figure, who is introduced weeping over the slaughter of a deer. "Ganymede" and "Aliena" do not immediately encounter the Duke and his companions. Instead, they meet Corin, an impoverished tenant, and offer to buy his master's crude cottage.
Orlando and his servant Adam, meanwhile, find the Duke and his men and are soon living with them and posting simplistic love poems for Rosalind on the trees. It has been said that the role of Adam was played by Shakespeare, though this story is also said to be without foundation.[6] Rosalind, also in love with Orlando, meets him as Ganymede and pretends to counsel him to cure him of being in love. Ganymede says that "he" will take Rosalind's place and that "he" and Orlando can act out their relationship.
The shepherdess, Phebe, with whom Silvius is in love, has fallen in love with Ganymede (Rosalind in disguise), though "Ganymede" continually shows that "he" is not interested in Phebe. Touchstone, meanwhile, has fallen in love with the dull-witted shepherdess Audrey, and tries to woo her, but eventually is forced to be married first. William, another shepherd, attempts to marry Audrey as well, but is stopped by Touchstone, who threatens to kill him "a hundred and fifty ways".
A 2013 performance of As You Like It
Finally, Silvius, Phebe, Ganymede, and Orlando are brought together in an argument with each other over who will get whom. Ganymede says he will solve the problem, having Orlando promise to marry Rosalind, and Phebe promise to marry Silvius if she cannot marry Ganymede.
Orlando sees Oliver in the forest and rescues him from a lioness, causing Oliver to repent for mistreating Orlando. Oliver meets Aliena (Celia's false identity) and falls in love with her, and they agree to marry. Orlando and Rosalind, Oliver and Celia, Silvius and Phebe, and Touchstone and Audrey are all married in the final scene, after which they discover that Frederick has also repented his faults, deciding to restore his legitimate brother to the dukedom and adopt a religious life. Jaques, ever melancholic, declines their invitation to return to the court, preferring to stay in the forest and to adopt a religious life as well. Finally Rosalind speaks an epilogue, commending the play to both men and women in the audience.
Date and text
The direct and immediate source of As You Like It is Thomas Lodge's Rosalynde, Euphues Golden Legacie, written 1586–87 and first published in 1590.[7][8] Lodge's story is based upon "The Tale of Gamelyn".[9]
As You Like It was first printed in the collected edition of Shakespeare's plays, known as the First Folio, during 1623. No copy of it in Quarto exists, for the play is mentioned by the printers of the First Folio among those which "are not formerly entered to other men". By means of evidences, external and internal, the date of composition of the play has been approximately fixed at a period between the end of 1598 and the middle of 1599.
Billesley Manor has been claimed to be one possible place where the play was written, the suggestion originates in 1978.
A local tradition holds that the play may have been written in the Kenilworth area, at Rowington.[10]Billsley Manor, now a hotel, claims the play was written in a room there,[11] although the authority for this is modern and originates in a claim in the 1976 book Folklore of Warwickshire by Roy Palmer.[12]
External evidence
Summer of 2015 Shakespeare in the Parking Lot production of As You Like it at the Clemente Soto Velez Cultural and Education Center.
As You Like It was entered into the Register of the Stationers' Company on 4 August 1600 as a work which was "to be stayed", i.e., not published till the Stationers' Company were satisfied that the publisher in whose name the work was entered was the undisputed owner of the copyright. Thomas Morley's First Book of Ayres, published in London in 1600 contains a musical setting for the song "It was a lover and his lass" from As You Like It. This evidence implies that the play was in existence in some shape or other before 1600.
It seems likely this play was written after 1598, since Francis Meres did not mention it in his Palladis Tamia. Although twelve plays are listed in Palladis Tamia, it was an incomplete inventory of Shakespeare's plays to that date (1598). The new Globe Theatre opened some time in the summer of 1599, and tradition has it that the new playhouse's motto was Totus mundus agit histrionem—"all the Globe's a stage"—an echo of Jaques' famous line "All the world's a stage" (II.7).[13] This evidence posits September 1598 to September 1599 as the time frame within which the play was likely written.
