Xenoarchaeology, a branch of xenology dealing with extraterrestrial cultures, is a hypothetical form of archaeology that exists mainly in works of science fiction. The field is concerned with the study of the material remains to reconstruct and interpret past life-ways of alien civilizations. Xenoarchaeology is not currently practiced by mainstream archaeologists due to the current lack of any material for the discipline to study.
The name derives from Greek xenos (ξένος) which means 'stranger, alien', and archaeology 'study of ancients'.
Xenoarchaeology is sometimes called astroarchaeology or exoarchaeology, although some would argue that the prefix exo- would be more correctly applied to the study of human activities in a space environment. [1]
Other names for xenoarchaeology, or specialised fields of interest, include Probe SETI (Search for Extra-Terrestrial Intelligence), extraterrestrial archaeology, space archaeology, SETA (Search for Extra-Terrestrial Artifacts), Dysonian SETI, Planetary SETI, SETT (Search for Extra-Terrestrial Technology), SETV (Search for Extra-Terrestrial Visitation), [2] extraterrestrial anthropology, areoarchaeology and selenoarchaeology. [3]
It is arguably the case that, due to the immense distances between stars, any evidence we discover of extraterrestrial intelligence, whether it be an artifact or an electromagnetic signal, may come from a long-vanished civilization. Thus the entire SETI project can be seen as a form of archaeology. [4] [5] [6] Additionally, due to the extreme age of the universe, there may be a reasonable expectation for astrobiology research to produce evidence of extinct alien life prior to the discovery of alien life itself. [7]
The study of alien cultures might offer us glimpses into our own species' past or future development. [8] [9]
Vicky Walsh argued for the existence of "exo-artifacts" using the principle of mediocrity and the Drake equation. She proposed that a theoretical and speculative field of archaeology be established in order to test outlandish claims and to prepare for a time when undeniably extraterrestrial artifacts needed to be analysed. "If it is possible to construct an abstract archaeology that can be tested and refined on earth and then applied to areas beyond our planet, then the claims for ETI remains on the moon and Mars may really be evaluated in light of established archaeological theory and analysis". [10]
Ben McGee similarly proposed the creation of a set of interdisciplinary, proactive xenoarchaeological guidelines, arguing that identifying suspected artifacts of astrobiology is all that is required to justify establishing a methodology for xenoarchaeology. He emphasized the necessity of proactive xenoarchaeological work in order to avoid future bias, mischaracterization, and information mismanagement, and he cites three scenarios under which such a methodology or set of guidelines would be useful, those being "remote sensing" of a potential xenoarchaeological artifact, encountering an artifact during "human exploration," and "terrestrial interception" of an artifact. [7]
The origins of the field have been traced [11] to theories about a hypothetical Martian civilization based on observations of what were perceived as canals on Mars. These theories, of which Percival Lowell was the most famous exponent, were apparently inspired by a mistranslation of a quote by Giovanni Schiaparelli.
The 1997 Theoretical Archaeology Group conference featured a session on "archaeology and science fiction". [12]
The 2004 annual meeting of the American Anthropological Association featured a session Anthropology, Archaeology and Interstellar Communication. [13]
Planetary SETI is concerned with the search for extraterrestrial structures on the surface of bodies in the Solar System. Claims for evidence of extraterrestrial artifacts can be divided into three groups, the Moon, Mars, and the other planets and their satellites. [3]
Examples of sites of interest include the "bridge" sighted in the Mare Crisium in 1953, and the "Blair Cuspids", "an unusual arrangement of seven spirelike objects of varying heights" at the western edge of the Mare Tranquillitatis , photographed by the Lunar Orbiter 2 on 20 November 1966. [14] In 2006, Ian Crawford proposed that a search for alien artifacts be conducted on the Moon. [15]
Percival Lowell's mistaken identification of Martian canals [16] was an early attempt to detect and study an alien culture from its supposed physical remains.[ citation needed ] More recently, there was interest in the supposed Face on Mars, an example of the psychological phenomenon of pareidolia. [17]
The Society for Planetary SETI Research is a loose organization of researchers interested in this field. The organization does not endorse any particular conclusions drawn by its members on particular sites. [18]
A great deal of research and writing has been done, and some searches conducted for extraterrestrial probes in the Solar System. [19] This followed the work of Ronald N. Bracewell.
