Bury Me an Angel | |
---|---|
Directed by | Barbara Peeters |
Written by | Barbara Peeters |
Produced by | Roger Corman Rita Murray John Meier Paul Nobert Beach Dickerson [1] |
Starring | Dixie Peabody Terry Mace Clyde Ventura |
Cinematography | Sven Walnum |
Edited by | Tony de Zarraga |
Music by | Bill Cone Richard Hieronymus East-West Pipeline |
Production company | Meier-Murray Productions |
Distributed by | New World Pictures |
Release date |
|
Running time | 89 minutes |
Country | United States |
Language | English |
Budget | $60,000 [2] |
Bury Me an Angel is a 1971 American biker film from female director Barbara Peeters, who was script supervisor on Angels Die Hard (1970). [3] [4] She was the first woman to direct a biker film. [5] The film was acquired by Roger Corman's New World Pictures.
A female biker (Dixie Peabody) seeks to avenge the death of her brother. [6]
Barbara Peeters first conceived the idea for the film when, while working on Richard Compton's biker drama Angels Die Hard , supporting player Rita Murray told her she was looking to produce films of her own. [7] [8]
Peeters invented the plot on the spot, and rush-wrote a first draft overnight to present to Murray and her investors days later. [9] She was given $90,000 to make the film. Peeters said she made the film for $60,000 and gave the balance back to the investors. "How stupid can you be?" she later laughed. [2]
Peeters had made films before but says this was her "first real movie that was mine." [2]
Beach Dickerson has a small role and helped produce the movie, which was shot on location in California. The script's original title was The Hunt. [10]
Peeters said she cast Peabody because "She was gorgeous she was six feet tall she was a biker." [2] The film also marked the first speaking role for Dan Haggerty.
Peeters included a scene where a head spewed blood because "it's a story about a girl who goes slowly insane while looking for her brother's killer. How could I make the audience understand what she's going through unless they are shocked in the same way she was." [11]
Peeters cast some real bikers with whom she had worked with on other biker movies. [2]
Peeters received a distribution contract from Roger Corman for the movie and she worked for him for the next eight years. [2]
Corman said Peeters "did quite a good job" and thought "the film was notable because Barbara got a really beautiful girl to play the lead who was really striking on the motorcycle. We used her in the ads, in the trailers, and on TV dates." [12]
Roger William Corman was an American film director, producer and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.
The Wild Angels is a 1966 American independent outlaw biker film produced and directed by Roger Corman. Made on location in Southern California, The Wild Angels was the first film to associate actor Peter Fonda with Harley-Davidson motorcycles and 1960s counterculture. It inspired the biker film genre that continued into the early 1970s.
Sorority Girl is a 1957 film noir exploitation film directed by Roger Corman. It stars Susan Cabot as Sabra, a sociopath who plays a very disruptive role in a sorority, with Barboura Morris, Dick Miller and June Kenney. It was released by American International Pictures as a double feature with Motorcycle Gang.
Humanoids from the Deep is a 1980 American science fiction horror film starring Doug McClure, Ann Turkel, and Vic Morrow. Roger Corman served as the film's uncredited executive producer, and his company, New World Pictures, distributed it. Humanoids from the Deep was directed by Barbara Peeters and an uncredited Jimmy T. Murakami.
Barbara Peeters, also known as Barbara Peters, is an American director and screenwriter of television and film. She is best known for her collaborations with producer-director Roger Corman on films such as Humanoids from the Deep, and directing episodes of television shows such as Remington Steele.
The outlaw biker film is a film genre that portrays its characters as motorcycle riding rebels. The characters are usually members of an outlaw motorcycle club.
Gunslinger is a 1956 American Western film directed by Roger Corman and starring John Ireland, Beverly Garland and Allison Hayes. The screenplay was written by Mark Hanna and Charles B. Griffith.
Stripped to Kill is a 1987 American erotic thriller/sexploitation film directed by Katt Shea and starring Greg Evigan, Kay Lenz and Norman Fell. Its plot follows a female Los Angeles police detective who goes undercover posing as a stripper to investigate a series of slayings connected to a strip club near Skid Row.
Night Call Nurses is a 1972 American sex comedy film directed by Jonathan Kaplan. It is the third in Roger Corman's "nurses" cycle of films, starting with The Student Nurses (1970).
Teenage Doll is a 1957 film noir directed by Roger Corman, starring June Kenney and John Brinkley. It was financed by Lawrence Woolner, who had previously made Swamp Women with Corman. One writer called it Corman's "most impressive teen flick".
Julie Ann Corman is an American film producer. She is the widow of film producer and director Roger Corman.
Starhops is 1977 exploitation comedy film directed by Barbara Peeters, based on a script by Stephanie Rothman, writing under a pseudonym, and was edited by future Oscar winning screenwriter Steve Zaillian.
The Student Nurses is a 1970 American film directed by Stephanie Rothman. It was the second film from New World Pictures and the first in the popular "nurses" cycle of exploitation movies. It has since become a cult film.
Candy Stripe Nurses is a 1974 American comedy film written and directed by Alan Holleb, and starring Candice Rialson. Produced and distributed by New World Pictures, it was the last in their popular "nurses cycle" of films that commenced with The Student Nurses (1970).
Summer School Teachers is a 1974 feature film directed and written by Barbara Peeters and starring Candice Rialson. It is about three female friends who all teach at a school over the summer.
Angels Die Hard is a 1970 biker film directed by Richard Compton and starring Tom Baker and William Smith. It is the first film distributed by New World Pictures; half its budget was provided by Roger Corman.
Angels Hard as They Come is a 1971 biker film directed by Joe Viola and starring Scott Glenn, Charles Dierkop, Gilda Texter, James Iglehart, and Gary Busey. It was co-written and produced by Jonathan Demme.
Randee Lynn Jensen, born April 28, 1949 is an actress from San Bernardino, California. During the 1960s she acted in films such as The Pit and the Pendulum and The Gay Deceivers. From the late 1960s to the early 1970s, she had a number of parts in exploitation and biker films. She had appeared in over ten films in the biker genre alone. These include The Glory Stompers, The Cycle Savages and The Girls from Thunder Strip. She has also worked in film production, casting and other behind the scenes roles. Prior to her main work in film she had done stage work.
Dixie Peabody was an American actress who appeared in early 1970s exploitation films from Roger Corman’s New World Pictures. Before she became an actress, she was a model who went by the name Diane Potter.
Beach Dickerson was an American actor known for such films as The Trip and Crazy Mama.
A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Philosophy in Film and Television