Here Comes the Sun

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Background and inspiration

Hurt Wood windmill in Ewhurst, Surrey. Harrison wrote "Here Comes the Sun" in the garden at nearby Hurtwood Edge. Ewhurst mill.jpg
Hurt Wood windmill in Ewhurst, Surrey. Harrison wrote "Here Comes the Sun" in the garden at nearby Hurtwood Edge.

The early months of 1969 were a difficult period for Harrison: he had quit the Beatles temporarily, he was arrested for marijuana possession, and he had his tonsils removed. [4] Writing in Oz magazine at the end of the year, Barry Miles commented on the "isolated life" of the individual Beatles, with "George strangely upset by his bust, uncertain about his friends but singing Hare Krishna ." [5]

Harrison wrote "Here Comes the Sun" at the house of his friend Eric Clapton, in response to the dark mood surrounding the Beatles. [6] Harrison states in his autobiography, I, Me, Mine :

"Here Comes the Sun" was written at the time when Apple was getting like school, where we had to go and be businessmen: 'Sign this' and 'sign that.' Anyway, it seems as if winter in England goes on forever, by the time spring comes you really deserve it. So one day I decided I was going to sag off Apple and I went over to Eric Clapton's house. The relief of not having to go see all those dopey accountants was wonderful, and I walked around the garden with one of Eric's acoustic guitars and wrote "Here Comes the Sun". [7]

Recalling the song's creation in Martin Scorsese's 2011 documentary George Harrison: Living in the Material World , Clapton said that he himself would never walk around outside playing guitar but "this is what George brought to the situation." Clapton added: "He was just a magical guy and he would show up, get out of the car with his guitar and come in and start playing ... I just watched this thing come to life. I felt very proud that it was my garden that was inspiring it." [8]

Clapton's house at the time was Hurtwood Edge, in Ewhurst, Surrey, [9] and he later said the month was possibly April. [8] Data from two meteorological stations in the London area show that April 1969 set a record for sunlight hours for the 1960s. The Greenwich station recorded 189 hours for April, a high that was not beaten until 1984. The Greenwich data also show that February and March were much colder than the norm for the 1960s, which would account for Harrison's reference to a "long, cold, lonely winter". [10]

In his 1969 interview with reporter David Wigg for the BBC Radio 1 series Scene and Heard, subsequently included on the 1976 album The Beatles Tapes , [11] Harrison recalled that, due to the many business meetings, he had not played guitar for a couple of weeks, "And the first thing that came out was that song." [12] He completed the song's lyrics in June, while on holiday in Sardinia. [13]

Composition

"Here Comes the Sun" is in the key of A major. The main refrain uses a IV (D chord) to V-of-V (B chord–a secondary dominant) progression (the reverse of that used in "Eight Days a Week" and "Sgt. Pepper's Lonely Hearts Club Band"). [14] The melody in the verse and refrain follows the pentatonic scale from E up to C♯ (scale steps 5, 6, 1, 2, 3). [14]

One feature is the increasing syncopation in the vocal parts. [15] Another feature is the guitar flat-picking that embellishes the E7 (V7) chord from 2:03 to 2:11, creating tension for resolution on the tonic A chord at "Little darlin' ". [16] The bridge involves a ♭III-♭VII-IV-I-V7 triple descending 4th (or Tri-Plagal) progression (with an extra V7) as the vocals move from "Sun" (♭III or C chord) to "sun" (♭VII or G chord) to "sun" (IV or D chord) to "comes" (I or A chord) and the additional 4th descent to a V7 (E7) chord. [17] In musicologist Walter Everett's view, the lyrics over the bridge ("Sun, sun, sun, here it comes") take "on the quality of a meditator's mantra". [18]

The song features 4/4 (in the verse) and a sequence of 11/8 + 4/4 + 7/8 (which can also be transcribed as 11/8 + 15/8) in the bridge, phrasing interludes that Harrison drew from Indian music influences. [14] [19] In the second verse (0:59–1:13), the Moog synthesiser doubles the solo guitar line and in the third verse the Moog adds a counter melody an octave above. [15] The last four bars (2:54–3:04) juxtapose the guitar break with a repeat of the bridge. [15]

