Truck Turner | |
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Directed by | Jonathan Kaplan |
Screenplay by |
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Story by | Jerry Wilkes |
Produced by | |
Starring |
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Music by | Isaac Hayes |
Production company | Sequoia Pictures |
Distributed by | American International Pictures |
Release date |
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Running time | 91 minutes |
Country | United States |
Language | English |
Box office | $2.23 million [1] [2] |
Truck Turner, also known as Black Bullet, [3] is a 1974 American blaxploitation film, starring Isaac Hayes and Yaphet Kotto, and directed by Jonathan Kaplan. The screenplay was written by Michael Allin, Leigh Chapman (under a pseudonym, Jerry Wilkes), and Oscar Williams. Hayes also scored the music for the soundtrack. [4] The film was released by American International Pictures as a double feature with Foxy Brown .
Mack "Truck" Turner (Hayes) is a former professional football player who becomes a Los Angeles–based bounty hunter after an injury. Truck visits his girlfriend, Annie (Annazette Chase), who is in jail and wants to leave LA when released. Truck and his partner Jerry Barnes go to collect their bounty from Nate Dinwiddie, a bail bondsman, who refers them to Fogarty (Dick Miller), a bail bondsman after a pimp who skipped bail named Gator.
The two visit Dorinda (Nichelle Nichols), a Madam who runs Gator's stable of prostitutes. Truck and Jerry wait for Gator to visit, and chase him, but Gator escapes. A tip from Truck's friend Duke (Scatman Crothers) allows them to locate Gator again, and kill Gator when he attempts to shoot Truck.
Dorinda threatens Gator's former whores to keep them in line. Dorinda offers Gator's competing pimps a deal: whoever kills Truck gets to replace Gator while she runs the stable. The only pimp interested in the violence is Harvard Blue (Kotto). Truck survives several ambushes by Blue's goons.
When Blue points out that Dorinda will not be able to deal with Truck, they agree to share the cost of getting rid of Truck, and Blue will take over more control of Gator's stable. Blue's men force Nate to call Truck and tell him that there is a big job. Truck does not feel sober enough after a night of partying, so he calls Jerry, who dies in Blue's ambush.
Nate warns Truck of the hit out on him. Truck frames Annie for shoplifting, and the police arrest her. Truck visits Nate again in the hospital. Truck gives Nate Jerry's gun for protection, and then they shoot Blue's goons when they burst in. Blue flees, but Truck shoots him. Blue dies a few minutes later in the driver's seat of his car. Truck confronts Dorinda and more goons at her house, and kills her when she reaches for a gun.
Truck makes up with Annie as she gets out of jail. All of his belongings are packed in the car, and he promises he will go away with her, right away, if she takes him back. They drive off together, leaving LA for good.
The film started as a script by Leigh Chapman about a caucasian bounty hunter. It was bought by Fred Weintraub who was in partnership with Larry Gordon. Chapman later recalled, "I remember going into the office and, with my usual insouciance? arrogance? announced that, in that case, I wasn’t going to do any freebie re-writes. The response? That’s OK. He doesn’t want you on the project anyway.... And then, it became a blaxploitation film … about pimps and whores, right? I don’t think any of that was in my script and I’m not sure why I even received a story credit. I used Jerry Wilkes [as a pseudonym. That’s part of my ex-husband’s name." [5]
Kaplan says the film was written for Lee Marvin, Robert Mitchum, or Ernest Borgnine. "Larry Gordon at AIP said, "Well, we can't get any of them so now it's a black picture." Isaac Hayes was cast and that's how that came about." [6]
Truck Turner received a mixed to positive critical reception. The film holds a 60% rating on Rotten Tomatoes based on five reviews. [7]
The Los Angeles Times called it "an extraordinary visual experience... as successfully surreal as Point Blank." [8]
In 2004, Metro-Goldwyn-Mayer and Queen Latifah's production company, Flavor Unit Entertainment, attempted to remake the film, which was to have been written by Chris Frisina. [10] [11]
Truck Turner | ||||
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Soundtrack album by | ||||
Released | 1974 | |||
Recorded | 1974 | |||
Genre | Funk | |||
Length | 72:01 | |||
Label | Enterprise ENS-2-5702 | |||
Producer | Isaac Hayes | |||
Isaac Hayes chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [12] |
The soundtrack of Truck Turner was composed by Isaac Hayes. The soundtrack failed to reach the mass popularity of the Hayes' previous soundtrack effort, Shaft soundtrack. It was originally released on a double record album on vinyl, which are mostly found in bargain bins. However, in 1993, it was released in a double-CD album alongside Hayes' other lesser-known soundtrack of the movie Three Tough Guys and again released on its own CD in 2002. Some of the music score was used by filmmaker Quentin Tarantino in the Kill Bill series.
Track listing:
Isaac Lee Hayes Jr. was an American singer, songwriter, composer, and actor. He was one of the creative forces behind the Southern soul music label Stax Records, serving as both an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame.
Super Fly is a 1972 American blaxploitation crime drama film directed by Gordon Parks Jr. and starring Ron O'Neal as Youngblood Priest, an African American cocaine dealer who is trying to quit the underworld drug business. The film is well known for its soundtrack, written and produced by soul musician Curtis Mayfield. It was released on August 4, 1972.
Yaphet Frederick Kotto was an American actor for film and television. He starred in the NBC television series Homicide: Life on the Street (1993–1999) as Lieutenant Al Giardello. His films include the science-fiction horror film Alien (1979), the science-fiction action film The Running Man (1987), the James Bond film Live and Let Die (1973) in which he portrayed the main villain Dr. Kananga, and the action comedy Midnight Run (1988).
