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The outlaw biker film is a film genre that portrays its characters as motorcycle riding rebels. The characters are usually members of an outlaw motorcycle club.
Outlaw biker clubs formed in the late 1940s on the West Coast after the end of World War II. Their culture was first popularized in the Marlon Brando film The Wild One (1953), which tells a story based very loosely on actual events, the 1947 Hollister riot. The film's success was followed by a string of low-budget exploitation films aimed at a teenage audience such as Motorcycle Gang (1957) and The Hot Angel (1958). But the genre really took off in the mid-1960s, after the Hells Angels motorcycle club became prominent in the media, [1] in particular, after Hunter S. Thompson's book Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966) was published.
In 1965, director Russ Meyer made Motorpsycho (aka Motor Psycho), an obscure film about an evil motorcycle gang led by a disturbed Vietnam War veteran. In 1966, American International Pictures (AIP) released The Wild Angels with Peter Fonda, Bruce Dern, and Nancy Sinatra. This film, aimed at the teenage drive-in crowd, was a surprise hit and a new exploitation film subgenre was born. AIP dominated the market and quickly released a semi-sequel Devil's Angels starring actor-director John Cassavetes and The Glory Stompers with Dennis Hopper in 1967.
In 1968, AIP produced The Mini-Skirt Mob , Angels from Hell , and The Savage Seven (the film debut of actress/director Penny Marshall). The company made five more biker gang films: Hell's Belles (1969), Hell's Angels '69 (1969), Angel Unchained (1970), The Hard Ride (1971), and Chrome and Hot Leather (1971).
AIP and Fanfare Films also co-produced The Born Losers (1967). Fanfare made Hells Angels on Wheels (1967) with Jack Nicholson, Run, Angel, Run! (1969), Wild Wheels (1969), and Nam's Angels (1970).
Other small independent filmmakers went on to produce dozens of low-budget biker films until the trend dissipated in the early '70s. Crown International produced and/or distributed Wild Rebels (1967), The Hellcats (1968), The Sidehackers (1969), Wild Riders (1971), and Pink Angels (1972). Independent-International Pictures Corp. produced three films in this genre directed by Al Adamson – Satan's Sadists (1969), Hell's Bloody Devils (1970), and Angels' Wild Women (1972).
The Rebel Rousers (filmed 1967, released 1970) featured Jack Nicholson, Bruce Dern, and Harry Dean Stanton. Dern also starred as a sadistic gang leader in The Cycle Savages (1970). In 1969, Peter Fonda, Hopper, and Nicholson teamed up on the classic "hippie biker" movie, Easy Rider , the antithesis of the violent biker-gang genre.
Sonny Barger, founder of the Oakland chapter of the Hells Angels, was a consultant on several films. He and other gang members appeared as extras in Hells Angels on Wheels and Hell's Angels '69. The Hells Angels appeared as extras playing a gang called the Las Vegas Hotdoggers in the Roger Corman film Naked Angels (1969) starring Michael Greene.
The Born Losers (1967) introduced Tom Laughlin's character Billy Jack. Unable to get his Billy Jack script produced, Laughlin wrote and directed The Born Losers to capitalize on the current biker movie trend (which finally allowed him to make Billy Jack in 1971). The story was inspired by news reports of the Hells Angels terrorizing a California community. As a cost-saving measure, a stunt scene of a motorcycle crashing into a pond was taken from co-producer AIP's comedy The Ghost in the Invisible Bikini (1966).
The Born Losers is also significant for its social criticism and portrayal of the biker gang as a force of pure, unredeemable evil. Here, for the first time, a lone hero stands up to, and ultimately defeats, the gang. Prior to this, the majority of the films in this genre imitated The Wild One with a sympathetic gang member (the reluctant leader or a new member) who ultimately rejects the outlaw biker lifestyle. Prime examples are the Fonda character in The Wild Angels , Jack Nicholson in Hells Angels on Wheels (1967), and Joe Namath in C.C. and Company (1970).