The lyric's affirmation of life through the natural occurrence of the sun was in keeping with a contemporary trend, following examples such as "Good Morning Starshine" and "Aquarius/Let the Sunshine In" from the popular musical Hair . [20] Former Catholic Herald editor William Oddie wrote that the song conveys an "almost Chestertonian gratitude for the beauty of creation". [21]

Recording

Harrison, Paul McCartney and Ringo Starr recorded the rhythm track at EMI Studios (subsequently Abbey Road Studios) in 13 takes on 7 July 1969. [22] John Lennon did not contribute to the song, as he was recovering from a car crash. [23] [24] Towards the end of the session, Harrison spent an hour re-recording his acoustic guitar part. He capoed his guitar on the 7th fret, resulting in the final key of A major, which was then varispeeded less than a semitone higher. He had also used the same technique on his 1965 song "If I Needed Someone", which shares a similar melodic pattern. The following day he taped his lead vocals, and he and McCartney recorded their backing vocals twice to give a fuller sound. [15]

An early 1970s version of the Moog 3-series synthesiser used on the song Moog Synthesizer 3P (1972), CRuNCh Lab.jpg
An early 1970s version of the Moog 3-series synthesiser used on the song

A harmonium and handclaps were added on 16 July. [25] Harrison overdubbed an electric guitar run through a Leslie speaker on 6 August, and the orchestral parts (George Martin's score for four violas, four cellos, double bass, two piccolos, two flutes, two alto flutes and two clarinets) were added on 15 August. [15] He also added further acoustic guitar during the 6 and 11 August sessions. [13] The master tapes reveal that Harrison recorded a guitar solo in the bridge which was not included in the final mix. [26] [27]

"Here Comes the Sun" was completed on 19 August with the addition of a Moog synthesiser part. [28] [29] After Harrison had used the Moog on his recent experimental album, Electronic Sound , the instrument had been installed at EMI Studios in August, with assistance from Mike Vickers of the band Manfred Mann, and became an important addition to the sound of the Beatles' final recording project. [30] [31] In the description of authors Trevor Pinch and Frank Trocco, writing in their book on the history and legacy of the Moog synthesiser, Harrison uses it throughout "Here Comes the Sun", and the instrument's "increasing brilliance of timbre" on the track serves to convey "the sun's increasing brilliance". [32]

The mixing session on 20 August 1969, when the band oversaw the creation of the master tape for Abbey Road , marked the last time that all four Beatles were together in the recording studio. [29] [33] At this point, "Here Comes the Sun" was sequenced as the album's opening song. [34]

Release

Abbey Road was released on 26 September 1969 [35] with "Here Comes the Sun" sequenced as the first track on side two of the LP. [36] Along with "Something", which was issued as a single from the album, the song established Harrison as a composer to match Lennon and McCartney. [37] [38] [39] According to author Alan Clayson, Harrison's two Abbey Road compositions received "the most widespread syndication" of all the tracks on the album, partly through the number of cover versions they attracted. [40]

In his October 1969 interview with Harrison, Wigg suggested that "Here Comes the Sun" was the "more obvious" choice for a single. [41] He also remarked on the attention afforded Harrison's new songs in light of the longstanding dominance of the Lennon–McCartney partnership and expressed surprise at Harrison's ascendancy. Harrison replied that "Here Comes the Sun" and "Something" were "maybe a bit more commercial" than his four compositions on the Beatles' 1968 self-titled double album, but "not much better" as songs. [42] [nb 1]

In Japan, "Here Comes the Sun" was issued on a single in 1970, as the B-side to McCartney's Abbey Road track "Oh! Darling". [43] In 1973, "Here Comes the Sun" and "Something" were included on the double album The Beatles 1967–1970 , [44] giving Harrison half the quota of songs representing Abbey Road on the compilation. [45] In 1994, when BMI published its US radio airplay figures, "Here Comes the Sun" was listed as having been played more than 2 million times. [46]

