Bury Me an Angel | |
---|---|
Directed by | Barbara Peeters |
Written by | Barbara Peeters |
Produced by | Roger Corman Rita Murray John Meier Paul Nobert Beach Dickerson [1] |
Starring | Dixie Peabody Terry Mace Clyde Ventura |
Cinematography | Sven Walnum |
Edited by | Tony de Zarraga |
Music by | Bill Cone Richard Hieronymus East-West Pipeline |
Production company | Meier-Murray Productions |
Distributed by | New World Pictures |
Release date |
|
Running time | 89 minutes |
Country | United States |
Language | English |
Bury Me an Angel is a 1971 American biker film from female director Barbara Peeters, who was script supervisor on Angels Die Hard (1970). [2] [3] She was the first woman to direct a biker film. [4] The film was acquired by Roger Corman's New World Pictures.
A female biker (Dixie Peabody) seeks to avenge the death of her brother. [5]
Barbara Peeters first conceived the idea for the film when, while working on Richard Compton's biker drama Angels Die Hard , supporting player Rita Murray told her she was looking to produce films of her own. [6] [7] Peeters invented the plot on the spot, and rush-wrote a first draft to present to Murray and her investors days later. [8] Beach Dickerson has a small role and helped produce the movie, which was shot on location in California. The script's original title was The Hunt. [9]
Roger William Corman is an American film director, producer, and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he is known as a trailblazer in the world of independent film. Many of Corman's films are low-budget cult films including some which are adapted from the tales of Edgar Allan Poe.
The Wild Angels is a 1966 American independent outlaw biker film produced and directed by Roger Corman. Made on location in Southern California, The Wild Angels was the first film to associate actor Peter Fonda with Harley-Davidson motorcycles and 1960s counterculture. It inspired the biker film genre that continued into the early 1970s.
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Humanoids from the Deep is a 1980 American science fiction horror film starring Doug McClure, Ann Turkel, and Vic Morrow. Roger Corman served as the film's uncredited executive producer, and his company, New World Pictures, distributed it. Humanoids from the Deep was directed by Barbara Peeters and an uncredited Jimmy T. Murakami.
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Stephanie Rothman is an American film director, producer, and screenwriter, known for her low-budget independent exploitation films made in the 1960s and 1970s, especially The Student Nurses (1970) and Terminal Island (1974).
Barbara Peeters, also known as Barbara Peters, is an American director and screenwriter of television and film. She is best known for her collaborations with producer-director Roger Corman on films such as Humanoids from the Deep, and directing episodes of television shows such as Remington Steele.
The outlaw biker film is a film genre that portrays its characters as motorcycle riding rebels. The characters are usually members of an outlaw motorcycle club.
Satan's Sadists is a 1969 American outlaw biker film directed by Al Adamson and starring Russ Tamblyn.
Night Call Nurses is a 1972 American sex comedy film directed by Jonathan Kaplan. It is the third in Roger Corman's "nurses" cycle of films, starting with The Student Nurses (1970).
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The Student Nurses is a 1970 American film directed by Stephanie Rothman. It was the second film from New World Pictures and the first in the popular "nurses" cycle of exploitation movies. It has since become a cult film.
Candy Stripe Nurses is a 1974 American comedy film written and directed by Alan Holleb, and starring Candice Rialson. Produced and distributed by New World Pictures, it was the last in their popular "nurses cycle" of films that commenced with The Student Nurses (1970).
Jan Haag is an American filmmaker, artist and writer who founded the American Film Institute (AFI) Directing Workshop for Women and also gained notability for her needlepoint canvases and poetry.
Dixie Peabody was an American actress who appeared in early 1970s exploitation films from Roger Corman’s New World Pictures. Before she became an actress, she was a model who went by the name Diane Potter.
Women's Steering Committee of the Directors Guild of America was founded in 1979 by six women members of the Directors Guild of America (DGA). Its purpose was to investigate the employment opportunities and hiring practices of film studios. The founding members, known as the Original Six, were Lynne Littman, Susan Bay, Nell Cox, Victoria Hochberg, Joelle Dobrow, and Dolores Ferraro.
The Plastic Dome of Norma Jean is a 1966 independent film about a young psychic woman whose powers are exploited by a boy band, directed by Juleen Compton. It was written by Compton and filmed in the Ozark mountains, and was the feature film debut of Sam Waterston. The film was shown at Cannes, which awarded the film as part of its International Female Week series, and at the San Francisco International Film Festival.
Broadway Brawler is an unfinished romantic comedy film that was to star Bruce Willis and Maura Tierney and be directed by Lee Grant. It was produced by Willis and Joseph Feury for Cinergi Pictures, and was to have been distributed by The Walt Disney Company in 1997.
Barbara Ann Schultz was an American television producer and director. She is best known for her work as the executive producer and artistic director for the anthology drama series Visions (1976–1980) on PBS.
A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Philosophy in Film and Television