Dying Earth is a fantasy series by the American author Jack Vance, comprising four books originally published from 1950 to 1984. Some have been called picaresque. They vary from short story collections to a fix-up, perhaps all the way to novel.
Stephen Baxter is an English hard science fiction author. He has degrees in mathematics and engineering.
John Holbrook Vance was an American mystery, fantasy, and science fiction writer. Though most of his work has been published under the name Jack Vance, he also wrote several mystery novels under pen names, including Ellery Queen.
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.
The Eternal Champion is a fictional character created by British author Michael Moorcock and is a recurrent feature in many of his speculative fiction works.
The Hyperion Cantos is a series of science fiction novels by Dan Simmons. The title was originally used for the collection of the first pair of books in the series, Hyperion and The Fall of Hyperion, and later came to refer to the overall storyline, including Endymion, The Rise of Endymion, and a number of short stories. More narrowly, inside the fictional storyline, after the first volume, the Hyperion Cantos is an epic poem written by the character Martin Silenus covering in verse form the events of the first two books.
Viriconium is a series of novels and stories written by English author M. John Harrison between 1971 and 1984, set in and around the fictional city of the same name.
Robots and Empire is a science fiction novel by the American author Isaac Asimov, published by Doubleday Books in 1985. It is part of Asimov's Robot series, which consists of many short stories and five novels.
"The Last Question" is a science fiction short story by American writer Isaac Asimov. It first appeared in the November 1956 issue of Science Fiction Quarterly and in the anthologies in the collections Nine Tomorrows (1959), The Best of Isaac Asimov (1973), Robot Dreams (1986), The Best Science Fiction of Isaac Asimov (1986), the retrospective Opus 100 (1969), and in Isaac Asimov: The Complete Stories, Vol. 1 (1990). While he also considered it one of his best works, "The Last Question" was Asimov's favorite short story of his own authorship, and is one of a loosely connected series of stories concerning a fictional computer called Multivac. Through successive generations, humanity questions Multivac on the subject of entropy.
The Songs of Distant Earth is a 1986 science fiction novel by British writer Arthur C. Clarke, based upon his 1958 short story of the same title. Of all of his novels, Clarke stated that this was his favourite. Prior to the publishing of the novel, Clarke also wrote a short step outline with the same title, published in Omni magazine and anthologised in The Sentinel in 1983.
The Night Land is a horror/fantasy novel by English writer William Hope Hodgson, first published in 1912. As a work of fantasy it belongs to the Dying Earth subgenre. Hodgson also published a much shorter version of the novel, entitled The Dream of X (1912).
Subterranean fiction is a subgenre of adventure fiction, science fiction, or fantasy which focuses on fictional underground settings, sometimes at the center of the Earth or otherwise deep below the surface. The genre is based on, and has in turn influenced, the Hollow Earth theory. The earliest works in the genre were Enlightenment-era philosophical or allegorical works, in which the underground setting was often largely incidental. In the late 19th century, however, more pseudoscientific or proto-science-fictional motifs gained prevalence. Common themes have included a depiction of the underground world as more primitive than the surface, either culturally, technologically or biologically, or in some combination thereof. The former cases usually see the setting used as a venue for sword-and-sorcery fiction, while the latter often features cryptids or creatures extinct on the surface, such as dinosaurs or archaic humans. A less frequent theme has the underground world much more technologically advanced than the surface one, typically either as the refugium of a lost civilization, or as a secret base for space aliens.
The Alliance–Union universe is a fictional universe created by American writer C. J. Cherryh. It is the setting for a future history series extending from the 21st century into the far future.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
The planetary systems of stars other than the Sun and the Solar System are a staple element in many works of the science fiction genre.
City at the End of Time is a 2008 science fiction novel by American writer Greg Bear. It was published in August 2008 by Del Rey in the United States, and Gollancz in the United Kingdom. The story follows three drifters in present-day Seattle who are tormented by strange dreams of the Kalpa, a city one hundred trillion years in the future. The Kalpa is attempting to ward off the Typhon, an inexplicable entity that has consumed the rest of the ancient universe and broken down the laws of physics.
"The Star" is an 1897 apocalyptic short story by H. G. Wells.
The following outline is provided as an overview of and topical guide to fantasy:
The far future has been used as a setting in many works of science fiction. The far future setting arose in the late 19th century, as earlier writers had little understanding of concepts such as deep time and its implications for the nature of humankind. Classic examples of this genre include works such as H.G. Wells' The Time Machine (1895) or Olaf Stapledon's Last and First Men (1930). Recurring themes include themes such as Utopias, eschatology or the ultimate fate of the universe. Many works also overlap with other genres such as space opera, science fantasy or apocalyptic and post-apocalyptic fiction.
The Sun has appeared as a setting in fiction at least since classical antiquity, but for a long time it received relatively sporadic attention. Many of the early depictions viewed it as an essentially Earth-like and thus potentially habitable body—a once-common belief about celestial objects in general known as the plurality of worlds—and depicted various kinds of solar inhabitants. As more became known about the Sun through advances in astronomy, in particular its temperature, solar inhabitants fell out of favour save for the occasional more exotic alien lifeforms. Instead, many stories focused on the eventual death of the Sun and the havoc it would wreak upon life on Earth. Before it was understood that the Sun is powered by nuclear fusion, the prevailing assumption among writers was that combustion was the source of its heat and light, and it was expected to run out of fuel relatively soon. Even after the true source of the Sun's energy was discovered in the 1920s, the dimming or extinction of the Sun remained a recurring theme in disaster stories, with occasional attempts at averting disaster by reigniting the Sun. Another common way for the Sun to cause destruction is by exploding, and other mechanisms such as solar flares also appear on occasion.
