The fantasy of manners is a subgenre of fantasy literature that also partakes of the nature of a comedy of manners (though it is not necessarily humorous). Such works generally take place in an urban setting and within the confines of a fairly elaborate, and almost always hierarchical, social structure. The term was first used in print by science fiction critic Donald G. Keller in an article, The Manner of Fantasy, in the April 1991 issue of The New York Review of Science Fiction .
Keller used the term to describe a group of American fantasy writers who emerged in the 1980s, including Steven Brust, Emma Bull, Ellen Kushner, Delia Sherman, Caroline Stevermer, and Terri Windling; Kushner suggested the name. [1] These writers were influenced by television, children's literature, and the works of Jane Austen, Georgette Heyer, and Dorothy Dunnett; in fantasy fiction, Fritz Leiber was important, as were Michael Moorcock and M. John Harrison. Their works included themes of negotiating social structures, disguise, the importance of childhood, the necessity of self-discovery, and the importance of manners and especially of language. This emphasis meant that their characters' speech tended to be more important than their actions, and they used a wide range of diction. [2] After the article was released, fantasy of manners was nicknamed "mannerpunk". [3]
In the words of author Teresa Edgerton, the term has since taken on a life of its own. [4] It began to mean fantasy literature that owes as much or more to the comedy of manners as it does to the work of J. R. R. Tolkien and other authors of high fantasy. The protagonists are not pitted against fierce monsters or marauding armies, but against their neighbors and peers; the action takes place within a society, rather than being directed against an external foe; duels may be fought, but the chief weapons are wit and intrigue; romance and emotions are central, and the plot may revolve around courtship and marriage. The way the protagonist pushes against their social constraints drives the plot. The setting is a city in another world, usually post-medieval but pre-technological. Stylistically, fantasies of manners tend to be dry and witty. [5] [1] [6]
While there is occasional overlap with steampunk or gaslamp fantasy, fantasy of manners is more grounded in reality; magic, fantastic races, and legendary creatures are downplayed or dismissed entirely, and the technology is typically no more advanced than is expected of the period. Indeed, but for the fact that the settings are usually entirely fictional, some of the books considered "fantasy of manners" could be also considered historical fiction, and some do cross over with historical fantasy. The social system, with its conventions and restraints that can be mastered, replaces magic. [6]
Like the authors Keller originally described, contemporary fantasy of manners is influenced by the social novels of Jane Austen, the historical romances of Georgette Heyer, and Dorothy Dunnett's historical novels. [5] [6] Other major influences on the subgenre include the drawing room comedies of Oscar Wilde and P. G. Wodehouse. Many authors also draw from nineteenth century popular novelists such as Anthony Trollope, the Brontë sisters, and Charles Dickens. Traditional romances of swashbuckling adventure such as The Three Musketeers by Alexandre Dumas, The Scarlet Pimpernel by Baroness Orczy, or the works of Rafael Sabatini may also be influences. The Ruritanian romances typified by The Prisoner of Zenda by Anthony Hope, or George Barr McCutcheon's Graustark itself, are also of some consequence as literary precedents.
A class of fantasies set in contemporary times and blending some characteristics of fantasies of manners with the subgenre urban fantasy has been dubbed, tongue-even-further-in-cheek, elfpunk.
A Civil Campaign by Lois McMaster Bujold has been described as "science fiction of manners". [1]
Historical fiction is a literary genre in which a fictional plot takes place in the setting of particular real historical events. Although the term is commonly used as a synonym for historical fiction literature, it can also be applied to other types of narrative, including theatre, opera, cinema, and television, as well as video games and graphic novels. It often makes many use of symbolism in allegory using figurative and metaphorical elements to picture a story.
Georgette Heyer was an English novelist and short-story writer, in both the Regency romance and detective fiction genres. Her writing career began in 1921, when she turned a story conceived for her ailing younger brother into the novel The Black Moth. In 1925 Heyer married George Ronald Rougier, a mining engineer. The couple spent several years living in Tanganyika Territory and Macedonia before returning to England in 1929. After her novel These Old Shades became popular despite its release during the General Strike, Heyer determined that publicity was not necessary for good sales. For the rest of her life she refused to grant interviews, telling a friend: "My private life concerns no one but myself and my family."
