- Alma Mater at the University of Havana
- Alma Mater by Cyrus Dallin at Mary Institute and St. Louis Country Day School
- Alma Mater altarpiece mural by Eugene Savage at Yale University (1932)
Alma mater (Latin: alma mater ; pl.: almae matres) is an allegorical Latin phrase meaning 'nourishing mother'. It personifies a school that a person has attended or graduated from. [1] [2] [3] The term is related to alumnus , literally meaning 'nursling', which describes a school graduate. [4]
In its earliest usage, alma mater was an honorific title for various mother goddesses, especially Ceres or Cybele. [5] Later, in Catholicism, it became a title for Mary, mother of Jesus. By the early 17th century, the nursing mother became an allegory for universities. Used by many schools in Europe and North America, it has special association with the University of Bologna, whose motto Alma Mater Studiorum ("nurturing mother of studies") emphasizes its role in originating the modern university.
Several university campuses in North America have artistic representations of alma mater, depicted as a robed woman wearing a laurel wreath crown.
Although alma (nourishing) was a common epithet for Ceres, Cybele, Venus, and other mother goddesses, it was not frequently used in conjunction with mater in classical Latin. [6] In the Oxford Latin Dictionary , the full phrase's origin is attributed to De rerum natura , in which Lucretius uses the term as an epithet for an unnamed earth goddess:
Denique caelesti sumus omnes semine oriundi
omnibus ille idem pater est, unde alma liquentis
umoris guttas mater cum terra recepit (2.991–993) [7]
We are all sprung from that celestial seed,
all of us have same father, from whom earth,
the nourishing mother, receives drops of liquid moisture
After the fall of Rome, the term was used in Christian liturgy to describe Jesus' mother, Mary. "Alma Redemptoris Mater" is a well-known eleventh century antiphon devoted to Mary. [6]
The earliest documented use of the term to refer to a university is in 1600, when the University of Cambridge printer, John Legate, began using an emblem for the university press. [8] [9] The first-known appearance of the device is on the title-page of a book by William Perkins, A Golden Chain, where the Latin phrase Alma Mater Cantabrigia ("nourishing mother Cambridge") is inscribed on a pedestal bearing a lactating woman wearing a mural crown. [10] [11]
In reference works of English etymology, often the first university-related usage is cited as 1710, when an academic mother figure is mentioned in a remembrance of Henry More by Richard Ward. [12] [13]
Many historic European universities have adopted Alma Mater as part of the Latin translation of their official name. The Latin name of the University of Bologna, Alma Mater Studiorum (nourishing mother of studies), refers to its status as the oldest continuously operating university in the world. At other European universities, such as the Alma Mater Lipsiensis in Leipzig, Germany, or Alma Mater Jagiellonica, Poland, the title emphasizes historic ties to a founding city or dynasty.
The Alma Mater Europaea in Salzburg, Austria, an international university founded by the European Academy of Sciences and Arts in 2010, uses the term as its official name.
In the United States, the College of William & Mary in Williamsburg, Virginia, has been called the "Alma Mater of the Nation" because of its ties to the founding of the country. [14]
At Queen's University in Kingston, Ontario, and the University of British Columbia in Vancouver, British Columbia, the main student government is known as the Alma Mater Society.
Modern sculptures of Alma Mater are found on several North American university campuses. In 1901, a bronze statue of Alma Mater by Daniel Chester French was installed of steps of Columbia University's Low Library. A similar sculpture, cast in 1919 by Mario Korbel, sits on the main entrance steps at the University of Havana. [15] Later American tributes to alma mater include Lorado Taft's 1929 sculpture at the University of Illinois Urbana-Champaign and Cyrus Dallin's 1925 sculpture at the Mary Institute in 1925, commissioned by Washington University supporters.
An altarpiece mural in Yale University's Sterling Memorial Library, painted in 1932 by Eugene Savage, depicts the Alma Mater as a bearer of light and truth, standing in the midst of figures representing the arts and sciences.
Titus Lucretius Carus was a Roman poet and philosopher. His only known work is the philosophical poem De rerum natura, a didactic work about the tenets and philosophy of Epicureanism, which usually is translated into English as On the Nature of Things—and somewhat less often as On the Nature of the Universe. Very little is known about Lucretius's life; the only certainty is that he was either a friend or client of Gaius Memmius, to whom the poem was addressed and dedicated. De rerum natura was a considerable influence on the Augustan poets, particularly Virgil and Horace. The work was almost lost during the Middle Ages, but was rediscovered in 1417 in a monastery in Germany by Poggio Bracciolini and it played an important role both in the development of atomism and the efforts of various figures of the Enlightenment era to construct a new Christian humanism.
Cybele is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük. She is Phrygia's only known goddess, and was probably its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant western Greek colonies around the 6th century BC.
In ancient Roman religion, Ceres was a goddess of agriculture, grain crops, fertility and motherly relationships. She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular Ludi Ceriales. She was also honoured in the May lustration (lustratio) of the fields at the Ambarvalia festival: at harvesttime: and during Roman marriages and funeral rites. She is usually depicted as a mature woman.
