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Eswatini, formally the Kingdom of Eswatini and also known by its former official name Swaziland and formerly the Kingdom of Swaziland, is a landlocked country in Southern Africa. It is bordered by Mozambique to its northeast and South Africa to its north, west, south, and southeast. At no more than 200 km (120 mi) north to south and 130 km (81 mi) east to west, Eswatini is one of the smallest countries in Africa; despite this, its climate and topography are diverse, ranging from a cool and mountainous highveld to a hot and dry lowveld.
Much has been learned about early music in Norway from physical artifacts found during archaeological digs. These include instruments such as the lur. Viking and medieval sagas also describe musical activity, as do the accounts of priests and pilgrims from all over Europe coming to visit St Olav's grave in Trondheim.
Zimbabwean music is heavily reliant on the use of instruments such as the mbira, Ngoma drums and hosho. Their music symbolizes much more than a simple rhythm, as the folk and pop style styled music was used as a symbol of hope for Zimbabweans looking to gain independence from Rhodesia. Music has played a significant role in the history of Zimbabwe, from a vital role in the traditional Bira ceremony used to call on ancestral spirits, to protest songs during the struggle for independence. The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. In the eighties, the Music of Zimbabwe was at the center of the African Music scene thanks to genres such as Sungura and Jit. However, several performers were banned by state TV and radio leading to the closing of several music venues.
The music of South Africa exhibits a culturally varied musical heritage in conjunction with the multi-ethnic populace. Genres with the greatest international recognition being mbube, isicathamiya, mbaqanga, afrofusion, kwaito, South African pop music, afro house, South African hip hop, Shangaan electro, bacardi house, bolo house, gqom and amapiano.
Swazi culture is the way of life and customs of the Swazi people through various historical stages. The culture of Swazi people involves music, food, religion, architecture, and kinship, among many other things. The Swazi people are composed of various Nguni clans who speak the Nguni language siSwati. These people mostly reside in Eswatini and South Africa. Presently, Swazi people may also include citizens of Eswatini. In Eswatini, one of the most visible features of cultural identity is the traditional political structure of the nation and the home. In the national level, the Ngwenyama is considered the head of the nation alongside the Ndlovukati who is the spiritual leader of the nation. National cultural events often involve the Ngwenyama or Ndlovukati. At home, the patriarch of the family is the head and often practices polygamy. This headman, usually referred to as umnumzane is central to all activities of the home. A group of homes forming a community and the land they reside on forms a chiefdom or umphakatsi. Several chiefdoms form an inkhundla which then belongs of a regional division of the country. This connects the older traditional leadership structures to more modern forms of government.
The music of Malawi has historically been influenced by its triple cultural heritage of British, African, and American music. Malawians, known for their history as travellers and migrant workers, have contributed to the spread of their music across the African continent, blending it with various musical forms. A significant factor in this musical amalgamation was World War II, during which soldiers transported music to distant lands and brought it back, leading to the popularity of guitar and banjo duos as dance bands by the war's end. Both instruments were imported. Additionally, Malawians working in mines in South Africa and Mozambique influenced the fusion of music styles, giving rise to genres such as Kwela.
Hhohho is a region of Eswatini, located in the north western part of the country. Hhohho was named after the capital of King Mswati II, who expanded the Swazi territory to the north and west, taking in the districts of Barberton, Nelspruit, Carolina and Piet Retief. These areas were later acquired by what was the Province of Transvaal and today they form part of the Mpumalanga Province of South Africa. It has an area of 3,625.17 km², a population of 320,651 (2017), and is divided into 14 tinkhundla. The administrative center is the national capital of Mbabane. It borders Lubombo Region on the southeast and Manzini Region in the southwest.
The Swazi or Swati are a Bantu ethnic group native to Southern Africa, inhabiting Eswatini, a sovereign kingdom in Southern Africa, and South Africa's Mpumalanga province. EmaSwati are part of the Nguni-language speaking peoples whose origins can be traced through archaeology to East Africa where similar traditions, beliefs and cultural practices are found.
