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White magic has traditionally referred to the use of supernatural powers or magic for selfless purposes. [1] Practitioners of white magic have been given titles such as wise men or women, healers, white witches or wizards. Many of these people claimed to have the ability to do such things because of knowledge or power that was passed on to them through hereditary lines, or by some event later in their lives. White magic was practiced through healing, blessing, charms, incantations, prayers, and songs. [2] White magic is the benevolent counterpart of malicious black magic.
In his 1978 book, A History of White Magic, recognised occult author Gareth Knight traces the origins of white magic to early adaptations of paleolithic religion and early religious history in general, including the polytheistic traditions of Ancient Egypt and the later monotheistic ideas of Judaism and early Christianity. [3]
In particular, he traced many of the traditions of white magic to the early worship of local "gods and goddesses of fertility and vegetation who were usually worshipped at hill-top shrines" and were "attractive to a nomadic race settling down to an agricultural existence". [3] He focuses in particular on the nomadic Hebrew-speaking tribes and suggests that early Jews saw the worship of such deities more in terms of atavism than evil. It was only when the polytheistic and pagan Roman Empire began to expand that Jewish leaders began to rally against those ideas. [3]
Early origins of white magic can also be traced back to the Cunning Folk.
By the late 15th century, natural magic "had become much discussed in high-cultural circles". [4] "Followers" of Marsilio Ficino advocated the existence of spiritual beings and spirits in general, though many such theories ran counter to the ideas of the later Age of Enlightenment. While Ficino and his supporters were treated with hostility by the Roman Catholic Church, the Church itself also acknowledged the existence of such beings; such acknowledgment was the crux of campaigns against witchcraft. [4] Ficino, though, theorized a "purely natural" magic that did not require the invocation of spirits, malevolent or malicious. In doing so, he came into conflict with Johannes Trithemius who refused to believe in Ficino's theory but created spells and incantations of his own related to beneficial communication with spirits. His works, including the Steganographia, were not published until the 17th century and were then immediately placed on the Index Librorum Prohibitorum where they remained until the 20th century. Trithemius' "disciple" Heinrich Cornelius Agrippa was responsible for publishing some of his work and in turn created his own. [4] His work included the De occulta philosophia libri tres which contained an outline of, among other things, classical elements, numerology, astrology and kabbalah and detailed ways of utilizing these relationships and laws in medicine, scrying, alchemy and rituals and ceremonies. Giambattista della Porta expanded on many of these ideas in his Magia Naturalis . [5]
It is the coming-together of these ideas - early "natural" religions and later philosophical thinking - that Knight suggests is "at the root of the Western tradition of white magic". [3] Also at the root of white magic are symbols and religious symbolism in particular. Knight's example of the star was of critical importance to Jewish tradition and then to early Christians (like the Star of David) and to later Masonic tradition and Neo-paganism. [3] It continues to be of importance of white magic practitioners in the form of the pentagram and night-time ritual.
Zambelli goes further and suggests that white magic, though then not specifically distinct from its counterpart black magic, grew as the more acceptable form of occult and pagan study in the era of the Inquisition and anti-witchcraft sentiment. [4] If black magic was that which involved Trithemius' invocation of demons, Ficino's "purely natural" white magic could be framed as the study of "natural" phenomena in general with no evil or irreligious intent whatsoever. Zambelli places academics like Giordano Bruno in this category of "clandestine" practitioners of magic. [4]
In his 2009 book, Magic and Alchemy, Robert M. Place provides a broad modern definition of both black and white magic, preferring instead to refer to them as "high magic" (white) and "low magic" (black) based primarily on intentions of the practitioner employing them. [6] His modern definition maintains that the purpose of white magic is to "do good" or to "bring the practitioner to a higher spiritual state" of enlightenment or consciousness. [6] He acknowledges, though, that this broader definition (of "high" and "low") suffers from prejudices as good-intentioned folk magic may be considered "low" while ceremonial magic involving expensive or exclusive components may be considered by some as "high magic", regardless of intent. [6]
According to Place, effectively all prehistoric shamanistic magic was "helping" white magic and thus the basic essence of that magic forms the framework of modern white magic: curing illness or injury, divining the future or interpreting dreams, finding lost items, appeasing spirits, controlling weather or harvest and generating good luck or well-being. [6]
Though not exclusively a female pursuit, modern white magic is often associated with stereotypically feminine concepts like that of a Mother goddess, fae, nature spirits, oneness with nature and goddess worship. [7] In modern stories or fairy tales, the idea of "white witchcraft" is often associated with a kindly grandmother or caring motherly spirit. The link between white magic and a Mother Earth is a regular theme of the practitioner Marian Green's written work. [7]
A grimoire is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms, and divination, and how to summon or invoke supernatural entities such as angels, spirits, deities, and demons. In many cases, the books themselves are believed to be imbued with magical powers. The only contents found in a grimoire would be information on spells, rituals, the preparation of magical tools, and lists of ingredients and their magical correspondences. In this manner, while all books on magic could be thought of as grimoires, not all magical books should be thought of as grimoires.
