| "Our Day Will Come" | ||||
|---|---|---|---|---|
 | ||||
| Single by Ruby & the Romantics | ||||
| from the album Our Day Will Come | ||||
| B-side | "Moonlight and Music" | |||
| Released | December 1962 | |||
| Genre | ||||
| Length | 2:32 | |||
| Label | Kapp | |||
| Songwriter(s) | ||||
| Producer(s) | Allen Stanton | |||
| Ruby & the Romantics singles chronology | ||||
| ||||
"Our Day Will Come" is a popular song composed by Mort Garson with lyrics by Bob Hilliard. It was recorded by American R&B group Ruby & the Romantics in early December 1962, reaching #1 on the Billboard Hot 100.
The song's composers were hoping to place "Our Day Will Come" with an established easy listening act and only agreed to let the new R&B group Ruby & the Romantics record the song after Kapp Records' A&R director Al Stanton promised that, if the Ruby & the Romantics' single failed, Kapp would record the song with Jack Jones. Stanton cut two versions of "Our Day Will Come" with Ruby & the Romantics, one with a mid-tempo arrangement and the other in a bossa nova style; the latter version, featuring a Hammond organ solo, was selected for release as a single in December 1962 and reached #1 on the Billboard Hot 100 the week of March 23, 1963. [2] "Our Day Will Come" also charted at #11 in Australia and at #38 the United Kingdom. [3] The personnel on the original recording were: Leroy Glover on organ; Vinnie Bell, Al Gorgoni and Kenny Burrell on guitars; Russ Savakus on bass; Gary Chester on drums; and George Devens on percussion.
| Chart (1963) | Peak position |
|---|---|
| Australia (Kent Music Report) [4] | 11 |
| Canada (CHUM Hit Parade) [5] | 19 |
| New Zealand (Lever Hit Parade) [6] | 1 |
| UK Singles (OCC) [7] | 38 |
| US Billboard Hot 100 [8] | 1 |
| US Hot R&B Singles ( Billboard ) [9] | 1 |
| "Our Day Will Come" | ||||
|---|---|---|---|---|
 | ||||
| Single by Frankie Valli | ||||
| from the album Our Day Will Come | ||||
| B-side | "You Can Bet (I Ain't Goin' Nowhere)" | |||
| Released | October 1975 | |||
| Genre | Disco [10] | |||
| Length | 5:47 (album) 4:02 (single) | |||
| Label | Private Stock | |||
| Songwriter(s) | ||||
| Frankie Valli singles chronology | ||||
| ||||
American singer Frankie Valli recorded and released "Our Day Will Come" in 1975. His rendition features Patti Austin on accompanying vocals. Cash Box said that "minimum use of strings on top as the artist’s cutting sound and super-fine alto sax provides that icing that balances out the broad bottom indigenous to disco dance depots." [11]
Valli's version reached #11 on the US Billboard Hot 100 and spent two weeks at #2 on the Adult Contemporary chart. Internationally, it also reached the #30 in Canada.
Record World called it "one of [Valli's] uniquely patented vocal workouts." [12]
Weekly charts
| Year-end charts
|
| "Our Day Will Come" | ||||
|---|---|---|---|---|
 | ||||
| Single by Amy Winehouse | ||||
| from the album Lioness: Hidden Treasures | ||||
| Released | November 2, 2011 | |||
| Recorded | May 2002 [19] | |||
| Genre | Reggae [20] | |||
| Length | 2:50 | |||
| Label | Island [19] | |||
| Songwriter(s) |
| |||
| Producer(s) | Salaam Remi [19] | |||
| Amy Winehouse singles chronology | ||||
| ||||
Recorded for her 2003 debut album Frank , the Amy Winehouse remake of "Our Day Will Come" was first issued on the singer's posthumous compilation album Lioness: Hidden Treasures . The song was released to UK contemporary hit radio on November 2, 2011, as the album's second single, [21] Winehouse's first solo single release since "Love Is a Losing Game" in 2007 (a duet with Tony Bennett on "Body and Soul" had been issued as a single on September 14, 2011, which would have been her 28th birthday).
