Eric Rasmussen | |
---|---|
Born | July 6, 1960 |
Nationality | American |
Occupation | Academic, scholar and author |
Spouse(s) | Victoria Hines |
Awards | F. Donald Tibbitts Distinguished Teacher Award, University of Nevada Three-time winner of the Falstaff Award for Best Shakespearean Publication of the Year Book of the Year Awards from The Times Literary Supplement and History Today |
Academic background | |
Education | B.A., English M.A., English Ph.D., English |
Alma mater | Grinnell College The University of Chicago |
Academic work | |
Institutions | University of Nevada |
Eric Rasmussen is an American scholar,academic and author. He is Regents Teaching Professor and Foundation Professor of English at the University of Nevada. [1]
Rasmussen's scholarship is focused on the work of Shakespeare. He has authored numerous books and editions,including The Shakespeare Thefts:In Search of the First Folios (2011). [2]
Rasmussen is the co-editor of the Royal Shakespeare Company’s Complete Works of William Shakespeare (2007) and The Norton Anthology of English Renaissance Drama (2002) as well as editions for the Arden Shakespeare,Oxford's World's Classics,the Revels Plays,the Malone Society,and The Cambridge Edition of the Works of Ben Jonson. His authentication of a newly-discovered Shakespeare First Folio in 2014 garnered a lot of attention,in the wake of which The Washington Post called him "the Robert Langdon of the Shakespearean world". [3]
Rasmussen is a general editor of The New Variorum Shakespeare and The Stanford Global Shakespeare Encyclopedia. He has served on the Board of Trustees of the Shakespeare Association of America and on the Council of the Malone Society. Rasmussen wrote the annual review of editions and textual studies for Cambridge University Press's Shakespeare Survey from 1999 to 2010. [1]
Rasmussen graduated with honors in English from Grinnell College in 1982. He then studied Renaissance Literature and Textual Studies at the University of Chicago and received his Master's and Doctoral degrees in 1983 and 1990,respectively. [1]
Rasmussen held a brief visiting appointment at the University of Tulsa before joining the University of Nevada's Department of English as an assistant professor in 1994. He was promoted to associate professor in 1996,and to Professor in 2003. In 2013,he was appointed as a Foundation Professor of English. In 2008,he was appointed Chair of the English Department at the university,a position he held until 2018 when he was appointed Interim Chair of the Department of Philosophy. [1]
Rasmussen's scholarship is focused on the work of Shakespeare. He has authored and edited numerous books revolving around Shakespeare and English Renaissance literature. His earliest publications,the Revels Plays edition of Christopher Marlowe's Doctor Faustus,co-edited with David Bevington,and A Textual Companion to Doctor Faustus appeared in the early 1990s. The latter was reviewed by Colin Wilcockson,who noted that "Rasmussen demonstrates the reversibility of many arguments about original text/memorial construction." [4]
Rasmussen,along with Sir Jonathan Bate edited the Royal Shakespeare Company's Complete Works of William Shakespeare,which was published in 2007. A review in The New York Times observed that "two eminent Shakespeareans,Jonathan Bate and Eric Rasmussen,have applied modern editing techniques and recent scholarship to correct and update the First Folio". [5] According to a review in The Guardian,"thanks to Bate and Rasmussen,we now have a rendering of The Complete Works that,in a rare publishing achievement,would also give complete satisfaction to the author himself". [6] The edition received the Falstaff Award for Best Shakespearean Publication of the Year in 2007 and was translated into Chinese.
The book also gathered various mixed reviews including one in Shakespeare Quarterly stating that the "claims made about the project,with respect to both the text and the RSC,are not persuasive. In the end,the whole enterprise is less exciting and less exacting than it might have been”. [7]
In 2011,Rasmussen published his book The Shakespeare Thefts:In Search of the First Folios,which was reviewed as "light and lively" and "a highly accessible read". According to Eleanor Brown,"you don’t have to be a Shakespeare fan or a rare book expert to enjoy The Shakespeare Thefts:In Search of the First Folios". [8] Another review stated that "the author also provides a terrific appendix,which readers should not skip,that tells how Elizabethans printed books and how the First Folio came to be." [9] According to Jeremy Dibbell,"the idea behind The Shakespeare Thefts—to profile stolen copies of the First Folio—is a fantastic one,and Rasmussen is at his best when doing just that". [10]
Rasmussen co-edited William Shakespeare &Others:Collaborative Plays' with Sir Jonathan Bate,which was published in 2013. The book was the recipient of Falstaff Award for Best Shakespearean Publication of the Year in 2013 [11] and gathered various reviews. According to Diana E. Henderson from MIT,"the volume in its entirety is valuable for its provocations and perceptions as well as the collected plays therein" and that "Rasmussen's modern-spelling editions will help plays such as the once wildly popular Mucedorus gain a new readership". [12]
A review in Australian Book Review stated that "this view of Shakespeare as a remote and solitary genius scarcely matches the known evidence". [13] Rasmussen's book has also been reviewed by The Wall Street Journal [14] and The Washington Post . [15]
In 2014,Rasmussen along with Lars Engle published the book,Studying Shakespeare's Contemporaries:A Guide to the Major Plays of the Renaissance. According to Michael D. Bristol,"Studying Shakespeare's Contemporaries explores many of the anthologized plays in broader thematic contexts that correlate nicely with the state of the art in contemporary Shakespeare interpretation and criticism". [16]
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England, they were classified as "histories" in the First Folio. The Roman tragedies—Julius Caesar, Antony and Cleopatra and Coriolanus—are also based on historical figures, but because their sources were foreign and ancient they are almost always classified as tragedies rather than histories. Shakespeare's romances were written late in his career and published originally as either tragedy or comedy. They share some elements of tragedy, insofar as they feature a high-status central character, but they end happily like Shakespearean comedies. Almost three centuries after Shakespeare's death, the scholar F. S. Boas also coined a fifth category, the "problem play," for plays that do not fit neatly into a single classification because of their subject matter, setting, or ending. The classifications of certain Shakespeare plays are still debated among scholars.