Jack Starrett has the role of a tough-talking police officer. He played essentially the same character in Hells Angels on Wheels and Angels from Hell (1968). Starrett was also in Hell's Bloody Devils (1970), and directed Run, Angel, Run (1969) . In Nam's Angels (1970) the bikers are portrayed as patriotic heroes sent on a rescue mission to Vietnam.
A number of novelty films were made featuring all-female biker gangs such as The Hellcats aka Biker Babes (1967), She-Devils on Wheels (1968), The Mini-Skirt Mob (from AIP) with Sherry Jackson and Harry Dean Stanton (1968), Sisters in Leather (1969) with Pat Barrington, Angels' Wild Women (1972), Cycle Vixens (1978), and Chrome Angels (2009).
The Pink Angels (1971) is a somewhat campy film about a gang of homosexual bikers who head down the coast to attend a drag ball. Bury Me an Angel (1972) is a revenge story featuring a female biker (and female director). Angels' Wild Women (1972) centers around a group of tough female bikers who dominate men and eventually go a revenge-driven rampage. The story (and original Screaming Angels title) was changed after the producers found theaters were no longer interested in traditional biker films. Inspired by the popularity of Roger Corman's The Big Doll House (1971), a violent women in prison film with Pam Grier, new scenes were added featuring aggressive female bikers and a Pam Grier lookalike was added to the cast. The reworked and retitled film was a box office success.
In Japan, female biker films became popular starting with Alleycat Rock: Female Boss (a.k.a. Stray Cat Rock: Delinquent Girl Boss or Female Juvenile Delinquent Leader: Alleycat Rock or Wildcat Rock) (1970). This trend was part of the sukeban (delinquent girl) subgenre of Toei's "Pinky violence" style of Pink film . The series continued with Stray Cat Rock: Wild Jumbo , Stray Cat Rock: Sex Hunter , Stray Cat Rock: Machine Animal and Alleycat Rock: Crazy Riders '71. Another similar series of exploitation films with female bikers includes Delinquent Girl Boss: Ballad of the Yokohama Hoods (1971), Girl Boss: Queen Bee Strikes Again (a.k.a. Girl Boss Blues: Queen Bee’s Counterattack) (1971), and Girl Boss Guerilla (1972).
In 1970, Roger Corman left AIP to form New World Pictures which released Angels Die Hard (1970), Angels Hard as They Come (1971), and Bury Me an Angel (1971).
As the trend began to lose momentum, filmmakers started to create horror hybrids such as Werewolves on Wheels (1971) and Blood Freak (1972). The British horror film Psychomania (1971) involves a biker gang that makes a pact with the devil to obtain immortality.
Black motorcycle gangs appeared in a few blaxploitation films such as The Black Angels (1970) and The Black Six (1974).
The biker gang ethos also featured strongly in the famed low budget Australian production Mad Max (1979, dir. George Miller, starring Mel Gibson), with the film spawning the real-life subculture of survival bikes.
By the late 1980s, the once shocking and controversial genre became an object of campy humor in horror-comedies such as Chopper Chicks in Zombietown (1989), I Bought a Vampire Motorcycle (1990), and Biker Zombies (2001).
Beyond the Law (1992) is based on a true story and centers on Dan Saxon (Charlie Sheen), an undercover cop who infiltrates a group of criminal outlaw bikers. Larry Ferguson wrote the screenplay after reading the article "Undercover Angel" by Lawrence Linderman in the July, 1981 issue of Playboy on an undercover agent named Dan Black.
2000 film Hochelaga , a French-Canadian movie by Michel Jetté that depicts biker gang culture and activity in Montréal, Québec during the Québec Biker War of the late 90s and early 2000s.
2003 film Biker Boyz , starring Laurence Fishburne and Djimon Hounsou, depicts illegal bike racing gangs, although neither are criminals.