Internal evidence
In act III, vi, Phebe refers to the famous line "Whoever loved that loved not at first sight" taken from Marlowe'sHero and Leander, which was published in 1598.[14] This line, however, dates from 1593 when Marlowe was killed, and the poem was likely circulated in unfinished form before being completed by George Chapman. It is suggested in Michael Wood's In Search of Shakespeare that the words of Touchstone, "When a man's verses cannot be understood, nor a man's good wit seconded with the forward child understanding, it strikes a man more dead than a great reckoning in a little room", allude to Marlowe's assassination. According to the inquest into his death, Marlowe had been killed in a brawl following an argument over the "reckoning" of a bill in a room in a house in Deptford, owned by the widow Eleanor Bull in 1593. The 1598 posthumous publication of Hero and Leander would have revived interest in his work and the circumstances of his death. These words in act IV, i, in Rosalind's speech, "I will weep for nothing, like Diana in the fountain", may refer to an alabaster image of Diana which was set up in Cheapside in 1598. However, it should be remembered Diana is mentioned by Shakespeare in at least ten other plays, and is often depicted in myth and art as at her bath. Diana was a literary epithet for Queen Elizabeth I during her reign, along with Cynthia, Phoebe, Astraea, and the Virgin Mary. Certain anachronisms exist as well, such as the minor character Sir Oliver Martext's possible reference to the Marprelate Controversy which transpired between 1588 and 1589. On the basis of these references, it seems that As You Like It may have been composed in 1599–1600, but it remains impossible to say with any certainty.
Analysis and criticism
Though the play is consistently one of Shakespeare's most frequently performed comedies, scholars have long disputed over its merits. George Bernard Shaw complained that As You Like It is lacking in the high artistry of which Shakespeare was capable. Shaw liked to think that Shakespeare wrote the play as a mere crowdpleaser, and signalled his own middling opinion of the work by calling it As You Like It—as if the playwright did not agree. Tolstoy objected to the immorality of the characters and Touchstone's constant clowning. Other critics have found great literary value in the work. Harold Bloom has written that Rosalind is among Shakespeare's greatest and most fully realised female characters.
The elaborate gender reversals in the story are of particular interest to modern critics interested in gender studies. Through four acts of the play, Rosalind, who in Shakespeare's day would have been played by a boy, finds it necessary to disguise herself as a boy, whereupon the rustic Phebe, also played by a boy, becomes infatuated with this "Ganymede", a name with homoerotic overtones. In fact, the epilogue, spoken by Rosalind to the audience, states rather explicitly that she (or at least the actor playing her) is not a woman. In several scenes, "Ganymede" impersonates Rosalind, so a boy actor would have been playing a girl disguised as a boy impersonating a girl.
Setting
1889 etching of the Forest of Arden, created by John Macpherson for a series by Frederick Gard Fleay
Arden is the name of a large forest which conceptually incorporated Shakespeare's home town of Stratford-upon-Avon and a large area besides currently roughly corresponding to the modern West Midlands.
Shakespeare likely also had in mind the French Arden Wood, featured in Orlando Innamorato, especially since the two Orlando epics, Orlando Innamorato and Orlando Furioso, have other connections with the play.
In the Orlando mythos, Arden Wood is the location of Merlin's Fountain, a magic fountain causing anyone who drinks from it to fall out of love. Many editions keep Shakespeare's "Arden" spelling, partly because that the pastoralmode depicts a fantastical world in which geographical details are irrelevant, and also because Shakespeare wrote in a time of non-standardised spelling.
The Oxford Shakespeare edition proceeds on the basis that there is confusion between the two Ardens, and assumes that "Arden" is an anglicisation of the forested Ardennes region of France, where Lodge set his tale,[15] and alters the spelling to reflect this.
The Arden edition of Shakespeare makes the suggestion that the name "Arden" comes from a combination of the classical region of Arcadia and the biblicalgarden of Eden, as there is a strong interplay of classical and Christian belief systems and philosophies within the play.[16] Arden was also the maiden name of Shakespeare's mother and her family home is located within the Forest of Arden.
Themes
Court life and country life
Rosalind, Oliver and Celia. Shakespeare, As You Like It, Act 4, Scene 6. A painting by William Hamilton
The play begins in a courtly setting, where fighting, usurpation, betrayal and general disharmony are exhibited.
