A mother goddess is a major goddess characterized as a mother or progenitor, either as an embodiment of motherhood and fertility or fulfilling the cosmological role of a creator- and/or destroyer-figure, typically associated the Earth, sky, and/or the life-giving bounties thereof in a maternal relation with humanity or other gods. When equated in this lattermost function with the earth or the natural world, such goddesses are sometimes referred to as the Mother Earth or Earth Mother, deity in various animistic or pantheistic religions. [ citation needed ] The earth goddess is archetypally the wife or feminine counterpart of the Sky Father or Father Heaven, particularly in theologies derived from the Proto-Indo-European sphere (i.e. from Dheghom and Dyeus). In some polytheistic cultures, such as the Ancient Egyptian religion which narrates the cosmic egg myth, the sky is instead seen as the Heavenly Mother or Sky Mother as in Nut and Hathor, and the earth god is regarded as the male, paternal, and terrestrial partner, as in Osiris or Geb who hatched out of the maternal cosmic egg.
Between 1961 and 1965 James Mellaart led a series of excavations at Çatalhöyük, north of the Taurus Mountains in a fertile agricultural region of South-Anatolia. Striking were the many statues found here, which Mellaart suggested represented a Great goddess, who headed the pantheon of an essentially matriarchal culture. A seated female figure, flanked by what Mellaart describes as lionesses, was found in a grain-bin; she may have intended to protect the harvest and grain. [1] He considered the sites as shrines, with especially the Seated Woman of Çatalhöyük capturing the imagination. There was also a large number of sexless figurines, which Mellaart regarded as typical for a society dominated by women: Emphasis on sex in art is invariably connected with male impulse and desire. [2] The idea that there could have been a matriarchy and a cult of the mother goddess was supported by archaeologist Marija Gimbutas. This gave rise to a modern cult of the Mother Goddess with annual pilgrimages being organized at Çatalhöyük. [3]
Since 1993, excavations were resumed, now headed by Ian Hodder with Lynn Meskell as head of the Stanford Figurines Project that examined the figurines of Çatalhöyük. This team came to different conclusions than Gimbutas and Mellaart. Only a few of the figurines were identified as female and these figurines were found not so much in sacred spaces, but seemed to have been discarded randomly, sometimes in garbage heaps. This rendered a cult of the mother goddess in this location as unlikely. [4] [lower-alpha 1]
In Egyptian mythology, sky goddess Nut is sometimes called "Mother" because she bore stars and Sun god. Nut was thought to draw the dead into her star-filled sky, and refresh them with food and wine. [5]
In Kongo religion, the Sky Mother, Nzambici, was the female counterpart of the Sky Father and Solar god, Nzambi Mpungu. Originally, they were seen as one spirit with one half male and the other half female. After the introduction of Christianity to Central Africa, the description of Nzambi changed to Creator God and Nzambici to his wife, "God the essence, the god on earth, the great princess, the mother of all the animals, and the mystery of the Earth." [6] [7]
In Hinduism, Saraswati, Lakshmi, Radha, Parvati, Durga and other goddesses represents both the feminine aspect and the shakti (power) of the supreme being known as the Brahman. [8] The divine mother goddess, manifests herself in various forms, representing the universal creative force. [9] She becomes Mother Nature (Mula Prakriti), who gives birth to all life forms and nourishes them through her body. Ultimately she re-absorbs all life forms back into herself, or "devours" them to sustain herself as the power of death feeding on life to produce new life. She also gives rise to Maya (the illusory world) and to prakriti, the force that galvanizes the divine ground of existence into self-projection as the cosmos.[ citation needed ]
The Shakti sect is strongly associated with Samkhya, and Tantra Hindu philosophies and ultimately, is monist. [10] The primordial feminine creative-preservative-destructive energy, Shakti, is considered to be the motive force behind all action and existence in the phenomenal cosmos. The cosmos itself is purusha, the unchanging, infinite, immanent, and transcendent reality that is the divine ground of all being, the "world soul". This masculine potential is actualized by feminine dynamism, embodied in multitudinous goddesses who are ultimately all manifestations of the one great mother. Shakti, herself, can free the individual from demons of ego, ignorance, and desire that bind the soul in maya (illusion). Practitioners of the Tantric tradition focus on Shakti to free themselves from the cycle of karma.[ citation needed ]