After the Beatles' catalogue becoming available for download on iTunes, [47] "Here Comes the Sun" charted at number 64 on the UK Singles Chart in November 2010. [48] It returned to the chart in April 2012, peaking at number 58. [48] [nb 2] The song reached number 14 on the US Billboard Hot Rock Songs chart in 2017. Two years later, it re-entered the list and became the Beatles' first top-ten hit on the Hot Rock Songs chart. [50]

As of late September 2019, it was the most streamed Beatles song in the UK, with over 53 million plays, [51] ahead of "Let It Be" on 26 million, [47] and the most streamed Beatles song on Spotify globally, with over 350 million plays. [52] Up to that time, it was also the most downloaded song from Abbey Road. [51] Official Charts Company writer Rob Copsey describes the track as a "staple of any summer playlist". [47] As of August 2021, "Here Comes the Sun" was still the band's most streamed song on Spotify, with more than 700 million plays. [3] In May 2023, it became the Beatles' first song to surpass one billion plays on the platform, and the first song from the 1960s to achieve the milestone. [53]

Critical reception

In the context of the late 1960s, according to cultural commentator Steven D. Stark, the song's "promise of a new dawn after a lonely winter caught the wearied sensibility of the counterculture". [54] In her review of Abbey Road for Saturday Review magazine, Ellen Sander said that "Here Comes the Sun" was "an awakening, an exaltation of the dawn" and the start of a run of songs that represented "the [LP's] sun side, suffused with mellowed warmth, woven together with motifs, bridging, reprises, surprises, with all the songs set within one another". [55] Time magazine described it as a "dawn-flecked prelude" to the side-two medley, which the reviewer deemed "a kind of odyssey from innocence to experience", and said that Harrison had "achieve[d] a new confidence in his own musical personality" on Abbey Road. [56] Lon Goddard of Record Mirror described "Here Comes the Sun" as his "pet track", adding: "Nice string picking backs it as the vocals approach Beach Boys or Vanity Fare. Excellent melody creates one of the best atmospheres present on the record." [57]

Writing for Rolling Stone in 2002, Mikal Gilmore likened the song to the McCartney-written "Let It Be" and Lennon's solo hit "Imagine", as Harrison's "graceful anthem of hope amid difficult realities". [58] In the same publication, Greg Kot described it as "simpler, but just as intoxicating [as 'Something']" and said that "Harrison's acoustic-guitar intro is a song in itself, its warmth and fragility presaging the guarded optimism of the lyric." [59] While expressing regret at having underestimated Harrison as a songwriter, Martin described "Here Comes the Sun" as being "in some ways one of the best songs ever written". [60] Harrison was one of the first musicians in the UK to own a Moog synthesiser; although the instrument had been used by many American acts since 1967, author Thom Holmes says that with Abbey Road the Beatles were "one of the first groups to effectively integrate the sounds of the Moog into their music". [61] Pinch and Trocco describe "Here Comes the Sun" as "one of the best known Beatles songs ever" and the album's "Moog pièce de résistance". [62]

"Here Comes the Sun" has appeared in critics' lists of the Beatles' best recordings. Among these, the NME placed it at number 4 in the magazine's 2015 list of "the 100 Greatest Beatles Songs". [63] In a similar poll compiled by Mojo in 2006, where the song appeared at number 21, Danny Eccleston described it as "perhaps the best song – outside 'Jerusalem' – that religion can claim credit for", adding: "Those who professed surprise at Harrison's immediate elevation to Most Successful Solo Beatle status [in 1970] clearly weren't listening to this." [64] "Here Comes the Sun" appeared at number 28 on Rolling Stone's 2010 list, where the editors commented that together with "Something", "it gave notice that the Beatles now had three formidable composers." [65]