The music of Uganda is broad and diverse, ranging from traditional indigenous music to Ugandan versions of many contemporary genres. Uganda is home to over 65 different ethnic groups and tribes, and they form the basis of all indigenous music.
The music of Myanmar shares many similarities with other musical styles in the region. Traditional music is melodic, having its own unique form of harmony, often composed with a 4
4 (na-yi-se), a 2
4 (wa-let-se) or a 8
16 time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in Mahagita is known as twe-lone, which is similar to a chord in western music. For example, C is combined with F or G.
In the province of Nova Scotia in Canada, Celtic music has played a significant role, both in its traditional forms and fused with other musical styles. Nova Scotia's folk music features traditional tunes brought over from the Scottish Highlands in the late 18th and early 19th centuries, as well as localized forms such as Cape Breton fiddle music. In recent years, a wide variety of other musical genres have emerged in Nova Scotia, which has produced several country music stars such as Hank Snow, Wilf Carter, Anne Murray, and Rita MacNeil.
The Canadian hip hop scene was established in the 1980s. Through a variety of factors, it developed much slower than Canada's popular rock music scene, and apart from a short-lived burst of mainstream popularity from 1989 to 1991, it remained largely an underground phenomenon until the early 2000s.
The culture of Kenya consists of multiple traditions and trends without a single prominent culture identifying the country. Kenyan cultural heritage and modern expressions of culture instead consist of various cultures, shaped and practiced by the country's different communities.
Lobamba is a city in Eswatini, and is one of the two capitals, serving as the legislative, traditional, spiritual, seat of government of the Parliament of Eswatini, and Ludzidzini Royal Village, the residence of Queen Ntfombi, the Queen Mother.
Umchwasho is a traditional chastity rite in Eswatini. While the rite is active, unmarried women are not allowed to have sexual relations and must wear a traditional set of tassels. The tassels are usually made of wool and are worn around the neck like a scarf. Girls aged 18 and under must wear blue-and-yellow tassels and are not allowed any physical contact with males. Those aged 19 or over must wear red-and-black tassels and are allowed some physical contact with males but not sexual intercourse. Those that are caught going against umchwasho are fined one animal.
Celtic fusion is an umbrella term for any modern music which incorporates influences considered "Celtic", or Celtic music which incorporates modern music. It is a syncretic musical tradition which borrows freely from the perceived "Celtic" musical traditions of all the Celtic nations, as well as from all styles of popular music, it is thus sometimes associated with the Pan-Celtic movement. Celtic fusion may or may not include authentic traditional music from any one tradition under the Celtic umbrella, but its common characteristic is the inspiration by Celtic identity.
The Gambian hip hop scene is a relatively new scene in African hip hop which developed in the mid-1990s and was heavily influenced by American hip hop and Senegalese hip hop. Gambian hip-hop has been heavily influenced by international music scene including worldbeat, Senegalese wolof music, and American hip hop, as well as traditional Gambian mbalax and n'daga music. Dominican merengue and Jamaican reggae, ragga, and dancehall have also influenced the development of Gambian hip-hop.
Umhlanga, or Reed Dance ceremony, is an annual Swazi event that takes place at the end of August or at the beginning of September. In Eswatini, tens of thousands of unmarried and childless Swazi girls and women travel from the various chiefdoms to the Ludzidzini Royal Village to participate in the eight-day event. The young, unmarried girls were placed in female age-regiments; girls who had fallen pregnant outside wedlock had their families fined a cow.
In Eswatini, no king can appoint his successor. Instead, on the demise of a king, the Liqoqo, an independent traditional council, decides which of his wives shall be "great wife" and Indlovukazi, 'She-Elephant'. The son of the chosen Indlovukazi will automatically become the next king.
Atlanta has a thriving music industry and is considered to be a capital of hip-hop including crunk, of R&B and its offshoot neo-soul, and of gospel music - in addition to a thriving indie-rock and live music scene. Classical, country and blues have historically been well represented. From the 1920s through 1950s the city was a major center for country music.
References
- 1 2 3 Maps of World – Swaziland. Retrieved 2013-10-25.
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