Conception
Hayes initially became involved with Shaft in hopes of having director Gordon Parks cast him in the title role, because he was not aware that Richard Roundtree had already been cast as John Shaft. [2] Hayes did appear in the film in a cameo role, but, more significantly, composed the film's score. While the film was still in production, Parks sent Hayes raw footage of some of the film's scenes, and Hayes wrote three pieces for the scenes: "Theme from Shaft" for the opening title sequence, "Soulsville" for a scene in which Shaft walks through Harlem, and "Ellie's Love Theme" for a love scene. [2]
Pleased with the results, MGM hired Hayes to compose the rest of the score, and Hayes spent two months working between tour dates on the score at the MGM studio. [2] Once the score was composed and arranged, Hayes recorded the rhythm tracks with Stax band The Bar-Kays in one day. [2] The orchestral tracks were recorded the next day, and the vocals the day after that. [2] The songs were later re-recorded for the album at Stax Studios and slightly rearranged from their film versions: MGM's recording facility was based upon a three-track system, and Hayes wanted a richer sound for the album). [2]
Reception
Upon its release in the summer of 1971, Shaft became the first double album of original studio material released by an R&B artist. [2] The album peaked at number one on The Billboard 200 chart, [7] and spent sixty weeks on the chart. It took the top position on the Top R&B Albums chart for 14 weeks. It achieved Platinum status within a month of its release. [7] Both "Theme from Shaft" and "Do Your Thing" became Top 40 singles on the Billboard Hot 100 chart, with the former peaking at number one.
At the 1972 Grammy Awards, "Theme from Shaft" won the awards for Best Engineered Recording, Non-Classical and Best Instrumental Arrangement. The film score as a whole won for Best Instrumental Composition Written Specifically For A Motion Picture or for Television. The National Association of Television and Radio Announcers gave Shaft its Album of the Year award. [2] At the Academy Awards that year, Hayes became the first African-American to win an Oscar for a non-acting category when "Theme from Shaft" won the award for Best Original Song. [2] Isaac Hayes was nominated for Original Dramatic Score as well, losing to Michel Legrand for the score to Summer of '42 .
In a 2020 retrospective on the Shaft franchise, RetroFan stated that "Hayes' score helped change the way music was used in film, bringing in a more contemporary, funk/soul-driven sound. It had an especially significant impact on the coming wave of black films, setting the standard for how R&B music would be used in films, and marketed alongside of individual movies." [7]
The 2009 re-release of the soundtrack on CD by Stax Records added an additional track, "Theme from Shaft" (2009 Mix), timed at 4:45.
Shaft is a 1971 American blaxploitation crime action thriller film directed by Gordon Parks and written by Ernest Tidyman and John D. F. Black. It is an adaptation of Tidyman's novel of the same name and is the first entry in the Shaft film series. The plot revolves around a private detective named John Shaft who is hired by a Harlem mobster to rescue his daughter from the Italian mobsters who kidnapped her. The film stars Richard Roundtree as Shaft, alongside Moses Gunn, Charles Cioffi, Christopher St. John and Lawrence Pressman.
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Isaac Lee Hayes Jr. was an American singer, songwriter, composer, and actor. He was one of the creative forces behind the Southern soul music label Stax Records, serving as both an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame.
The 14th Annual Grammy Awards were held March 14, 1972, and were broadcast live on television in the United States by ABC; the following year, they would move the telecasts to CBS, where they remain to this date. They recognized accomplishments by musicians from the year 1971.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in 1961. It also shared its operations with sister label Volt Records.
Charles "Skip" Pitts was an American soul and blues guitarist. He is best known for his distinctive "wah-wah" style, prominently featured on Isaac Hayes' title track from the 1971 movie Shaft. He is widely considered to have been one of the architects of soul, R&B and funk guitar.
Hot Buttered Soul is the second studio album by American soul musician Isaac Hayes. Released in 1969, it is recognized as a landmark in soul music. Recorded with The Bar-Kays, the album features four lengthy tracks, including a 12-minute version of the Burt Bacharach/Hal David cover "Walk On By" and an almost 19-minute long version of Jimmy Webb's "By the Time I Get to Phoenix"; both songs were edited significantly and released as a double A-side single in July 1969.
Wattstax was a benefit concert organized by Stax Records to commemorate the seventh anniversary of the 1965 riots in the African-American community of Watts, Los Angeles. The concert took place at the Los Angeles Memorial Coliseum on August 20, 1972. The concert's performers included all of Stax's prominent artists at the time. The genres of the songs performed included soul, gospel, R&B, blues, funk, and jazz. Months after the festival, Stax released a double LP of the concert's highlights, Wattstax: The Living Word. The concert was filmed by David L. Wolper's film crew and was made into the 1973 film titled Wattstax. The film was directed by Mel Stuart and nominated for a Golden Globe award for Best Documentary Film in 1974.
David Porter is an American record producer, songwriter, singer, entrepreneur and philanthropist.
"Theme from Shaft", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film Shaft. The theme was released as a single two months after the movie's soundtrack by Stax Records' Enterprise label. "Theme from Shaft" went to number two on the Billboard Soul Singles chart and to number one on the Billboard Hot 100 in the United States in November 1971, and number one in Canada in December. The song was also well received by adult audiences, reaching number six on Billboard's Easy Listening chart and number four in Canada. The song is considered by some to be one of the first disco songs.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone Magazine in 2010 and No. 458 in 2004.
The Stax Museum of American Soul Music is a museum located in Memphis, Tennessee, at 926 East McLemore Avenue, the original location of Stax Records. Stax launched and supported the careers of artists such as Otis Redding, Isaac Hayes, the Staple Singers, Sam & Dave, Booker T. & the M.G.'s, Rufus Thomas, Carla Thomas, Wilson Pickett, Albert King, William Bell, Eddie Floyd, Jean Knight, Mable John, and countless others including spoken word and comedy by Rev. Jesse Jackson, Moms Mabley, and Richard Pryor.
Black Moses is the fifth studio album by American soul musician Isaac Hayes. It is a double album released on Stax Records' Enterprise label in 1971. The follow-up to Hayes' successful soundtrack for Shaft, Black Moses features Hayes' version of The Jackson 5's hit single "Never Can Say Goodbye". Hayes' version became a hit in its own right, peaking at number 22 on the Billboard Hot 100. The album reached number one on the Billboard R&B album chart on January 15, 1972.
Al Bell is an American record producer, songwriter, and record executive. He is best known as having been an executive and co-owner of Stax Records, based in Memphis, Tennessee, during the latter half of the label's 19-year existence.
The Bo-Keys are a soul jazz band from Memphis, Tennessee, formed as an homage to the city's rich musical tradition.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
Johnny Allen was an American jazz and R&B musician who worked for both Motown and Stax Records and received a Grammy Award with Isaac Hayes for his arrangement of "Theme from Shaft".
Chocolate Chip is the seventh studio album by American soul musician Isaac Hayes. It was released in 1975 by ABC Records through Hayes' own imprint, Hot Buttered Soul Records, marking Hayes' first release after leaving the then-financially troubled Stax label. The album was Hayes's segue into the emerging disco scene and featured horns and layered beats, while maintaining his traditional soulful vocals. “Chocolate Chip” was certified Gold by the RIAA for sales of over 500,000 copies. It reached number one on the Billboard R&B Albums chart the week ending August 9, 1975 and stayed in the top position for two weeks. It was his seventh and final number one album.
Soulsville is a song written and performed by Isaac Hayes in 1971 for the film Shaft.
