Live at the Sahara Tahoe | ||||
---|---|---|---|---|
![]() | ||||
Live album by | ||||
Released | April 1973 | |||
Recorded | November 26, 1972 [1] | |||
Venue | The Sahara Tahoe, Stateline, Nevada | |||
Genre | ||||
Length | 103:10 | |||
Label | Enterprise ENS-2-5005 | |||
Producer | Isaac Hayes | |||
Isaac Hayes chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | B− [2] |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Live at the Sahara Tahoe is the first live album by American soul musician Isaac Hayes, released in 1973 by Stax Records' Enterprise imprint. It was recorded live at the Sahara Hotel & Casino in Stateline, Nevada. [1] The performance was arranged and orchestrated by Onzie Horne. [4]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Theme from Shaft" | Isaac Hayes | 4:43 |
2. | "The Come On/Light My Fire" | Hayes/Jim Morrison, Ray Manzarek, John Densmore, Robby Krieger | 7:50 |
3. | "Ike's Rap V/Never Can Say Goodbye" | Hayes/Clifton Davis | 8:00 |
4. | "Windows of the World" | Burt Bacharach, Hal David | 7:44 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ellie's Love Theme" | Isaac Hayes | 3:18 |
2. | "Use Me" | Bill Withers | 5:10 |
3. | "Do Your Thing" | Hayes | 7:21 |
4. | "Theme From The Men " | Hayes | 3:27 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "It's Too Late" | Carole King, Toni Stern | 5:39 |
2. | "Rock Me Baby" | B.B. King, Joe Josea | 5:30 |
3. | "Stormy Monday Blues" | Aaron Walker | 3:05 |
4. | "Type Thang" | Isaac Hayes | 3:29 |
5. | "The First Time Ever I Saw Your Face" | Ewan MacColl | 4:52 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ike's Rap VI/Ain't No Sunshine" | Bill Withers | 17:05 |
2. | "Feelin' Alright" | Dave Mason | 5:32 |
Funkadelic is the debut album by the American funk rock band Funkadelic, released in 1970 on Westbound Records.
The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck "Pops" Staples, the patriarch of the family, formed the group with his children Cleotha, Pervis, and Mavis. Yvonne replaced her brother when he was drafted into the U.S. Army, and again in 1970. They are best known for their 1970s hits "Respect Yourself", "I'll Take You There", "If You're Ready ", and "Let's Do It Again". While the family name is Staples, the group used "Staple" commercially.
Johnnie Harrison Taylor was an American recording artist and songwriter who performed a wide variety of genres, from blues, rhythm and blues, soul, and gospel to pop, doo-wop, and disco. He was initially successful at Stax Records with the number-one R&B hits "Who's Making Love" (1968), "Jody's Got Your Girl and Gone" (1971) and "I Believe in You " (1973), and reached number one on the US pop charts with "Disco Lady" in 1976.
Otis Blue/Otis Redding Sings Soul is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.
That Nigger's Crazy is the third album by American comedian Richard Pryor. It was recorded live at Don Cornelius' Soul Train nightclub in early 1974. The album's title was derived from a remark made by Pryor himself in Wattstax.
Live in Europe is a live album from soul singer Otis Redding. It was Redding's first live album as well as the only live album released during his lifetime, issued exactly five months before his death on December 10, 1967. The album was recorded during the Stax/Volt tour of Europe and Redding is backed by Booker T. & the MG's. Recorded at the Olympia Theatre, Paris; March 21, 1967.
Shaft is a double album by Isaac Hayes, recorded for Stax Records' Enterprise label as the soundtrack LP for Metro-Goldwyn-Mayer's 1971 blaxploitation film Shaft. The album mostly consists of instrumentals composed by Hayes as score for the film. Three vocal selections are included: "Soulsville", "Do Your Thing", and "Theme from Shaft". A commercial and critical success, Shaft is Hayes' best-known work and the best-selling LP ever released on a Stax label.
King & Queen is a studio album by American recording artists Otis Redding and Carla Thomas. It is Thomas' fourth album and Redding's sixth and the final studio album before his death on December 10, 1967. Influenced by Marvin Gaye's duets, the album features ten covers of soul classics and the eleventh finishing song co-written by Redding.
