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Winti is an Afro-Surinamese traditional religion that originated in Suriname. It is a syncretization of the different African religious beliefs and practices brought in mainly by enslaved Akan, Fon and Kongo people during the Dutch slave trade. The religion has no written sources, nor a central authority. The term is also used for all supernatural beings or spirits (Wintis) created by Anana, the creator of the universe.
Winti is based on three principles: the belief in the supreme creator called Anana Kedyaman Kedyanpon; the belief in a pantheon of spirits called Winti; and the veneration of the ancestors. There is also a belief in Ampuku (also known as Apuku) which are anthropomorphic forest spirits. An Ampuku can possess people (both men and women) and can also pass itself off as another spirit. [1] Ampuku can also be water spirits, and are known in such cases as Watra Ampuku. [2]
C. Wooding described Winti in 1972 as: "...an Afro American religion, within which the belief in personified supernatural beings occupies a central position. These personified supernatural beings can take possession of a human person, switch off their consciousness, as it were, and thereby reveal things concerning the past, present and future as well as cause and/or heal illnesses of a supernatural nature." [3]
H.J.M. Stephen described Winti as: "...primarily a religion, which means that respect for the divine, worship and prayer are central. In addition, it has a strong magical aspect, which often has been emphasized too one-sidedly and unfairly. Magic involves the influence of earthly events by supernatural means."
During slavery, members of various West African tribes were brought to Suriname. They came from kingdoms that had certain religious aspects in common, like the belief in a supreme creator God, who lives far away from the people, leaving the world to less-powerful gods or spirits, and the belief in an immortal human soul and the related ancestor worship.
After the abolition of slavery in 1863, a ten-year period of economic slavery followed known as "De Periode van Staatstoezicht" (The Period of State Supervision). It ended in 1873 and was followed by a very long period of mental and cultural slavery. The former slaves and their descendants were forced to convert to Christianity, and for nearly 100 years (1874–1971), practicing Winti was forbidden by law. They were also forced to speak Dutch; education in their own language, Sranan Tongo, was forbidden; and children were not allowed to speak Sranan Tongo in schools.
After the turn of the millennium, Winti gained momentum. In 2006, the Surinamese government incorporated the Winti interest foundation Tata Kwasi ku Tata Tinsensi into the database of religious organisations. In 2011 the first two Winti marriage officials were appointed. Winti priests were appointed informally already, but still without legal status. In 2014 Dorenia Babel became the first person officially recognized as Winti priest, appointed by the government in order to develop winti in the public realm. In 2019 psychiatrist Glenn Helberg made a public call to the Suriname-based Christian denominations to consider Winti as an equal religion.
It is believed that a human being has three spiritual aspects, the Dyodyo, Kra, and Yorka. Through these aspects human beings are integrated into the supernatural world. The Dyodyo are the supernatural parents who protect their children and may be higher or lower spirits. They received the pure soul, the Kra, from Anana and give that to a child. The Kra and Dyodyo determine your reason and mentality, while the biological parents provide blood and the physical body. Yorka, the other spiritual part, absorbs the life experiences. After the death of the physical body, the Kra goes back to the Dyodyo and the Yorka goes to the realm of the dead.
There are four pantheons or groups.
Certain groups of maroons also distinguish a fifth pantheon, the realm of the death.
"God zij met ons Suriname", or "Opo kondreman", is the national anthem of Suriname. It has two verses: the first in Dutch and the second in Sranan Tongo.
Sranan Tongo is an English-based creole language that is spoken as a lingua franca by approximately 519,600 people in Suriname.
The Aluku are a Bushinengue ethnic group living mainly on the riverbank in Maripasoula in southwest French Guiana. The group are sometimes called Boni, referring to the 18th-century leader, Bokilifu Boni.
The Paramaccan or Paramaka are a Maroon tribe living in the forested interior of Suriname, mainly in the Paramacca resort, and the western border area of French Guiana. The Paramaccan signed a peace treaty in 1872 granting the tribe autonomy.
The Kwinti are a Maroon people, descendants of runaway African slaves, living in the forested interior of Suriname on the bank of the Coppename River, and the eponymous term for their language, which has fewer than 300 speakers. Their language is an English-based creole with Dutch, Portuguese and other influences. It is similar to the languages spoken by the Aluku and Paramaccan Maroons, and split from Sranan Tongo in the middle 18th century. The Kwinti had a population of about 300 in 2014 and adhere to the Moravian Church.
Eugène Constantijn Donders Drenthe was a prominent Surinamese poet and playwright.
Surinamese people are people who identify with the country of Suriname. This connection may be residential, legal, historical or cultural. For most Surinamese, several of these connections exist and are collectively the source of their being Surinamese.
Afro-Surinamese are the inhabitants of Suriname of mostly West African and Central African ancestry. They are descended from enslaved Africans brought to work on sugar plantations. Many of them escaped the plantations and formed independent settlements together, becoming known as Maroons and Bushinengue. They maintained vestiges of African culture and language. They are usually split into two ethnic subgroups.
Gerrit Schouten was a Surinamese artist, who was known for his painted papier-maché dioramas of Surinamese life.
Johanna Schouten-Elsenhout was a Surinamese poet and an eminent community leader who fought for acknowledgement of Sranan and of the Afro-Surinamese culture.
Surinamese Maroons are the descendants of enslaved Africans that escaped from the plantations and settled in the inland of Suriname. The Surinamese Maroon culture is one of the best-preserved pieces of cultural heritage outside of Africa. Colonial warfare, land grabs, natural disasters and migration have marked Maroon history. In Suriname six Maroon groups — or tribes — can be distinguished from each other.
NAKS is a social and cultural organization which promotes Afro-Surinamese culture and expression in Suriname and worldwide. The organisation was founded in 1948 with Eugène Drenthe as its first president, when it emerged as the successor of association football club T.O.P. which was founded a year prior.
Diitabiki is a Ndyuka village in the Sipaliwini District of Suriname. Diitabiki is the residence of the gaanman of the Ndyuka people, since 1950, and the location of the oracle.
Eduard Johan "Eddy" Bruma was a Surinamese politician, lawyer and writer.
Julius Gustaaf Arnout Koenders was a Surinamese teacher and fervent activist for Sranan Tongo. As a teacher, he was forced to use the Dutch language thus denying the children their own language. He was an early advocate of Sranan and Creole culture.
Kawina, also spelled kawna or kauna, is a musical genre from Suriname. It originated in the last decades of the 19th century under the influence of the music and dance forms banya, laku and tuka. It is related to African music.
Michaël Arnoldus Slory was a Surinamese poet. He mainly wrote poetry in Sranan Tongo, and is considered one of the most important poets in Sranan Tongo. He also published in Dutch, English and Spanish
Dance in Suriname is practiced from the amateur to the professional level for cultural, social and spiritual reasons, among others. Suriname has a variety of traditional and contemporary dance styles which have developed from the cultures of its ethnic groups. In addition, several foreign popular styles have been adopted from the West, the greater Caribbean, Java and Bollywood.
The statue of Kwakoe in the Surinamese capital Paramaribo is a monument commemorating the abolition of slavery. It was made by the sculptor Jozef Klas.
Christiaan Hendrik "Hein" Eersel was a Surinamese linguist and cultural researcher.