Titus Andronicus is a tragedy by William Shakespeare believed to have been written between 1588 and 1593, probably in collaboration with George Peele. It is thought to be Shakespeare's first tragedy and is often seen as his attempt to emulate the violent and bloody revenge plays of his contemporaries, which were extremely popular with audiences throughout the 16th century.
The Winter's Tale is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's "problem plays" because the first three acts are filled with intense psychological drama, while the last two acts are comic and supply a happy ending.
James Orchard Halliwell-Phillipps was an English Shakespearean scholar, antiquarian, and a collector of English nursery rhymes and fairy tales.
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.
The Shakespeare apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is separate from the debate on Shakespearean authorship, which addresses the authorship of the works traditionally attributed to Shakespeare.
Mr. William Shakespeare's Comedies, Histories, & Tragedies is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published.
Stephen Booth was a professor of English literature at the University of California, Berkeley. He was a leading Shakespearean scholar.
Sir Walter Wilson Greg, known professionally as W. W. Greg, was one of the leading bibliographers and Shakespeare scholars of the 20th century.
Sir Andrew Jonathan Bate, CBE, FBA, FRSL, is a British academic, biographer, critic, broadcaster, poet, playwright, novelist and scholar. He specialises in Shakespeare, Romanticism and Ecocriticism. He is Foundation Professor of Environmental Humanities in a joint appointment of the College of Liberal Arts, the School of Sustainability and the Global Futures Laboratory at Arizona State University, as well as a Senior Research Fellow at Worcester College in the University of Oxford, where he holds the title of Professor of English Literature. From 2017 to 2019 he was Gresham Professor of Rhetoric in the City of London. Until September 2019 he was Provost of Worcester College, Oxford. He was knighted in 2015 for services to literary scholarship and higher education. The citation described him as "a true Renaissance man."
John Dover Wilson CH was a professor and scholar of Renaissance drama, focusing particularly on the work of William Shakespeare. Born at Mortlake, he attended Lancing College, Sussex, Gonville and Caius College, Cambridge and taught at King's College London before becoming Regius Professor of English literature at the University of Edinburgh.
Shakespeare's plays are a canon of approximately 39 dramatic works written by English poet, playwright, and actor William Shakespeare. The exact number of plays—as well as their classifications as tragedy, history, or comedy—is a matter of scholarly debate. Shakespeare's plays are widely regarded as being among the greatest in the English language and are continually performed around the world. The plays have been translated into every major living language.
A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or, alternatively, written down later from memory by an actor or group of actors in the cast – the latter process has been termed "memorial reconstruction". Since the quarto derives from a performance, hence lacks a direct link to the author's original manuscript, the text would be expected to be "bad", i.e. to contain corruptions, abridgements and paraphrasings.
A crux is a textual passage that is corrupted to the point that it is difficult or impossible to interpret and resolve. Cruxes are studied in palaeography, textual criticism, bibliography, and literary scholarship. A crux is more serious or extensive than a simple slip of the pen or typographical error. The word comes from Latin crux, Latin for "cross", used metaphorically as a difficulty that torments one. Cruxes occur in a wide range of pre-modern texts, printed and manuscript.
Shakespeare's editors were essential in the development of the modern practice of producing printed books and the evolution of textual criticism.
Simon Palfrey is an English Scholar at Oxford University and a Fellow in English at Brasenose College, Oxford University. He specialises in Shakespeare and Renaissance literature.
The Arden Shakespeare is a long-running series of scholarly editions of the works of William Shakespeare. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and full commentaries. There have been three distinct series of The Arden Shakespeare over the past century, with the third series commencing in 1995 and concluding in January 2020. Arden was the maiden name of Shakespeare's mother, Mary, but the primary reference of the enterprise's title is named after the Forest of Arden, in which Shakespeare's As You Like It is set.
Shakespeare attribution studies is the scholarly attempt to determine the authorial boundaries of the William Shakespeare canon, the extent of his possible collaborative works, and the identity of his collaborators. The studies, which began in the late 17th century, are based on the axiom that every writer has a unique, measurable style that can be discriminated from that of other writers using techniques of textual criticism originally developed for biblical and classical studies. The studies include the assessment of different types of evidence, generally classified as internal, external, and stylistic, of which all are further categorised as traditional and non-traditional.
The authorship of Titus Andronicus has been debated since the late 17th century. Titus Andronicus, probably written between 1588 and 1593, appeared in three quarto editions from 1594 to 1601 with no named author. It was first published under William Shakespeare's name in the 1623 First Folio of his plays. However, as with some of his early and late plays, scholars have long surmised that Shakespeare might have collaborated with another playwright. Other plays have also been examined for evidence of co-authorship, but none has been as closely scrutinised or as consistently questioned than Titus. The principal contender for the co-authorship is George Peele.
The RSC Shakespeare is a 2007 collected edition of the plays and poetry of William Shakespeare. It contains 38 plays, two narrative poems, two shorter poems, the 154 Sonnets, and a transcription of a scene from Sir Thomas More, as well as a general introduction, annotations, and various appendices. Edited by Jonathan Bate and Eric Rasmussen, its primary source is Mr William Shakespeares Comedies, Histories, & Tragedies, more commonly known as the First Folio.