Promised Land is the twenty-first studio album by American singer and musician Elvis Presley, released by RCA Records on January 8, 1975. It was recorded in December 1973 at Stax Records studios in Memphis and released on Presley's 40th birthday in January, 1975. In the US the album reached number 47 on the Billboard Top 200 chart and number 1 in Billboard's Top Country LPs chart, as well as the Cashbox Country albums chart. In the UK the album reached #21.
Good Times is the twentieth studio album by American singer and musician Elvis Presley, released on March 20, 1974. The album was constructed by the first pick of a session held at Stax Studios in Memphis in December 1973 and two songs, "I've Got a Thing About You Baby" and "Take Good Care of Her", which were left over from the session at Stax in July 1973. The album includes a collection of songs that vary in style and genre. Released the same day as the recording of Elvis: Recorded Live on Stage in Memphis was being made, the title was taken from the song "Talk About the Good Times". Many of the songs are covers of hits at the time, like "Spanish Eyes" and "She Wears My Ring". Charting low at the time of its release, it was considered typical 1970s Elvis material and was his first album to hit the "cut-out bins". The album did have some success though upon its original release, becoming a Cashbox Country Albums number 1 hit and charting in the Top 50 in the UK.
Live in Cook County Jail is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago. Agreeing to a request by jail warden Winston Moore, King and his band performed for an audience of 2,117 prisoners, most of whom were young black men. King's set list consisted mostly of slow blues songs, which had been hits earlier in his career. When King told ABC Records about the upcoming performance, he was advised to bring along press and recording equipment.
Melting Pot is a 1971 studio album recorded by Booker T. & the M.G.'s for Stax Records. It is the last album to feature the group's classic lineup of Jones, Cropper, Dunn, and Jackson and the first of their albums to contain longer, jam-oriented compositions.
The Original Delaney & Bonnie, also known by its subtitle Accept No Substitute, is the second studio album by American recording duo Delaney & Bonnie. It was recorded with many of the "friends" that would form the core of their best-known 1969–70 touring band, including Bobby Whitlock, Carl Radle and Rita Coolidge.
The Isaac Hayes Movement is the third studio album by the American soul musician Isaac Hayes. Released in 1970, it was the follow-up to Hot Buttered Soul, Hayes' landmark 1969 album. Marvell Thomas had come up with "The Isaac Hayes Movement" as a name for Hayes' backup ensemble. He modeled the name after the Jimi Hendrix Experience. Similar in structure to Hot Buttered Soul, The Isaac Hayes Movement features only four long tracks, all with meticulous, complex and heavily orchestrated arrangements. However, unlike the previous album, this time all four songs are reworked covers of others' material. This includes Jerry Butler's "I Stand Accused", which features a nearly five-minute long spoken intro that precedes the actual song, and The Beatles' "Something", which features violin soloing by John Blair. The other two songs included on the album were the Bacharach-David song, "I Just Don't Know What to Do with Myself" and Chalmers and Rhodes' "One Big Unhappy Family".
A Minute to Pray, a Second to Die is the second album from American punk rock band the Flesh Eaters. Released in 1981, it is perhaps their most acclaimed work. The band's roster on this album comprises Dave Alvin (guitar), John Doe (bass), Chris D., Steve Berlin, D. J. Bonebrake and Bill Bateman (drums).
Otis Ray Redding Jr. was an American singer and songwriter. He is regarded as one of the greatest singer-songwriters in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the "King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music.
City in the Sky is an album by the American music group the Staple Singers, released in 1974. It was the group's final album for Stax Records. The 1990s reissue appended bonus tracks from the group's set at Wattstax.
Eargasm is an album by the American R&B singer Johnnie Taylor, released in March 1976 on Columbia Records. The album contains "Disco Lady", which was a No. 1 pop hit for four weeks, and achieved the first platinum certification for a single, with two million copies sold. Eargasm was Taylor's first album for Columbia Records, after many years spent recording for Stax.