Music of Botswana

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Botswana is an African country made up of different ethnic groups, although Batswana are the majority of the population. Music is a large part of Botswana culture, and includes popular and folk forms. Botswana church choirs are common nationwide.

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Tswana people were the earliest inhabitants of the land that is today known as Botswana and played its first music. Beginning in the 19th century, Immigrants from the United Kingdom began arriving in large numbers and they called the colony Bechuanaland. [1]

Just like other African countries, popular music in Botswana is called "jazz"; however, it has little resemblance to the African-American genre of the same name. There is an initiative to focus on revitalizing the Botswana music industry, instead of relying on foreign releases. Popular music in Botswana still comes from South Africa, the United States, Europe or elsewhere in Africa. Gumba-gumba is a form of modernized Zulu and Tswana music, mixed with traditional jazz.

The music of Botswana is minor in the world music scene. Botswana music is introduced from the British music media and French music media.

Botswana hip hop

Hip hop is a cultural movement, of which music is a part. Hip hop music for the most part is composed of two parts: rapping, the delivery of swift, highly rhythmic and lyrical vocals; and DJing and/or producing, the production of instrumentation through sampling, instrumentation, turntablism, or beatboxing, the production of musical sounds through vocalized tones. [135] The national hip hop radio show Strictly Hip Hop, hosted by Draztik [2] and Slim (of the Cashless Society Crew and co-founders of Unreleased Records), has done much for the Botswana hip-hop scene. Dagee Records [3] and Phat Boy are noted hip-hop record labels. [4] Motswako is also a popular genre.

Folk music

Tswana music is primarily vocal, performed without drums and makes extensive use of string instruments,

particularly the guitar and bow harp. In the absence of drums, a clapping rhythm is used in music with a typical call-and-response vocal style.

Music, dance styles

Musicians

Afro-pop/Jazz

This genre has been influenced by South African artists. It found its way into Botswana, where it is popular. In Botswana artists found a way to incorporate South African Jazz, disco music, and Botswana traditional dances and songs to make it more appealing to local and international audience. Afro-pop and Afro-Jazz artists include:

Kwaito music

This genre originates from the townships of Johannesburg. It has now found its way into Botswana, where it is becoming popular. Odirile Vee Sento's first album was released from Black Money Maker label. [5] Kwaito artists include:

Kwasa kwasa

An African version of rhumba, popularised in Central Africa, kwasa kwasa has a strong following in Botswana and has produced a number of musicians. It has a slower rhythm than original rhumba (increasing in tempo towards the middle of the song) and is calmer in style than its parent form, Afro-rhumba.

Some artists have attempted to speed up kwasa kwasa and make it more danceable. Artist Vee is one; his style is known as kwaito kwasa, a combination of kwaito music and kwasa kwasa rhythms and guitar. [6] Kwassa kwassa artists include:John Quaine and Gofaone El'Jeff Mfetane. Franco and Afro Musica was popular in Botswana. [7]

Rock and metal

The development of rock music's popularity in Botswana has been gradual. [8] The music has begun to gain momentum, partly due to mainstream media such as MTV, Channel O and the internet. The native Batswana have demonstrated an appreciation for this genre, and since 2000 many new bands have been formed; most play locally, but a few have toured southern Africa. Rock culture has been recognized with bands uniting in a "Rock Against AIDS" tour. Crackdust was famous Metal band in Botswana. [9] Notable bands include:

  • Amok
  • Crackdust
  • Disciplinary
  • Dust "n" Fire
  • Metal Orizon
  • No!semakers On Parade
  • Nosey Road
  • Overthrust
  • Remuda
  • Skeletal Saints
  • Skinflint
  • Sms Blues Band
  • Stane
  • Stealth
  • Vitrified
  • Wraith
  • Wrust

The National Music Eisteddfod is held annually in Selebi-Phikwe. [10]

Industry and economics

Radio stations in Botswana often broadcast popular music. Each music station has a format, or a category of songs to be played; these are generally similar to but not the same as ordinary generic classification. Many radio stations in Botswana are locally owned media.

An independent music industry (indie music) does exist and artists remain at an indie label for their entire careers. Indie music may be in styles generally similar to mainstream music, but is often inaccessible, unusual, or otherwise unappealing to many people. Indie musicians often release some or all of their songs over the Internet for fans and others to download and listen.

Education

Music is an important part of education in Botswana, and is a part of most or all school systems in the country. Music education is generally not mandatory in junior schools, and is an elective in later years. High schools generally offer classes in singing, mostly choral, and instrumentation in the form of a large school band.

Holidays and festivals

Music is an important part of several Botswana holidays, playing a major part in the celebration of Christmas.

Botswana is home to numerous music festivals, which showcase styles ranging from house to jazz to hip hop. Some music festivals are opened in local areas.

Related Research Articles

<span class="mw-page-title-main">Music of South Africa</span> Overview of music traditions in South Africa

The South African music scene includes both popular (jive) and folk forms like Zulu isicathamiya singing and harmonic mbaqanga. Other popular genres are marabi, kwaito,house music, pop music, isicathamiya, gqom, rock music, hip hop and amapiano.

<span class="mw-page-title-main">Tswana people</span> Bantu ethnic group in Southern Africa

The Tswana are a bantu ethnic group native to Southern Africa. Ethnic Tswana made up approximately 85% of the population of Botswana in 2011.

Kwaito is a music genre that emerged in Soweto, Johannesburg, South Africa, during the 1980s. It is a variant of house music that features the use of African sounds and samples. Kwaito songs occur at a slower tempo range than other styles of house music and often contains catchy melodic and percussive loop samples, deep bass lines, and vocals. Despite its similarities to hip hop music, kwaito has a distinctive manner in which the lyrics are sung, rapped and shouted.