The worship of the mother deity can be traced back to early Vedic culture. The Rigveda calls the divine female power Mahimata (R.V. 1.164.33) which means "great mother".[ citation needed ]
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Although no Mother Goddess exists in Christianity, both the Catholic Church and the Orthodox Church revere Virgin Mary as the Mother of God, a rendering of Theotokos and Deipara since the Ecumenical Council of Ephesus in 431 AD, and disregard Protestant objections to Marian devotion. She is regarded as "Our Mother", the Blessed Mother , or the Holy Mother as she gave birth to Jesus Christ, since Christians alike refer to themselves as "Brothers and Sisters in Christ". There is a Pater Noster but no equivalent Mater Nostra, however the Hail Mary and the Sub Tuum Praesidium have been popular forms of prayer and praise to Virgin Mary for many centuries. Some may perceive a parallel in calling Mary "Our Mother" and the Almighty Yahweh as "Our Father". In contrast to the Pagan notion of a fertility goddess, Mary is both the Perpetual Virgin and the Mother of God at the same time, she is not considered the "Heavenly Mother" in reference to God the Father or the "Heavenly Father" as her consort. St Mary has never been referred to as a goddess in the Gospel's accounts of the Annunciation, Wedding at Cana, or the Magnificat. Since the Apostolic age the church has believed that Mary entered heaven alive after her death and subsequent resurrection, known as the Assumption in the west and the Dormition in the east. As the foremost saint, some Christians believe she continues to supernaturally intervene in the world through Marian apparitions (Our Lady of Velankanni), Marian shrines (Our Lady of Zeitoun) and Marian devotions (Our Lady of the Rosary). According to Mariology and Scholasticism branches of study, though Mary is venerated as the foremost saint, she is still a creature and never viewed as an equal of the Triune God who is the Creator.
In pre-Islamic Arabia, Collyridians were an unorthodox Christian denomination who reportedly worshipped Virgin Mary by making burnt offerings of dough to her. Ancient Christians viewed the Collyridians as heretics, holding that Mary was only to be honoured, and not to be worshipped like the God-man of Christianity. [11] [ better source needed ]
In the Latter Day Saint movement, particularly the Church of Jesus Christ of Latter-day Saints, many adherents believe in a Heavenly Mother as the wife of God the Father. [12] They are collectively referred to as Heavenly Parents. [13] The theology varies, however, according to the Latter Day Saint denomination. [14] Some believe in multiple Heavenly Mothers married to one Heavenly Father in a polygynous relationship. [14] [15] [16]
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Zahng Gil-jah is a South Korean woman, by the World Mission Society Church of God believed to be “God the Mother” (Korean : 어머니 하나님; RR : Eomeoni Hananim; Korean pronunciation: [ʌmʌɲihanaɲim] ). [17] Church members may also call her “New Jerusalem Mother”, “Mother Jerusalem”, or “Heavenly Mother”. [18] [19]
In Theosophy, the Earth goddess is called the "Planetary Logos of Earth".
The Mother Goddess, or Great Goddess, is a composite of various feminine deities from past and present world cultures, worshiped by modern Wicca and others broadly known as Neopagans. She is considered sometimes identified as a Triple Goddess, who takes the form of Maiden, Mother, and Crone archetypes. She is described as Mother Earth, Mother Nature, or the Creatress of all life. She is associated with the full moon and stars, the Earth, and the sea. In Wicca, the Earth Goddess is sometimes called Gaia. [20] The name of the mother goddess varies depending on the Wiccan tradition. English historian Ronald Hutton, however, has forcefully stated that any use of the term "Mother-Goddess" can be accounted for, and disregarded, as the scholars and mythographers' own projection of the Virgin Mary onto the evidence and source data. [21] More recently Hutton was criticized in a review for ignoring the evidence of numerous goddesses identified as either mothers or both virgin and mother in pre-Christian antiquity, in addition to providing no evidence or secondary citations with which to substantiate his own position. [22]
Carl Gustav Jung suggested that the archetypal mother was a part of the collective unconscious of all humans; various adherents of Jung, most notably Erich Neumann and Ernst Whitmont, have argued that such an archetype underpins many of its own mythologies and may even precede the image of the paternal "father." Such speculations help explain the universality of such mother goddess imagery around the world.