Most of the play is then a celebration of life in the country, where after intensifying disorder, harmony is recovered.
The inhabitants of Duke Frederick's court suffer the perils of arbitrary injustice and even threats of death; the courtiers who followed the old duke into forced exile in the "desert city" of the forest are, by contrast, experiencing liberty but at the expense of some easily borne discomfort. (Act II, i). A passage between Touchstone, the court jester, and shepherd Corin establishes the contentment to be found in country life, compared with the perfumed, mannered life at court. (Act III, I). At the end of the play the usurping duke and the exiled courtier Jaques both elect to remain within the forest.[17]
Usurpation and injustice are significant themes of this play. The new Duke Frederick usurps his older brother Duke Senior, while Oliver parallels this behavior by treating his younger brother Orlando so ungenerously as to compel him to seek his fortune elsewhere. Both Duke Senior and Orlando take refuge in the forest, where justice is restored "through nature".[18]
Recovery of harmony
The ultimate recovery of harmony is marked with four weddings and a dance of harmony[19] for eight presided over by Hymen,[20] before most of the exiled court are able to return to the court and their previous stations are recovered.
Love is the central theme of As You Like It, like other romantic comedies of Shakespeare. Following the tradition of a romantic comedy, As You Like It is a tale of love manifested in its varied forms. In many of the love-stories, it is love at first sight. This principle of "love at first sight" is seen in the love-stories of Rosalind and Orlando, Celia and Oliver, as well as Phebe and Ganymede. The love-story of Audrey and Touchstone is a parody of romantic love. Another form of love is between women, as in Rosalind and Celia's deep bond.[21]
Forgiveness
The play highlights the theme of usurpation and injustice on the property of others. However, it ends happily with reconciliation and forgiveness. Duke Frederick is converted by a hermit and he restores the dukedom to Duke Senior who, in his turn, restores the forest to the deer. Oliver also undergoes a change of heart and learns to love Orlando. Thus, the play ends on a note of rejoicing and merry-making.
Envy
In this play, the universal globe, inhabited by ordinary mortals, is shown at the end as the audience liked it: happy and reconciled by love. However, the text can be seen as a pretext. "This wide and universal theatre present more woeful pageants" (II, vii, 137–138). The comedy in fact establishes a respite from the so-called War Stage.[22] "Are not these woods more free from peril than the envious court?" (II, i, 3–4).
From Oliver's description (IV, iii, 98–120), a golden green snake is instead seen by Orlando threateningly approaching the open mouth of "a wretched ragged man", tightening around his neck, "but suddenly seeing Orlando, it unlinked itself and with glides did slip away into a bush" (IV, iii, 106, 110–113). It can be deduced that with the appearance of the actor on stage, envy suddenly disappears. He who had fought like a Hercules, a hero not by chance invoked by Rosalind ("Now Hercules be thy speed", I, ii, 204–210), just before the challenge with "Charles, the wrestler", in allusion to the figure of the insign of Globe Theatre, which accompanied the presumed inscription: "Totus Mundus Agit Histrionem".[23]
Gender
Gender poses as one of the play's integral themes. While disguised as Ganymede, Rosalind also presents a calculated perception of affection that is "disruptive of [the] social norms" and "independent of conventional gender signs" that dictate women's behavior as irrational. In her book As She Likes It: Shakespeare's Unruly Women,[24] Penny Gay analyzes Rosalind's character in the framework of these gender conventions that ascribe femininity with qualities such as "graciousness, warmth ... [and] tenderness". However, Rosalind's demanding tone in her expression of emotions towards Orlando contradicts these conventions. Her disobedience to these features of femininity proves a "deconstruction of gender roles", since Rosalind believes that "the wiser [the woman is], the waywarder" she is.[24][25] By claiming that women who are wild are smarter than those who are not, Rosalind refutes the perception of women as passive in their pursuit of men.
University of Wisconsin professor Richard Knowles, the editor of the 1977 New Variorum edition of this play, in his article "Myth and Type in As You Like It",[26] pointed out that the play contains mythological references in particular to Eden and to Hercules.
Music and songs
As You Like It is known as a musical comedy because of the number of songs in the play. There are more songs in it than in any other play of Shakespeare. These songs and music are incorporated in the action that takes place in the forest of Arden, as shown below:
"Under the Greenwood tree": It summarises the views of Duke Senior on the advantages of country life over the amenities of the court. Amiens sings this song.
