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The A-side and B-side are the two sides of phonograph records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides.
Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms A-side and B-side metaphorically to describe the type of content a particular release features, with B-side sometimes representing a "bonus" track or other material. [1]
Conventions shifted in the early 1960s, at which point record companies started assigning the song they wanted radio stations to play to side A, as 45 rpm single records ("45s") dominated most markets in terms of cash sales in comparison to albums, which did not fare as well financially. Throughout the decade the industry would slowly shift to an album-driven paradigm for releasing new music; it was not until 1968 that the total production of albums on a unit basis finally surpassed that of singles in the United Kingdom. [2]
Today, with the vast majority of music released and accessed digitally on streaming services, the traditional A-side/B-side is obsolete as a technological necessity. Nonetheless, some contemporary artists have added on a second track to a single release as a nominal B-side, which can serve as an aesthetic choice as well as a promotional tool. [3]
A double A-side, AA-side, or dual single is a single where both sides are designated the A-side, with no designated B-side; that is, both sides are prospective hit songs and neither side will be promoted over the other. In 1949, Savoy Records promoted a new pair of singles by one of its artists, Paul Williams' "House Rocker" and "He Knows How to Hucklebuck", as "The New Double Side Hit – Both Sides 'A' Sides". [4] In 1965, Billboard reported that due to a disagreement between EMI and John Lennon about which side of the Beatles' "We Can Work It Out" and "Day Tripper" single should be considered the A-side and receive the plugging, "EMI settled for a double-side promotion campaign—unique in Britain." [5]
In the UK, before the advent of digital downloads, both A-sides were accredited with the same chart position, for the singles chart was compiled entirely from physical sales. In the UK, the biggest-selling non-charity single of all time was a double A-side, Wings' 1977 release "Mull of Kintyre"/"Girls' School", which sold over two million copies. It was also the UK Christmas No. 1 that year. [6] [7] Nirvana released "All Apologies" and "Rape Me" as a double A-side in 1993, and both songs are accredited as a hit on both the UK Singles Chart [8] and the Irish Singles Chart. [9]
The term "b/w", an abbreviation of "backed with", is often used in listings to indicate the B-side of a record. The term "c/w", for "coupled with", is used similarly. [10]
B-sides are often considered to be filler material: songs of lower quality. However, some pop artists such as Prince, The Smiths, Def Leppard, Oasis, Bon Jovi and The Beatles have been particularly known for releasing strong material on B-sides. [11] [12] B-sides have often been compiled on expanded or "deluxe" editions of albums or may be compiled into a "B-side compilation album" across multiple periods of an artist's career. [13]
Sir George Henry Martin was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the "fifth Beatle" because of his extensive involvement in each of the Beatles' original albums. Martin's formal musical expertise and interest in novel recording practices facilitated the group's rudimentary musical education and desire for new musical sounds to record. Most of their orchestral and string arrangements were written by Martin, and he played piano or keyboards on a number of their records. Their collaborations resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album Sgt. Pepper's Lonely Hearts Club Band—the first rock album to win a Grammy Award for Album of the Year.
An extended play (EP) is a musical recording that contains more tracks than a single but fewer than an album or LP record. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal".
Worldwide, the British rock band the Beatles released 12 studio albums, 5 live albums, 51 compilation albums, 36 extended plays (EPs), and 17 box sets. In their native United Kingdom, during their active existence as a band, they released 12 studio albums, 1 compilation album, and 13 EPs. The early albums released from 1962 to March 1968 were originally on Parlophone, and their albums from August 1968 to 1970 were on their subsidiary label Apple. Their output also includes vault items, remixed mash-ups and anniversary box-sets.
"I Want to Hold Your Hand" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney. Recorded on 17 October 1963 and released on 29 November 1963 in the United Kingdom, it was the first Beatles record to be made using four-track recording equipment.
"She Loves You" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney and released as a single in the United Kingdom on 23 August 1963. The single set and surpassed several sales records in the United Kingdom charts, and set a record in the United States as one of the five Beatles songs that held the top five positions in the charts simultaneously, on 4 April 1964. It remains the band's best-selling single in the UK and was the top-selling single of the 1960s there by any artist.
"Twist and Shout" is a 1961 song written by Phil Medley and Bert Berns. It was originally recorded by the Top Notes, but it did not become a hit in the record charts until it was reworked by the Isley Brothers in 1962. The song has been covered by several artists, including the Beatles, Salt-N-Pepa, The Astronauts and Chaka Demus & Pliers, who experienced chart success with their versions.
Red Rose Speedway is the second studio album by the English-American rock band Wings, although credited to "Paul McCartney and Wings". It was released through Apple Records on 4 May 1973, preceded by its lead single, the ballad "My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album Wild Life.
