This article needs additional citations for verification .(April 2019) |
This list is for films where at least one biker appears as a significant plot element. A bike in a film does not qualify for this list.
Harvey Lembeck also did a parody of Marlon Brando from The Wild One as the bumbling leader of the inept Rat Pack motorcycle gang in six Beach Party films: Beach Party (1963), Bikini Beach and Pajama Party (both 1964), Beach Blanket Bingo and How to Stuff a Wild Bikini (both 1965), and The Ghost in the Invisible Bikini (1966).
Robert Craig Knievel, known professionally as Evel Knievel, was an American stunt performer and entertainer. Throughout his career, he attempted more than 75 ramp-to-ramp motorcycle jumps. Knievel was inducted into the Motorcycle Hall of Fame in 1999. He died of pulmonary disease in Clearwater, Florida, in 2007, aged 69.
Easy Rider is a 1969 American road drama film written by Peter Fonda, Dennis Hopper, and Terry Southern, produced by Fonda, and directed by Hopper. Fonda and Hopper play two bikers who travel through the American Southwest and South, carrying the proceeds from a cocaine deal. Other actors in the film include Jack Nicholson, Karen Black and Toni Basil. The success of Easy Rider helped spark the New Hollywood era of filmmaking during the early 1970s.
Meiko Kaji is a Japanese actress and singer. Since the 1960s, she has appeared in over 100 film and television roles, most prominently in the 1970s with her most famous roles as outlaw characters, best known for her performances in the film series Stray Cat Rock, Wandering Ginza Butterfly, Female Prisoner 701: Scorpion and Lady Snowblood. Kaji also performed as a singer, releasing records concurrently with her film career and beyond, even providing the official feature theme song tracks to a few of the films in which she also starred.
An outlaw motorcycle club, known colloquially as a biker club or bikie club, is a motorcycle subculture generally centered on the use of cruiser motorcycles, particularly Harley-Davidsons and choppers, and a set of ideals that purport to celebrate freedom, nonconformity to mainstream culture, and loyalty to the biker group.
The Wild Angels is a 1966 American independent outlaw biker film produced and directed by Roger Corman. Made on location in Southern California, The Wild Angels was the first film to associate actor Peter Fonda with Harley-Davidson motorcycles and 1960s counterculture. It inspired the biker film genre that continued into the early 1970s.
Hells Angels on Wheels is a 1967 American biker film directed by Richard Rush, and starring Adam Roarke, Jack Nicholson, and Sabrina Scharf. The film tells the story of a gas-station attendant with a bad attitude who finds life more exciting after he is allowed to hang out with a chapter of the Hells Angels outlaw motorcycle club.
Kent Taylor was an American actor of film and television. Taylor appeared in more than 110 films, the bulk of them B-movies in the 1930s and 1940s, although he also had roles in more prestigious studio releases, including Merrily We Go to Hell (1932), I'm No Angel (1933), Cradle Song (1933), Death Takes a Holiday (1934), Payment on Demand (1951), and Track the Man Down (1955). He had the lead role in Half Past Midnight in 1948, among a few others.
John "Bud" Cardos was an American actor, stuntman and film director. His father and uncle managed Grauman's Egyptian and Chinese theatres. He made television guest appearances on The Monroes, The High Chaparral and NBC's Daniel Boone starring Fess Parker.
The outlaw biker film is a film genre that portrays its characters as motorcycle riding rebels. The characters are usually members of an outlaw motorcycle club.
Tatsuya Fuji is a Japanese actor. He was born in Beijing and raised in Yokohama. In 1962, Fuji joined Nikkatsu Company and began his acting career with small roles in Nikkatsu film. In 1968, Fuji married actress Izumi Ashikawa. He gained popularity through his role in Jikandesuyo on TBS.
The Harley-Davidson XR-750 is a racing motorcycle made by Harley-Davidson since 1970, primarily for dirt track racing, but also for road racing in the XRTT variant. The XR-750 was designed in response to a 1969 change in AMA Grand National Championship rules that leveled the playing field for makes other than Harley-Davidson, allowing Japanese and British motorcycles to outperform the previously dominant Harley-Davidson KR race bike. The XR-750 went on to win the most races in the history of American Motorcyclist Association (AMA) racing.
Alleycat Rock: Female BossakaStray Cat Rock: Delinquent Girl Boss, Female Juvenile Delinquent Leader: Alleycat Rock, Wildcat Rock is a 1970 Japanese outlaw biker film directed by Yasuharu Hasebe and starring Akiko Wada and Meiko Kaji. It is the first entry in the five-film Alleycat Rock or Stray Cat Rock series and was followed by Stray Cat Rock: Wild Jumbo, Stray Cat Rock: Sex Hunter, Stray Cat Rock: Machine Animal and Alleycat Rock: Crazy Riders '71.
The following outline is provided as an overview of motorcycles and motorcycling:
Stray Cat Rock: Sex Hunter or Alleycat Rock: Sex Hunter is a 1970 Japanese film directed by Yasuharu Hasebe. It is the third entry in the Stray Cat Rock or Alleycat Rock series of exploitation films initiated by Alleycat Rock: Female Boss.
The Wild Angels is an English rock and roll group. The group got their name from the 1966 Roger Corman film The Wild Angels starring Peter Fonda.
Randee Lynn Jensen, born April 28, 1949 is an actress from San Bernardino, California. During the 1960s she acted in films such as The Pit and the Pendulum and The Gay Deceivers. From the late 1960s to the early 1970s, she had a number of parts in exploitation and biker films. She had appeared in over ten films in the biker genre alone. These include The Glory Stompers, The Cycle Savages and The Girls from Thunder Strip. She has also worked in film production, casting and other behind the scenes roles. Prior to her main work in film she had done stage work.
Hell's Bloody Devils is a 1970 American film directed by Al Adamson and written by Jerry Evans.
The movie sets its gritty, biker-chic tone right off the bat in an opening credit sequence of motorcycles cruising along suburban roads at night.