The music of Togo has produced a number of internationally known popular entertainers including Bella Bellow, Akofah Akussah, Afia Mala, Itadi Bonney, Wellborn, King Mensah and Jimi Hope.
The music of Togo has produced a number of internationally known popular entertainers including Bella Bellow, Akofah Akussah, Afia Mala, Itadi Bonney, Wellborn, King Mensah and Jimi Hope.
The Togolese national anthem is Salut à toi, pays de nos aïeux (Land of our forefathers), written by Alex Casimir-Dosseh. From 1979 to 1992 it was replaced by an anthem composed by the party of the Rally of the Togolese People. French is the official and commercial language of Togo.
Togo's southern plain is its most populous area, where the capital, Lomé, is situated on the Gulf of Guinea but, like its neighbours, Ghana and Benin, its territory extends hundreds of kilometres northward, passing through a central hill region into the northern savanna that borders Burkina Faso. Its population of over 6 million people, which is 65% rural and agrarian, is composed of about 21 ethnic groups. Approximately 51% of the population has indigenous beliefs, 29% is Christian, and 20% Muslim. [1]
The two most populous language groups are the Ewe in the south (about 32% of the population) and the Kabye in the north (22% of the population). Gen or Mina is the second major language in the south, closely related to Ewe: most southern peoples use these two languages, which are spoken in commercial sectors throughout Togo. Fon, another related language, as well as Aja, are also spoken in the south: the Ewe had entered Togo from the east, and Akan people from the west, several centuries before Europeans arrived.
Folk songs of fishermen in the south may be accompanied by bells such as the gankogui and frikiwa. Folk songs in Ewe and Kabye, are common, Fon and Yoruba songs also occur. [2] Togolese music includes a great variety of percussion-led dance music. All over Togo drums are used, by Christians and Muslims as well, to celebrate all major events of life and for festivals like the Expesoso or Yeke Yeke festival. [3] In the Aneho district alone drums in use include the agbadja, ageche, aziboloe, kple, amedjeame, akpesse, grekon, blekete and adamdom. [3] There are numerous rhythms in Togo, each area having its own special beat.
In the central hills Tem and the Ghana–Togo Mountain languages are spoken. Dagomba is the second most common language in the north, where other Gur languages such as Mossi and Gourma are also found. The culture of these northern people extends far into Togo's neighbouring states, Ghana and Burkina Faso. The Dagomba people play stringed instruments such as the kologo ( xalam ) and the gonjey ), flute and voice, with poly-rhythms clapped or played on the talking drum, gourd drums or brekete. The tradition of gyil xylophone music is also common, with several players producing intricate cycling rhythms. Other folk instruments include the bow. [2] Music in the northern styles is mostly set to a minor pentatonic scale and melisma plays an important part in melodic and vocal styles, along with a long history of griot praise-singing traditions.
Togolese dances include kamou, soo, tchimou, the southern royal djokoto , the war dances kpehouhuon and atsina , the hunters' dance adewu , the stilt dance tchebe , the miming masseh , as well as regional dances like the coastal sakpate and the kaka . [4]
Internationally known performer King Mensah, a former performer at the Ki-Yi M'Bock Theatre in Abidjan, toured Europe and Japan before opening his own show in French Guiana and then moving to Paris and forming a band called Favaneva. [5] Peter Solo The man of Vodoo Game Music from Togo The idea of integrating these haunting lines, sung in honor of the Divinities, to an energetic 1970s Afro-funk was an obvious extension in Peter's mind of the analogy he found between this voodoo tradition and trance inducers such as Blues, Funk, as well as the Rhythm'n Blues of James Brown, Otis Redding and Wilson Picket.Peter heard this new sound coming through him and named it Vodoo Game.
Bella Bellow is Togo's best-known musician, and is often compared with South Africa's Miriam Makeba. [6] Her career began after representing her country in 1966 at the Dakar Arts Festival. [5] She began a career singing love-oriented ballads in 1969, when she worked with Togolese-French producer Gérard Akueson and soon appeared on French national radio and then the prestigious Olympia Music Hall. [5] She toured across much of the world before dying in a car accident in 1973, just after recording the hit collaboration with Manu Dibango "Sango Jesus Christo". [5] In Bellow's wake came a wave of female singers, including Mabah, Afia Mala, Fifi Rafiatou and Ita Jourias. [5] Other musicians include Jimi Hope. Hope is known for politically incisive lyrics and an innovative rock-based style. [5]
Hip hop is on the rise, and 2003 saw the first Togo hip hop awards ceremony. [6]
Folk metal scene of Togo, counts one band under the name "Arka'n Asrafokor [7] "
Togo, officially the Togolese Republic, is a country in West Africa. It is bordered by Ghana to the west, Benin to the east and Burkina Faso to the north. It is one of the least developed countries and extends south to the Gulf of Guinea, where its capital, Lomé, is located. It is a small, tropical country, which covers 57,000 square kilometres and has a population of approximately 8 million, and it has a width of less than 115 km (71 mi) between Ghana and its eastern neighbour Benin.
The demographics of Togo include ethnicity, population density, age, education level, health, economic status and religious affiliations.
There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent.