"Blow, blow, thou winter wind": This song is sung by Amiens. It states that physical suffering caused by frost and winter winds is preferable to the inner suffering caused by man's ingratitude.
"What shall he have that killed the deer": It is another song which adds a lively spectacle and some forest-colouring to contrast with love-talk in the adjoining scenes. it highlights the pastoral atmosphere.
"It was a lover and his lass": It serves as a prelude to the wedding ceremony. It praises spring time and is intended to announce the rebirth of nature and the theme of moral regeneration in human life. Thomas Morley is known to have set the lyrics of this song to music in the form of a lute song.[27]
Language
Use of prose
Shakespeare uses prose for about 55% of the text, with the remainder in verse.[28]Shaw affirms that as used here the prose, "brief [and] sure", drives the meaning and is part of the play's appeal, whereas some of its verse he regards only as ornament.[29] The dramatic convention of the time required the courtly characters to use verse, and the country characters prose, but in As You Like It this convention is deliberately overturned.[28] For example, Rosalind, although the daughter of a Duke and thinking and behaving in high poetic style, actually speaks in prose as this is the "natural and suitable" way of expressing the directness of her character, and the love scenes between Rosalind and Orlando are in prose (III, ii, 277).[30] In a deliberate contrast, Silvius describes his love for Phebe in verse (II, iv, 20). As a mood of a character changes, he or she may change from one form of expression to the other in mid-scene. In a metafictional touch, Jaques cuts off a prose dialogue with Rosalind because Orlando enters, using verse: "Nay then, God be wi' you, an you talk in blank verse" (IV, i, 29).[31] The defiance of convention is continued when the epilogue is given in prose.
Act II, Scene VII, Line 139, features one of Shakespeare's most famous monologues, spoken by Jaques, which begins:
All the world's a stage And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts
The arresting imagery and figures of speech in the monologue develop the central metaphor: a person's lifespan is a play in seven acts. These acts, or "seven ages", begin with "the infant/Mewling and puking in the nurse's arms" and work through six further vivid verbal sketches, culminating in "second childishness and mere oblivion,/Sans teeth, sans eyes, sans taste, sans everything".
Pastoral mode
2009 performance of the play: Touchstone and Audrey
The main theme of pastoral comedy is love in all its guises in a rustic setting, the genuine love embodied by Rosalind contrasted with the sentimentalised affectations of Orlando, and the improbable happenings that set the urban courtiers wandering to find exile, solace or freedom in a woodland setting are no more unrealistic than the string of chance encounters in the forest which provoke witty banter and which require no subtleties of plotting and character development. The main action of the first act is no more than a wrestling match, and the action throughout is often interrupted by a song. At the end, Hymen himself arrives to bless the wedding festivities.
William Shakespeare's play As You Like It clearly falls into the Pastoral Romance genre; but Shakespeare does not merely use the genre, he develops it. Shakespeare also used the Pastoral genre in As You Like It to 'cast a critical eye on social practices that produce injustice and unhappiness, and to make fun of anti-social, foolish and self-destructive behaviour', most obviously through the theme of love, culminating in a rejection of the notion of the traditional Petrarchan lovers.[32]
The stock characters in conventional situations were familiar material for Shakespeare and his audience; it is the light repartee and the breadth of the subjects that provide opportunities for wit that put a fresh stamp on the proceedings. At the centre the optimism of Rosalind is contrasted with the misogynistic melancholy of Jaques. Shakespeare would take up some of the themes more seriously later: the usurper Duke and the Duke in exile provide themes for Measure for Measure and The Tempest.
The play, turning upon chance encounters in the forest and several entangled love affairs in a serene pastoral setting, has been found, by many directors, to be especially effective staged outdoors in a park or similar site.
