Night Call Nurses

Last updated
Night Call Nurses
Night Call Nurses.jpg
Directed by Jonathan Kaplan
Written by George Armitage
Danny Opatoshu (uncredited)
Jon Davison (uncredited)
Produced by Julie Corman
Starring Patty Byrne
Alana Hamilton
Production
company
Release date
  • 1972 (1972)
Running time
78 min.
CountryUnited States
LanguageEnglish
Budget$75,000 [1] or $115,000 [2]
Box office$1 million [2]

Night Call Nurses is a 1972 American sex comedy film directed by Jonathan Kaplan. It is the third in Roger Corman's "nurses" cycle of films, starting with The Student Nurses (1970).

Contents

Quentin Tarantino called it "a sexy version of Three Coins in the Fountain." [3]

Plot

Three young nurses work in a psych ward at a hospital. Barbara comes under the influence of a charismatic sex therapist and is stalked by a mysterious nurse. Janis has an affair with a truck-driving patient who is addicted to drugs. Sandra becomes politicized through an affair with a black militant and helps a prisoner escape from the hospital.

Cast

Production

Corman offered the film to Kaplan on the recommendation of Martin Scorsese, who had recently made Boxcar Bertha for Corman and had taught Kaplan at New York University. Kaplan's student film Stanley had just won a prize at the National Student Film Festival and he was working as an editor in New York. Kaplan says that when Corman called offering him the job Kaplan thought it was a joke and hung up but when Corman called back Kaplan realised it was genuine. The director flew out to Los Angeles to meet Corman. [4]

Corman allowed Kaplan to rewrite the script, and to cast and edit the film. Kaplan says the only lead member of the cast selected when he came on board was then-model Alana Hamilton. Kaplan was told he "had to find a role for Dick Miller, show a Bulova watch, and use a Jensen automobile in the film." [5] Kaplan had never seen a nurses film so Corman told him the formula. "Exploitation of male sexual fantasy, a comedic subplot, action and violence, and a slightly-to-the-left-of-center social subplot. And these were the four elements that were required in the nurses pictures," said Kaplan. [6]

The director says Corman "explained that there would be three nurses: a blonde, a brunette, and a nurse of colour; that the nurse of color would be involved in a political subplot, the brunette would be involved in the kinky subplot, and the blonde would be the comedy subplot [5] Kaplan remembered "the conversation ending like this: ‘The film is called Night Call Nurses. At present we don’t have “night call nurses” in the dialogue. I want you to work it in. I want frontal nudity from the waist up. Total nudity from behind. No pubic hair. This is my wife, Julie [who was to produce the film] . Go off and rewrite the script. Goodbye.’" [7] Kaplan says his total fee was $2,000 plus a round trip ticket. [8]

Kaplan brought out Jon Davison and Danny Opatoshu from New York to help him work on the script; both men paid their own way to Los Angeles and worked for nothing. "That was the best offer I'd ever had," said Davison later, adding that after the rewrite "It was still a terrible script." [9] (Davison went to work for Corman full time after Night Call Nurses and Opatoshu wrote several more scripts for him.) The film was shot in 15 days (other accounts say 13). [10] Barbara Peeters was production manager.

Kaplan recalls Julie Corman and he "We were in the same boat. She’s a good Catholic girl—she was kind of humiliated by the subject. At one point during casting, Roger wanted us to have the girls take off their tops—not so much to show us their breasts but more to make sure that they’re not going to freak out on the day they have shoot nudity. Julie would have to leave the room. On the day we had to shoot our first nude scene, one of the actresses didn’t want to do it. So Roger said to drive along the Sunset Strip at night and get a skanky hooker and bring her in and have her do it—and that implied threat would make the actress reconsider. I couldn’t do it. And Julie said, ‘You don’t have to, we’ll just tell him we did it.’" [11]

Kaplan says every Friday they would show what they had filmed to Roger Corman. "He would take very neat notes on a yellow legal pad, and then we’d go back to his house and he’d go through the notes. The first time he had maybe thirty notes and fifteen were fine and fifteen I didn't want to do. He was totally charming about it. He said "I know you don’t want to do this, but you’ll just have to chalk it up to the avarice of your capitalist producer.’" [12]

Kaplan says Corman was "a terrific teacher" who constantly gave good tips about how to film more efficiently. [13]

Reception

Kaplan says after filming had finished "I didn’t talk to him [Corman] again for a while. Then Julie called me and said, ‘We’re a big hit in Tallahassee! Roger wants you to come out and make the same movie, but with teachers instead of nurses.’ That's how I got The Student Teachers." [14] [10]

Kaplan says Corman's brother Gene liked the way the director handled the black subplot on Night Call Nurses and hired him for a blaxploitation film, The Slams. [8]

Kaplan later recalled "There's some stuff in Night Call Nurses that's so stupid and so dumb, I just get a warm feeling thinking about it. It's so silly and sweet and naive and awful." [15]