The Upper Paleolithic Venus figurines have been sometimes explained as depictions of an Earth Goddess similar to Gaia. [23]
In the Baha'i Faith, Baha'u'llah uses the Mother as an attribute of God: "And when He Who is well-grounded in all knowledge, He Who is the Mother, the Soul, the Secret, and the Essence thereof, revealeth that which is the least contrary to their desire, they bitterly oppose Him and shamelessly deny Him.". [24] Baha'u'llah further writes that "Every single letter proceeding out of the mouth of God is indeed a Mother Letter, and every word uttered by Him Who is the Well Spring of Divine Revelation is a Mother Word, and His Tablet a Mother Tablet." [25]
There is difference of opinion between the academic and the popular conception of the term Mother goddess. The popular view is mainly driven by the Goddess movement and reads that primitive societies initially were matriarchal, worshipping a sovereign, nurturing, motherly earth goddess. This was based upon the nineteenth-century ideas of unilineal evolution of Johann Jakob Bachofen. According to the academic view, however, both Bachofen and the modern Goddess theories are a projection of contemporary world views on ancient myths, rather than attempting to understand the mentalité of that time. [26] [lower-alpha 2] [27] [lower-alpha 3] Often this is accompanied by a desire for a lost civilization from a bygone era that would have been just, peaceful, and wise. [28] [lower-alpha 4] However, it is highly unlikely that such a civilization ever existed. [28] [lower-alpha 5]
For a long time, feminist authors claimed that these peaceful, matriarchal agrarian societies were exterminated or subjugated by nomadic, patriarchal warrior tribes. An important contribution to this was that of archaeologist Marija Gimbutas. Her work in this field has been questioned. [29] [lower-alpha 6] Among feminist archaeologists this vision is nowadays also considered highly controversial. [30] [lower-alpha 7] [31] [lower-alpha 8]
Since the 1960s, especially in popular culture, the alleged worship of the mother goddess and the social position that women in prehistoric societies supposedly assumed, were linked. This made the debate a political one. According to the goddess movement, the current male-dominated society should return to the egalitarian matriarchy of earlier times (though a matriarchy is not an egalitarian society, but a female-dominated one). That this form of society ever existed was supposedly supported by many figurines that were found.
In academic circles, this prehistoric matriarchy is considered unlikely. Firstly, worshiping a mother goddess does not necessarily mean that women ruled society. [32] [lower-alpha 9] In addition, the figurines can also portray ordinary women or goddesses, and it is unclear whether there really ever was a mother goddess. [33] [34] [lower-alpha 10] [35] [lower-alpha 11]
Çatalhöyük is a tell of a very large Neolithic and Chalcolithic proto-city settlement in southern Anatolia, which existed from approximately 7500 BC to 6400 BC and flourished around 7000 BC. In July 2012, it was inscribed as a UNESCO World Heritage Site.
Feminist theology is a movement found in several religions, including Buddhism, Hinduism, Sikhism, Neopaganism, Baháʼí Faith, Judaism, Islam, Christianity and New Thought, to reconsider the traditions, practices, scriptures, and theologies of those religions from a feminist perspective. Some of the goals of feminist theology include increasing the role of women among clergy and religious authorities, reinterpreting patriarchal (male-dominated) imagery and language about God, determining women's place in relation to career and motherhood, studying images of women in the religions' sacred texts, and matriarchal religion.
A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility. Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods.
Marija Gimbutas was a Lithuanian archaeologist and anthropologist known for her research into the Neolithic and Bronze Age cultures of "Old Europe" and for her Kurgan hypothesis, which located the Proto-Indo-European homeland in the Pontic Steppe.
Matriarchy is a social system in which positions of responsibility, dominance and privilege are held by women. In a broader sense it can also extend to moral authority, social privilege, and control of property. While those definitions apply in general English, definitions specific to anthropology and feminism differ in some respects. Most anthropologists hold that there are no known societies that are unambiguously matriarchal.
When God Was a Woman is the U.S. title of a 1976 book by sculptor and art historian Merlin Stone. It was published earlier in the United Kingdom as The Paradise Papers: The Suppression of Women's Rites. It has been translated into French as Quand Dieu était femme in 1978, into Dutch as Eens was God als Vrouw belichaamd – De onderdrukking van de riten van de vrouw in 1979, into German as Als Gott eine Frau war in 1989 and into Italian as Quando Dio era una donna in 2011.
The Triple Goddess is a deity or deity archetype revered in many Neopagan religious and spiritual traditions. In common Neopagan usage, the Triple Goddess is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon, and often rules one of the realms of heavens, earth, and underworld. In various forms of Wicca, her masculine consort is the Horned God.
Johann Jakob Bachofen was a Swiss antiquarian, jurist, philologist, anthropologist, and professor of Roman law at the University of Basel from 1841 to 1844.
The Goddess movement is a revivalistic Neopagan religious movement which includes spiritual beliefs and practices that emerged predominantly in the Western world during the 1970s. The movement grew as a reaction both against Abrahamic religions, which exclusively have gods who are referred to using masculine grammatical articles and pronouns, and secularism. It revolves around Goddess worship and the veneration for the divine feminine, and may include a focus on women or on one or more understandings of gender or femininity.