Performance history
Wilton House, home of Mary Sidney and the Earls of Pembroke: potentially the venue of the premiere of the play
Another performance may possibly have taken place at Wilton House in Wiltshire, the country seat of the Earls of Pembroke, where Mary Sidney is understood to have been running a kind of literary salon, her son William Herbert, 3rd Earl of Pembroke hosted James I and his Court at Wilton House from October to December 1603, while Jacobean London was suffering an epidemic of bubonic plague. The King's Men were paid £30 to come to Wilton House and perform for the King and Court on 2 December 1603. A Herbert family tradition holds that the play acted that night was As You Like It.[34]
During the English Restoration, the King's Company was assigned the play by royal warrant in 1669. It is known to have been acted at Drury Lane in 1723, in an adapted form called Love in a Forest;Colley Cibber played Jaques. Another Drury Lane production seventeen years later returned to the Shakespearean text (1740).[35]
Notable recent productions of As You Like It include the following examples:
In 2023 a company which cast Rose Ayling-Ellis, who has a hearing impairment, as Celia performed the play at @sohoplace.[37] This was the subject of a documentary on experiences of living with hearing impairment.[38]
"As You Like It." Folk dance sequence during performance at Shakespeare Tercentenary Festival in Forest Park, 5–14 June 1916
Thomas Morley (c.1557–1602) composed music for "It was a lover and his lass"; he lived in the same parish as Shakespeare, and at times composed music for Shakespeare's plays.
Roger Quilter set "Blow, Blow, Thou Winter Wind" for voice and piano (1905) in his 3 Shakespeare songs Op. 6
Florence Wickham wrote the music and lyrics for her opera Rosalind, based on As You Like It, which premiered at the open air Rockridge Theater in Carmel, New York, in August 1938.
Cleo Laine sang a jazz setting of "It was a lover and his lass" on her 1964 album "Shakespeare... and all that Jazz". The composer is credited as "Young".
Hans Werner Henze, in the first part of his sonata Royal Winter Music, which portraits Shakespearean characters, included "Touchstone, Audrey and William" as its 5th movement, in 1976.[41]
John Rutter composed a setting of "Blow, Blow, Thou Winter Wind" for chorus in 1992.
Michael John Trotta composed a setting of "Blow, Blow, Thou Winter Wind" for choir in 2013.[43]
Rush's drummer and composer Neil Peart incorporated the passage "All the world's indeed a stage / And we are merely players / Performers and portrayers / Each another's audience / Outside the gilded cage" into the lyrics for "Limelight" from their 1981 progressive rock album Moving Pictures.[44]
In 2017 The Public Theater's Public Works program presented a musical adaptation of As You Like It, with original music and lyrics by Shaina Taub.[45]
In 2018 Vancouver's Bard on the Beach introduced a musical adaptation of As You Like It, with songs by The Beatles performed by the cast.[46] The production "broke Bard box office records" and toured several other cities, returning to Vancouver in 2023.[47]
Pakistani-American composer set "Blow, Blow thou Winter Wind" to music for voice, clarinet and piano as the middle song of his 'Three Songs of Longing". (1974/2020)[citation needed]
As You Like It was Laurence Olivier's first Shakespeare film. Olivier, however, served only in an acting capacity (performing the role of Orlando), rather than producing or directing the film. J.M. Barrie, author of Peter Pan, wrote the treatment.
Made in England and released in 1936, As You Like It also starred director Paul Czinner's wife Elisabeth Bergner, who played Rosalind with a thick German accent. Although it is much less "Hollywoody" than the versions of A Midsummer Night's Dream and Romeo and Juliet made at about the same time, and although its cast was made up entirely of Shakespearean actors, it was not considered a success by either Olivier or the critics. Still, it's a visual delight with eccentric characters in an enchanting forest rife with animals: sheep, goats, peacocks, storks, a huge snake and skulking lioness.
In 2022[51]CBeebies filmed a version of the play adapted for children.[52]
Other musical work
The 1902 Broadway musical Tommy Rot used an embedded narrative device where there was a play within a play; in this case the story taking place during a production of As You Like It.[53]The Seven Doors of Danny, by Ricky Horscraft and John McCullough is based on the "Seven Ages of Man" element of the "All the world's a stage" speech and was premiered in April 2016.
