Sierra Leone's music is a mixture of native, French, British, West Indian and Creole musical genres.
Palm wine music is representative, played by an acoustic guitar with percussion in countries throughout coastal West Africa.
Sierra Leone, like much of West Africa is open to Rap, Reggae, Dancehall, R&B, and Grime (music).
The national anthem of Sierra Leone, "High We Exalt Thee, Realm of the Free", was composed by John Akar with lyrics by Clifford Nelson Fyle and arrangement by Logie E. K. Wright. It was adopted upon independence in 1961.
The largest ethnic group in Sierra Leone (2009) is that of the Mel-speaking Temne people, 35% of the population. Next, at 31%, the Mende, along with 2% Mandingo, have music traditions related to Mende populations in neighbouring countries. Other recorded populations were the Limba ( 8%), the Kono (5%), the Loko (2%) and the Sierra Leone Creole people (2%), while 15% were recorded as "others".
The wars and civil conflict throughout West Africa, [1] have resulted in a decrease in the presence of traditional music artists.
Sierra Leonean palm wine music is known as maringa, and it was first popularized by the Creole musician Ebenezer Calendar & His Maringar Band, who used Caribbean styles, especially Trinidadian calypso. [2] Calendar played the guitar, trumpet, mandolin and the cornet, while also penning some of the most oft-played songs in Sierra Leonean music in the 1950s and 60s. [3] His most popular song was "Double-Decker Bus", commissioned by Decca to promote the launching of a double-decker bus line. He eventually moved towards socially and spiritually aware lyrics.
Gumbe (also goombay or gumbay), is a Creole musical genre and has also had a long presence in Sierra Leone. The gumbe, a square drum with legs, was an important cultural symbol for the Jamaican maroon settlers who were to become part of the Sierra Leone Creole ethnic community. The drum had always been associated with the invocation of their ancestors (Bilby 2007:15), and played an important role in their Maroon strongholds in Jamaica in the 18th century, in their fight for freedom against the British. It was used for the communication of messages and also to warn them of future attacks being planned by the British. The sound of these drums provoked a trance from which these premonitions were made (Lewin 2000:160). The gumbe is still used today by the descendants of the maroons in Jamaica and Sierra Leone. Currently the gumbe enjoys a continuing presence in Creole culture in Sierra Leone. This drum is also still used in Freetown to enter into a trance and predict the future in events such as baptisms and weddings (Aranzadi 2010). Gumbe has also been influential on three of Sierra Leones’s 20th century popular dance-music styles: namely Asiko or Ashiko, Maringa and Milo jazz (Collins: 2007:180). [4] Dr. Oloh was the most widely acknowledged innovator of Sierra Leone gumbe and milo jazz music
Beginning in the 1970s, rumba, Congolese music, funk and soul combined to form a popular kind of Afropop. Major bands of this era included Sabannoh 75, Orchestra Muyei, Super Combo and the Afro-National. Sierra Leoneans abroad have created their own styles, such as Seydu, Ansoumana Bangura, Abdul Tee-Jay, Bosca Banks, Daddy Rahmanu, Patricia Bakarr and Sidike Diabate and Mwana Musa's African Connexion. [5]
The internet has encouraged the youth to new styles of music. Many songs have political and social themes, informing the populace and checking politicians. The independent film, Sweet Salone, displays many of these artists, fans, and their music.
Mwana Musa (Musa Kalamulah) and the band African Connexion married Sierra Leone, Congolese and jazz rhythms. Mwana Musa was an able composer who worked with musicians such as David Toop, Steve Beresford, Ray Carless, Ugo Delmirani, Robin Jones, Mongoley (Lipua Lipua) Safroman (GO Malebo)Len Jones one of Sierra Leones finest guitarists, Lindel Lewis, Ayo-Roy MAcauley leading guitarist from Sierra Leone, Kevin Robinson, Paapa Jay-Mensah etc. African Connexion was signed to Charlie Gillet's Oval Records and produced "C'est La Danse", "Moziki", "City Limits", "Midnight Pressure", "Dancing On The Sidewalk", a soca-tinged soukous, and "E Sidom Panam" - typical Sierra Leone dance music.
Sierra Leone, officially the Republic of Sierra Leone, is a country on the southwest coast of West Africa. It shares its southeastern border with Liberia and is bordered by Guinea to the north. With a land area of 71,740 km2 (27,699 sq mi), Sierra Leone has a tropical climate and with a variety of environments ranging from savannas to rainforests. According to the 2015 census, Sierra Leone has a population of 7,092,113, with Freetown serving as both the capital and largest city. The country is divided into five administrative regions, which are further subdivided into 16 districts.
Sierra Leone first became inhabited by indigenous African peoples at least 2,500 years ago. The Limba were the first tribe known to inhabit Sierra Leone. The dense tropical rainforest partially isolated the region from other West African cultures, and it became a refuge for peoples escaping violence and jihads. Sierra Leone was named by Portuguese explorer Pedro de Sintra, who mapped the region in 1462. The Freetown estuary provided a good natural harbour for ships to shelter and replenish drinking water, and gained more international attention as coastal and trans-Atlantic trade supplanted trans-Saharan trade.
The Sierra Leonean Creole or Krio is an English-based creole language that is lingua franca and de facto national language spoken throughout the West African nation of Sierra Leone. Krio is spoken by 96 percent of the country's population, and it unites the different ethnic groups in the country, especially in their trade and social interaction with each other. Krio is the primary language of communication among Sierra Leoneans at home and abroad, and has also heavily influenced Sierra Leonean English. The language is native to the Sierra Leone Creole people, or Krios, a community of about 104,311 descendants of freed slaves from the West Indies, Canada, United States and the British Empire, and is spoken as a second language by millions of other Sierra Leoneans belonging to the country's indigenous tribes. Krio, along with English, is the official language of Sierra Leone.