20 Greatest Hits is a compilation album featuring a selection of songs by The Beatles that were number one singles in the UK and US. It was released on 11 October 1982 in the United States and 18 October in the United Kingdom and marked the 20th anniversary of The Beatles' first record release, "Love Me Do", in the UK in October 1962. 20 Greatest Hits was the last Beatles album to be released with variations between the U.S. and UK versions. There is an extremely rare 8 track tape version of this album, of which approximately 10 to 15 copies still exist today. Capitol Records decided not to release the album in the format, as 8 tracks were not selling well in late 1982. However, in early 1983, they made a few copies available through Capitol Special Markets.
Rock 'n' Roll Music is a compilation album by the English rock band the Beatles containing previously released tracks. It was issued on 7 June 1976 in the United States, on Capitol Records, and on 11 June on Parlophone in the United Kingdom. A double album, the 28-track compilation includes 15 Lennon–McCartney songs, one George Harrison composition ("Taxman"), and a dozen cover versions of songs written by significant rock and roll composers of the 1950s, including Chuck Berry, Little Richard, Carl Perkins and Larry Williams. Not counting the 1971 Spanish compilation album, Por Siempre Beatles, Rock 'n' Roll Music was the first Beatles album to include "I'm Down", which had previously only been available as the B-side of the "Help!" single.
"Can't Buy Me Love" is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand, South Africa, the Netherlands, France and Sweden. In the UK, it was the fourth highest selling single of the 1960s.
"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. The song was recorded during the sessions for the band's Rubber Soul album. The single reached number one in Britain, the United States, Australia, Canada, and Ireland. In the UK, it was the seventh highest selling single of the 1960s.
"Come Together" is a song by the British rock band the Beatles, written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the band's 1969 album Abbey Road. It was also a double A-side single in the United Kingdom with "Something", reaching No. 4 in the UK charts.
In the field of recorded music, a hidden track is a song or a piece of audio that has been placed on a CD, audio cassette, LP record, or other recorded medium, in such a way as to avoid detection by the casual listener. In some cases, the piece of music may simply have been left off the track listing, while in other cases, more elaborate methods are used. In rare cases, a 'hidden track' is actually the result of an error that occurred during the mastering stage production of the recorded media. However, since the rise of digital and streaming services such as iTunes and Spotify in the late 2000s and early 2010s, the inclusion of hidden tracks has declined on studio albums.
"Puss"/"Oh, the Guilt" is a split single, released as a double a-side, from the American rock bands the Jesus Lizard and Nirvana, released via Touch and Go Records.
"I Should Have Known Better" is a song by English rock band the Beatles composed by John Lennon and originally issued on A Hard Day's Night, their soundtrack for the film of the same name released on 10 July 1964. "I Should Have Known Better" was also issued as the B-side of the US single "A Hard Day's Night" released on 13 July.
"Please Mr. Postman" is a song written by Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman. It is the debut single by the Marvelettes for the Tamla (Motown) label, notable as the first Motown song to reach the number-one position on the Billboard Hot 100 singles chart. The single achieved this position in late 1961; it hit number one on the R&B chart as well. "Please Mr. Postman" became a number-one hit again in early 1975 when The Carpenters' cover of the song reached the top position of the Billboard Hot 100. "Please Mr. Postman" has been covered several times, including by the British rock group the Beatles in 1963. The 2017 song "Feel It Still" by Portugal. The Man draws on "Please Mr. Postman" and includes a credit for Brian Holland.
The Best of George Harrison is a 1976 compilation album by the English musician George Harrison, released following the expiration of his EMI-affiliated Apple Records contract. Uniquely among all of the four Beatles' solo releases, apart from posthumous compilations, it mixes a selection of the artist's songs recorded with the Beatles on one side, and later hits recorded under his own name on the other.
Stay with the Hollies, also known by its American release title Here I Go Again, is the debut album by the British rock band the Hollies and was released in January 1964 on Parlophone Records. In Canada, it was released on Capitol in July 1964, with a different track listing. In the US, Imperial Records issued the album under the title Here I Go Again in June 1964 to capitalize on the moderate success of the singles "Here I Go Again" and "Just One Look". It also features covers of well-known R&B songs, not unusual for Beat groups of the day.
Past Masters is a two-disc compilation album set by the English rock band the Beatles. It was originally released as two separate volumes on 7 March 1988, as part of the first issue of the band's catalogue on compact disc. The album contains all songs released commercially by the band that were not available on the Beatles' 12 original UK albums or the US Magical Mystery Tour LP. It was compiled by Beatles historian Mark Lewisohn, who also wrote the liner notes. The majority of the Past Masters set consists of A- and B-sides from the band's singles, including single versions of songs that appeared in a different form on the band's albums. Also included are the full contents of the UK-only Long Tall Sally EP, two German-language tracks, a song recorded for the American market, and a track released on a charity compilation album.
The Beatles experienced huge popularity on the British record charts in early 1963, but record companies in the United States did not immediately follow up with releases of their own, and the Beatles' commercial success in the US continued to be hampered by other obstacles, including issues with royalties and public derision toward the "Beatle haircut".
Savoy and Paul Williams Lead Again with ... The New Double Side Hit – Both Sides 'A' Sides