Critical responses

Kenneth Thomas of the Los Angeles Times had called Private Duty Nurses "an unexpected pleasure" and hoped "for something equally creditable with the companie's newest 'nursie'" but felt Night Call Nurses "was mere ludicrous trash" although it "at least has the decency to be funny." [16]

Writing for Turner Classic Movies, critic Nathaniel Thompson described the film as "all good fun" and "while the actresses aren't quite up to caliber [...] they're still strong, beautiful, and brave enough to keep the sometimes random chain of events grooving along just fine." [17] Critic Budd Wilkins wrote in Slant Magazine that the film "boasts a strong storyline, lots of quirky humor, and a wooly, anything-goes visual style," with director "Kaplan [using] rapid editing, jerky handheld camerawork, and a vertiginous, downward-spiraling crane shot to place viewers in discordant POV perspectives." [18] Writing in DVD Talk, Ian Jane described the film as "pretty gosh darned shallow but offers up enough cheap sexy thrills to make for some solid B-grade entertainment" and that it "mixes up the frequent nudity you'd expect with a few interesting horror movie elements." [19]

See also

Related Research Articles

<i>The Wild Angels</i> 1966 film by Roger Corman

The Wild Angels is a 1966 American independent outlaw biker film produced and directed by Roger Corman. Made on location in Southern California, The Wild Angels was the first film to associate actor Peter Fonda with Harley-Davidson motorcycles and 1960s counterculture. It inspired the biker film genre that continued into the early 1970s.

Paul Bartel was an American actor, writer and director. He was perhaps most known for his 1982 hit black comedy Eating Raoul, which he co-wrote, starred in and directed.

<i>The Undead</i> (film) 1957 film by Roger Corman

The Undead is a 1957 horror film directed by Roger Corman and starring Pamela Duncan, Allison Hayes, Richard Garland and Val Dufour. It also featured Corman regulars Richard Devon, Dick Miller, Mel Welles and Bruno VeSota. The authors' original working title was The Trance of Diana Love. The film follows the story of a prostitute, Diana Love (Duncan), who is put into a hypnotic trance by psychic Quintus (Dufour), thus causing her to regress to a previous life. Hayes later starred in Attack of the 50 Foot Woman (1958). The film was released on March 15, 1957 by American International Pictures as a double feature with Voodoo Woman.

<i>The Terror</i> (1963 film) 1963 film independent horror film

The Terror is a 1963 American independent horror film produced and directed by Roger Corman. The film stars Boris Karloff and Jack Nicholson, the latter of whom portrays a French officer who is seduced by a woman who is also a shapeshifting devil.

<i>Chopping Mall</i> 1986 film by Jim Wynorski

Chopping Mall is a 1986 American techno-horror film co-written and directed by Jim Wynorski, produced by Julie Corman, and starring Kelli Maroney, Tony O'Dell, John Terlesky, Russell Todd, Paul Bartel, Mary Woronov, and Barbara Crampton. It focuses on three high-tech security robots turning maniacal and killing teenage employees inside a shopping mall after dark.

<i>Hollywood Boulevard</i> (1976 film) 1976 film by Allan Arkush and Joe Dante

Hollywood Boulevard is a 1976 American satirical exploitation film directed by Allan Arkush and Joe Dante, and starring Candice Rialson, Paul Bartel, and Mary Woronov. It follows an aspiring actress who has just arrived in Los Angeles, only to be hired by a reckless B movie film studio where she bears witness to a series of gruesome and fatal on-set accidents. The film blends elements of the comedy, thriller, and slasher film genres.

Stephanie Rothman is an American film director, producer, and screenwriter, known for her low-budget independent exploitation films made in the 1960s and 1970s, especially The Student Nurses (1970) and Terminal Island (1974).

Jonathan Kaplan is an American film producer and director. His film The Accused (1988) earned actress Jodie Foster an Oscar for Best Actress and was nominated for the Golden Bear at the 39th Berlin International Film Festival. His film Love Field (1992) earned actress Michelle Pfeiffer an Oscar nomination for Best Actress and was nominated for the Golden Bear at the 43rd Berlin International Film Festival. Kaplan received five Emmy nominations for his roles directing and producing the television series ER.

<i>Sorority House Massacre II</i> 1990 film by Jim Wynorski

Sorority House Massacre II is a 1990 American slasher film directed by Jim Wynorski, featuring scream queens Melissa Ann Moore and Gail Harris. It follows five sorority sisters who are stalked and murdered by an unknown assailant after purchasing a large house. Much like its predecessors, Sorority House Massacre II has received a cult following over the years.

<i>Deathsport</i> 1978 film

Deathsport is a 1978 science fiction B-film produced by Roger Corman and directed by Allan Arkush and Nicholas Niciphor. The film stars David Carradine and Playboy Playmate Claudia Jennings. It would be one of Jennings' last films before her death.

<i>Rock All Night</i> 1957 film by Roger Corman

Rock All Night is a 1957 crime drama film produced and directed by Roger Corman. Distributed by American International Pictures, it is based on a 25-minute television episode of The Jane Wyman Show from 1955 called "The Little Guy." It stars Dick Miller, Russell Johnson and Abby Dalton. It co-stars Mel Welles, Ed Nelson and Clegg Hoyt. The film was released as a double feature with Dragstrip Girl.