De rerum natura is a first-century BC didactic poem by the Roman poet and philosopher Lucretius with the goal of explaining Epicurean philosophy to a Roman audience. The poem, written in some 7,400 dactylic hexameters, is divided into six untitled books, and explores Epicurean physics through poetic language and metaphors. Namely, Lucretius explores the principles of atomism; the nature of the mind and soul; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The universe described in the poem operates according to these physical principles, guided by fortuna ("chance"), and not the divine intervention of the traditional Roman deities.
In ancient Roman religion and mythology, Tellus Mater or Terra Mater is the personification of the Earth. Although Tellus and Terra are hardly distinguishable during the Imperial era, Tellus was the name of the original earth goddess in the religious practices of the Republic or earlier. The scholar Varro (1st century BC) lists Tellus as one of the di selecti, the twenty principal gods of Rome, and one of the twelve agricultural deities. She is regularly associated with Ceres in rituals pertaining to the earth and agricultural fertility.
Lorado Zadok Taft was an American sculptor, writer and educator. Part of the American Renaissance movement, his monumental pieces include, Fountain of Time, Spirit of the Great Lakes, and The Eternal Indian. His 1903 book, The History of American Sculpture, was the first survey of the subject and stood for decades as the standard reference. He has been credited with helping to advance the status of women as sculptors.
Mother Nature is a personification of nature that focuses on the life-giving and nurturing aspects of nature by embodying it, in the form of a mother or mother goddess.
Numen is a Latin term for "divinity", "divine presence", or "divine will". The Latin authors defined it as follows: Cicero writes of a "divine mind", a god "whose numen everything obeys", and a "divine power" "which pervades the lives of men". It causes the motions and cries of birds during augury. In Virgil's recounting of the blinding of the one-eyed giant, Polyphemus, from the Odyssey, in his Aeneid, he has Odysseus and his men first "ask for the assistance of the great numina". Reviewing public opinion of Augustus on the day of his funeral, the historian Tacitus reports that some thought "no honor was left to the gods" when he "established the cult of himself" "with temples and the effigies of numina". Pliny the Younger in a letter to Paternus raves about the "power", the "dignity", and "the majesty"; in short, the "numen of history". Lucretius uses the expression numen mentis, or "bidding of the mind", where "bidding" is numen, not, however, the divine numen, unless the mind is to be considered divine, but as simply human will.
Alma mater is an allegorical Latin phrase for a university or college.
Lacrimae rerum is the Latin phrase for "tears of things." It derives from Book I, line 462 of the Aeneid, by Roman poet Virgil. Some recent quotations have included rerum lacrimae sunt or sunt lacrimae rerum meaning "there are tears of things."
Catius was an Epicurean philosopher, identified ethnically as an Insubrian Celt from Gallia Transpadana. Epicurean works by Amafinius, Rabirius, and Catius were the earliest philosophical treatises written in Latin. Catius composed a treatise in four books on the physical world and on the highest good. Cicero credits him, along with the lesser prose stylist Amafinius, with writing accessible texts that popularized Epicurean philosophy among the plebs, or common people.
The Hilaria were ancient Roman religious festivals celebrated on the March equinox to honor Cybele.
The Alma Mater, a bronze statue by sculptor Lorado Taft, is a beloved symbol of the University of Illinois Urbana-Champaign. The 10,000-pound statue depicts a mother-figure wearing academic robes and flanked by two attendant figures representing "Learning" and "Labor", after the university's motto "Learning and Labor." Sited at the corner of Green and Wright Streets at the heart of the campus, the statue is an iconic figure for the university and a popular backdrop for student graduation photos. It is appreciated for its romantic, heraldic overtones and warmth of pose. The statue was removed from its site at the entrance to the university for restoration in 2012 and was returned to its site in the spring of 2014.
Alumni are former students or graduates of a school, college, or university. The feminine plural alumnae is sometimes used for groups of women, and alums or alumns as gender-neutral alternatives. The word comes from Latin, meaning nurslings, pupils or foster children, derived from alere "to nourish".
Don Paul Fowler was an English classicist.
In the Iliad, Iphianassa is an obscure and controversial daughter of Agamemnon and Clytaemnestra, sister to Laodice and Chrysothemis, sometimes considered identical to Iphigeneia.
Edward John Kenney,, usually known as E. J. Kenney, was a British Latinist who served as the Kennedy Professor of Latin until his retirement in 1984. Specialising in transmission and textual criticism, he was considered a leading expert on the work of Ovid and Lucretius. He spent the majority of his career at Cambridge University, where he was an emeritus fellow of Peterhouse until his death in 2019.
Cyril Bailey, CBE, FBA was an English classicist. He was a fellow and tutor at Balliol College, Oxford, from 1902 to 1939.
Alma Mater (1916) is a three-figure sculpture by Cyrus E. Dallin in the Mary Institute and St. Louis Country Day School in Ladue, Missouri that was known as one of his more prominent works at the time and is considered to be among his finest achievements by Kent Ahrens. The sculpture is made of cast bronze and sits on a pediment of pink Tennessee marble with a stone backing that has two ionic pilasters supporting an arching molding. The backing panel also has a bas relief profile portrait of the honoree, Professor Edmund Sears, that is partially obstructed by the bronze figures.