Producer Salaam Remi who had worked with Winehouse on her albums Frank and Back to Black , as well as on the posthumous compilation, stated that "Our Day Will Come" will serve as a poignant reminder of the star's talent. The music video for "Our Day Will Come": a montage of Winehouse throughout her career with clips from music videos, live performances and press coverage, was sent to UK music channels on 21 November 2011. Following the release of the music video, Winehouse's father tweeted: "I just almost watched Amy's 'Our Day Will Come' video. She is so lovely." Robert Copsey of Digital Spy gave the song four stars out of five and a positive review, stating:
That said, the thinking behind the decision to release Winehouse's rendition of Ruby and the Romantics' 1963 hit 'Our Day Will Come' quickly becomes apparent. Over a smoky melody and reggae-tinged beat she promises wistfully, "Our day will come, and we'll have everything," before professing her everlasting love for her beau. The result serves as a timely reminder that beneath the demons that plagued her final years, her raw talent was undeniable. [22]
| Chart (2011–2012) | Peak position |
|---|---|
| Belgium (Ultratop 50 Flanders) [23] | 48 |
| Belgium (Ultratop 50 Wallonia) [24] | 48 |
| France (SNEP) [25] | 54 |
| Hungary (Rádiós Top 40) [26] | 27 |
| Iceland (Tónlistinn) [27] | 14 |
| Italy (FIMI) [28] | 31 |
| Japan (Japan Hot 100) [29] | 14 |
| Netherlands (Single Top 100) [30] | 52 |
| Scotland (OCC) [31] | 46 |
| Spain (PROMUSICAE) [32] | 26 |
| Switzerland (Schweizer Hitparade) [33] | 69 |
| UK Singles (OCC) [34] | 29 |
| UK Hip Hop/R&B (OCC) [35] | 25 |
| Region | Certification | Certified units/sales |
|---|---|---|
| Brazil (Pro-Música Brasil) [36] | Gold | 30,000‡ |
| United Kingdom (BPI) [37] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. | ||
"I Honestly Love You" is a song recorded by Olivia Newton-John and released in 1974 on the album Long Live Love in the United Kingdom and If You Love Me, Let Me Know in the United States. The song became a worldwide pop hit, her first number-one single in the United States and Canada. The single was first released in Australia as "I Love You, I Honestly Love You", as per its chorus. The song was written by Jeff Barry and Australian singer and composer Peter Allen. The latter recorded it around the same time for his album Continental American.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
Van Allen Clinton McCoy was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit "The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations, David Ruffin, The Stylistics, The Presidents, Faith, Hope & Charity, New Censation, Gladys Knight & the Pips, Aretha Franklin, Peaches & Herb, Lesley Gore, and Stacy Lattisaw.
"December, 1963 " is a song originally performed by the Four Seasons, written by original Four Seasons keyboard player Bob Gaudio and his future wife Judy Parker, produced by Gaudio, and included on the group's album Who Loves You (1975).
Ruby & the Romantics was an Akron, Ohio-based American R&B group in the 1960s, composed of Ruby Nash, George Lee, Ronald Mosely, Leroy Fann, and Ed Roberts.
"Will You Love Me Tomorrow", sometimes known as "Will You Still Love Me Tomorrow", is a song written by Gerry Goffin and Carole King. It was first recorded in 1960 by the Shirelles for their album Tonight's the Night; released as a single that November, it became the first song by an African-American girl group to top the Billboard Hot 100 chart. It has since been recorded by many other artists, including King on her 1971 album Tapestry.
"My Eyes Adored You" is a 1974 song written by Bob Crewe and Kenny Nolan. It was originally recorded by The Four Seasons in early 1974. After the Motown label balked at the idea of releasing it, the recording was sold to lead singer Frankie Valli for $4000. After rejections by Capitol and Atlantic Records, Valli succeeded in getting the recording released on Private Stock Records, but the owner/founder of the label, Larry Uttal, wanted only Valli's name on the label. It is from the album Closeup. The single was released in the US in November 1974 and topped the Billboard Hot 100 in March 1975. "My Eyes Adored You" also went to number 2 on the Easy Listening chart. Billboard ranked it as the No. 5 song for 1975.