Further releases and Harrison live performances

In August 1971, Harrison performed "Here Comes the Sun" at the Concert for Bangladesh, [66] accompanied by Pete Ham of the Apple group Badfinger. [67] Among reviews of the Concert for Bangladesh live album, Ed Kelleher of Circus described the rendition as "outstanding", [68] while Rolling Stone's Jon Landau cited it as the best example of Harrison's "capacity for pacing and timing" in his organisation of the show, as the low-key performance provided an effective change of mood after Leon Russell's songs and before Bob Dylan's arrival on stage. [69] [nb 3]

Harrison played the song during his appearance on Saturday Night Live in November 1976, as a duet with Paul Simon. [71] That same month, Harrison was displeased that EMI included "Here Comes the Sun" and six of his other Beatles songs on the compilation album The Best of George Harrison . [72] Since Harrison had signed with Warner Bros. Records, EMI timed the compilation's release to steal sales from his first album for Warner's, Thirty Three & 1/3 . [73] Harrison performed the song, backed by a band that included Starr, Jeff Lynne and Elton John, during his brief set at the 1987 Prince's Trust Concerts in London; [74] these shows were Harrison's first in the UK since 1966, aside from his semi-anonymous supporting role on Delaney & Bonnie's 1969 tour with Clapton. [75] A live version from his 1991 Japanese tour with Clapton appeared on Harrison's Live in Japan double album. [76] [nb 4]

"Here Comes the Sun" was included on the Beatles' 2006 remix album Love , [79] [80] which was created for the Cirque du Soleil stage show of the same name. [81] This version of the track, created by Martin and his son Giles, incorporates elements from two of Harrison's Indian-style songs with the Beatles. It begins with the tabla part from "Within You Without You" [82] and ends by segueing into a transition piece featuring Indian instrumentation from "The Inner Light". [83]

In September 2019, "Here Comes the Sun" was the track used to promote the fiftieth anniversary reissue of Abbey Road. [52] For this purpose, a music video was produced to accompany Giles Martin's new stereo remix of the song. Directed by Alasdair Brotherston and Jock Mooney of Trunk Animation, the video includes photographs of the individual Beatles by Linda McCartney, animated to float through EMI Studios, and pictures taken from their final photo session at Lennon's Tittenhurst Park estate in 1969. [84]

Cultural references and legacy

In the early 1970s, "Here Comes the Sun" was adopted by George McGovern in his campaign for the US presidency. The initial success of the campaign, according to author Nicholas Schaffner, was a "triumph for the counterculture's attempt to wield power via conventional electoral politics". [85]

In 1977, astronomer and science populariser Carl Sagan attempted to have "Here Comes the Sun" included on a disc of music accompanying the Voyager space mission. [86] Titled the Voyager Golden Record, copies of the disc were put on board both spacecraft in the Voyager program in order to provide any entity that recovered them with a representative sample of human civilization. Writing in his book Murmurs of Earth, Sagan recalls that the Beatles favoured the idea, but "[they] did not own the copyright, and the legal status of the piece seemed too murky to risk." [87] Due to EMI's intervention, [88] when the probes were launched in 1977, the song was not included. [89] [nb 5]

In 1979, Harrison released "Here Comes the Moon" as a lyrical successor to the song. [91] Some critics disapproved of his apparent reworking of such a popular Beatles song. [91] [92] Harrison said he expected this scrutiny but other songwriters had had "ten years to write 'Here Comes the Moon' after 'Here Comes the Sun', but nobody else wrote it, [so] I might as well do it meself". [93]

On the day after Harrison's death in November 2001, fans sang "Here Comes the Sun" at a gathering in Strawberry Fields in New York's Central Park. [94] [nb 6] In 2004, Mike Love of the Beach Boys wrote "Pisces Brothers" as a tribute to Harrison and their shared experiences in India, [96] and referenced the song in his closing line "Little darlin', here comes the sun". [97] Love released "Pisces Brothers" in February 2014, to commemorate what would have been Harrison's 71st birthday, [96] [98] before including the track on his 2017 album Unleash the Love . [99] [nb 7]

