In genre studies, a coming-of-age story is a genre of literature, theatre, film, and video game that focuses on the growth of a protagonist from childhood to adulthood, or "coming of age". Coming-of-age stories tend to emphasize dialogue or internal monologue over action and are often set in the past. The subjects of coming-of-age stories are typically teenagers. [1] The Bildungsroman is a specific subgenre of coming-of-age story.
The plot points of coming-of-age stories are usually emotional changes within the character(s) in question. [2]
In literary criticism, coming-of-age novels and Bildungsroman are sometimes interchangeable, but the former is usually a wider genre. The Bildungsroman (from the German words Bildung , "education", alternatively "forming" and Roman, "novel") is further characterized by a number of formal, topical, and thematic features. [3] It focuses on the psychological and moral growth of the protagonist from childhood to adulthood (coming of age), [4] in which character change is important. [5] [6] [7]
The genre evolved from folk tales of young children exploring the world to find their fortune. [8] Although the Bildungsroman arose in Germany, it has had extensive influence first in Europe and later throughout the world. Thomas Carlyle had translated Goethe's Wilhelm Meister novels into English, and after their publication in 1824/1825, many British authors wrote novels inspired by it. [9] [10]
Many variations of the Bildungsroman exist, such as the Künstlerroman ("artist novel"), which focuses on the self-growth of an artist. [11]
In film, coming-of-age is a genre of teen films. Coming-of-age films focus on the psychological and moral growth or transition of a protagonist from youth to adulthood. A variant in the 2020s is the "delayed-coming-of-age film, a kind of story that acknowledges the deferred nature of 21st-century adulthood", in which young adults may still be exploring short-term relationships, living situations, and jobs even into their late 20s and early 30s. [12]
Personal growth and change is an important characteristic of the genre, which relies on dialogue and emotional responses, rather than action. The story is sometimes told in the form of a flashback. [1] Historically, coming-of-age films usually centred on young boys, although coming-of-age films focusing on girls have become more common in the early 21st century, such as The Poker House (2008), Winter's Bone (2010), Hick (2011), Girlhood (2014), Mustang (2015), The Diary of a Teenage Girl (2015), Mistress America (2015), The Edge of Seventeen (2016), Lady Bird (2017), Sweet 20 (2017), Aftersun (2022) and Are You There God? It's Me, Margaret. (2023). [13]
In literary criticism, a Bildungsroman is a literary genre that focuses on the psychological and moral growth of the protagonist from childhood to adulthood, in which character change is important. The term comes from the German words Bildung and Roman ("novel").
A Künstlerroman, meaning "artist's novel" in English, is a narrative about an artist's growth to maturity. It could be classified as a sub-category of Bildungsroman: a coming-of-age novel. According to Encyclopaedia Britannica, one way a Künstlerroman may differ from a Bildungsroman is its ending, where a Künstlerroman hero rejects the everyday life, but a Bildungsroman hero settles for being an ordinary citizen. According to Oxford Reference, the difference may lie in a longer view across the Künstlerroman hero's whole life, not just their childhood years.
Fantastique is a French term for a literary and cinematic genre and mode that is characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence. The concept comes from the French literary and critical tradition, and is distinguished from the word "fantastic", which is associated with the broader term of fantasy in the English literary tradition. According to the literary theorist Tzvetan Todorov, the fantastique is distinguished from the marvellous by the hesitation it produces between the supernatural and the natural, the possible and the impossible, and sometimes between the logical and the illogical. The marvellous, on the other hand, appeals to the supernatural in which, once the presuppositions of a magical world have been accepted, things happen in an almost normal and familiar way. The genre emerged in the 18th century and knew a golden age in 19th century Europe, particularly in France and Germany.
Georges Eekhoud was a Belgian novelist of Flemish descent, but writing in French.
Emmanuel Carrère is a French author, screenwriter and film director.
18th-century French literature is French literature written between 1715, the year of the death of King Louis XIV of France, and 1798, the year of the coup d'État of Bonaparte which brought the Consulate to power, concluded the French Revolution, and began the modern era of French history. This century of enormous economic, social, intellectual and political transformation produced two important literary and philosophical movements: during what became known as the Age of Enlightenment, the Philosophes questioned all existing institutions, including the church and state, and applied rationalism and scientific analysis to society; and a very different movement, which emerged in reaction to the first movement; the beginnings of Romanticism, which exalted the role of emotion in art and life.
Jean Patrick Modiano, generally known as Patrick Modiano, is a French novelist and recipient of the 2014 Nobel Prize in Literature. He is a noted writer of autofiction, the blend of autobiography and historical fiction.
Jean-Louis Curtis, pseudonym of Albert Laffitte, was a French novelist best known for his second novel The Forests of the Night, which won France's highest literary award the Prix Goncourt in 1947. He is the author of over 30 novels.
Marie Rita Marcelle Lagesse O.S.K was a Mauritian journalist and writer.
Female artist's novel is a literary subtype of Kunstlerroman which can be defined as a literary procedure which deals with the main female protagonist’s growing to maturity and gaining experience and independence as an artist, namely a writer. Based on the major assumptions of Kunstlerroman, female artist’s novel works as a portrayal of a woman’s artistic struggle as she acquires artistic freedom and masters the artistic craft of being a writer and gaining literary dexterity. The scope of the genre is deeply rooted in the main assumptions of Kunstlerroman, where the growth of the character is displayed from one's youth to adulthood and deals with one's emotional and personal development on the way to artistic fulfillment.
Alain Blottière is a French writer
André Brincourt was a French writer and journalist.
Roger Vrigny was a 20th-century French writer.
Hugo Boris, is a French writer.
Mohamed Mbougar Sarr is a Senegalese writer. Raised in Diourbel, Senegal and later studying in France, Sarr is the author of four novels as well as a number of award-winning short stories. He won the 2021 Prix Goncourt for his novel The Most Secret Memory of Men, becoming the first Sub-Saharan African to do so.
Kaouther Adimi, is a writer, graduate in modern literature and human resources management. She works today in Paris, where she has lived since 2009.
Line Papin is a French novelist.
Mouna Hachim is a Moroccan writer and journalist. She has published several novels and non-fiction books. She has also created documentaries.
Robert Zotoumbat was a Gabonese writer, often regarded as either the first Gabonese novelist or a precursor of Gabonese novels.
Franco Moretti et John Neubauer, historiens de la littérature, ont tous deux insisté sur le rôle fondamental qu'a joué le roman, depuis la fin du XVIIIe siècle jusqu'à la Première Guerre mondiale, dans la construction des âges de la vie, de l'adolescence et la jeunesse. Si, avant cette période, les jeunes sont les laissés-pour-compte de la littérature romanesque, cette entrée tardive est compensée par la place centrale qu'ils occupent dans le roman de formation. Vers la fin du XIXe siècle, quand ce genre entre en crise, les jeunes sont remplacés par les adolescents, nouveaux protagonistes des œuvres de fiction. Après les écrits de Jean-Jacques Rousseau, le roman de formation, ou Bildungsroman, dont l'apogée se situe entre Les années d'apprentissage de Wilhelm Meister de Goethe (1795–1796) et l'Éducation sentimentale de Flaubert (1869), invente la figure littéraire du jeune homme voyageur. C'est à partir donc de cette période qu'il faudra retrouver certains traits des voyages fictionnels, que j'appelle matrices , qui hantent encore notre imaginaire, et que l'on retrouve dans les séjours Erasmus contemporains