Nana Buluku | |
---|---|
Venerated in | West African Vodun based religions (Candomblé, Louisiana Voodoo, Haitian Vodou) and Dahomean religion |
Personal information | |
Children | Mawu and Lisa |
Nana Buluku, also known as Nana Buruku, Nana Buku or Nanan-bouclou, is the female supreme being in the West African traditional religion of the Fon people (Benin, Dahomey) and the Ewe people (Togo). [1] [2] [3] She is one of the most influential deities in West African theology, and one shared by many ethnic groups other than the Fon people, albeit with variations. For example, she is called the Nana Bukuu among the Yoruba people and the Olisabuluwa among Igbo people but described differently, with some actively worshiping her while some do not worship her and worship the gods originating from her. [1] [4]
In Dahomey mythology, Nana Buluku is the mother supreme creator who gave birth to the moon spirit Mawu, the sun spirit Lisa, and all of the universe. After giving birth to these, she retired and left the matters of the world to Mawu-Lisa. She is the primary creator, Mawu-Lisa the secondary creator, and the theology based on these is called Vodun, Voodoo or Vodoun. [5]
According to Maya Deren, some Vodouwizan believe that Nanan-bouclou is both male and female. [6]
The Vodoun religion of the Fon people has four overlapping elements: public gods, personal or private gods, ancestral spirits, and magic or charms. [5] In this traditional religion of West Africa, creation starts with a female supreme being called Nana Buluku, who gave birth to Mawu and Lisa and created the universe. [5] After giving birth, the mother supreme retired and left everything to Mawu-Lisa (Moon-Sun, female-male), deities, spirits, and inert universe. Mawu-Lisa created numerous minor imperfect deities. In Fon belief, the feminine deity Mawu had to work with the trickster Legba and the snake Aido Hwedo to create living beings, a method of creation that imbued the good, the bad, and a destiny for every creature including human beings. Only by appeasing lesser deities and Legba, in Fon theology, can one change that destiny. This appeasing requires rituals and offerings to the lesser gods and ancestral spirits, who are believed to have the ability to do favors for human beings. [5] [7] [8]
As millions of West Africans were captured and enslaved during the colonial era, then shipped across the Atlantic to work on sugarcane, cotton, and tobacco plantations, they brought with them their religious ideas, including those about Nana Buluku. She is celebrated as Nanã in Candomblé Jejé and Tambor de Mina and as Nana Burukú in Candomblé Ketu, where she is pictured as a very old woman, older than creation itself. She is found in French, Dutch, and British West Indies in particular, such as among the African heritage communities of French Guiana, Suriname, Guyana, Brazil, Trinidad, Martinique, Haiti, and other Caribbean islands. [9] [10]
Lwa, also called loa, are spirits in the African diasporic religion of Haitian Vodou. They have also been incorporated into some revivalist forms of Louisiana Voodoo. Many of the lwa derive their identities in part from deities venerated in the traditional religions of West Africa, especially those of the Fon and Yoruba.
Vodun is a religion practiced by the Aja, Ewe, and Fon peoples of Benin, Togo, Ghana, and Nigeria.
Papa Legba is a lwa in Haitian Vodou, Dominican Vodou, Winti and Louisiana Voodoo, who serves as the intermediary between God and humanity. He stands at a spiritual crossroads and gives permission to speak with the spirits of Guineé, and is believed to speak all human languages. In Haiti, he is the great elocutioner. Legba facilitates communication, speech, and understanding. He is commonly associated with dogs. Papa Legba is invoked at the beginning of every ceremony. Papa Legba has his origins in the historic West African kingdom of Dahomey, located within present-day Benin.
The Dahomean religion was practiced by the Fon people of the Dahomey Kingdom. The kingdom existed until 1898 in what is now the country of Benin. People taken from Dahomey to the Caribbean used elements of the religion to form Haitian Vodou and other African diasporic religions.
Orishas are divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé. The preferred spelling varies depending on the language in question: òrìṣà is the spelling in the Yoruba language, orixá in Portuguese, and orisha, oricha, orichá or orixá in Spanish-speaking countries.
Candomblé Ketu is the largest and most influential branch (nation) of Candomblé, a religion practiced primarily in Brazil. The word Candomblé means "ritual dancing or gather in honor of gods" and Ketu is the name of the Ketu region of Benin. Its liturgical language, known as yorubá or Nagô, is a dialect of Yoruba. Candomblé Ketu developed in the early 19th century and gained great importance to Brazilian heritage in the 20th century.