2004 film Torque , which features Adam Scott, Martin Henderson and Ice Cube, is about a biker who is faced by a rival gang leader for taking his bikes (which carry drugs), and is then framed for the murder of a member of a third gang.
Quentin Tarantino served as executive producer on Hell Ride (2008) starring Dennis Hopper and Michael Madsen. This is an homage to the motorcycle gang films of the past. It was written and directed by Larry Bishop, who acted in a number of biker films such as The Savage Seven (1968). Tarantino is a noted fan of the Australian biker movie, Stone (1974). [2]
Sons of Anarchy (2008–2014) is an American television drama series about a California motorcycle club. The series premiered on September 3, 2008, on cable network FX.
The documentary Biker Mania (2009) includes a compilation of theater trailers and footage that tracks the history of the genre from the 1950s to the present.
Edward Winterhalder is the subject of a feature-length documentary movie about the outlaw biker lifestyle that is being filmed in Pennsylvania, Michigan and Dubai. [3]
Mayans M.C. (2018–2023) is an American television drama series that takes place in the same fictional universe as Sons of Anarchy and focuses on the Sons' rivals-turned-allies, the Mayans Motorcycle Club.
The Bikeriders (2023) film is inspired by the photo-book of the same name by Danny Lyon, depicting the Vandals Motorcycle Club in the 1960s-70s, a fictional version of the Outlaws Motorcycle Club.
After the release of The Wild One (1953), the image of the motorcycle gang, particularly the Marlon Brando character, inspired many imitators and satires in films and television shows.
The Outlaws Motorcycle Club, incorporated as the American Outlaws Association or its acronym, A.O.A., is an international outlaw motorcycle club. Founded in McCook, Illinois in 1935, the Outlaws MC is the oldest outlaw biker club in the world. With 441 chapters located in 43 countries, and a membership of over 3,000, the club is also the third-largest in the world, behind the Hells Angels and the Bandidos. Outlaws members typically ride Harley-Davidson motorcycles.
The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando, whose persona became a cultural icon of the 1950s. The Wild One is considered to be the original outlaw biker film, and the first to examine American outlaw motorcycle gang violence. The supporting cast features Lee Marvin as Chino, truculent leader of the motorcycle gang "The Beetles".
The Losers released on video as Nam's Angels is a 1970 American biker war film directed by Jack Starrett.
Ralph Hubert "Sonny" Barger Jr. was an American outlaw biker who was a founding member of the Oakland, California chapter of the Hells Angels Motorcycle Club in 1957. After forming the Oakland chapter, Barger was instrumental in unifying various disparate Hells Angels chapters and had the club incorporated in 1966. He emerged as the Hells Angels' most prominent member during the counterculture era and was reputed by law enforcement and media to be the club's international president, an allegation he repeatedly denied. The author Hunter S. Thompson called Barger "the Maximum Leader" of the Hells Angels, and Philip Martin of the Phoenix New Times described him as "the archetypical Hells Angel", saying he "didn't found the motorcycle club ... but he constructed the myth". He authored five books, and appeared on television and in film.
An outlaw motorcycle club, known colloquially as a biker club or bikie club, is a motorcycle subculture generally centered on the use of cruiser motorcycles, particularly Harley-Davidsons and choppers, and a set of ideals that purport to celebrate freedom, nonconformity to mainstream culture, and loyalty to the biker group.
The Wild Angels is a 1966 American independent outlaw biker film produced and directed by Roger Corman. Made on location in Southern California, The Wild Angels was the first film to associate actor Peter Fonda with Harley-Davidson motorcycles and 1960s counterculture. It inspired the biker film genre that continued into the early 1970s.
Hells Angels on Wheels is a 1967 American biker film directed by Richard Rush, and starring Adam Roarke, Jack Nicholson, and Sabrina Scharf. The film tells the story of a gas-station attendant with a bad attitude who finds life more exciting after he is allowed to hang out with a chapter of the Hells Angels outlaw motorcycle club.