In August 2012, the Beatles' recording was played as part of the closing ceremony of the London Olympic Games. [101] [102] The performance was accompanied by sixteen dhol drummers and, in sociologist Rodanthi Tzanelli's description, given the struggles that inspired Harrison to write the song, it suitably conveyed the leisure and labour themes of Olympic competition. [102]

In July 2016, "Here Comes the Sun" was played as the entrance music for Ivanka Trump at the Republican National Convention. The George Harrison estate complained about the song being used to support Donald Trump's presidential campaign, saying it was "offensive" and contrary to their wishes. [103] The Harrison family later tweeted: "If it had been Beware of Darkness, then we MAY have approved it! #TrumpYourself." [104] [105] That same year, British novelist David Mitchell quoted the lyrics to "Here Comes the Sun" in From Me Flows What You Call Time , a novella that will remain unpublished until 2114. Mitchell said he included the lyrics because the song is expected to be out of copyright by that time. [106] [107]

Writing for Esquire in August 2021, Alan Light cited the track's continued standing as the Beatles' most-streamed song on Spotify, along with the reverence afforded Harrison's 1970 solo album All Things Must Pass , as evidence that Harrison "has emerged as Gen Z's favorite Beatle". [3] Tom Pinnock of Uncut similarly linked the song with All Things Must Pass to demonstrate that Harrison was possibly "the best-loved Beatle in 2021". Pinnock added, "Musically ... he seems to make sense in our anxious times: the most played Beatles song on streaming services, by a country mile, is Here Comes The Sun." [108]

Cover versions

Richie Havens, Nina Simone and other artists from the early 1970s

Richie Havens had the biggest hit of his career with the song. Richie Havens 1972 Hamburg.jpg
Richie Havens had the biggest hit of his career with the song.

"Here Comes the Sun" has been recorded by many artists, [109] with the first cover versions appearing soon after the release of Abbey Road. [40] In 1970, Booker T. & the M.G.'s included the song, arranged as a jazz piece with a Moog intro, [110] on their Abbey Road tribute album, McLemore Avenue , [111] as did George Benson on his album The Other Side of Abbey Road . [112] A recording was issued as a single in 1970 by English singer Paul Gadd, who later became the glam rock star Gary Glitter. [113] [114]

In May 1971 Richie Havens' version of the song peaked at number 16 on the Billboard Hot 100 in the US, [115] [116] giving him the highest-charting single of his entire career. [117] Following the singer's death in 2013, Wook Kim of Time described the track as a "wonderful mid-tempo interpretation" and included it among Havens' six "essential performances". [118] Among the other most notable covers, according to music critic Richie Unterberger, [109] Nina Simone recorded "Here Comes the Sun" as the title track to her 1971 covers album. [119] [nb 8]

Peter Tosh recorded the song in support of Michael Manley's campaign in the 1972 Jamaican general election. Tosh biographer John Masouri writes that, given the singer's frustrations with his Wailers bandmate Bob Marley, Tosh may have identified with Harrison's plight in the Beatles. [122] [nb 9] Jon Dennis of The Guardian includes a 1972 recording by Charles Wright – the former leader of the soul/funk Watts 103rd Street Rhythm Band – as one of the ten best cover versions of any Beatles song. [124]

Steve Harley & Cockney Rebel

"Here Comes the Sun"
Thebeatles here comes the sun.jpg
Sheet music cover
Song by the Beatles
from the album Abbey Road
Released26 September 1969 (1969-09-26)
Recorded7 July –19 August 1969
Studio EMI, London
Genre Folk-pop [1] · pop rock [2]
Length3:06
Label Apple
Songwriter(s) George Harrison
Producer(s) George Martin
Audio sample
"Here Comes the Sun"
Steve Harley & Cockney Rebel Here Comes the Sun 1976 Single.jpg
Single by Steve Harley & Cockney Rebel
from the album Love's a Prima Donna
B-side "Lay Me Down"
Released30 July 1976 (1976-07-30)
Genre Pop, rock
Length2:55
Label EMI
Songwriter(s) George Harrison
Producer(s) Steve Harley

