Summer School Teachers

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Summer School Teachers
Summer School Teachers.jpg
Film poster by John Solie
Directed by Barbara Peeters
Written byBarbara Peeters
Produced by Julie Corman
Starring Candice Rialson
Cinematography Eric Saarinen
Edited byBarbara Pokras
Music byJ.J. Jackson
Distributed by New World Pictures
Release date
  • 1974 (1974)
Running time
85 mins
CountryUSA
LanguageEnglish
Budget$1.2 million [1] or $250,000 [2]

Summer School Teachers is a 1974 feature film directed and written by Barbara Peeters and starring Candice Rialson. It is about three female friends who all teach at a school over the summer. [3]

Contents

The film was an unofficial follow up to The Student Teachers (1973).

Plot

Three friends from Iowa go to California for the summer, rent an apartment together, and teach at the same high school. PE teacher Conklin (Candice Rialson) coaches an all-girl football team despite the opposition of the resident coach (Dick Miller), and romances one of the male teachers. Sally (Pat Anderson) teaches photography and despite being engaged to a man back home, has affairs with an eccentric rock star with a food fetish, and with a male chauvinist teacher who talks her into posing nude for some photos. Chemistry teacher Denise (Rhonda Leigh Hopkins) becomes involved with one of her students, a juvenile delinquent, who is falsely accused of participating in car stealing. Conklin finds out that funds for sport are being misspent by the coach. Both she and Sally are suspended, but all ends happily with the girl football team triumphant.

Cast

Production

Barbara Peeters had worked for a number of years at New World Pictures in various capacities, notably second unit directing, and asked Roger Corman when she was going to get the chance to direct her own movie. Corman asked if she could write a "three girls" movie about teachers and Peeters agreed. She was from Iowa and made the film about teachers coming from Iowa. [2]

Peeters said Corman felt the "three girl" formula worked for him. "It had the right amount of exploitation. You had three stories so you didn't have to get too deep on any of them and you could have thre naked girls at some point in the movie and you had to have some action. It was the same formula and it had worked for him for a very long time." [2]

At the time Peeters said she enjoyed working for Roger Corman:

He is always available and he doesn't hire you unless he trusts you. As long as you open big and close big and try to resolve three stories in the end, Roger lets you do what you want. Just be sure you put in either a sex scene or an action sequence every 15 minutes. [1]

Reception

The film was very popular. Roger Corman attributed this to its strong female liberation statement, which he thought was the strongest of any film made by New World Pictures. [4]

Critical

The Los Angeles Times called it "an entertaining and breezy exploitation film... even though she operates on a very superficial level, screenwriter Peeters deals with real issues like the danger of labelling people or the trauma of teacher-student romance. As a director, Peeters excels in zany slapstick". [5]

Diabolique magazine said the film was "feels like a screwball comedy rather than something sleazy. There is nudity... but the women are confident and in control: they do most of the seducing, they stick up for each other and the sisterhood, and the messages are mostly positive – girls should be able to do whatever boys can do, physical fitness is good, corruption is bad. This is the best character Rialson ever played." [6]

See also

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References

  1. 1 2 Gross, Linda. (Feb 12, 1978). "A Woman's Place Is in... Exploitation Films?: A Trend-Setter in the Youth Market Women in Exploitation Films". Los Angeles Times. p. 34.
  2. 1 2 3 "Liberating Hollywood: Women Directors Barbara Peeters". UCLA Film and Television Archive. 26 June 2019.
  3. Summer School Teachers at Grindhouse Movie Database
  4. Ed. J. Philip di Franco, The Movie World of Roger Corman, Chelsea House Publishers, 1979 p 208
  5. Gross, Linda. (Apr 29, 1977). "A Parlay of ERA, Sex and Football". Los Angeles Times. p. g19.
  6. Vagg, Stephen (November 26, 2019). "The Cinema of Exploitation Goddess Candice Rialson". Diabolique Magazine.