The Rebel Rousers is a 1970 American independent outlaw biker film starring Cameron Mitchell, Jack Nicholson, Diane Ladd, Bruce Dern, and Harry Dean Stanton. Filmed in 1967, it did not receive a release until 1970 following the success of Easy Rider. It is one of several motorcycle gang films of the period to feature Nicholson, Dern and Stanton. The film was co-written, produced and directed by Martin B. Cohen in his only directorial effort.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
Beach Party is a 1963 American film and the first of seven beach party films from American International Pictures (AIP) aimed at a teen audience. This film is often credited with creating the beach party film genre.
The Born Losers is a 1967 American outlaw biker film. The film introduced Tom Laughlin as the half-Indian Green Beret Vietnam veteran Billy Jack. Since 1954, Laughlin had been trying to produce his Billy Jack script about discrimination toward American Indians. In the 1960s, he decided to introduce the character of Billy Jack in a quickly written script designed to capitalize on the then-popular trend in motorcycle gang movies. The story was based on a real incident from 1964 where members of the Hells Angels were arrested for raping two teenage girls in Monterey, California. The movie was followed by Billy Jack (1971), which saw AIP pull out of production midway through before others stepped in.
Adam Roarke was an American actor and film director.
The Hells Angels Motorcycle Club (HAMC) is an international outlaw motorcycle club whose members typically ride Harley-Davidson motorcycles. In the United States and Canada, the Hells Angels are incorporated as the Hells Angels Motorcycle Corporation. Common nicknames for the club are the "H.A.", "Red & White", "HAMC", and "81". With a membership of over 6,000, and 467 charters in 59 countries, the HAMC is the largest "outlaw" motorcycle club in the world.
Alleycat Rock: Female BossakaStray Cat Rock: Delinquent Girl Boss, Female Juvenile Delinquent Leader: Alleycat Rock, Wildcat Rock is a 1970 Japanese outlaw biker film directed by Yasuharu Hasebe and starring Akiko Wada and Meiko Kaji. It is the first entry in the five-film Alleycat Rock or Stray Cat Rock series and was followed by Stray Cat Rock: Wild Jumbo, Stray Cat Rock: Sex Hunter, Stray Cat Rock: Machine Animal and Alleycat Rock: Crazy Riders '71.
The Grim Reapers Motorcycle Club was an outlaw motorcycle club, founded in 1967 in Calgary, Alberta, that was active during the sixties and seventies, and grew to become a dominant club in the region during the eighties and nineties.
Yves "Le Boss" Buteau was a Canadian outlaw biker and gangster, known for being the first national president of the Hells Angels Motorcycle Club in Canada. Buteau began his life of organized crime as a member of the Montreal-based Popeyes biker gang and, by the mid-1970s, he became the club's president. He was instrumental in the Popeyes' merger with the Hells Angels in 1977, and played a significant role in establishing the Angels as a major criminal force in Quebec. In 1983, Buteau was murdered by a drug dealer with ties to a rival gang, the Outlaws.
The Cycle Savages is a 1969 American outlaw biker exploitation film written and directed by Bill Brame, and stars Bruce Dern and Melody Patterson. The film follows a biker and his crew who go after an artist who sketched his nude girlfriend. It premiered in Charlotte, North Carolina on August 22, 1969. Casey Kasem served as one of the film's producers.
Randee Lynn Jensen, born April 28, 1949 is an actress from San Bernardino, California. During the 1960s she acted in films such as The Pit and the Pendulum and The Gay Deceivers. From the late 1960s to the early 1970s, she had a number of parts in exploitation and biker films. She had appeared in over ten films in the biker genre alone. These include The Glory Stompers, The Cycle Savages and The Girls from Thunder Strip. She has also worked in film production, casting and other behind the scenes roles. Prior to her main work in film she had done stage work.