"Nowhere Man" | ||||
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Single by the Beatles | ||||
B-side | "What Goes On" | |||
Released |
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Recorded | 21–22 October 1965 | |||
Studio | EMI, London | |||
Genre | Folk rock [1] | |||
Length | 2:44 | |||
Label | Capitol | |||
Songwriter(s) | Lennon–McCartney | |||
Producer(s) | George Martin | |||
The Beatles USsingles chronology | ||||
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"Nowhere Man" is a song by the English rock band the Beatles. It was released in December 1965 on their album Rubber Soul , [2] except in the United States and Canada, where it was first issued as a single A-side in February 1966 before appearing on the album Yesterday and Today . The song was written by John Lennon and credited to the Lennon–McCartney partnership. In the U.S., the single peaked at number 3 on the Billboard Hot 100 and number 1 on the chart compiled by Record World magazine, as it did the RPM 100 chart in Canada and in Australia. The song was also released as a single in some countries where it had been included on Rubber Soul, including Australia, where it topped the singles chart.
Recorded on 21 and 22 October 1965, "Nowhere Man" describes a man with no direction in his life and with no genuine worldview. It is one of the first Beatles songs to be entirely unrelated to romance or love, and marks a notable example of Lennon's philosophically oriented songwriting. [3] Lennon, Paul McCartney and George Harrison sing the song in three-part harmony. The lead guitar solo was performed in unison by Harrison and Lennon. [4] [5] The pair played identical "sonic blue"-coloured Fender Stratocasters on the track. [6] The song appears in the film Yellow Submarine , where the Beatles sing it about the character Jeremy Hillary Boob after meeting him in the "nowhere land". The song was also played throughout the Beatles' 1966 US tour and their 1966 tour of Germany, Japan and the Philippines.
Towards the end of the production for Rubber Soul , John Lennon had difficulties in coming up with a new song. He spent over five hours trying to come up with another song, and eventually decided to "lay down". During his idling, Lennon suddenly thought of himself as being a "Nowhere Man—sitting in his nowhere land". [7] Lennon then shared the lyrics he had written with McCartney. McCartney said that Lennon wrote the song for himself, personally interpreting it to be about his marriage and described it as an "anti-John song". Lennon had written the song in the third-person, deciding to end the song with the lyric "Isn't he a bit like you and me?" [8] [9] The song is generally credited as being among the first Beatles' songs not pertaining to themes of romance or love. [3] [10] Lennon reflected in a 1980 Playboy interview that:
I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then 'Nowhere Man' came, words and music, the whole damn thing as I lay down. [11]
McCartney said of the song:
That was John after a night out, with dawn coming up. I think at that point, he was a bit...wondering where he was going. [12]
Reviewing the U.S. single release, Record World called it a "meaningful song about what happens to a fellow afraid to be himself." [13]
The song as a whole is a 32-bar form, following the standard model of the Tin Pan Alley chorus, with a repeating 8-bar primary statement outlining the E-major chord, a third phrase (bars 17–24) forming a musical question (concluding on the dominant B), and a fourth phrase recapitulating the initial statement in E major. The primary statement begins with the chord of E (I tonic) on "He's a real" and then involves a 5–4–3–2–1 pitch descent between the B (V dominant) chord on "nowhere man" and A (IV subdominant) chord on "sitting in"; a twist comes where Am (iv minor) replaces A in the final line ("nowhere plans") and the simultaneous G♯ note melody creates a dissonant AmM7. [14] The bridge (a standard third-phrase "B" in the AABA form), which appears three times, seesaws on a G♯ minor/A major (iii–IV) sequence before falling back on an F♯ minor and leading back to the verse on a B7, as is typical of "Tin-pan alley" standard B sections.