Magic, sometimes spelled magick, is the application of beliefs, rituals or actions employed in the belief that they can manipulate natural or supernatural beings and forces. It is a category into which have been placed various beliefs and practices sometimes considered separate from both religion and science.
Necromancy is the practice of magic involving communication with the dead by summoning their spirits as apparitions or visions for the purpose of divination; imparting the means to foretell future events and discover hidden knowledge. Sometimes categorized under death magic, the term is occasionally also used in a more general sense to refer to black magic or witchcraft as a whole.
An athame or athamé is a ceremonial blade, generally with a black handle. It is the main ritual implement or magical tool among several used in ceremonial magic traditions, and by other neopagans, witchcraft, as well as satanic traditions. A black-handled knife called an arthame appears in certain versions of the Key of Solomon, a grimoire dating to the Renaissance.
Christian views on magic vary widely among Christian denominations and among individuals. Many Christians actively condemn magic as satanic, holding that it opens the way for demonic possession. Some Christians simply view it as entertainment. Conversely, some branches of esoteric Christianity actively engage in magical practices.
Heinrich Cornelius Agrippa von Nettesheim was a German Renaissance polymath, physician, legal scholar, soldier, knight, theologian, and occult writer. Agrippa's Three Books of Occult Philosophy published in 1533 drew heavily upon Kabbalah, Hermeticism, and Neoplatonism. His book was widely influential among esotericists of the early modern period, and was condemned as heretical by the inquisitor of Cologne.
Thaumaturgy, derived from the Greek words thauma (wonder) and ergon (work), refers to the practical application of magic to effect change in the physical world. Historically, thaumaturgy has been associated with the manipulation of natural forces, the creation of wonders, and the performance of magical feats through esoteric knowledge and ritual practice. Unlike theurgy, which focuses on invoking divine powers, thaumaturgy is more concerned with utilizing occult principles to achieve specific outcomes, often in a tangible and observable manner. It is sometimes translated into English as wonderworking.
Black magic traditionally refers to the use of magic or supernatural powers for evil and selfish purposes.
The Lesser Key of Solomon, also known by its Latin title Lemegeton Clavicula Salomonis or simply the Lemegeton, is an anonymously authored grimoire on sorcery, mysticism and magic. It was compiled in the mid-17th century, mostly from materials several centuries older. It is divided into five books: the Ars Goetia, Ars Theurgia-Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. It is based on the Testament of Solomon and the ring mentioned within it that he used to seal demons.
Three Books of Occult Philosophy is Heinrich Cornelius Agrippa's study of occult philosophy, acknowledged as a significant contribution to the Renaissance philosophical discussion concerning the powers of magic, and its relationship with religion. The first book was printed in 1531 in Paris, Cologne, and Antwerp, while the full three volumes first appeared in Cologne in 1533.
Thomas Vaughan was a Welsh clergyman, philosopher, and alchemist, who wrote in English. He is now remembered for his work in the field of natural magic. He also published under the pseudonym Eugenius Philalethes.