Genre fiction, also known as formula fiction or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
A romance novel or romantic novel is a genre fiction novel that primary focuses on the relationship and romantic love between two people, typically with an emotionally satisfying and optimistic ending. Authors who have contributed to the development of this genre include Samuel Richardson, Jane Austen, and Charlotte Brontë.
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century.
Regency romances are a subgenre of romance novels set during the period of the British Regency (1811–1820) or early 19th century. Rather than simply being versions of contemporary romance stories transported to a historical setting, Regency romances are a distinct genre with their own plot and stylistic conventions. These derive not so much from the 19th-century contemporary works of Jane Austen, but rather from Georgette Heyer, who wrote over two dozen novels set in the Regency starting in 1935 until her death in 1974, and from the fiction genre known as the novel of manners. In particular, the more traditional Regencies feature a great deal of intelligent, fast-paced dialogue between the protagonists and very little explicit sex or discussion of sex.
Cordelia Caroline Sherman, known professionally as Delia Sherman, is an American fantasy writer and editor. Her novel The Porcelain Dove won the Mythopoeic Fantasy Award.
Donald G. Keller is a science fiction and fantasy editor and critic. He was the co-founder of Serconia Press and was Managing Editor and a frequent contributor to The New York Review of Science Fiction (1990-1995), where his seminal essay on Fantasy of Manners, 'The Manner of Fantasy', appeared in 1991.
The Regency era in the United Kingdom is the period between 1811 and 1820, when King George III was deemed unfit to rule and his son, later George IV, was instated to be his proxy as prince regent. It was a decade of particular manners and fashions and overlaps with the Napoleonic period in Europe.
The novel of manners is a work of fiction that re-creates a social world, conveying with detailed observation the complex of customs, values, and mores of a stratified society. The behavioural conventions (manners) of the society dominate the plot of the story, and characters are differentiated by the degree to which they meet or fail to meet the uniform standard of ideal social behaviour, as established by society.
Contemporary romance is a subgenre of contemporary and romance novels. This era of romance novels that were published after 1945 and the Second World War. Contemporary romance is generally set contemporaneously with the time of its writing. The largest of the romance novel subgenres, contemporary romance novels usually reflect the mores of their time. Heroines in the contemporary romances written prior to 1970 usually quit working when they married or had children, while those novels written after 1970 usually have, and keep, a career. As contemporary romance novels have grown to contain more complex plotting and more realistic characters, the line between this subgenre and the genre of women's fiction has blurred.
Fantasy is a genre of fiction involving magical elements, as well as a work in this genre.
Ann Herendeen is an American author of popular fiction. Herendeen's novels are notable for their queering of the traditional romance novel.
A Civil Campaign: A Comedy of Biology and Manners is a science fiction novel by American writer Lois McMaster Bujold, first published in September 1999. It is a part of the Vorkosigan Saga, and is the thirteenth full-length novel in publication order. It is included in the 2008 omnibus Miles in Love. The title is an homage to the Georgette Heyer novel A Civil Contract and, like Heyer's historical romances, the novel focuses on romance, comedy, and courtship. It is dedicated to "Jane, Charlotte, Georgette, and Dorothy", novelists Jane Austen, Charlotte Brontë, Georgette Heyer, and Dorothy L. Sayers.
Jennifer Kloester is an Australian-born writer, particularly known for her work on Georgette Heyer.
Swordspoint: A Melodrama of Manners is a 1987 fantasy novel by Ellen Kushner. It is Kushner's debut novel and is one of several books and short stories in the Riverside series. Later editions of the novel were also bundled with three short stories set in the same universe. Swordspoint has been called a defining text of the fantasy of manners subgenre; Kushner was one of the first authors to use the phrase "fantasy of manners" to describe her own and similar works.
Romance, is a "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". This genre contrasted with the main tradition of the novel, which realistically depict life. These works frequently, but not exclusively, take the form of the historical novel. Walter Scott describes romance as a "kindred term", and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo".