In 1976, "Here Comes the Sun" was covered by the British rock band Steve Harley & Cockney Rebel, and released as the lead single from their fifth studio album, Love's a Prima Donna . [125] It was the first cover version that the band had chosen to record. [126] The song peaked at number 10 on the UK Singles Chart, [127] number 7 in Ireland, [128] and number 21 in the Netherlands. [129]

The single's success coincided with an unusually hot British summer [40] and a wave of nostalgia for the Beatles, as EMI was contractually free to promote and repackage their music without the former band members' agreement. [130] [131] [nb 10] "Here Comes the Sun" was Steve Harley & Cockney Rebel's last UK top 40 hit. [125] [127]

Other artists

Sandy Farina covered "Here Comes the Sun" on the George Martin-produced soundtrack [134] to the 1978 film Sgt. Pepper's Lonely Hearts Club Band . [76] Cover versions have also appeared in feature films such as The Parent Trap – which includes a scene referencing the Abbey Road sleeve photo – I Am Sam , Bee Movie and Imagine That . [135]

On 29 November 2002, Joe Brown performed the song at the Concert for George tribute, [49] which was organised by Clapton and held at the Royal Albert Hall in London. [136] Brown's performance was included on the Concert for George live album [137] and in David Leland's concert film from the event. [138] In her review of the live album, Helen Wright of musicOMH deemed the combination of Brown and "Here Comes the Sun" "an unlikely but triumphant pairing". [139]

Further to their 1976 duet on SNL, Paul Simon has often performed "Here Comes the Sun" in concert, [140] as a tribute to Harrison. [141] In September 2014, Simon played it live on the TBS television show Conan as part of the show's "George Harrison Week" initiative. [140] [142] He also played it, accompanied by David Crosby and Graham Nash, at the 25th Anniversary Rock and Roll Hall of Fame Concerts in October 2009. Described by Christel Loar of PopMatters as "truly lovely", their version was later issued on DVD, Blu-ray and CD releases from the event. [143]

In 2021, Jon Bon Jovi performed an acoustic rendition of "Here Comes the Sun" as part of the Celebrating America special during the inauguration of President Joe Biden. [144]

Personnel

According to Ian MacDonald, the line-up on the Beatles' recording was as follows: [23]

The Beatles

Additional musicians

Charts and certifications

Beatles recording

Weekly charts

YearChart (2010–2019)Peak
position
2010Australia (ARIA) [145] 99
Netherlands (Single Top 100) [146] 52
UK Singles Chart [48] 64
US Billboard Hot 100 Recurrents [147] 2
2012UK Singles Chart [48] 58
2016–17Portugal (AFP) [148] 96
Sweden (Sverigetopplistan) [149] 49
US Billboard Hot Rock Songs [150] 14
20193

Certifications

RegionCertification Certified units/sales
Brazil (Pro-Música Brasil) [151] Gold30,000‡
Denmark (IFPI Danmark) [152] 2× Platinum180,000‡
Germany (BVMI) [153] Gold250,000‡
Italy (FIMI) [154]
sales since 2009 		Platinum70,000‡
Spain (PROMUSICAE) [155] 2× Platinum120,000‡
United Kingdom (BPI) [156]
sales since 2010 		3× Platinum1,800,000‡

‡ Sales+streaming figures based on certification alone.

Richie Havens version

Chart (1971)Peak
position
Canadian MLS Singles [157] 6
Canadian RPM 100 Singles [158] 12
US Billboard Hot 100 [115] 16
US Cash Box Top 100 [159] 15
US Record World Singles Chart [160] 14

Steve Harley version

Chart (1976)Peak
position
Belgium (Ultratop 50 Wallonia) [161] 49
Dutch MegaChart Singles [129] 21
Irish Singles Chart [128] 7
UK Singles Chart [127] 10