The music of Malawi has historically been influenced by its triple cultural heritage of British, African, and American music. Malawians, known for their history as travelers and migrant workers, have contributed to the spread of their music across the African continent, blending it with various musical forms. A significant factor in this musical amalgamation was World War II, during which soldiers transported music to distant lands and brought it back, leading to the popularity of guitar and banjo duos as dance bands by the war's end. Both instruments were imported. Additionally, Malawians working in mines in South Africa and Mozambique influenced the fusion of music styles, giving rise to genres such as Kwela.

<span class="mw-page-title-main">Marímbula</span> Lamellophone from the Caribbean

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The music of Namibia includes a number of folk styles, as well as pop, rock, reggae, jazz, house and hip hop.

<span class="mw-page-title-main">African popular music</span> Overview of popular music in Africa

African popular music, like African traditional music, is vast and varied. Most contemporary genres of African popular music build on cross-pollination with Western popular music. Many genres of popular music like blues, jazz, salsa, zouk, and rumba derive to varying degrees on musical traditions from Africa, taken to the Americas by enslaved Africans. These rhythms and sounds have subsequently been adapted by newer genres like rock, and rhythm and blues. Likewise, African popular music has adopted elements, particularly the musical instruments and recording studio techniques of the Western music industry. The term does not refer to a specific style or sound but is used as a general term for African popular music.

Kwassa kwassa is a dance created by Jeanora, a mechanic in Kinshasa from the Democratic Republic of the Congo, that started in the 1980s, where the hips move back and forth while the hands move to follow the hips. It was very popular in Africa.

<span class="mw-page-title-main">Culture of Botswana</span> Overview of the culture of Botswana

Besides referring to the language of the dominant people groups in Botswana, Setswana is the adjective used to describe the rich cultural traditions of the Batswana - whether construed as members of the Setswana ethnic groups or of all citizens of Botswana. the Batswana believe in the rich culture of Botho-Ubuntu, ‘‘People are not individuals, living in a state of independence, but part of a community, living in relationships and interdependence.’ Batswana believe in working together and in being united.

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The Sotho-Tswana, also known as the Sotho or Basotho, although the term is now closely associated with the Southern Sotho peoples are a meta-ethnicity of Southern Africa. They are a large and diverse group of people who speak Sotho-Tswana languages. The group is predominantly found in Botswana, Lesotho, South Africa, and the western part of Zambia. Smaller groups can also be found in Namibia and Zimbabwe.

<span class="mw-page-title-main">Dance music</span> Music composed specifically to facilitate or accompany dancing

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Boom Shaka was a pioneering South African kwaito music group consisting of Junior Sokhela, Lebo Mathosa, Theo Nhlengethwa and Thembi Seete. They released their first single "It's About Time" in 1993, and subsequently released their debut LP, titled "Kwere Kwere" in 1994. Boom Shaka was one of the most successful bands of the mid-1990s in South Africa. Their music was the soundtrack for many young people in the newly democratic South Africa. Boom Shaka also achieved international success in London among other places.

Franco and Afro Musica is a twelve piece kwasa kwasa band from Gabane, Botswana.

Channel O Africa Music Video Awards, once known as Spirit of Africa Music Video Awards, are Pan-African music awards organised by South Africa -based Channel O television channel. The awards were first held in 2003 under the name Reel Music Video Awards. Since 2005 the awards have been held annually. The winners are voted by Channel O's viewers across the continent.

The Namibian Annual Music Awards (NAMA) ceremony was the biggest awards ceremony in Namibia. It was established in 2011 by MTC Namibia and the Namibian Broadcasting Corporation (NBC). They would award a NAMA trophy to musicians in recognition of their outstanding achievements in the music industry of Namibia. Along with the trophy, musicians receive sponsorships, endorsement deals and cash prizes.

Frank Lesokwane is a Motswana musician who is famously known as Franco. He is known for producing most Kwasa Kwasa hit songs. Frank is also known for being the leader of the Franco and Afro Musica band which is a well performing band in Botswana.

References

  1. Morton, Fred; Ramsay, Jeff, eds. (1987). The Birth of Botswana: A history of the Bechuanaland Protectorate from 1910 to 1966. Gaborone, Botswana: Longman Botswana. p. needed. ISBN   978-0-582-00584-6.
  2. "Botswana's First Annual Hip Hop Music Awards". AfricasGateway.com. 2004-08-20. Retrieved 2020-01-20.
  3. "US-based studio boss set to visit local artists". Mmegi. 19 March 2013.
  4. "Botswana". African Hip Hop. Archived from the original on February 4, 2005. Retrieved 2005-09-28.
  5. "Vee's first album". Botswana Unplugged. Rudeboy Nectar. 22 May 2009. Retrieved 17 January 2020.
  6. Culture and customs of Botswana by James Raymond Denbow and Phenyo C. Thebe. Greenwood Publishing Group:2006(page 214) ISBN   0313331782.
  7. Mokganedi, Mosah (2006-12-05). "Culture Spears steals limelight at BOMU music awards, Afro Musica sidelined in Franco video?". Mmegi Online. Retrieved 2020-01-17.
  8. "Africa is the last frontier for metal: Botswana's metal heads still rocking". CNN. Retrieved 2014-08-20.
  9. "Crackdust - Discography - Metal Kingdom". metalkingdom.net. Archived from the original on 2012-09-03. Retrieved 2020-01-17.
  10. "National Music Eisteddfod". ISTC.org. Archived from the original on 2004-01-20. Retrieved 2005-09-28.

See also