A ukulele version of "Nowhere Man" by Tiny Tim was Harrison's contribution to the Beatles' 1968 Christmas record. [15] Distributed to members of the Beatles' fan club, the record differed from the band's previous Christmas records by including separate contributions from the four bandmates, reflecting the disharmony within the group at the time. [16] Beatles historian John Winn describes Tim's version as the "highlight of the disc" and a "timeless" interpretation. [17]
The song has attracted many other performers. There is a recording in the synth-pop style by Gershon Kingsley, a glam metal recording by Dokken and an easy-listening recording by Yanni. [18] In his book on the legacy of Rubber Soul, John Kruth expresses disappointment in the Carpenters' version, which was recorded in 1968 and released in 2001, following singer Karen Carpenter's death (she died in 1983), with a "ludicrous" overdubbed string arrangement. He highlights a "down-home take" by Randy Travis for the 1995 Come Together Beatles tribute album for its "sweet cascading pedal steel riff". The Paul Westerberg's acoustic rendering in the soundtrack 2001 film I Am Sam transforming the song into a "regretful lullaby". He also recognises former Ramones drummer Marky Ramone as the singer who made a "balls-to-the-wall version", pointing out that in Ramone's 1999 version, Ramone "spits and sprays Lennon's lyrics while guitars slash and grind". [18]
According to Ian MacDonald: [19]
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Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom on EMI's Parlophone label, accompanied by the non-album double A-side single "We Can Work It Out" / "Day Tripper". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's Help! (1965) album. Rubber Soul was described as an important artistic achievement by the band, meeting a highly favourable critical response and topping sales charts in Britain and the United States for several weeks.
"Norwegian Wood (This Bird Has Flown)", otherwise known as simply "Norwegian Wood", is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
"Michelle" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was composed principally by Paul McCartney, with the middle eight co-written with John Lennon. The song is a love ballad with part of its lyrics sung in French.
"A Hard Day's Night" is a song by the English rock band the Beatles. Credited to Lennon–McCartney, it was primarily written by John Lennon, with some minor collaboration from Paul McCartney. It was released on the soundtrack album A Hard Day's Night in 1964. It was also released as a single in the UK, and in the US
"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. The song was recorded during the sessions for the band's Rubber Soul album. The single reached number one in Britain, the United States, Australia, Canada, and Ireland. In the UK, it was the seventh highest selling single of the 1960s.
"You Won't See Me" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by Paul McCartney and credited to Lennon–McCartney. As with songs such as "We Can Work It Out" and "I'm Looking Through You" from the same period, the lyrics address McCartney's troubled relationship with Jane Asher and her desire to pursue her career as a stage and film actress. The Beatles recorded the song during what author Mark Lewisohn describes as a "marathon" final recording session for Rubber Soul, to ensure the album's pre-Christmas release.
"What Goes On" is a song by the English rock band the Beatles, featured as the eighth track on their 1965 album Rubber Soul. The song was later released as the B-side of the US single "Nowhere Man", and then as the tenth track on the North America-only album Yesterday and Today. It is the only song by the band credited to Lennon–McCartney–Starkey and the only song on Rubber Soul that features Ringo Starr on lead vocals. The song reached number 81 on the US Billboard Hot 100 in 1966.
"Think for Yourself" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by George Harrison, the band's lead guitarist, and, together with "If I Needed Someone", marked the start of his emergence as a songwriter beside John Lennon and Paul McCartney. The song's lyrics advocate independent thinking and reflect the Beatles' move towards more sophisticated concepts in their writing at this stage of their career. The song has invited interpretation as both a political statement and a love song, as Harrison dismisses a lover or friend in a tone that some commentators liken to Bob Dylan's 1965 single "Positively 4th Street". Among musicologists, the composition has been recognised as adventurous in the degree of tonal ambiguity it employs across parallel major and minor keys and through its suggestion of multiple musical modes.
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"The Word" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney and recorded with Lennon on lead vocals. It was first released on their 1965 album Rubber Soul.
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"If I Needed Someone" is a song by the English rock band the Beatles, written by George Harrison, the group's lead guitarist. It was released in December 1965 on their album Rubber Soul, except in North America, where it appeared on the June 1966 release Yesterday and Today. The song reflects the reciprocal influences shared between the Beatles and the American band the Byrds. On release, it was widely considered to be Harrison's best song to date. A recording by the Hollies was issued in Britain on the same day as Rubber Soul and peaked at number 20 on the national singles chart.
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"Nowhere Man" is among the very first Beatles' songs to be entirely unrelated to romance or love.