...To Be Continued | ||||
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Studio album by | ||||
Released | November 28, 1970 | |||
Recorded | Summer 1970 | |||
Genre | Soul, jazz, funk | |||
Length | 42:03 | |||
Label | Enterprise | |||
Producer | Isaac Hayes | |||
Isaac Hayes chronology | ||||
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Singles from ...To Be Continued | ||||
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...To Be Continued is the fourth studio album by American soul musician Isaac Hayes, issued in 1970 on Stax Records' Enterprise label. The LP includes Hayes' cover of the Burt Bacharach/Hal David composition "The Look of Love", which was issued as a single in an edited form, peaking at #79 on the Billboard Hot 100. [1] Hayes had covered Bacharach/David songs on his previous albums Hot Buttered Soul ("Walk On By") and The Isaac Hayes Movement ("I Just Don't Know What to Do With Myself").
The ...To Be Continued album as a whole peaked at #1 on the Billboard Black Albums and Jazz Albums charts, and at #11 on the Billboard 200. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
No. | Title | Writer(s) | Length |
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1. | "Ike's Rap I" | Isaac Hayes | 3:59 |
2. | "Our Day Will Come" | Bob Hilliard, Mort Garson | 5:27 |
3. | "The Look of Love" | Burt Bacharach, Hal David | 11:13 |
No. | Title | Writer(s) | Length |
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1. | "Medley: "Ike's Mood I" / "You've Lost That Lovin' Feelin'" | Hayes/Phil Spector, Barry Mann, Cynthia Weil | 15:33 |
2. | "Runnin' Out of Fools" | Kay Rogers, Richard Ahlert | 5:52 |
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Region | Certification | Certified units/sales |
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United States (RIAA) [3] | Gold | 500,000^ |
* Sales figures based on certification alone. |
Booker T. & the M.G.'s were an American instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones, Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums). In the 1960s, as members of the Mar-Keys, the rotating slate of musicians that served as the house band of Stax Records, they played on hundreds of recordings by artists including Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, including the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era.
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore and the baritone/tenor (lower) voice was Dave Prater (1937–1988).
Isaac Lee Hayes Jr. was an American singer, songwriter, composer, and actor. He was one of the creative forces behind the Southern soul music label Stax Records, serving as both an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame.
Hot Buttered Soul is the second studio album by American soul musician Isaac Hayes. Released in 1969, it is recognized as a landmark in soul music. Recorded with The Bar-Kays, the album features four lengthy tracks, including a 12-minute version of the Burt Bacharach/Hal David cover "Walk On By" and an almost 19-minute long version of Jimmy Webb's "By the Time I Get to Phoenix"; both songs were edited significantly and released as a double A-side single in July 1969.
The Emotions are an American soul/R&B vocal group from Chicago. The group started out in gospel music but transitioned into R&B and disco music. The Emotions were named by VH1 as one of the 18 most influential girl groups of all time.
The Soul Children was an American vocal group who recorded soul music for Stax Records in the late 1960s and early 1970s. They had three top 10 hits on the U.S. Billboard R&B chart – "The Sweeter He Is" (1969), "Hearsay" (1972), and "I'll Be the Other Woman" (1973) – all of which crossed over to the Billboard Hot 100.
Shaft is a double album by Isaac Hayes, recorded for Stax Records' Enterprise label as the soundtrack LP for Metro-Goldwyn-Mayer's 1971 blaxploitation film Shaft. The album mostly consists of instrumentals composed by Hayes as score for the film. Three vocal selections are included: "Soulsville", "Do Your Thing", and "Theme from Shaft". A commercial and critical success, Shaft is Hayes' best-known work and the best-selling LP ever released on a Stax label.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone Magazine in 2010 and No. 458 in 2004.
"By the Time I Get to Phoenix" is a song written by Jimmy Webb. Originally recorded by Johnny Rivers in 1965, it was reinterpreted by American country music singer Glen Campbell on his album of the same name. Released on Capitol Records in 1967, Campbell's version topped RPM's Canada Country Tracks, reached number two on Billboard's Hot Country Singles chart, and won two awards at the 10th Annual Grammys. Broadcast Music, Inc. (BMI) named it the third most performed song from 1940 to 1990. The song was ranked number 20 on BMI's Top 100 Songs of the Century. Frank Sinatra called it "the greatest torch song ever written." It was No. 450 on Rolling Stone magazine's Top 500 Songs of All Time.