Charles "Skip" Pitts was an American soul and blues guitarist. He is best known for his distinctive "wah-wah" style, prominently featured on Isaac Hayes' title track from the 1971 movie Shaft. He is widely considered to have been one of the architects of soul, R&B and funk guitar.
Midnight Run is a 1988 American action comedy film directed by Martin Brest, written by George Gallo, and starring Robert De Niro and Charles Grodin. Yaphet Kotto, John Ashton, Dennis Farina, Joe Pantoliano, and Philip Baker Hall play supporting roles.
Across 110th Street is a 1972 American neo noir action thriller film directed by Barry Shear and starring Yaphet Kotto, Anthony Quinn, Anthony Franciosa and Paul Benjamin. The film is set in Harlem, New York and takes its name from 110th Street, the traditional dividing line between Harlem and Central Park that functioned as an informal boundary of race and class in 1970s New York City.
The Mack is a 1973 American blaxploitation crime drama film directed by California native Michael Campus, starring Max Julien and Richard Pryor. The film also stars Oscar-nominee Juanita Moore and Tony-nominated actor Dick Anthony Williams. Filmed in Oakland, California the movie follows the rise and fall of Goldie, who returns from a five-year prison sentence to find that his brother is involved in Black nationalism. Goldie decides to take an alternative path, striving to become the city's biggest pimp.
Dolemite is a 1975 American blaxploitation crime comedy film and is also the name of its principal character, played by Rudy Ray Moore, who co-wrote the film and its soundtrack. Moore, who started his career as a stand-up comedian in the late 1960s, heard a rhymed toast about an urban hero named Dolemite from a regular at the record store where he worked, and decided to adopt the persona as an alter ego in his act.
I'm Gonna Git You Sucka is a 1988 American blaxploitation parody film written, directed by and starring Keenen Ivory Wayans in his directorial debut. Featured in the film are several noteworthy African-American actors who were part of the genre of blaxploitation: Jim Brown, Bernie Casey, Antonio Fargas and Isaac Hayes. It co-stars John Vernon, Kadeem Hardison, Ja'net Dubois, John Witherspoon, Damon Wayans, Clarence Williams III and Chris Rock, and acts as the film debuts of comedian Robin Harris and brothers Shawn and Marlon Wayans.
Black Belt Jones is a 1974 American blaxploitation martial arts film directed by Robert Clouse and starring Jim Kelly and Gloria Hendry. The film is a spiritual successor to Clouse's prior film Enter the Dragon, in which Kelly had a supporting role. Here, Kelly features in his first starring role as the eponymous character, a local hero who fights the Mafia and a local drug dealer threatening his friend's dojo.
Blue Collar is a 1978 American crime drama film directed by Paul Schrader in his directorial debut. Written by Schrader and his brother Leonard, the film stars Richard Pryor, Harvey Keitel and Yaphet Kotto. The film is both a critique of union practices and an examination of life in a working-class Rust Belt enclave.
Eye of the Tiger is a 1986 American action film directed by Richard C. Sarafian, and stars Gary Busey, Yaphet Kotto, Denise Galik, Seymour Cassel, William Smith, and Judith Barsi. Busey plays a wrongfully incarcerated ex-convict who fights back against the biker gang harassing his hometown and the crooked sheriff protecting them. The film marked the beginning of the actor's transition to the action roles that would epitomize his career for much of the late 1980s and 1990s.
Black Mama White Mama, also known as Women in Chains, Hot, Hard and Mean and Chained Women, is a 1973 women in prison film directed by Eddie Romero and starring Pam Grier and Margaret Markov. The film has elements of blaxploitation.
Desert Blue is a 1998 American comedy-drama film written and directed by Morgan J. Freeman, starring Brendan Sexton III, Kate Hudson, Christina Ricci, Casey Affleck, Sara Gilbert and John Heard.
The Star Chamber is a 1983 American crime thriller film starring Michael Douglas, Hal Holbrook,1 Yaphet Kotto, Sharon Gless, James B. Sikking, and Joe Regalbuto. The film was written by Roderick Taylor and Peter Hyams and directed by Hyams. Its title is taken from the name of the Star Chamber, a 15th−17th-century English court.
Friday Foster is a 1975 American blaxploitation film directed by Arthur Marks and starring Pam Grier in the title role. Yaphet Kotto, Eartha Kitt, Scatman Crothers and Carl Weathers co-starred. It is an adaptation of the 1970–74 syndicated newspaper comic strip of the same name, scripted by Jim Lawrence and illustrated by Jorge Longarón. This was Grier's final film with American International Pictures. The tagline on the film's poster is "Wham! Bam! Here comes Pam!"
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s, when the combined momentum of the civil rights movement, the black power movement, and the Black Panthers spurred African-American artists to reclaim the power of depiction of their ethnicity, and institutions like UCLA to provide financial assistance for African-American students to study filmmaking. This combined with Hollywood adopting a less restrictive rating system in 1968. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. After the race films of the 1940s and 1960s, the genre emerged as one of the first in which black characters and communities were protagonists, rather than sidekicks, supportive characters, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Black Dynamite is a 2009 American blaxploitation action comedy film starring Michael Jai White, Tommy Davidson, and Salli Richardson. The film was directed by Scott Sanders and co-written by White, Sanders, and Byron Minns, who also co-stars.
Fighting Back is a 1982 vigilante action thriller film written by Thomas Hedley Jr and David Zelag Goodman and directed by Lewis Teague. The film stars Tom Skerritt, Patti LuPone, Michael Sarrazin, Yaphet Kotto, David Rasche, Lewis Van Bergen, Earle Hyman, and Ted Ross.
Paul Harris was an American actor. He had roles in films such as All Night Long, Across 110th Street, The Slams, and Truck Turner.
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