The First Sex is a 1971 book by the American librarian Elizabeth Gould Davis, considered part of the second wave of feminism. In the book, Gould Davis aimed to show that early human society consisted of matriarchal "queendoms" based around worship of the "Great Goddess", and characterised by pacifism and democracy. Gould Davis argued that the early matriarchal societies attained a high level of civilization, which was largely wiped out as a result of the "patriarchal revolution". She asserted that patriarchy introduced a new system of society, based on property rights rather than human rights, and worshipping a stern and vengeful male deity instead of the caring and nurturing Mother Goddess.
The roots of Shaktism – a Hindu denomination that focuses worship upon Shakti or Devi, the Hindu Divine Mother – penetrate deeply into India's prehistory. The Devi's earliest known appearance in Indian Paleolithic settlements is believed to go back more than 8000 years ago.
The Myth of Matriarchal Prehistory: Why An Invented Past Will Not Give Women a Future is a 2000 book by Cynthia Eller that seeks to deconstruct the theory of a prehistoric matriarchy. This hypothesis, she says, developed in 19th century scholarship and was taken up by 1970s second-wave feminism following Marija Gimbutas. Eller, a retired professor of religious studies at Claremont Graduate University, argues in the book that this theory is mistaken and its continued defence is harmful to the feminist agenda.
A matriarchal religion is a religion that emphasizes a goddess or multiple goddesses as central figures of worship and spiritual authority. The term is most often used to refer to theories of prehistoric matriarchal religions that were proposed by scholars such as Johann Jakob Bachofen, Jane Ellen Harrison, and Marija Gimbutas, and later popularized by second-wave feminism. These scholars speculated that early human societies may have been organized around female deities and matrilineal social structures. In the 20th century, a movement to revive these practices resulted in the Goddess movement.
The Seated Woman of Çatalhöyük is a baked-clay, nude female form seated between feline-headed arm-rests. It is generally thought to depict a corpulent and fertile Mother goddess in the process of giving birth while seated on her throne, which has two hand rests in the form of feline heads in a Mistress of Animals motif. The statuette, one of several iconographically similar ones found at the site, is similar to other corpulent prehistoric goddess figures, of which the most famous is the Venus of Willendorf.
Queen of Heaven was a title given to a number of ancient sky goddesses worshipped throughout the ancient Mediterranean and the ancient Near East. Goddesses known to have been referred to by the title include Inanna, Anat, Isis, Nut, Astarte, and possibly Asherah. In Greco-Roman times, Hera and Juno bore this title. Forms and content of worship varied.
Đạo Mẫu is the worship of mother goddesses which was established in Vietnam in the 16th century. This worship is a branch of Vietnamese folk religion but is more shamanic in nature. Đạo is a Sino-Vietnamese word for "religion," similar to the Chinese term dao meaning "path," while Mẫu means "mother" and is loaned from Middle Chinese /məuX/.
The Great Goddess hypothesis theorizes that, in Palaeolithic, Mesolithic, and/or Neolithic Europe and Western Asia and North Africa, a singular, monotheistic female deity was worshipped.
A vegetation deity is a nature deity whose disappearance and reappearance, or life, death and rebirth, embodies the growth cycle of plants. In nature worship, the deity can be a god or goddess with the ability to regenerate itself. A vegetation deity is often a fertility deity. The deity typically undergoes dismemberment, scattering, and reintegration, as narrated in a myth or reenacted by a religious ritual. The cyclical pattern is given theological significance on themes such as immortality, resurrection, and reincarnation. Vegetation myths have structural resemblances to certain creation myths in which parts of a primordial being's body generate aspects of the cosmos, such as the Norse myth of Ymir.
The Great Mother: An Analysis of the Archetype is a book discussing mother goddesses by the psychologist Erich Neumann. The dedication reads, "To C. G. Jung friend and master in his eightieth year". Although Neumann completed the German manuscript in Israel in 1951, The Great Mother was first published in English in 1955. The work has been seen as an enduring contribution to the literature inspired by Jung, and was the first to analyze an archetype with such depth and scope.
The Chalice and The Blade: Our History, Our Future is a 1987 book by Riane Eisler. The author presents a conceptual framework for studying social systems with particular attention to how a society constructs roles and relations between the female and male halves of humanity.
The notion of the feminine in deity is much more pronounced and is evident in the pairings of Shiva with Parvati, Vishnu with Lakshmi, Krishna with Radha and Ram with Sita.
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: CS1 maint: archived copy as title (link)During the era of polygamy some suggested that she is only one of many mothers in heaven. They reasoned that procreation of spirit children could be accomplished more efficiently if Heavenly Father could impregnate many heavenly mothers, just as exalted mortals' procreation of spirit children could be accomplished more efficiently if exalted mortal males could impregnate many wives.
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