Scaffolding, also called scaffold or staging, is a temporary structure used to support a work crew and materials to aid in the construction, maintenance and repair of buildings, bridges and all other human-made structures. Scaffolds are widely used on site to get access to heights and areas that would be otherwise hard to get to. Unsafe scaffolding has the potential to result in death or serious injury. Scaffolding is also used in adapted forms for formwork and shoring, grandstand seating, concert stages, access/viewing towers, exhibition stands, ski ramps, half pipes and art projects.
A percussion mallet or beater is an object used to strike or beat a percussion instrument in order to produce its sound.
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", and refers to the explosive changes in tempo and dynamics characteristic of the style.
The angklung is a musical instrument from the Sundanese people in Indonesia made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an angklung ensemble is typically responsible for just one pitch, sounding their individual angklung at the appropriate times to produce complete melodies.
The trapezoidal yangqin is a Chinese hammered dulcimer, likely derived from the Iranian santur or the European dulcimer. It used to be written with the characters 洋琴, but over time the first character changed to 揚, which means "acclaimed". It is also spelled yang ch'in. Hammered dulcimers of various types are now very popular not only in China, but also Eastern Europe, the Middle East, India, Iran, and Pakistan. The instruments are also sometimes known by the names "santoor" and "cymbalom". This instrument had an influence on the Thai classical instrument, known as Khim (ขิม).
The music of Myanmar shares many similarities with other musical styles in the region. Traditional music is melodic, having its own unique form of harmony, often composed with a 4
4 (na-yi-se), a 2
4 (wa-let-se) or a 8
16 time signature. In Burmese, music segments are combined into patterns, and then into verses, making it a multi-level hierarchical system. Various levels are manipulated to create a song. Harmony in Mahagita is known as twe-lone, which is similar to a chord in western music. For example, C is combined with F or G.
The davul, dhol, tapan, atabal or tabl is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of the Middle East and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum.
The musical traditions of Central Asia mirror the immense diversity found in the cultures and populations residing in the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.
A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched kantilan and the larger pemade. Each instrument consists of several tuned metal bars each placed over an individual resonator. The bars are hit with a wooden panggul, each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong kebyar gangsas, as with other metallophones in gong kebyar ensembles, are played in neighboring pairs with interlocking, rapid-tempo parts that elaborate on the melody of a piece of music ; these pairs are tuned to be dissonant and create certain wavelengths of sympathetic vibrations to create a shimmering tone that travels long distances. The gangsa is very similar to the old gendér and the saron.
Ektara is a one-stringed musical instrument used in the traditional music of the Indian subcontinent, and used in modern-day music of Bangladesh, India, and Pakistan.
A tabor, tabour, tabret, tambour de Provence, Provençal tambourin or Catalan tamborí is a portable snare drum, typically played either with one hand or with two drumsticks. The word "tabor" is simply an English variant of a Arabic-derived word meaning "drum"—cf. Catalan: tambor, French: tambour, Italian: tamburo Militaries may use the tabor as a marching instrument; it can accompany parades and processions.
A friction drum is a musical instrument found in various forms in Africa, Asia, Europe and South America. In Europe it emerged in the 16th century and was associated with specific religious and ceremonial occasions.
The xiao is a Chinese vertical end-blown flute. It is generally made of bamboo. It is also sometimes called dòngxiāo, dòng meaning "hole." An ancient name for the xiāo is shùzhúdí but the name xiāo in ancient times also included the side-blown bamboo flute, dizi.
The Tripuri community has its own traditional sports, which are called Thwngmung in the Kokborok, the Tripuri language. In recent years these traditional sports are being gradually abandoned as more people become attracted to modern games and sports, but some of the sports are still played today and preferred in rural Tripura. Some of these sports are listed below.
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet majority as well as the nation's ethnic minorities.
Traditional Filipino games or indigenous games in the Philippines are games that have been played across multiple generations, usually using native materials or instruments. In the Philippines, due to limited resources for toys, children usually invent games without needing anything but players.There are different kinds of Philippine Traditional Games that are suited for kids, and the games also stand as one of the different culture and/or traditional games of the Philippines. These games are not only fun to play, but these games are also good for you. This is because different games require different skills. These games are also an important part in Filipino culture.
Banda Kawayan Pilipinas is an orchestra based in the Philippines that uses musical instruments made from bamboo and other indigenous materials.
A jige is a traditional Korean tool used to carry large quantities of heavy materials. It has been attested to for centuries, and was used in agricultural communities to facilitate the transportation of large quantities of materials such as compost, grain, wood, and grass. Its design varied depending on the region. They are easy to make and have been used extensively due to the mountainous terrain of Korea.
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.
Sundanese Music is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field. The word "Sundanese" originally referred to western part of Java Island and has a strong association with the highly centralized Sunda Kingdom based on Java Island and its high culture practiced by the nobleman class in its capital Parahyangan. By contrast, scholars who cover a much broader region lay emphasis on folk culture.