Gumbe, also goombay or gumbay, is a West African style of music found in countries such as Sierra Leone and Guinea-Bissau. Sierra Leonean gumbe music is indigenous to the Sierra Leone Creole people and was derived from the Jamaican Maroon ancestors of the Creole people. Creole musicians such as Ebenezer Calendar and Dr Oloh popularized gumbe music in Sierra Leone and in other West African locales.
The Temne, also called Atemne, Témené, Temné, Téminè, Temeni, Thaimne, Themne, Thimni, Timené, Timné, Timmani, or Timni, are a West African ethnic group, They are predominantly found in the Northern Province of Sierra Leone. Some Temne are also found in Guinea. The Temne constitute the largest ethnic group in Sierra Leone, at 35.5% of the total population, which is slightly bigger than the Mende people at 31.2%. They speak Temne, a Mel branch of the Niger–Congo languages.
Sierra Leone's Refugee All Stars is a band from Sierra Leone which was formed by a group of refugees displaced to Guinea during the Sierra Leone Civil War. Since their return to Freetown in 2004, the band has toured extensively to raise awareness for humanitarian causes. Their story is documented in the 2005 documentary film Sierra Leone's Refugee All Stars.
Israel Olorunfeh Cole better known by his stage name Dr. Oloh was a Sierra Leonean afropop and Jazz musician. Dr Oloh is widely considered one of the biggest musicians from Sierra Leone. His hit singles were very popular in Sierra Leone in the 1970s, 1980s and early 1990s.
The Jamaican Maroons in Sierra Leone were a group of just under 600 Jamaican Maroons from Cudjoe's Town, the largest of the five Jamaican maroon towns who were deported by the British authorities in Jamaica following the Second Maroon War in 1796, first to Nova Scotia. Four years later in 1800, they were transported to Sierra Leone.
The gumbe or bench drum is a frame drum found in French Guiana, Jamaica and Sierra Leone. It has a small size, with square frame and one head of goat skin.
Sierra Leonean Americans are an ethnic group of Americans of full or partial Sierra Leonean ancestry. This includes Sierra Leone Creoles whose ancestors were African American Black Loyalists freed after fighting on the side of the British during the American Revolutionary War. Some African Americans trace their roots to indigenous enslaved Sierra Leoneans exported to the United States between the 18th and early 19th century. In particular, the Gullah people of partial Sierra Leonean ancestry, fled their owners and settled in parts of South Carolina, Georgia, and the Sea Islands, where they still retain their cultural heritage. The first wave of Sierra Leoneans to the United States, after the slavery period, was after the Sierra Leone Civil War in the 1990s and early 2000s. According to the American Community Survey, there are 34,161 Sierra Leonean immigrants living in the United States.
Living Like a Refugee is the debut album from Sierra Leonian band Sierra Leone's Refugee All Stars, released in the Europe on 25 September 2006 and in the United States on 26 September 2006.
Macormack Charles Farrell Easmon, OBE, popularly known as M. C. F. Easmon or "Charlie", was a Sierra Leone Creole born in Accra in the Gold Coast, where his father John Farrell Easmon, a prominent Creole medical doctor, was working at the time. He belonged to the notable Easmon family of Sierra Leone, a Creole family of African-American descent.
Sierra Leone is home to about sixteen ethnic groups, each with its own language. In Sierra Leone, membership of an ethnic group often overlaps with a shared religious identity.
The Sierra Leone Creole people are an ethnic group of Sierra Leone. The Sierra Leone Creole people are descendants of freed African-American, Afro-Caribbean, and Liberated African slaves who settled in the Western Area of Sierra Leone between 1787 and about 1885. The colony was established by the British, supported by abolitionists, under the Sierra Leone Company as a place for freedmen. The settlers called their new settlement Freetown. Today, the Sierra Leone Creoles are 1.2 percent of the population of Sierra Leone.
Arthur Thomas Daniel Porter III was a Creole professor, historian, and author. His book on the Sierra Leone Creole people, Creoledom: A study of the development of Freetown society, examines their society in a way in which few books of their time period had, and it is one of the most quoted books on the Creoles. He was published in East Africa and the UK.
Libation (2014) is the fourth album by Sierra Leone's Refugee All Stars, following Radio Salone (2012). It was produced by Canadian singer-songwriter Chris Velan, mixed by Iestyn Polson, and recorded at Lane Gibson Recording & Mastering in Charlotte, Vermont. The album celebrates the band's 10-year anniversary with a "return to roots, specifically the acoustic "around the campfire" vibe of their earliest recordings." Their sound combines elements of highlife, palm wine, maringa, baskeda and gumbe with modern dubstep and reggae.
The Oku people or the Aku Marabout or Aku Mohammedans are an ethnic group in Sierra Leone and the Gambia, primarily the descendants of marabout, liberated Yoruba people who were released from slave ships and resettled in Sierra Leone as Liberated Africans or came as settlers in the mid-19th century.
Ebenezer Calendar (1912–1985), or Ebenezer Calender, was a Sierra Leone Creole palm-wine musician who popularized Creole gumbe and palm-wine music in Sierra Leone and West Africa. Calendar heavily influenced Dr Oloh and other Sierra Leonean musicians. Ebenezer Calendar formed the music group, Ebenezer Calendar & His Maringa Band which was popular between the early to middle twentieth centuries.
