The Gap Band was an American R&B and funk band that rose to fame during the 1970s and 1980s. The band consisted of three brothers: Charlie, Ronnie, and Robert Wilson, along with other members; it was named after streets in the historic Greenwood neighborhood in the brothers' hometown of Tulsa, Oklahoma.
Redemption's Son is the third studio album by Joseph Arthur. The double album was first released in the UK only on May 20, 2002, due to Joseph being dropped by Virgin Records/EMI in the US. Eventually, Enjoy Records picked up the record and released it stateside on November 26, 2002 with a slightly different track listing and alternate artwork.
Real World/Virgin released the album Come to Where I'm From in the States, but when Arthur wanted to start his next project, Virgin backed off. But his overactive muse couldn't wait for corporate support, so he jumped into recording regardless. Arthur ended up with Redemption's Son, plus another two albums' worth of songs, which were released over the course of four EPs called Junkyard Hearts 1-4. "I make three or four records a year, but I've only been able to get 'em out every two or three years," says Arthur.
Truly for You is a 1984 album by American R&B vocal group the Temptations. Released on October 15, 1984 by Motown Records' Gordy label, This is the first full Temptations album to feature Ali-Ollie Woodson ; who joined the group in 1984 to replace Dennis Edwards. The album was produced by Al McKay and Ralph Johnson of Earth, Wind & Fire. Included on the album are the R&B hit singles "Treat Her Like a Lady", "My Love Is True ", and "How Can You Say That It's Over".
Home is the debut album by husband-and-wife singers Delaney & Bonnie, released on the Stax label. Most of the album was recorded at Stax Studios in Memphis, Tennessee, from February to November 1968, with additional overdubs in July 1969, and features many of Stax's house musicians, including Donald "Duck" Dunn, Steve Cropper, Booker T. Jones, and Isaac Hayes.
Black Moses is the fifth studio album by American soul musician Isaac Hayes. It is a double album released on Stax Records' Enterprise label in 1971. The follow-up to Hayes' successful soundtrack for Shaft, Black Moses features Hayes' version of The Jackson 5's hit single "Never Can Say Goodbye". Hayes' version became a hit in its own right, peaking at number 22 on the Billboard Hot 100. The album reached number one on the Billboard R&B album chart on January 15, 1972.
Presenting Isaac Hayes is the debut studio album by American soul musician Isaac Hayes. The album was released in 1968, by Enterprise and Atlantic Records. The LP was the first release on Stax Records' Enterprise label; Hayes had for several years served as one of Stax's key songwriters, producers, and studio musicians.
Finder of Lost Loves is a studio album by American singer Dionne Warwick. It was released by Arista Records on January 24, 1985 in the United States. Warwick worked with Richard Landis, Barry Manilow, and Stevie Wonder on the majority of the album, though she also reunited with Burt Bacharach for the first time in over a decade. The album includes a cover of the Bee Gees song "Run to Me" performed as a duet with Manilow as well as two duets with Wonder, which had previously been released on Wonder's soundtrack album to The Woman in Red. Finder of Lost Loves peaked at number 106 on the US Billboard 200 chart.
United is the 12th studio album by the Commodores, released on October 7, 1986 on Polydor Records.
Maurice White is the debut album by American singer and musician Maurice White released in September 1985 on Columbia Records. The album rose to number 12 upon the Billboard Top R&B Albums chart and No. 35 on the Dutch Album Top 100.
Dreams is an album by Philip Bailey released on Heads Up International Records in 1999. The album peaked at No. 43 on the Billboard Top Jazz Albums chart.
Otis! The Definitive Otis Redding is a 1993 four compact disc compilation album by American soul singer-songwriter Otis Redding. The first three discs focus on studio material recorded for Stax records. These recordings are all original mono single or LP mixes. Three pre-Stax recordings and a demo recorded at Muscle Shoals are also included. The fourth disc, labeled "The Ultimate Live Otis Redding Show" was compiled from various live sources in an attempt to gather "the best version" of every song Otis ever recorded live and is mixed in stereo. The 100-page booklet includes testimonials from musicians and individuals from Redding's life, essays, a photo album, track listings, discographies, personnel and recording information.
Lefty is the seventh solo studio album by Art Garfunkel, released in 1988. The album features three songs by singer-songwriter Stephen Bishop. The album's cover photo shows a pre-teen Art Garfunkel holding a baseball bat in the front yard of his childhood home in the Forest Hills section of Queens, New York City. It was taken by his brother Jules. The album title came from the fact that Garfunkel is left-handed, which the picture established.
The Sweetest Days is the third studio album by American singer Vanessa Williams, released on December 6, 1994, by Wing Records and Mercury Records. The album peaked at number 57 on the US Billboard 200 and at number 25 on the Top R&B/Hip-Hop Albums chart, and has been certified platinum by the Recording Industry Association of America (RIAA).
Twice the Love is a 1988 studio album by American guitarist and singer George Benson that was recorded with six production teams. The two main singles off the record were the title track "Twice the Love" and the Curtis Mayfield song "Let's Do It Again" which was a No. 1 hit for The Staple Singers in 1975.
While the City Sleeps... is a 1986 studio album by American guitarist and singer George Benson, released on Warner Bros. Records. It features musicians like Paulinho da Costa, Preston Glass, Paul Jackson, Jr., Marcus Miller and Narada Michael Walden, alongside young talents of the time like Kenny G, Randy Jackson and Kashif. Although it does not have any instrumental tracks, Benson's guitar playing is somewhat in the headlight in songs like "Love Is Here Tonight", "Teaser" and "Too Many Times". The most successful single of the album, "Kisses in the Moonlight", is still frequently played by Benson at live performances and is present on many of his compilation albums On the B-side of the "Kisses in the Moonlight" single – alongside "Breezin'" on the 12" version – is the instrumental song "Open Your Eyes" which is not available elsewhere.
Right from the Heart is an album by the American pop singer Johnny Mathis that was released on March 18, 1985, by Columbia Records. It was his first album without songs that were previously recorded by other artists. The title track is one of the album's four ballads that, along with four of the remaining six up-tempo tracks, delve into the subject of relationships, but it is the synth-driven "Step by Step" and the anthemic "Hold On" on which Mathis take a break from the usual focus on love songs. The former offers the hope that can be found in change that comes gradually until "I can see the way free from yesterday to a new beginning". The latter stresses the importance of being oneself: "Life is a party. Why don't you come the way you are?"
Disco Connection is the eighth studio album by American soul musician Isaac Hayes. The album, credited to his backing band, The Isaac Hayes Movement, was released in 1975. The album debuted at number 85 on the Billboard 200.
Stephanie Mills is the tenth studio album by the American R&B singer Stephanie Mills, released in 1985 on MCA Records. Following her last release I've Got the Cure on Casablanca Records, Mills self-titled new album was the first release upon signing a new recording contract with MCA Records.
One Love – One Dream is the fifth studio album by American singer Jeffrey Osborne. It was released by A&M Records on July 15, 1988. The album reached number 12 on the US Billboard Top R&B/Hip-Hop Albums chart.
Quiet Storm is the twelfth studio album by American singer Peabo Bryson. It was released by Elektra Records in October 1986 in the United States. The album peaked at number 45 on the US Top R&B/Hip-Hop Albums.