Benin has played an important role in the African music scene, producing one of the biggest stars to come out of the continent in Angélique Kidjo. Post-independence, the country was home to a vibrant and innovative music scene, where native folk music combined with Ghanaian highlife, French cabaret, American rock, funk and soul, and Congolese rumba. It also has a rich variety of ethnomusicological traditions.
Ghana is a country of 33.48 million people and many native groups, such as:
The Aja or Adja are an ethnic group native to south-western Benin and south-eastern Togo. According to oral tradition, the Aja migrated to southern Benin in the 12th or 13th century from Tado on the Mono River, and c. 1600, three brothers, Kokpon, Do-Aklin, and Te-Agbanlin, split the ruling of the region then occupied by the Aja amongst themselves: Kokpon took the capital city of Great Ardra, reigning over the Allada kingdom; Do-Aklin founded Abomey, which would become capital of the Kingdom of Dahomey; and Te-Agbanlin founded Little Ardra, also known as Ajatche, later called Porto Novo by Portuguese traders and the current capital city of Benin.
The Ewe people are a Gbe-speaking ethnic group. The largest population of Ewe people is in Ghana, and the second largest population is in Togo. They speak the Ewe language which belongs to the Gbe family of languages. They are related to other speakers of Gbe languages such as the Fon, Gen, Phla /Phera, Ogun/Gun, Maxi, and the Aja people of Togo and Benin.
African dance refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies. Songs and dances facilitate teaching and promoting social values, celebrating special events and major life milestones, performing oral history and other recitations, and spiritual experiences. African dance uses the concepts of polyrhythm and total body articulation. African dances are a collective activity performed in large groups, with significant interaction between dancers and onlookers in the majority of styles.
Togo's culture reflects the influences of its 37 tribal ethnic groups, the largest and most influential of which are the Ewe, Mina, and Kabye. French is the official language of Togo, but many native African languages are spoken there as well. Despite the influence of Western religion, more than half of the people of Togo follow native animistic practices and beliefs.
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba.
Ewe drumming refers to the drumming ensembles of the Ewe people of Ghana, Togo, and Benin. The Ewe are known for their experience in drumming throughout West Africa. The sophisticated cross rhythms and polyrhythms in Ewe drumming are similar to those in Afro-Caribbean music and late jazz. The original purpose of Ewe drumming were sung or performed by warriors. Now the songs and performed to celebrate or for recreational use. For example, Agbadza was originally used as a warrior dance but is now used to celebrate events.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.
Ghana is a multilingual country in which about eighty languages are spoken. Of these, English, which was inherited from the colonial era, is the official language and lingua franca. Of the languages indigenous to Ghana, Akan is the most widely spoken in the south. Dagbani is most widely spoken in the north.
Togo has very diverse and rich traditions in music and dance, which is in part reflected by Togo's regional hip hop scene. Hip-hop togo is the style of Old school hip hop of America mixing with the traditional music of Togo.
King Mensah, also known as "The Golden Voice of Togo", is a Togolese singer from West Africa. Though based in Lomé, he regularly records and promotes his albums in Paris, and has embarked on several world tours since 2005. Singing in Mina, Ewe, and French, King Mensah's sound fuses elements of traditional Ewe music, and Kabye dance-drum music, with funk, reggae and West African Afropop. King Mensah's lyrical themes are steeped in religion and hopeful encouragement for the orphaned, oppressed and downtrodden.
Georgette Adjoavi Bellow, better known as Bella Bellow, was a Togolese singer who created an international career and recorded several albums. She died at the age of 28 in a car accident in Togo.
Anlo Afiadenyigba is a town in the Volta Region of Ghana. The town is located on the eastern part of the Keta Lagoon.
Dagbani music and dance is a core tradition of the Dagbamba of West Africa. The Dagbamba speak the Dagbanli language. They are the dominant ethnic group in the kingdom of Dagbon found in the Northern Region of Ghana. Music and dance plays a central role in Dagbon. It is through these arts that the Dagbamba have preserved their history over the centuries. The Dagbamba regard dancing as a form of emotional expression, social interaction, a spiritual performance or even physical exercise that aids them articulate or illustrate ideas or tell a story. In most cases, music in Dagbon is accompanied by dancing in order to form a complete story.
The Kingdom of Dagbon (Dagbaŋ) is the oldest and one of the most organised traditional kingdoms in Ghana founded by the Dagomba people (Dagbamba) in the 15th century. During its rise, it comprised, at various points, the Northern, Upper West, Upper East, Savannah Region and North East regions of present-day Ghana. It also covered portions of Burkina Faso, North East Ivory Coast and North West Togo. Since Ghana's independence in 1957, the Kingdom just like all of Ghana's kingdoms and ethnic states has assumed a traditional, customary role.
Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people. In addition, it is also performed by Togolese and Beninese of Ewe descent. The dance has five movements in performing it, 1. Banyinyi which is a short introductory in prayer to the gods and ancestors, 2. Vutsortsor which is the main dance, 3. Adzo- which is less energetic and only the master is made to drum along with Gankogui and Axatse, 4. Hatsatsa- historical songs are performed along with Gankogui and Atoke, 5. Vutsortsor- finally, another round of the main dance which usually last for a number of hours. Gankogui is an instrument in a form of a bell where a stick is used to play. Atoke is also an iron banana shaped bell and played with a small forged iron rod. The Atoke can be used in place of the Gankogui they are both used for the same purpose.
