Booker T. & the M.G.'s were an American instrumental, R&B, and funk band formed in Memphis, Tennessee, in 1962. The band is considered influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor, and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (1935–2025) and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Isaac Lee Hayes Jr. was an American singer, songwriter, composer, and actor. He was one of the creative forces behind the Southern soul music label Stax Records in the 1960s, serving as an in-house songwriter with his partner David Porter, as well as a session musician and record producer. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame.
Stax Records is an American record company, originally based in Memphis, Tennessee. Founded in 1957 as Satellite Records, the label changed its name to Stax Records in September 1961. It also shared its operations with sister label Volt Records.
Hot Buttered Soul is the second studio album by American soul musician Isaac Hayes. Released in June 1969, it is recognized as a landmark recording in soul music. Recorded with The Bar-Kays, the album features four lengthy tracks, including a 12-minute version of the Burt Bacharach/Hal David cover "Walk On By" and an almost 19-minute long version of Jimmy Webb's "By the Time I Get to Phoenix;" both songs were edited significantly and released as a double A-side single in July 1969.
Enterprise Records was started in 1967 as a sub-label of Stax Records. It's best-known recording artist during its existence was Isaac Hayes, who secured a #1 R&B and pop crossover smash in 1971 with the soundtrack hit "Theme from Shaft". In addition to Isaac Hayes, Big Ben Atkins, Cliff Cochran, Connie Eaton, Maynard Ferguson, Little Sonny, O.B. McClinton, Eric Mercury and David Porter also recorded for the label.
The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.
The Great Otis Redding Sings Soul Ballads, simply referred to as Soul Ballads or Sings Soul Ballads, is the second studio album by American soul singer-songwriter Otis Redding, released in 1965. The album was one of the first issued by Volt Records, a sub-label of Stax Records, and Redding's first on the new label. Like Redding's debut Pain in My Heart (1964), Soul Ballads features both soul classics and originals written by Redding and other Stax Records recording artists. The recording sessions took place at the Stax studios in Memphis. The album features a stereo mix made by engineer Tom Dowd, replacing the early mono mix.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone in 2010 and No. 458 in 2004.
Home is the debut album by husband-and-wife singers Delaney & Bonnie, released on the Stax label. Most of the album was recorded at Stax Studios in Memphis, Tennessee, from February to November 1968, with additional overdubs in July 1969, and features many of Stax's house musicians, including Donald "Duck" Dunn, Steve Cropper, Booker T. Jones, and Isaac Hayes.
Soul Limbo is the seventh studio album by the American R&B band Booker T. & the M.G.'s, released in 1968 on Stax Records. The album was the first Stax LP issued after the label severed its ties with former distributor Atlantic Records in 1968.
Black Moses is the fifth studio album by American soul musician Isaac Hayes. It is a double album released on Stax Records' Enterprise label in 1971. The follow-up to Hayes' successful soundtrack for Shaft, Black Moses features Hayes' version of The Jackson 5's hit single "Never Can Say Goodbye". Hayes' version became a hit in its own right, peaking at number 22 on the Billboard Hot 100. The album reached number one on the Billboard R&B album chart on January 15, 1972.
Knock on Wood is the debut album of soul singer/songwriter Eddie Floyd, released in 1967 on Stax Records. The album was recorded between July and December 1966 at Stax Recording Studio. It features his most well-known single, the title track, "Knock on Wood".
Al Bell is an American record producer, songwriter, and record executive. He is best known as having been an executive and co-owner of Stax Records with Jim Stewart based in Memphis, Tennessee, during the latter half of the label's 19-year existence.
...To Be Continued is the fourth studio album by American soul musician Isaac Hayes, issued in 1970 on Stax Records' Enterprise label. The LP includes Hayes' cover of the Burt Bacharach/Hal David composition "The Look of Love", which was issued as a single in an edited form, peaking at #79 on the Billboard Hot 100. Hayes had covered Bacharach/David songs on his previous albums Hot Buttered Soul and The Isaac Hayes Movement.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
The Isaac Hayes Movement is the third studio album by the American soul musician Isaac Hayes. Released in 1970, it was the follow-up to Hot Buttered Soul, Hayes' landmark 1969 album. Marvell Thomas had come up with "The Isaac Hayes Movement" as a name for Hayes' backup ensemble. He modeled the name after the Jimi Hendrix Experience. Similar in structure to Hot Buttered Soul, The Isaac Hayes Movement features only four long tracks, all with meticulous, complex and heavily orchestrated arrangements. However, unlike the previous album, this time all four songs are reworked covers of others' material. This includes Jerry Butler's "I Stand Accused", which features a nearly five-minute long spoken intro that precedes the actual song, and The Beatles' "Something", which features violin soloing by John Blair. The other two songs included on the album were the Bacharach-David song "I Just Don't Know What to Do with Myself" and Chalmers and Rhodes' "One Big Unhappy Family".
William Clarence Hall is an American drummer best known for his work with Isaac Hayes and as a member of the Blues Brothers band.
Otis! The Definitive Otis Redding is a 1993 four compact disc compilation album by American soul singer-songwriter Otis Redding. The first three discs focus on studio material recorded for Stax records. These recordings are all original mono single or LP mixes. Three pre-Stax recordings and a demo recorded at Muscle Shoals are also included. The fourth disc, labeled "The Ultimate Live Otis Redding Show" was compiled from various live sources in an attempt to gather "the best version" of every song Otis ever recorded live and is mixed in stereo. The 100-page booklet includes testimonials from musicians and individuals from Redding's life, essays, a photo album, track listings, discographies, personnel and recording information.
Senior Soul is a 1972 studio album by the American singer Billy Eckstine. The album was Eckstine's third for Stax Records's subsidiary Enterprise.
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