Robert Freitas, [20] [21] [22] Christopher Rose and Gregory Wright have argued that interstellar probes can be a more energy-efficient means of communication than electromagnetic broadcasts. [23]
If so, a solar centric Search for Extraterrestrial Artifacts (SETA) [24] would seem to be favored over the more traditional radio or optical searches. Robert A. Freitas coined the term SETA in the 1980s. [25]
On the basis that the Earth-Moon or Sun-Earth libration orbits might constitute convenient parking places for automated extraterrestrial probes, unsuccessful searches were conducted by Freitas and Valdes. [26] [27]
In a 1960 paper, Freeman Dyson proposed the idea of a Dyson sphere, a type of extraterrestrial artifact able to be searched for and studied at interstellar distances. Following that paper, several searches have been conducted. [28]
In a 2005 paper, Luc Arnold proposed a means of detecting smaller, though still mega-scale, artifacts from their distinctive transit light curve signature. [29] (see Astroengineering).
A subculture of enthusiasts studies purported structures on the Moon or Mars. These controversial "structures" (such as the Face on Mars) are not accepted as more than natural features by most scientists, examples of the pareidolia phenomenon.
Palaeocontact or ancient astronaut theories, espoused by Erich von Däniken and others, are further examples of fringe theories. These claim that the Earth was visited in prehistoric times by extraterrestrial beings.
Xenoarchaeological themes are common in science fiction. Works about the exploration of enigmatic extraterrestrial artifacts have been satirically categorized as Big Dumb Object stories.
Some of the more prominent examples of xenoarchaeological fiction include Arthur C. Clarke's novel Rendezvous with Rama , H. Beam Piper's short story Omnilingual , and Charles Sheffield's Heritage Universe series.
Astrobiology is a scientific field within the life and environmental sciences that studies the origins, early evolution, distribution, and future of life in the universe by investigating its deterministic conditions and contingent events. As a discipline, astrobiology is founded on the premise that life may exist beyond Earth.
Extraterrestrial life, or alien life, is life that originates from another world rather than on Earth. No extraterrestrial life has yet been scientifically conclusively detected. Such life might range from simple forms such as prokaryotes to intelligent beings, possibly bringing forth civilizations that might be far more, or far less, advanced than humans. The Drake equation speculates about the existence of sapient life elsewhere in the universe. The science of extraterrestrial life is known as astrobiology.
The Fermi paradox is the discrepancy between the lack of conclusive evidence of advanced extraterrestrial life and the apparently high likelihood of its existence. Those affirming the paradox generally conclude that if the conditions required for life to arise from non-living matter are as permissive as the available evidence on Earth indicates, then extraterrestrial life would be sufficiently common such that it would be implausible for it not to have been detected yet.
The search for extraterrestrial intelligence (SETI) is a collective term for scientific searches for intelligent extraterrestrial life. Methods include monitoring electromagnetic radiation for signs of transmissions from civilizations on other planets, optical observation, and the search for physical artifacts. Attempts to message extraterrestrial intelligences have also been made.
Interstellar communication is the transmission of signals between planetary systems. Sending interstellar messages is potentially much easier than interstellar travel, being possible with technologies and equipment which are currently available. However, the distances from Earth to other potentially inhabited systems introduce prohibitive delays, assuming the limitations of the speed of light. Even an immediate reply to radio communications sent to stars tens of thousands of light-years away would take many human generations to arrive.
The concept of self-replicating spacecraft, as envisioned by mathematician John von Neumann, has been described by futurists and has been discussed across a wide breadth of hard science fiction novels and stories. Self-replicating probes are sometimes referred to as von Neumann probes. Self-replicating spacecraft would in some ways either mimic or echo the features of living organisms or viruses.
The communication with extraterrestrial intelligence (CETI) is a branch of the search for extraterrestrial intelligence (SETI) that focuses on composing and deciphering interstellar messages that theoretically could be understood by another technological civilization. The best-known CETI experiment of its kind was the 1974 Arecibo message composed by Frank Drake.
An extraterrestrial or alien is a lifeform that did not originate on Earth. The word extraterrestrial means "outside Earth". Extraterrestrials are a common theme in modern science-fiction, and also appeared in much earlier works such as the second-century parody True History by Lucian of Samosata.
An interstellar war is a hypothetical space war between combatants from different planetary systems. The concept provides a common plot device in science fiction, especially in the space opera subgenre. In contrast, the term intergalactic war refers to war between combatants from different galaxies, and interplanetary war refers to war between combatants from different planets of the same planetary system.
A Bracewell probe is a hypothetical concept for an autonomous interstellar space probe dispatched for the express purpose of communication with one or more alien civilizations. It was proposed by Ronald N. Bracewell in a 1960 paper, as an alternative to interstellar radio communication between widely separated civilizations.