The body of light, sometimes called the 'astral body' or the 'subtle body,' is a "quasi material" aspect of the human body, being neither solely physical nor solely spiritual, posited by a number of philosophers, and elaborated on according to various esoteric, occult, and mystical teachings. Other terms used for this body include body of glory, spirit-body, luciform body, augoeides, astroeides, and celestial body.
Witchcraft in Latin America, known in Spanish as brujería and in Portuguese as bruxaria, is blend of Indigenous, African, and European beliefs. Indigenous cultures had spiritual practices centered around nature and healing, while the arrival of Africans brought syncretic religions like Santería and Candomblé. European witchcraft beliefs merged with local traditions during colonization. Practices vary across countries, with accusations historically intertwined with social dynamics. A male practitioner is called a brujo, a female practitioner is a bruja.
Renaissance magic was a resurgence in Hermeticism and Neoplatonic varieties of the magical arts which arose along with Renaissance humanism in the 15th and 16th centuries CE. During the Renaissance period, magic and occult practices underwent significant changes that reflected shifts in cultural, intellectual, and religious perspectives. C. S. Lewis, in his work on English literature, highlighted the transformation in how magic was perceived and portrayed. In medieval stories, magic had a fantastical and fairy-like quality, while in the Renaissance, it became more complex and tied to the idea of hidden knowledge that could be explored through books and rituals. This change is evident in the works of authors like Spenser, Marlowe, Chapman, and Shakespeare, who treated magic as a serious and potentially dangerous pursuit.
Image magic is a tradition of magic in medieval Europe originating from the influx of Arabic texts in the twelfth and thirteenth centuries and focused on astrology. It serves as a major precursor to and was reinterpreted by the Hermetic Renaissance magical traditions, particularly the work of Marsilio Ficino.
Cunning folk, also known as folk healers or wise folk, were practitioners of folk medicine, helpful folk magic and divination in Europe from the Middle Ages until the 20th century. Their practices were known as the cunning craft. Their services also included thwarting witchcraft. Although some cunning folk were denounced as witches themselves, they made up a minority of those accused, and the common people generally made a distinction between the two. The name 'cunning folk' originally referred to folk-healers and magic-workers in Britain, but the name is now applied as an umbrella term for similar people in other parts of Europe.
Muslims believe that magic is one of the major sins that doom a person to Hell. A Muslim is not only forbidden from practicing magic but also going to a magician and believing them https://www.abuaminaelias.com/dailyhadithonline/2021/10/31/kahin-not-muslims/
The history of magic extends from the earliest literate cultures, who relied on charms, divination and spells to interpret and influence the forces of nature. Even societies without written language left crafted artifacts, cave art and monuments that have been interpreted as having magical purpose. Magic and what would later be called science were often practiced together, with the notable examples of astrology and alchemy, before the Scientific Revolution of the late European Renaissance moved to separate science from magic on the basis of repeatable observation. Despite this loss of prestige, the use of magic has continued both in its traditional role, and among modern occultists who seek to adapt it for a scientific world.
A magical alphabet, or magickal alphabet, is a set of letters used primarily in occult magical practices and other esoteric traditions. These alphabets serve various purposes, including conducting rituals, creating amulets or talismans, casting spells, and invoking spiritual entities. Several magical alphabets, including the Celestial Alphabet, Malachim, and Transitus Fluvii, are based on the Hebrew alphabet, which itself has a long history of use in mystical and magical contexts.
Goetia is a type of European sorcery, often referred to as witchcraft, that has been transmitted through grimoires—books containing instructions for performing magical practices. The term "goetia" finds its origins in the Greek word "goes", which originally denoted diviners, magicians, healers, and seers. Initially, it held a connotation of low magic, implying fraudulent or deceptive mageia as opposed to theurgy, which was regarded as divine magic. Grimoires, also known as "books of spells" or "spellbooks", serve as instructional manuals for various magical endeavors. They cover crafting magical objects, casting spells, performing divination, and summoning supernatural entities, such as angels, spirits, deities, and demons. Although the term "grimoire" originates from Europe, similar magical texts have been found in diverse cultures across the world.