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Comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film.
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.
National Lampoon's Animal House is a 1978 American comedy film directed by John Landis and written by Harold Ramis, Douglas Kenney and Chris Miller. It stars John Belushi, Tim Matheson, John Vernon, Verna Bloom, Thomas Hulce and Donald Sutherland. The film is about a trouble-making fraternity whose members challenge the authority of the dean of the fictional Faber College.
A B movie, or B film, is a type of low-budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in recorded music. However, the production of such films as "second features" in the United States largely declined by the end of the 1950s. This shift was due to the rise of commercial television, which prompted film studio B movie production departments to transition into television film production divisions. These divisions continued to create content similar to B movies, albeit in the form of low-budget films and series.
Teen film is a film genre targeted at teenagers, preteens and/or young adults by the plot being based on their special interests, such as coming of age, attempting to fit in, bullying, peer pressure, first love, teen rebellion, conflict with parents, and teen angst or alienation. Often these normally serious subject matters are presented in a glossy, stereotyped or trivialized way. Many teenage characters are portrayed by young adult actors in their 20s. Some teen films appeal to young males, while others appeal to young females.
An art film, art cinema, or arthouse film is typically an independent film, aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made primarily for aesthetic reasons rather than commercial profit", and containing "unconventional or highly symbolic content".
A splatter film is a subgenre of horror films that deliberately focuses on graphic portrayals of gore and graphic violence. These films, usually through the use of special effects, display a fascination with the vulnerability of the human body and the theatricality of its mutilation. The term "splatter cinema" was coined by George A. Romero to describe his film Dawn of the Dead, though Dawn of the Dead is generally considered by critics to have higher aspirations, such as social commentary, than to be simply exploitative for its own sake.
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.
Off-color humor is humor that deals with topics that may be considered to be in poor taste or vulgar. Many comedic genres may incorporate "off-color" elements.
Adult animation, also known as mature animation, and infrequently as adult-oriented animation, is any type of animated motion work that is catered specifically to adult interests and is mainly targeted and marketed towards adults and adolescents, as opposed to children or all-ages audiences.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
Comedy horror, also known as horror comedy, is a literary, television, and film genre that combines elements of comedy and horror fiction. Comedy horror has been described as able to be categorized under three types: "black comedy, parody and spoof." It often crosses over with the black comedy genre. Comedy horror can also parody or subtly spoof horror clichés as its main source of humour or use those elements to take a story in a different direction. Examples of comedy horror films include Abbott and Costello Meet Frankenstein (1948), An American Werewolf in London (1981), the Evil Dead franchise (1981–present), Gremlins (1984), Shaun of the Dead (2004), and The Cabin in the Woods (2011).
Extreme cinema is a subgenre used for films distinguished by its use of excessive sex and violence, and depiction of extreme acts such as mutilation and torture. The rising popularity of Asian films in the 21st century has contributed to the growth of extreme cinema, although extreme cinema is still considered to be a horror film-based genre. Being a relatively recent genre, extreme cinema is controversial and widely unaccepted by the mainstream media. Extreme cinema films target a specific and small audience group.
Sex comedy, erotic comedy or more broadly sexual comedy is a genre in which comedy is motivated by sexual situations and love affairs. Although "sex comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of Ovid and Giovanni Boccaccio may be considered sex comedies.
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses which engender dramatic irony, which provokes laughter.
M*A*S*H is a 1970 American black comedy war film directed by Robert Altman and written by Ring Lardner Jr., based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The film is the only theatrically released feature film in the M*A*S*H franchise.
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
Sex in film, the presentation of aspects of sexuality in film, especially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual.
American comedy films are comedy films produced in the United States. The genre is one of the oldest in American cinema; some of the first silent movies were comedies, as slapstick comedy often relies on visual depictions, without requiring sound. With the advent of sound in the late 1920s and 1930s, comedic dialogue rose in prominence in the work of film comedians such as W. C. Fields and the Marx Brothers. By the 1950s, the television industry had become serious competition for the movie industry. The 1960s saw an increasing number of broad, star-packed comedies. In the 1970s, black comedies were popular. Leading figures in the 1970s were Woody Allen and Mel Brooks. One of the major developments of the 1990s was the re-emergence of the romantic comedy film. Another development was the increasing use of "gross-out humour".
References
- ↑ Eyman, Louis Giannetti, Scott (2010). Flashback : a brief history of USA (6th ed.). Boston, MA: Pearson Education/Allyn & Bacon. p. 379. ISBN 978-0-205-69590-4.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ Pryor], Joe Garner ; foreword by Richard (2004). Made you laugh! : the funniest moments in radio, television, stand-up, and movie comedy. Kansas City: Andrews McMeel Pub. p. 171. ISBN 0-7407-4695-2.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ↑ Capsuto, Steven (2000). Alternate channels : the uncensored story of gay and lesbian images on radio and television (1. ed.). New York, NY: Ballantine Books. pp. 250. ISBN 0-345-41243-5.
- ↑ King, Geoff (2002). Film comedy (repr. ed.). London [u.a.]: Wallflower. pp. 73. ISBN 1-903364-35-3.
- 1 2 3 4 Mitchell, Elvis (25 August 2003). "Revisiting Faber College (Toga, Toga, Toga!)". The New York Times . Retrieved 2011-01-28.
- ↑ Bernheimer, Kathryn (1999). The 50 funniest movies of all time : a critic's ranking. Secaucus, N.J.: Carol Pub. Group. pp. 109–111. ISBN 0-8065-2091-4.
- ↑ komedykollective.com