Active SETI is the attempt to send messages to intelligent extraterrestrial life. Active SETI messages are predominantly sent in the form of radio signals. Physical messages like that of the Pioneer plaque may also be considered an active SETI message. Active SETI is also known as METI.
Ancient astronauts have been addressed frequently in science fiction and horror fiction. Occurrences in the genres include:
Metalaw is “the entire sum of legal rules regulating relationships between different races in the universe.” It is a concept of space law closely related to the scientific Search for Extraterrestrial Intelligence (SETI). The idea is an elaboration of Immanuel Kant's Categorical imperative "Act only according to that maxim whereby you can at the same time will that it should become a universal law."
The cultural impact of extraterrestrial contact is the corpus of changes to terrestrial science, technology, religion, politics, and ecosystems resulting from contact with an extraterrestrial civilization. This concept is closely related to the search for extraterrestrial intelligence (SETI), which attempts to locate intelligent life as opposed to analyzing the implications of contact with that life.
Technosignature or technomarker is any measurable property or effect that provides scientific evidence of past or present technology. Technosignatures are analogous to biosignatures, which signal the presence of life, whether intelligent or not. Some authors prefer to exclude radio transmissions from the definition, but such restrictive usage is not widespread. Jill Tarter has proposed that the search for extraterrestrial intelligence (SETI) be renamed "the search for technosignatures". Various types of technosignatures, such as radiation leakage from megascale astroengineering installations such as Dyson spheres, the light from an extraterrestrial ecumenopolis, or Shkadov thrusters with the power to alter the orbits of stars around the Galactic Center, may be detectable with hypertelescopes. Some examples of technosignatures are described in Paul Davies's 2010 book The Eerie Silence, although the terms "technosignature" and "technomarker" do not appear in the book.
Breakthrough Initiatives is a science-based program founded in 2015 and funded by Julia and Yuri Milner, also of Breakthrough Prize, to search for extraterrestrial intelligence over a span of at least 10 years. The program is divided into multiple projects. Breakthrough Listen will comprise an effort to search over 1,000,000 stars for artificial radio or laser signals. A parallel project called Breakthrough Message is an effort to create a message "representative of humanity and planet Earth". The project Breakthrough Starshot, co-founded with Mark Zuckerberg, aims to send a swarm of probes to the nearest star at about 20% the speed of light. The project Breakthrough Watch aims to identify and characterize Earth-sized, rocky planets around Alpha Centauri and other stars within 20 light years of Earth. Breakthrough plans to send a mission to Saturn's moon Enceladus, in search for life in its warm ocean, and in 2018 signed a partnership agreement with NASA for the project.
Douglas A. Vakoch is an American astrobiologist, search for extraterrestrial intelligence (SETI) researcher, psychologist, and president of METI International, a nonprofit research and educational organization devoted to transmitting intentional signals to extraterrestrial civilizations. Vakoch led METI's participation in Sónar Calling GJ 273b, which transmitted a series of interstellar messages to Luyten's Star, located 12.4 light years from Earth. Vakoch advocates ongoing transmission projects, arguing that this does not increase risks of an alien invasion as suggested by British cosmologist Stephen Hawking. He has participated in several SETI observation programs, and after sixteen years at the SETI Institute, where he was director of Interstellar Message Composition, Vakoch founded METI International. He has edited over two dozen books in SETI, astrobiology, the psychology of space exploration, ecocriticism, COVID, and transgender studies. Vakoch helped design the message included on NASA's Europa Clipper spacecraft. He is general editor of three book series in ecocriticism and in the intersection of space and society. Vakoch has appeared widely on television and radio as a commentator on SETI and astrobiology. He is an emeritus professor of clinical psychology at the California Institute of Integral Studies (CIIS).
Archaeology, Anthropology, and Interstellar Communication is a 2014 collection of essays edited by Douglas Vakoch and published by NASA. The book is focused on the role that the humanities and social sciences, in particular anthropology and archaeology, play in the search for extraterrestrial intelligence (SETI). The seventeen essays are gathered into four sections, which respectively explore the history of SETI as a field; archaeological comparisons for human-alien communication, such as the difficulties of translating ancient languages; the inferential gap between humans and aliens, and the consequences this would have for communication and trade; and the potential nature of alien intelligences.
The following outline is provided as an overview of and topical guide to extraterrestrial life:
Rendezvous with the Future is a documentary series commissioned by Bilibili and produced by BBC Studios which explores the science behind the science fiction of author Liu Cixin. The series premiered in China on 16 November 2022 and has been watched by a combined audience of more than 85 million.
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