Visual Arts
Contemporary art in a 2024 exhibition in Shrewsbury inspired by the play
The artist Salvador Dalí worked up and published costume and set designs for the play when it was directed by Luchino Visconti at the Teatro Eliseo in Rome in 1948.[54]
Numerous other artists have been inspired to paint the play, including:[55]
Robert Armin was an English actor, and member of the Lord Chamberlain's Men. He became the leading comedy actor with the troupe associated with William Shakespeare following the departure of Will Kempe around 1600. Also a popular comic author, he wrote a comedy, The History of the Two Maids of More-clacke, as well as Foole upon Foole, A Nest of Ninnies (1608) and The Italian Taylor and his Boy.
As You Like It is a 2006 romance film written and directed by Kenneth Branagh, and based on William Shakespeare's play of the same name. The film stars Romola Garai, Bryce Dallas Howard, Kevin Kline, Adrian Lester, Janet McTeer, Alfred Molina, David Oyelowo and Brian Blessed in a dual role.
As You Like It is a 1936 British romantic comedy film directed by Paul Czinner and starring Laurence Olivier as Orlando and Elisabeth Bergner as Rosalind. It is based on William Shakespeare's play of the same name. It was Olivier's first performance of Shakespeare on screen.
Jane Arden is an English actress and singer known for her performances in Shakespeare roles and musical theatre.
Touchstone is a fictional character in Shakespeare's play As You Like It. He is a court Jester, he was used throughout the play to both provide comic relief through sometimes vulgar humor and contrarily share wisdom, fitting the archetype of the Shakespearean fool. Oftentimes, he acts as a character who foils his surroundings, observing and mocking the events and characters of the play.
The Shakespearean fool is a recurring character type in the works of William Shakespeare.
Celia is a feminine given name of Latin origin, as well as a nickname for Cecilia, Cecelia, Celeste, or Celestina. The name is often derived from the Roman family name Caelius, thought to originate in the Latin caelum ("heaven"). Celia was popular in British pastoral literature in the seventeenth and eighteenth centuries, possibly stemming from the ruler of the House of Holiness in Edmund Spenser's epic poem The Faerie Queene or from a character in William Shakespeare's play As You Like It.
In Greek mythology, Ganymede or Ganymedes is a divine hero whose homeland was Troy. Homer describes Ganymede as the most handsome of mortals and tells the story of how he was abducted by the gods to serve as Zeus's cup-bearer in Olympus.
[Ganymedes] was the loveliest born of the race of mortals, and therefore the gods caught him away to themselves, to be Zeus' wine-pourer, for the sake of his beauty, so he might be among the immortals.
Rosalind is the heroine and protagonist of the play As You Like It (1600) by William Shakespeare. In the play, she disguises herself as a male shepherd named Ganymede. Many actors have portrayed Rosalind, including Sarah Wayne Callies, Maggie Smith, Elizabeth Bergner, Vanessa Redgrave, Helena Bonham Carter, Helen Mirren, Patti LuPone, Helen McCrory, Bryce Dallas Howard, Adrian Lester and Arabella Dulcie.
Orlando is a fictional character and one of the male leads in the comedy As You Like It (1599/1600) by William Shakespeare. Orlando is the youngest son of the deceased Old Sir Rowland de Bois, and carries a name which is the Italian version of the name "Rowland", born by his recently deceased father.
Cross-dressing as a literary motif is well attested in older literature but is becoming increasingly popular in modern literature as well. It is often associated with character nonconformity and sexuality rather than gender identity.
The following is a list of characters in William Shakespeare's As You Like It. Full play here.
Celia is one of the important characters of Shakespeare's As You Like It.
Jaques is one of the main characters in Shakespeare's As You Like It. "The melancholy Jaques", as he is known, is one of the exiled Duke Senior's noblemen who live with him in the Forest of Arden. Jaques takes no part in the unfolding of the plot, and confines himself to wry comment on the action and exchanges with his fellow characters. He has one of Shakespeare's best-known speeches, "All the world's a stage".
Love in a Wood is a 1915 British silent comedy film directed by Maurice Elvey and starring Gerald Ames, Elisabeth Risdon and Kenelm Foss. The film is a contemporary-set version of William Shakespeare's play As You Like It.
As You Like It is a 1912 American silent film based on the play of the same name by William Shakespeare. It was directed by J. Stuart Blackton, Charles Kent, and James Young, and was produced by the Vitagraph Company. The film brings stage star Rose Coghlan to the screen to costar alongside Maurice Costello. At 61 or 62 Coghlan is an older Rosalind than usual.