Notes

  1. ↑ In response to Wigg asking, "But you hadn't really got the reputation as yet as a songwriter, had you?", Harrison said: "No, no. I wasn't Lennon or I wasn't McCartney ... you know, I was me." [42]
  2. ↑ According to author Kenneth Womack, writing in 2014, the song is "consistently the best-selling individual Beatles track on iTunes". [49]
  3. ↑ This performance also appears on the 2009 compilation Let It Roll: Songs by George Harrison . [70]
  4. ↑ In interviews to promote the 1992 live album, Harrison said he had welcomed the tour, which was only his second as a solo artist, as an opportunity to perform many of his Beatles songs live for the first time. [77] [78] He added that at the relatively few shows he had given since the band's break-up, he "would always have to do 'Here Comes the Sun'". [77]
  5. ↑ Ann Druyan, Sagan's creative director on the project, recalled in 2015: "Yeah, that was one of those cases of having to see the tragedy of our planet. Here's a chance to send a piece of music into the distant future and distant time, and to give it this kind of immortality, and they're worried about money ... we got this telegram [from EMI] saying that it will be $50,000 per record for two records, and the entire Voyager record cost $18,000 to produce." [90]
  6. ↑ That same evening, 30 November, Coldplay performed the song in concert in Chicago as their tribute to Harrison. [95]
  7. ↑ As a further tribute, Love included "Pisces Brothers" and "Here Comes the Sun" in the set list for the Beach Boys' 2019 concerts. [100]
  8. ↑ In April 2002, Simone performed the song at the Rock for the Rainforest benefit concert at Carnegie Hall in New York City, [120] as part of the event's extended tribute to Harrison. [121]
  9. ↑ The track was later included on Tosh's 2004 compilation album Can't Blame the Youth . [123]
  10. ↑ At this time, Harrison was upset at the exploitation of the Beatles' story in the musical John, Paul, George, Ringo ... and Bert and had "Here Comes the Sun" and another of his compositions [132] pulled from the production. The song was replaced by McCartney's "Good Day Sunshine". [133]

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<span class="mw-page-title-main">Oh! Darling</span> 1969 song by The Beatles

"Oh! Darling" is a song by the English rock band the Beatles, appearing as the fourth song on their eleventh studio album Abbey Road (1969). It was written primarily by Paul McCartney and credited to Lennon–McCartney. Its working title was "Oh! Darling ". Although not issued as a single in either the United Kingdom or the United States, a regional subsidiary of Capitol successfully edited it as a single in Central America, having "Maxwell's Silver Hammer" as its B-side. It was also issued as a single in Portugal. Apple Records released "Oh! Darling" in Japan with "Here Comes the Sun" in June 1970.

<span class="mw-page-title-main">Savoy Truffle</span> 1968 song by the Beatles

"Savoy Truffle" is a song by the English rock band the Beatles from their 1968 album The Beatles. The song was written by George Harrison and inspired by his friend Eric Clapton's fondness for chocolate. The lyrics list the various flavours offered in Mackintosh's Good News chocolates and serve as a warning to Clapton about the detrimental effect that his gorging would have on his teeth. Along with Clapton's guest appearance on the White Album track "While My Guitar Gently Weeps" and Harrison reciprocating on Cream's "Badge", it is one of several songs that mark the start of a long-lasting musical association between the two guitarists.

<span class="mw-page-title-main">You Never Give Me Your Money</span> 1969 song by the Beatles

"You Never Give Me Your Money" is a song by the English rock band the Beatles. It was written by Paul McCartney, and thematically documents the personal difficulties that were facing the band. The song is the first part of the medley on side two of their 1969 album Abbey Road and was recorded in stages between May and August that year.

<span class="mw-page-title-main">I'll Follow the Sun</span> 1964 song by The Beatles

"I'll Follow the Sun" is a song by the English rock band the Beatles. It is a ballad written and sung by Paul McCartney and credited to Lennon–McCartney. It was released in 1964 on the Beatles for Sale album in the United Kingdom and on Beatles '65 in the United States. The band played the song on the BBC radio programme Top Gear, and the track was released on On Air – Live at the BBC Volume 2 in 2013.

