The ground-bow or earth-bow is a single-string bow-shaped folk musical instrument, classified as a chordophone. It is known in cultures of equatorial [1] and south [2] Africa, and in other cultures with African roots. It consists of a flexible stick planted into the ground (possibly a stripped sapling or a branch [3] ), with a string from its free end to a resonator of some kind based on a pit in the ground. [4] It looks like a game trap or a child toy, therefore its distribution over Africa used to be overlooked. Hornbostel (1933) classified is in the category of harps, although it has combined characteristics of a harp and a musical bow. [3]
The resonator may be a pit covered by a board, with string attached to it. [4] Kruges describes several other constructions by Venda, e.g., the other end of a string is tied to a stone dropped into the pit, with string passing through the board covering the pit, etc. [3]
Other names include "ground harp" (Sachs, 1940, History of Musical Instruments) and ground-bass. It is called kalinga or galinga by Venda people. In their language "galinga" means simply a hole in the ground, while the origins of "kalinga" are uncertain. [3] It is known as gayumba in Haiti, [5] Dominican Republic, [6] and tumbandera in Haitian traditions of Cuba. [5] [7] Baka people call it angbindi. [8]
It is also known in Cuba under the onomatopoeic name tingo-talango (tingotalango). [9] [10] Julio Cueva's song Tingo Talango dedicated to this musical instrument describes its construction thus:
Si quieren que les describa
cómo es el tingo talango
tráiganme un gajo de güira
o si no uno de mango.
Se abre un hueco en el suelo,
encima una hoja de lata,
en el centro un agujero
donde un alambre se ata.If you want me to describe
how is the tingo talango
bring me a slice of güira
or if not, one of mango.
A hole opens in the ground
a tin sheet on top,
in the center a hole
where a wire is tied.
Tingo Talango is also the song by Ñico Lora.
The instrument is reportedly nearly-extinct in the native cultures. [3] [5]
Kalinga may be struck by a stick or plucked in various ways. The bow stick may be bent to change the tension of the string, and hence the tone. It can be played in a glissando manner: the stick is bent, struck, and released, producing a peculiar sound. The produced pitches are not always stable. [3]
Kalinga is usually played to provide repetitive accompaniment to the choral song. [3]
The washtub bass, or gutbucket, is a stringed instrument used in American folk music that uses a metal washtub as a resonator. Although it is possible for a washtub bass to have four or more strings and tuning pegs, traditional washtub basses have a single string whose pitch is adjusted by pushing or pulling on a staff or stick to change the tension.
In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists. The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.
The musical bow is a simple string instrument used by a number of African peoples, which is also found in the Americas via the slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use.
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum.
The bladder fiddle was a folk instrument used throughout Europe and in the Americas. The instrument was originally a simple large stringed fiddle made with a long stick, one or more thick gut strings, and a pig's-bladder resonator. It was bowed with either a notched stick or a horsehair bow.
The malunga is a single-stringed musical bow played by the Siddi of India, who are the descendants of East African immigrants. It produces two tones, an octave apart, and the knuckle of the hand supporting the instrument may be pressed against the string to vary the pitch. It is struck with a stick and, as with the berimbau of Brazil, the hand holding the stick also holds a rattle. The malunga has a gourd resonator which amplifies the instrument's sound. The placement of this rattle along the string also varies the pitch produced by the Malunga.
The umuduri is a Burundian and Rwandan stringed instrument. It is a musical bow consisting of a string supported by a flexible wooden string bearer or bow that is 125–135 cm in length. The string is traditionally made from plant fiber and animal gut. However, metal wire is becoming widespread.
The quijongo is a type of musical bow used by the indigenous peoples of Nicaragua and Costa Rica. In some countries, such as El Salvador, it is known as the carimba. It was probably used by the indigenous Chorotega people of Nicoya.
African harps, particularly arched or "bow" harps, are found in several Sub-Saharan African music traditions, particularly in the north-east. Used from early times in Africa, they resemble the form of harps in ancient Egypt with a vaulted body of wood, parchment faced, and a neck, perpendicular to the resonant face, on which the strings are wound.
Bar zither is class of musical instruments within the Hornbostel-Sachs classification system for a type of simple chordophone, in which the body of the instrument is shaped like a bar.
The segankuru is a bowed trough zither, bar zither or musical bow, a string instrument found in Botswana and other areas of South Africa, and found under many names. It consists of a wooden body attached to a tin can resonator, with a single metal string played with a bow. The instruments main role is for self or group entertainment for young men, while herding cattle, etc.
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.
The pināka vīnā was an Indian musical instrument, a musical bow that was itself played with a bow. It has also been transliterated pinaki vina and pinak.
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