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Australian Western, also known as meat pie Western or kangaroo Western, is a genre of Western-style films or TV series set in the Australian outback or "the bush". Films about bushrangers (sometimes called bushranger films) are included in this genre. Some films categorised as meat-pie or Australian Westerns also fulfil the criteria for other genres, such as drama, revisionist Western, crime or thriller. A sub-genre of the Australian Western, the Northern, has been coined by the makers of High Ground (2020), to describe a film set in the Northern Territory that accurately depicts historical events in a fictionalised form, that has aspects of a thriller.
The term "meat pie Western" is a play on the term Spaghetti Western, used for Italian-made Westerns. Since Westerns are a genre associated with the United States, the food qualifiers indicate the origin of other cultures that play with the characteristics of the genre. Historically some Australian Westerns were made specifically with the influence of US Westerns in mind. The Ealing Westerns, made in Australia, are particular examples of this, though they depict Australian history.
One connection has been the parallel between the two native people, and their treatment by settlers and the white colonial people. In the case of Australia, Aboriginal Australians, and in the US, the Native Americans. [1] Cattle ranches and vast tracts of land are both similar themes, being borrowed from US Westerns and used in Australia, in particular the movie The Overlanders (1946). [2]
The definition of what is an Australian Western (i.e. taking its influence from US cinema) and what is simply an Australian historical film set in the era that covers similar themes, is fluid. Cinema about bushrangers, which some regard as Australian Westerns, goes back to some of the first Australian feature films. [3] Ned Kelly, as subject of a feature film, was first made in 1906, in The Story of the Kelly Gang . The British company Ealing Studios, made a number of Westerns in Australian in the 1940s and '50s, including The Overlanders (1946), about a cattle drive, which was marketed in Australia as a drama, but marketed overseas as an "Australian Western". [4] It starred Australian actor Chips Rafferty and was successful at the box office. Another British film production house, Rank, made Robbery Under Arms in 1957. [5] One of the prominent post-war productions made in Australia was the technicolour Western, Kangaroo. This was a big budget (800,000 pounds) film made by 20th Century Fox in 1952, starring imported stars Maureen O'Hara and Peter Lawford. [6] Mad Dog Morgan, was made in the 1970s, carrying Western themes along with Ozploitation cinema [7]
The term "kangaroo Western" is used in an article about The Man from Snowy River (1982) in that year, [8] and Stuart Cunningham refers to Charles Chauvel’s Greenhide (1926) as a “kangaroo Western” in 1989. [9] [10]
Grayson Cooke attributes the first use of the term "meat-pie Western" to Eric Reade in his History and Heartburn (1979), [11] referring to Russell Hagg's Raw Deal (1977). [9] This term is again used in 1981 in an Australian Women's Weekly column by John-Michael Howson (about a film planned to be made in Australia by James Komack, but apparently never made). Howson compares the term to the "Spaghetti Western". [12] Historian Troy Lennon (2018) says that meat pie Westerns have been around for more than a century. [13]
Cooke (2014) posits that the Australian Western genre never developed a "classic" or mature phase. He lists the following as broad categories: "the early bushranger and bush adventure films; Westerns shot in Australia by foreign production studios; contemporary re-makes of bushranger films; and contemporary revisionist Westerns, noting that most fall into the bushranger category (with only The Tracker and The Proposition falling into the latter category at that time). Other recent films, such as Ivan Sen's Mystery Road (2013), a crime film, also uses some of the Western themes. [9]
Emma Hamilton, of the University of Newcastle, refers to the Australian Western, kangaroo Western and meat-pie Western as alternative terms, in her exploration of the development of the Western genre in Australia comparing film representations of Ned Kelly. She refers to the work of Cooke and other writers, paraphrasing Peter Limbrick's view that the Western is basically "about societies making sense of imperial-colonial relationships", and considers the parallels between American and Australian histories. Hamilton lists a number of films which can be termed Australian Westerns by virtue of being set in Australia but maintaining elements of American Western conventions. The list includes, amongst many others, Robbery Under Arms (1920), Captain Fury (1939), Eureka Stockade (1949) and The Shiralee (1957). [14]
Director Stephen Johnson and his team of filmmakers dubbed their creation, High Ground , set in the Northern Territory, a "Northern". [lower-alpha 1] Johnson said "We really feel it's a film that immerses the audience in a time and place and that perhaps hasn't happened in this way before", and producer Witiyana Marika called it a "northern action thriller". The feature fiction film is based on many stories of the First Nations people of Arnhem Land that are not told in the history books. [15] [16] Johnson also said "There's a thriller aspect to it. It's not a Western, it's a Northern". [17]
The Story of the Kelly Gang (1906) could be said to be the first in the genre (and possibly the world's first feature film [14] ), with "good guys, bad guys, gunfights [and] horseback chases". In 1911 and 1912, the state governments of South Australia, New South Wales and Victoria all banned depictions of bushrangers in films, which lasted for about 30 years and at first had a significantly deleterious effect on the Australian film industry. [9] [13] [14]
Films in the Western genre continued to be made through the rest of the 20th century, many with Hollywood collaboration (such as Rangle River based on a Zane Grey novel in 1936), and some British (such as the Ealing Studios' The Overlanders in 1946). [13] Ned Kelly (1970) and The Man from Snowy River (1982) were the most notable examples of the genre in the second half of the century. [13] [14]
Some films in the genre, such as Red Hill , The Proposition , and Sweet Country , re-examine the treatment of Aboriginal Australians and focus on racism and sexism in Australian history, [18] [19] with the latter two of these being successful with both critics and box-office. [13]
A range of modern Westerns have been made since 1990. Ned Kelly, Australia's most famous bank robber, features, with two films, Ned Kelly made in 2003 and The True History of the Kelly Gang in 2019., [20] also The Legend of Ben Hall in 2017 and as well as The Tracker in 2002. [21] The Proposition , made in 2005, is an anti Western, and was influenced by Robert Altman and Sam Peckinpah's anti Western work [22] The 2008 film Australia is an epic Western which concocts other genres such as adventure, action, drama, war and romance. [23] Sweet Country , about settlers incursions into the Australian First Nation's people (once again following similar themes to settlers encroaching on Native Americans) was made in 2017. [24]
Bushrangers were armed robbers who hid from authorities in the bush of the British colonies in Australia. The earliest use of the term applied to escaped convicts in the early years of the British settlements in Australia. By the 1820s, the term had evolved to refer to those who took up "robbery under arms" as a way of life, using bases in the bush.
The Story of the Kelly Gang is a 1906 Australian Bushranger film directed by Charles Tait. It traces the exploits of 19th-century bushranger and outlaw Ned Kelly and his gang, with the film being shot in and around Melbourne. The original cut of this silent film ran for more than an hour with a reel length of about 1,200 metres (4,000 ft), making it the longest narrative film yet seen in the world. It premiered at Melbourne's Athenaeum Hall on 26 December 1906 and was first shown in the United Kingdom in January 1908. A commercial and critical success, it is regarded as the origin point of the bushranging drama, a genre that dominated the early years of Australian film production. Since its release, many other films have been made about the Kelly legend.
The Last Continent is a fantasy novel by British writer Terry Pratchett, the twenty-second book in his Discworld series. First published in 1998, it mocks the aspects of time travel such as the grandfather paradox and the Ray Bradbury short story "A Sound of Thunder". It also parodies Australian people and aspects of Australian culture, such as Crocodile Dundee, The Adventures of Priscilla, Queen of the Desert and Mad Max films, the Australian beer XXXX, Vegemite, thongs, cork hats, the Peach Melba, Skippy the Bush Kangaroo, the bushranger Ned Kelly, the Henley-on-Todd Regatta, and the Australian songs "Waltzing Matilda", "Down Under", and "The Man From Snowy River".
Sir Arthur Morgan (1856–1916) was an Australian politician who was Premier of Queensland from 1903 to 1906.
Ned Kelly is a 1970 British-Australian biographical bushranger film. It was the seventh Australian feature film version of the story of 19th-century Australian bushranger Ned Kelly, and is notable for being the first Kelly film to be shot in colour.
Henry Johnson, better known by his alias Harry Power, was an Irish-born convict who became a bushranger in Australia. From 1869 to 1870, he was accompanied by a young Ned Kelly, who went on to become Australia's best known bushranger.
Australiana is anything pertaining to Australian culture, society, geography and ecology, especially if it is endemic to Australia or has reached iconic status. It includes people, places, flora, fauna and events of Australian origins. Australiana objects can be highly collectable and comprise anything made in Australia or especially made for Australian use. Australiana often borrows from Australian Aboriginal culture, or the stereotypical Australian culture of the early 1900s.
Officer 666 is a 1916 silent film made in Australia, based on a successful Broadway comedy of 1912. The film was directed by Fred Niblo who would go on to direct The Mark of Zorro, The Three Musketeers, Blood and Sand and over forty more films.
The Phantom Stockman is a 1953 Australian Western film written and directed by Lee Robinson and starring Chips Rafferty, Victoria Shaw, Max Osbiston and Guy Doleman.
Adam's Woman is a 1970 Australian-American historical drama film directed by Philip Leacock and starring Beau Bridges, Jane Merrow and John Mills. It has been called a "convict Western".
Andrew Moore is an Australian historian and academic, a specialist in Australian right-wing politics. He has taught at the University of Sydney, The University of New South Wales, England's University of Lincoln and the University of Western Sydney. His areas of expertise include Twentieth Century Australian History, Irish-Australian history and social history of sport, especially rugby league football. Moore is a leading expert on both the New Guard and the Old Guard.
Dust in the Sun is a 1958 Eastmancolor Australian mystery film adapted from the 1955 novel Justin Bayard by Jon Cleary and produced by the team of Lee Robinson and Chips Rafferty. The film stars British actress Jill Adams, Ken Wayne and an Indigenous Australian actor Robert Tudawali as Emu Foot.
The Shadow of Lightning Ridge is a 1920 Australian silent film starring renowned Australian sportsman Snowy Baker. It has been called the most "Western"-like of the films Baker made in Australia.
The bushranger ban was a ban on films about bushrangers that came in effect in Australia in 1911–12. Films about bushrangers had been the most popular genre of local films ever since The Story of the Kelly Gang (1906). Governments were worried about the influence this would have on the population and bans against films depicting bushrangers were introduced in South Australia (1911), New South Wales and Victoria (1912).
Erin Gabrielle White is a feminist philosopher and theologian. As an author she contributed significantly to feminist scholarship in Australia. She was the founder of the Sydney Women-Church Group and one of the founding editors of Women-Church: an Australian journal of feminist studies in religion.
Bernice Moore is an Australian educator and former Sister of the Good Samaritan from Sydney. She is known for her significant contributions to the fields of education, feminist theology and social justice. Moore was awarded the Medal of the Order of Australia in 1997.
Melissa Brickell is an Indigenous Australian welfare worker based in Melbourne, Australia. She served as Director of Reconciliation Victoria and was the Chairperson for the Stolen Generations Sorry Day Committee and the Stolen Generations Alliance. She also served on the National Aboriginal and Torres Strait Islander Catholic Council and the National Aboriginal and Torres Strait Islander Ecumenical Commission.
Jean Gledhill is a member of the Uniting Church in Australia and a former member of the Commission on the Status of Women of the Australian Council of Churches. She was associated with two publications that contributed to the development of religious feminism in Australia. These were the Christian feminist magazine Magdalene and Women-Church: an Australian journal of feminist studies in religion.
The Bunyip and the Satellite is a 1957 Australian stage musical written by Barry Humphries and Peter O'Shaughnessy. It was based on Frank Dalby Davison's children's novel Children of the Dark People.
Jimmy Njiminjuma (1947–2004) was a painter known for being one of the most renowned artists from the western Arnhem Land region.