"Jazzman" is a 1974 song performed by Carole King, from her album Wrap Around Joy. King composed the music for the song, while David Palmer wrote the lyrics.
"Rehab" is a song written and recorded by English singer-songwriter Amy Winehouse, from her second and final studio album Back to Black (2006). Produced by Mark Ronson, the lyrics are autobiographical and address Winehouse's refusal to enter a rehabilitation clinic for alcohol. "Rehab" was released as the lead single from Back to Black in 2006, and it peaked at number 7 in the United Kingdom on its Singles Chart and number 9 in the United States on the Billboard Hot 100, becoming Winehouse's only top 10 hit in the US.
"You Know I'm No Good" is a song written and performed by English singer Amy Winehouse from her second and final studio album, Back to Black (2006). "You Know I'm No Good" was released as the second single from Back to Black on 8 January 2007. Originally recorded as a solo track, it was remixed with guest vocals from the Wu-Tang Clan member Ghostface Killah. The original appeared on Winehouse's album, while the version with Ghostface Killah appears on his album More Fish. On the recap of The Best Songs of 2007 by Entertainment Weekly magazine, this song ranked at number two.
"To Know Him Is to Love Him" is a song written by Phil Spector, inspired by the words on his father's gravestone, "To Know Him Was to Love Him". It was first recorded by the only vocal group of which he was a member, The Teddy Bears. The single spent three weeks at No. 1 on the Billboard Hot 100 chart in 1958, while reaching No. 2 on the UK's New Musical Express chart. Peter & Gordon and Bobby Vinton later each experienced chart success with the song, in 1965 and 1968, respectively.
"Paper Roses" is a popular song written and composed by Fred Spielman and Janice Torre. It first was a top five hit in 1960 for Anita Bryant. Marie Osmond recorded it in 1973 and took her version to number one on the US country chart.
"Who Loves You" is the title song of a 1975 album by The Four Seasons. It was composed by Bob Gaudio and Judy Parker and produced by Gaudio. It reached number 3 on the Billboard Hot 100 in November 1975.
"Let's Hang On!" is a song composed by Bob Crewe, Sandy Linzer, and Denny Randell that was popularized by the Four Seasons in 1965.
"Forever Came Today" is a 1968 song written and produced by the Motown collective of Holland–Dozier–Holland, and was first made into a hit as a single for Diana Ross & the Supremes in early 1968. A disco version of the song was released as a single seven years later by Motown group the Jackson 5.
"Just One Look" is a song co-written by American R&B singers Doris Troy and Gregory Carroll. The recording by Doris Troy was a hit in 1963. The Hollies, Anne Murray, Linda Ronstadt and Iain Matthews each achieved great success with the song. There have also been many other versions.
"Cupid" is a song by the American singer Sam Cooke, released on May 16, 1961. It charted at number 17 on the Billboard Hot 100 and number 20 on the Hot R&B Sides chart; the track performed best in the United Kingdom, peaking at number seven on the UK Singles Chart. The song is featured on Cooke's greatest hits album, The Best of Sam Cooke (1962). Cooke's producers had asked him to write a song for a girl they had seen on a Perry Como TV show—but once they heard her sing, they kept "Cupid" for Cooke himself.
"The Tip of My Fingers", also titled "The Tips of My Fingers", is a song written and originally recorded by American country music singer Bill Anderson. First included on his 1962 album Bill Anderson Sings Country Heart Songs, the song was a Top Ten country single for him in 1960.
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"With Pen in Hand" is a song written by Bobby Goldsboro and first released on his March 1968 album, Honey. The song's lyrics address the subjects of divorce and losing custody of one's child, and are sung from the perspective of the parent who expects to be losing custody of their child, as they make a final plea to their spouse to reconcile before the divorce is finalized. "With Pen in Hand" has been a hit for multiple artists in the late 1960s and 1970s.
It's a chintzy bossa-nova shuffle with organs and vibraphones everywhere. Like a lot of the moment's big R&B songs, it represents some kind of bridge...
