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Space Western is a subgenre of science fiction that uses the themes and tropes of Westerns within science-fiction stories in an outer space setting. [1] Subtle influences may include exploration of new, lawless frontiers, while more overt influences may feature actual cowboys in outer space who use rayguns and ride robotic horses. Although initially popular, a strong backlash against perceived hack writing caused the genre to become a subtler influence until the 1980s, when it regained popularity. A further critical reappraisal occurred during the 2000s due to critical acclaim for Firefly .
The space Western is a science fiction story that contains Western genre elements within an outer space setting. [1] [2] : 1–3 These Western themes can be explicit, such as cowboys in outer space, or they can be a more subtle influence in space opera. [2] : 3–4 The genre can be contrasted with science fiction Western, which generally relies on traditional Western frontier settings. [1] while the space Western, having its roots in science fiction, contains plots, tropes, or archetypes of the Western genre, but is generally set in outer space in a futuristic setting. [3] : 1 [4]
Gene Roddenberry described Star Trek: The Original Series as a space Western (or, more poetically, as " Wagon Train to the stars"). [5] Firefly and its cinematic follow-up Serenity literalized the Western aspects of the genre popularized by Star Trek: it used frontier towns, horses, and the styling of classic John Ford Westerns. [6] [7] Worlds that have been terraformed may be depicted as presenting similar challenges as that of a frontier settlement in a classic Western. [8] Six-shooters and horses may be replaced by ray guns and rockets. [9]
The idea is that the vast distances of space have formed barriers, forcing people to become independent or even restricted. Popular themes within the genre are new frontiers in the galaxy and trying to "control" the vast expanse of space. The stories focus on the hardship and adventure of the unexplored space frontier. [10]
Space Westerns sometimes intertwine with space opera and military science fiction [2] : 1–3 and are generally placed within the Space warfare in science fiction sub-genre thematic. Specifically written space Western fiction, movies and TV series are sometimes based on established space opera franchises with the expanded universes of Star Wars and Star Trek. [11] They often consider and view an interstellar war and oppression of a galactic empire as a backdrop, with a focus on lone gunslingers in space wielding a raygun with fantastic fictional technologies in a futuristic space-frontier setting. [12]
Westerns influenced early science-fiction pulp magazines. Writers would submit stories in both genres, [13] and science-fiction magazines sometimes mimicked Western cover art to showcase parallels. [2] In the 1930s, C. L. Moore created one of the first space Western heroes, Northwest Smith. [2] Buck Rogers and Flash Gordon were also early influences. [9] After superhero comics declined in popularity in 1940s United States, Western comics and horror comics replaced them. When horror comics became untenable with the Comics Code Authority in the mid-1950s, science-fiction themes and space Westerns grew more popular. [2] : 10
By the mid-1960s, classic Western films fell out of favor and revisionist Westerns supplanted them. Science-fiction series such as Lost in Space [14] and Star Trek presented a new frontier to be explored. Peter Hyams, director of Outland , said that studio heads in the 1980s were unwilling to finance a Western, so he made a space Western instead. [15] Outland took the plot directly from High Noon (1952) and placed it on Jupiter's moon Io. [13]
Space operas such as the Star Wars film series took strong cues from Westerns. Boba Fett, Han Solo and the Mos Eisley cantina, in particular, were based on Western themes. George Lucas attributes the character of Boba Fett to the Man with No Name in the DVD commentary on The Empire Strikes Back . [16] Han Solo's original costume and charming rogue gunslinger mannerisms also reflects the Western's influence on Star Wars. These science fiction-films and television series offered the themes and morals that Westerns previously did. [17]
This frontier view of the future is only one of many ways to look at space exploration, and not one embraced by all science-fiction writers. The Turkey City Lexicon, a document produced by the Turkey City science-fiction writers' workshop, condemns the space Western as the "most pernicious" form of a pre-established background that avoids the necessity of creating a fresh world. [18] Galaxy Science Fiction ran an advertisement on its back cover, "You'll never see it in Galaxy", which gave the beginnings of make-believe parallel Western and science-fiction stories featuring a character named Bat Durston. [19] The genre of space Westerns has been informally—and often derisively—known as "Bat Durston" stories since. [20] Such scathing attacks on the subgenre, along with further attacks on space operas, caused a perception that all space Westerns were by definition hack writing and not "true" science fiction. [9] Although the underlying themes remained influential, this bias persisted until the 1980s, when the release of the film Outland and children's cartoons such as BraveStarr and The Adventures of the Galaxy Rangers re-popularized explicit themes of cowboys in space. [9]
BraveStarr chronicles the adventures of the Space Marshal, as he seeks to uphold law and order in the 23rd century. [21] The opening trailer of The Adventures of the Galaxy Rangers shows Texas Rangers–like heroes riding across a prairie landscape on robotic horses. Spaceships and six-guns both feature prominently throughout. [22]
In the 1990s, Japanese manga and anime series such as Trigun (1995 debut), Outlaw Star (1996 debut) and Cowboy Bebop (1997 debut) explored the genre. Several years later, Firefly won acclaim, further causing a critical reassessment of space Westerns. [9]
Games such as StarCraft , [23] [24] The Outer Worlds , [25] and the Borderlands series [26] have also popularized the space Western theme. Films like The Chronicles of Riddick have continued the space Western theme. [27]
Science fiction first appeared in television programming in the late 1930s, during what is called the Golden Age of Science Fiction. Special effects and other production techniques allow creators to present a living visual image of an imaginary world not limited by the constraints of reality.