<i>Sweet Kill</i> 1973 film by Curtis Hanson

Sweet Kill is a 1973 B-movie written and directed by future Academy Award winner Curtis Hanson. The film was Hanson's directorial debut and was executive-produced by Roger Corman. It stars 1950s heartthrob Tab Hunter and was the last film of actress Isabel Jewell.

<i>The Student Teachers</i> 1973 film by Jonathan Kaplan

The Student Teachers is a 1973 film directed by Jonathan Kaplan. It was inspired by the "nurse" cycle of pictures starting with The Student Nurses (1970). Roger Corman says it was one of the best of the cycle.

<i>The Slams</i> 1973 film by Jonathan Kaplan

The Slams is a 1973 American action film directed by Jonathan Kaplan and starring Jim Brown.

<i>Atlas</i> (1961 film) 1961 film

Atlas is a 1961 action-adventure peplum film directed by Roger Corman and starring Michael Forest and Frank Wolff. It was filmed in Greece. Corman called it "my last attempt to do a big picture on a low budget." Writer Charles B. Griffith said "Atlas was a mess. It was a doomed project. "

<i>The Student Nurses</i> 1970 American film

The Student Nurses is a 1970 American film directed by Stephanie Rothman. It was the second film from New World Pictures and the first in the popular "nurses" cycle of exploitation movies. It has since become a cult film.

<i>Private Duty Nurses</i> 1970 film by George Armitage

Private Duty Nurses is a 1971 American film written and directed by George Armitage. It is a sequel to The Student Nurses (1970) for New World Pictures. Roger Corman says they got the idea for the title after being sent a letter of complaint about the first film from the Private Duty Nurses Association.

<i>Candy Stripe Nurses</i> 1974 American film

Candy Stripe Nurses is a 1974 American comedy film written and directed by Alan Holleb, and starring Candice Rialson. Produced and distributed by New World Pictures, it was the last in their popular "nurses cycle" of films that commenced with The Student Nurses (1970).

<i>Fly Me</i> 1973 exploitation film

Fly Me is a 1973 exploitation film directed by Cirio H. Santiago and produced by Roger Corman. The story concerns flight attendants, international drug smuggling, kung fu, and nudity. It was poorly received by critics.

<i>Dinosaur Island</i> (1994 film) 1994 film by Jim Wynorski and Fred Olen Ray

Dinosaur Island is a 1994 B-movie directed by Fred Olen Ray and Jim Wynorski. Wynorski called it "a very 1950's type of picture, like The Lost Continent except that we're going to have better dinosaurs and more girls."

References

  1. "'Heart' Director: Spinning His Wheels". The Los Angeles Times. 26 November 1983. p. 95.
  2. 1 2 Christopher T Koetting, Mind Warp!: The Fantastic True Story of Roger Corman's New World Pictures, Hemlock Books. 2009 p 42
  3. Hirschberg, Lynn (July 1994). "Tarantino Bravo". Vanity Fair. p. 122.
  4. Beutel, Paul (20 March 1977). "Director seeks Capra-style film". Austin American-Statesman. p. 132.
  5. 1 2 Chris Nashawaty, Crab Monsters, Teenage Cavemen and Candy Stripe Nurses - Roger Corman: King of the B Movie, Abrams, 2013 p 124
  6. Corman, Roger (1979). The movie world of Roger Corman. Chelsea House Publishers. p. 176.
  7. Hillier, Jim (1992). The new Hollywood. Cotinuum. p. 44.
  8. 1 2 Litwak, Mark (1987). Reel power : the struggle for influence and success in the new Hollywood. Sidgwick & Jackson. p. 134.
  9. Markey, Constance (21 December 1980). "From Haddonfield to Hollywood via 'Airplane'". Courier-Post. p. 77.
  10. 1 2 Jonathan Kaplan on Night Call Nurses at Trailers From Hell
  11. Nashawaty p 128
  12. Nashawaty p 128-129
  13. Kaplan p 129
  14. Nashawaty p 130
  15. Taylor, Paul (1 Feb 1989). "Keep on Truckin' - Jonathan Kaplan". Monthly Film Bulletin (56.661 ed.).
  16. Thomas, Kenneth (15 December 1972). "Latest Nursie 'Episode' Unveiled". The Los Angeles Times. p. 95.
  17. Thompson, Nathaniel. "Night Call Nurses (1972)". Turner Classic Movies. Turner Classic Movies Inc. Retrieved 2022-03-31.
  18. Wilkins, Budd (22 April 2012). "Review: Roger Corman's Cult Classics: The Nurses Collection on Shout! Factory DVD". Slant. Slant Magazine. Retrieved 2022-03-31.
  19. Jane, Ian. "Roger Corman's Cult Classics: The Nurses Collection". DVD Talk. DVDTalk.com. Retrieved 2022-03-31.