<span class="mw-page-title-main">Old Brown Shoe</span> 1969 single by the Beatles

"Old Brown Shoe" is a song by the English rock band the Beatles. Written by George Harrison, the group's lead guitarist, it was released on a non-album single in May 1969, as the B-side to "The Ballad of John and Yoko". The song was subsequently included on the band's compilation albums Hey Jude, 1967–1970 and Past Masters, Volume Two. Although "Old Brown Shoe" remains a relatively obscure song in the band's catalogue, several music critics view it as one of Harrison's best compositions from the Beatles era and especially admire his guitar solo on the track.

<span class="mw-page-title-main">All Things Must Pass (song)</span> 1970 song by George Harrison

"All Things Must Pass" is a song by English rock musician George Harrison, issued in November 1970 as the title track to his triple album of the same name. Billy Preston released the song originally – as "All Things (Must) Pass" – on his Apple Records album Encouraging Words (1970) after the Beatles had rehearsed the song in January 1969 but did not include it on their Let It Be album. The composition reflects the influence of the Band's sound and communal music-making on Harrison, after he had spent time with the group in Woodstock, New York, in late 1968. In his lyrics, Harrison drew inspiration from Timothy Leary's poem "All Things Pass", a psychedelic adaptation of the Tao Te Ching.

<span class="mw-page-title-main">What Is Life</span> 1970 song by George Harrison

"What Is Life" is a song by the English rock musician George Harrison from his 1970 triple album All Things Must Pass. In many countries, it was issued as the second single from the album, in February 1971, becoming a top-ten hit in the United States, Canada and elsewhere, and topping singles charts in Australia and Switzerland. In the United Kingdom, "What Is Life" appeared as the B-side to "My Sweet Lord", which was the best-selling single there of 1971. Harrison's backing musicians on the song include Eric Clapton and the entire Delaney & Bonnie and Friends band, with whom he had toured during the final months of the Beatles. Harrison co-produced the recording with Phil Spector, whose Wall of Sound production also employed a prominent string arrangement by John Barham and multiple acoustic rhythm guitars, played by Harrison's fellow Apple Records signings Badfinger.

<span class="mw-page-title-main">Love Comes to Everyone</span> 1979 single by George Harrison

"Love Comes to Everyone" is a song by English rock musician George Harrison from his 1979 album George Harrison. It is the opening track on the album and was also issued as the second single, after "Blow Away". The song reflects Harrison's contentment in his personal life as he was soon to become a father for the first time and married his second wife, Olivia Arias. Despite its commercial qualities, and contrary to some reviewers' predictions at the time of release, the song failed to become a hit.

<span class="mw-page-title-main">Sour Milk Sea</span> 1968 single by Jackie Lomax

"Sour Milk Sea" is a song written by George Harrison and released by English rock singer Jackie Lomax as his debut single on the Beatles' Apple record label in August 1968. Harrison wrote the song during the Beatles' stay in Rishikesh, India and gave it to Lomax to help launch Apple Records. Lomax's recording is a rarity among non-Beatles songs since it features three members of the band – Harrison, who also produced the track, Ringo Starr and Paul McCartney. Performed in the hard rock style, the song also includes musical contributions from Eric Clapton and session pianist Nicky Hopkins. It was the first of many Harrison productions for artists signed to the Beatles' record label.

<span class="mw-page-title-main">Wah-Wah (song)</span> Song by George Harrison

"Wah-Wah" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled Get Back sessions that resulted in their Let It Be album and film. The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities. Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles. Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the Get Back project, particularly with Bob Dylan and the Band in upstate New York.

<i>Is This What You Want?</i> 1969 studio album by Jackie Lomax

Is This What You Want? is the debut album by English rock and soul singer Jackie Lomax, released in 1969 on the Beatles' Apple record label. It was produced by George Harrison and features contributions from Harrison's Beatles bandmates Paul McCartney and Ringo Starr. The album includes Lomax's debut single for Apple, the Harrison-written "Sour Milk Sea". The US version added "New Day", which was produced by Lomax and released as a non-album single in Britain.

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