The Western is a genre of fiction typically set in the American frontier between the California Gold Rush of 1849 and the closing of the frontier in 1890, and commonly associated with folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada.
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The overwhelming majority of fiction is set on or features the Earth, as the only planet home to humans or known to have life. This also holds true of science fiction, despite perceptions to the contrary. Works that focus specifically on Earth may do so holistically, treating the planet as one semi-biological entity. Counterfactual depictions of the shape of the Earth, be it flat or hollow, are occasionally featured. A personified, living Earth appears in a handful of works. In works set in the far future, Earth can be a center of space-faring human civilization, or just one of many inhabited planets of a galactic empire, and sometimes destroyed by ecological disaster or nuclear war or otherwise forgotten or lost.
Military science fiction is a subgenre of science fiction and military fiction that depicts the use of science fiction technology, including spaceships and weapons, for military purposes and usually principal characters who are members of a military organization, usually during a war; occurring sometimes in outer space or on a different planet or planets. It exists in a range of media, including literature, comics, film, television and video games.
The Star Wars science fiction media franchise is acknowledged to have been inspired by many sources. These include Hinduism, Buddhism, Qigong, philosophy, classical mythology, Roman history, Gnosticism, Zoroastrianism, parts of the other Abrahamic religions, Confucianism, Shintō and Taoism, and countless cinematic precursors. Creator George Lucas stated "Most of the spiritual reality in the movie[s] is based on a synthesis of all religions. A synthesis through history; the way man has perceived the unknown and the great mystery and tried to deal with that or dealing with it".
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Serenity is a 2005 American space Western film written and directed by Joss Whedon in his feature directorial debut. The film is a continuation of Whedon's short-lived 2002 Fox television series Firefly and stars the same cast, taking place after the events of the final episode. Set in 2517, Serenity is the story of the crew of Serenity, a "Firefly-class" spaceship. The captain and first mate are veterans of the Unification War, having fought on the losing Independent side against the Alliance. Their lives of smuggling and cargo-running are interrupted by a psychic passenger who harbors a dangerous secret.
The Alliance, formally known as the Union of Allied Planets, is a powerful fictional corporate supergovernment and law-enforcement organization in the Firefly franchise that controls the majority of territory within the known universe.
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A science fiction Western is a subgenre or cross-genre that uses traditional Western plots and settings, while incorporating science fiction elements such as futuristic technology or aliens. The post-apocalyptic Western and steampunk Western fall within this subgenre.
Weird West, also known as Weird Western, is a term used for the hybrid genres of fantasy Western, horror Western and science fiction Western. The term originated with DC's Weird Western Tales in 1972, but the idea is older as the genres have been blended since the 1930s, possibly earlier, in B-movie Westerns, comic books, movie serials and pulp magazines. Individually, the hybrid genres combine elements of the Western genre with those of fantasy, horror and science fiction respectively.
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Space opera is a subgenre of science fiction that emphasizes space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, it features technological and social advancements in faster-than-light travel, futuristic weapons, and sophisticated technology, on a backdrop of galactic empires and interstellar wars with fictional aliens, often in fictional galaxies. The term does not refer to opera music, but instead originally referred to the melodrama, scope, and formulaic stories of operas, much as used in "horse opera", a 1930s phrase for a clichéd and formulaic Western film, and "soap opera", a melodramatic domestic drama. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, video games and board games.
The following outline is provided as an overview of and topical guide to Star Trek: