Film noir is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression, known as noir fiction.
Pulp Fiction is a 1994 American independent crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary. It tells four intertwining tales of crime and violence in Los Angeles, California. The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue.
Kiss Me Deadly is a 1955 American film noir produced and directed by Robert Aldrich, starring Ralph Meeker, Albert Dekker, Paul Stewart, Juano Hernandez, and Wesley Addy. It also features Maxine Cooper and Cloris Leachman appearing in their feature film debuts. The film follows a private investigator in Los Angeles who becomes embroiled in a complex mystery after picking up a female hitchhiker. The screenplay was written by Aldrich and A.I. Bezzerides, based on the 1952 crime novel Kiss Me, Deadly by Mickey Spillane.
Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.
Robert Barton Englund is an American actor and director. Englund is best known for playing the villain Freddy Krueger in the A Nightmare on Elm Street franchise and Willie in the V television franchise (1983–1985). Englund has received multiple accolades and honors, including a Saturn Award, a Fangoria Chainsaw Award, as well as a star on the Hollywood Walk of Fame.
Neo-noir is a film genre that adapts the visual style and themes of 1940s and 1950s American film noir for contemporary audiences, often with more graphic depictions of violence and sexuality. During the late 1970s and the early 1980s, the term "neo-noir" surged in popularity, fueled by movies such as Sydney Pollack's Absence of Malice, Brian De Palma's Blow Out, and Martin Scorsese's After Hours. The French term film noir translates literally to English as "black film", indicating sinister stories often presented in a shadowy cinematographic style. Neo-noir has a similar style but with updated themes, content, style, and visual elements.
Pickup on South Street is a 1953 American spy film noir written and directed by Samuel Fuller, and starring Richard Widmark, Jean Peters, and Thelma Ritter. Widmark plays a pickpocket who unwittingly steals a covert microfilm sought by foreign agents. The film combines elements of the traditional crime film noir with Cold War-era espionage drama. It was released by 20th Century-Fox.
Hardboiled fiction is a literary genre that shares some of its characters and settings with crime fiction. The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself. Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Dick Tracy, Philip Marlowe, Nick Charles, Mike Hammer, Sam Spade, Lew Archer, Slam Bradley, and The Continental Op.
Samuel Michael "Sam" Fuller was an American film director, screenwriter, novelist, journalist, actor, and World War II veteran known for directing low-budget genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s.
Killer's Kiss is a 1955 American independently produced crime film noir directed by Stanley Kubrick and written by Kubrick and Howard Sackler. It is the second feature film directed by Kubrick, following his 1953 debut feature, Fear and Desire. The film stars Jamie Smith, Irene Kane, and Frank Silvera.
A semidocumentary is a form of book, film, or television program presenting a fictional story that incorporates many factual details or actual events, or which is presented in a manner similar to a documentary.
Thieves' Highway is a 1949 American film noir directed by Jules Dassin and starring Richard Conte, Valentina Cortese and Lee J. Cobb. The screenplay was written by A. I. Bezzerides, based on his novel Thieves' Market. The film was released on DVD as part of the Criterion Collection in 2005.
A Personal Journey with Martin Scorsese Through American Movies is a 1995 British documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief. Typically, such films also break down the cultural divide between high and low art and often upend typical portrayals of gender, race, class, genre, and time with the goal of creating something that does not abide by traditional narrative expression.
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.
Jerome Thoms was an American film editor.
Modernist film is related to the art and philosophy of modernism.