Laurie Woolery is a Latinx playwright, director, and educator based in New York City. She is the director of Public Works at The Public Theater and founding member of The Sol Project. In 2014 she was awarded a Fuller Road Artist Residency for Women Directors of Color. She is best known for her 2017 musical adaptation of As You Like It.
Love in a Forest is a 1723 comedy play by Charles Johnson. It is a substantial reworking of Shakespeare's As You Like It cutting out characters and passages, while borrowing from other Shakespeare plays amongst other things.
↑ "Forest of Arden". 8 February 2012. Archived from the original on 8 February 2012. Retrieved 8 July 2023.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
↑ Dolan, Frances Introduction" in Shakespeare, As You Like It. New York: Penguin Books, 2000.
↑ The Oxford Companion to English Literature, edited by Dinah Birch, Oxford University Press, 2009
↑ Lodge, Thomas (10 January 2012). Lodge's 'Rosalynde': Being the Original of Shakespeare's 'As You Like It'. HardPress Publishing. ISBN978-1-290-07302-8.
↑ Palmer, Roy (1994) [1976]. The Folklore of Warwickshire. Llanerch Press. ISBN978-1-897853-46-7.
↑ Henry V, New Cambridge Shakespeare, Cambridge University Press, page 4, 2005
↑ Act III, sc. 6, 80f. Michael Hattaway (Ed.): William Shakespeare: As You Like It. The New Cambridge Shakespeare. Cambridge University Press, Cambridge 2009, p. 174.
↑ Williamson, Marilyn L (1986). "The Comedies in Historical Context". In Habicht, Werner; etal. (eds.). Images of Shakespeare. University of Delaware Press. pp.189, 193. ISBN0-87413-329-7.
↑ Williamson, Marilyn L. (1968). "The Masque of Hymen in "As You Like It"". Comparative Drama. 2 (4): 248–258. ISSN0010-4078. JSTOR41152477.
↑ Freedman, Penelope (2007). Power and Passion in Shakespeare's Pronouns. Aldershot, England: Ashgate. p.89. ISBN978-0-7546-5830-6.
↑ "What sparked off the war was Marston's version of the anonymous satire Histriomastix [1599], in which Jonson recognised himself in the character Crysoganus, a role not to his liking" (Anna Anzi, Storia del teatro inglese dalle origini al 1660, ch. III, Einaudi, Turin 1977, p. 151).
↑ Ezio Fiorillo, Shakespeare's Globe. As You Like It, aut Enim Interpretari Placet, translation by Jackie Little, All'insegna del Matamoros, Algua (Bergamo) 2013. Digital edition. ISBN978-88-907489-2-9. This analysis of the book seeks to point out how the underlying intent of the play's production was to represent an allegorical parade ('pageant') of the entire London theatrical community. Original title: Shakespeare's Globe. As You Like It, o Come mi piace interpretare. All'insegna del Matamoros, Milan 1999. ISBN978-88-907489-0-5.
1 2 Bate, Jonathan; Rasmussen, Eric (2010). As You Like It. Basingstoke, England: Macmillan. p.10. ISBN978-0-230-24380-4. Reversing dramatic convention, it is the courtly characters who speak prose and the shepherds who court in verse.
↑ Shaw, George Bernard (1897). "Shaw on Shakespeare". In Tomarken, Edward (ed.). As You Like It from 1600 to the Present: Critical Essays. New York: Routledge. pp.533–534. ISBN0-8153-1174-5.
↑ Gentleman, Francis (1770). "The dramatic censor; or, critical companion". In Tomarken, Edward (ed.). As You Like It from 1600 to the Present: Critical Essays. New York: Routledge. p.232. ISBN0-8153-1174-5.
↑ Kane, Tyler (23 April 2012). "10 Great Shakespeare-Inspired Songs". Paste. Archived from the original on 23 April 2021. Retrieved 10 May 2022. ...in its heyday of 1981 the band wrote a song about battling with success. "Limelight", opens up with a paraphrase of a speech in Shakespeare's As You Like It. The lyrics, which were written by the quiet-but-undeniably-smart drummer Neil Peart, came after the band's success with albums like 2112 and Permanent Waves.
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