The Fon people, also called Fon nu, Agadja or Dahomey, are a Gbe ethnic group. They are the largest ethnic group in Benin found particularly in its south region; they are also found in southwest Nigeria and Togo. Their total population is estimated to be about 3,500,000 people, and they speak the Fon language, a member of the Gbe languages.
The Yoruba religion, West African Orisa (Òrìṣà), or Isese (Ìṣẹ̀ṣe), comprises the traditional religious and spiritual concepts and practice of the Yoruba people. Its homeland is in present-day Southwestern Nigeria, which comprises the majority of Oyo, Ogun, Osun, Ondo, Ekiti, Kwara and Lagos States, as well as parts of Kogi state and the adjoining parts of Benin and Togo, commonly known as Yorubaland.
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou. Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The lwa, or spirits with whom Vodou adherents work and practice, are not gods but servants of the Supreme Creator Bondye. A lot of the Iwa identities come from deities formed in the West African traditional regions, especially the Fon and Yoruba. In keeping with the French-Catholic influence of the faith, Vodou practioneers are for the most part monotheists, believing that the lwa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the lwa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers."
Oungan is the term for a male priest in Haitian Vodou. The term is derived from Gbe languages. The word hounnongan means chief priest. ‘'Hounnongan or oungans are also known as makandals.
Mawu-Lisa is a creator goddess, associated with the Sun and Moon in Dahomey mythology. Mawu and Lisa are divine twins. According to the myths, she is married to the male god Lisa. Mawu and Lisa are the children of Nana Buluku, and are the parents of Oba Koso (Shango), known as Hebioso among the Fon.
The Rada are a family of lwa spirits in the religion of Haitian Vodou. They are regarded as being sweet-tempered and "cool", in this contrasting with the Petro lwa, which are regarded as volatile and "hot".
Babalú-Aye, Oluaye, Ṣọpọna, Ayé in Trinidad Orisha, or Obaluaiye, is one of the orishas or manifestations of the supreme creator god Olodumare in the Yoruba religion of West Africa. Babalú-Aye is the spirit of the Earth and strongly associated with infectious disease, and healing.
Tambor de Mina is an Afro-Brazilian religious tradition, practiced mainly in the Brazilian states of Maranhão, Piauí, Pará and the Amazon rainforest.
Akan religion comprises the traditional beliefs and religious practices of the Akan people of Ghana and eastern Ivory Coast. Akan religion is referred to as Akom. Although most Akan people have identified as Christians since the early 20th century, Akan religion remains practiced by some and is often syncretized with Christianity. The Akan have many subgroups, so the religion varies greatly by region and subgroup. Similar to other traditional religions of West and Central Africa such as West African Vodun, Yoruba religion, or Odinani, Akan cosmology consists of a senior god who generally does not interact with humans and many gods who assist humans.
The Fon creation myth is the traditional creation story of the Fon peoples of West Africa. Various versions of the creation story are told. In most the creator is either Mawu, the moon being and mother of all the gods and humanity, or Mawu-Lisa, the sun/moon being who is both male and female. In others, Nana Buluku is the ultimate creator, an androgynous deity who gave birth to the female Mawu and the male Lisa and passed the power over creation to them.
Vodun art is associated with the West African Vodun religion of Nigeria, Benin, Togo and Ghana. The term is sometimes used more generally for art associated with related religions of West and Central Africa and of the African diaspora in Brazil, the Caribbean and the United States. Art forms include bocio, carved wooden statues that represent supernatural beings and may be activated through various ritual steps, and Asen, metal objects that attract spirits of the dead or other spirits and give them a temporary resting place. Vodun is assimilative, and has absorbed concepts and images from other parts of Africa, India, Europe and the Americas. Chromolithographs representing Indian deities have become identified with traditional Vodun deities and used as the basis for murals in Vodun temples. The Ouidah '92 festival, held in Benin in 1993, celebrated the removal of restrictions on Vodun in that country and began a revival of Vodun art.
Gbadu is a god in the Dahomey mythology of the Fon people, who are now based in Benin, Nigeria, and Togo. She is one of Mawu-Lisa’s daughters, and just like her parents, consists of both a female and male aspect though she is mostly referred to with female pronouns. Gbadu is described as the female counterpart to Fa.
The Children of Dahomey at the Wayback Machine (archived April 4, 2005)