"When Something Is Wrong with My Baby" is a classic hit song, a soul ballad, written by Isaac Hayes and David Porter. It was first released in 1967 by Sam & Dave on Stax Records.
Homer Banks was an African American songwriter, singer and record producer. Although best known by many for his songwriting for Stax Records in the 1960s and 1970s, some of his own releases from the 1960s are considered classics on the Northern Soul scene. Many of the songs he wrote have become contemporary classics.
"I Thank You" is a song written by David Porter and Isaac Hayes originally recorded by Sam & Dave, released in early 1968. The single was Sam & Dave's final release on Stax Records, reaching #9 on the Billboard Pop Singles chart and #4 on the R&B chart. Shortly after its release, Stax severed its distribution deal with Atlantic Records and Sam & Dave, who were actually signed to Atlantic and loaned out to Stax, began recording for Atlantic proper. The song begins with Sam's spoken introduction that goes: "I want everybody to get off your seat,/ And get your arms together,/ And your hands together,/ And give me some of that old soul clapping". First, Sam sings the refrain, plus the first verse, and the refrain, while Dave sings the second verse, the refrain, and the third verse, with both Sam and Dave sharing on the repeated "Thank Yous" portion. Following a brief instrumental, Sam sings the refrain, with Dave, joining him, on the Coda with the repeated "thank yous".
Black Moses is the fifth studio album by American soul musician Isaac Hayes. It is a double album released on Stax Records' Enterprise label in 1971. The follow-up to Hayes' successful soundtrack for Shaft, Black Moses features Hayes' version of The Jackson 5's hit single "Never Can Say Goodbye". Hayes' version became a hit in its own right, peaking at number 22 on the Billboard Hot 100. The album reached number one on the Billboard R&B album chart on January 15, 1972.
"Soul Finger" is the first single released by R&B group the Bar-Kays. It was issued by Stax Records on the Volt Records label on April 14, 1967.
"Hold On, I'm Comin'" is a 1966 single recorded by soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
Hold On, I'm Comin' is the 1966 debut album by Atlantic Records soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966.
This article contains a comprehensive collection of information related to recordings by American soul and funk musician, Isaac Hayes.
The Isaac Hayes Movement is the third studio album by the American soul musician Isaac Hayes. Released in 1970, it was the follow-up to Hot Buttered Soul, Hayes' landmark 1969 album. Marvell Thomas had come up with "The Isaac Hayes Movement" as a name for Hayes' backup ensemble. He modeled the name after the Jimi Hendrix Experience. Similar in structure to Hot Buttered Soul, The Isaac Hayes Movement features only four long tracks, all with meticulous, complex and heavily orchestrated arrangements. However, unlike the previous album, this time all four songs are reworked covers of others' material. This includes Jerry Butler's "I Stand Accused", which features a nearly five-minute long spoken intro that precedes the actual song, and The Beatles' "Something", which features violin soloing by John Blair. The other two songs included on the album were the Bacharach-David song, "I Just Don't Know What to Do with Myself" and Chalmers and Rhodes' "One Big Unhappy Family".
Complete & Unbelievable: The Otis Redding Dictionary of Soul, or simply Dictionary of Soul, is the fifth studio album by American soul singer-songwriter Otis Redding and his last solo studio album released before his death. The successful Otis Blue and the following performance at Whisky a Go Go led to his rising fame across the United States. The first side of the album mainly contains cover versions, and the second songs mainly written by Redding.
Chocolate Chip is the seventh studio album by American soul musician Isaac Hayes. It was released in 1975 by ABC Records through Hayes' own imprint, Hot Buttered Soul Records, marking Hayes' first release after leaving the then-financially troubled Stax label. The album was Hayes's segue into the emerging disco scene and featured horns and layered beats, while maintaining his traditional soulful vocals. “Chocolate Chip” was certified Gold by the RIAA for sales of over 500,000 copies. It reached number one on the Billboard R&B Albums chart the week ending August 9, 1975 and stayed in the top position for two weeks. It was his seventh and final number one album.