Tuning mechanisms for stringed instruments

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Violin pegbox, retouched image Peg in box.jpg
Violin pegbox, retouched image
Medieval bone tuning pin. One end is pierced for the string; the other is squared off to fit in a tuning lever socket. The middle section, which would pass through the wood, is tapered. A Medieval - Post Medieval tuning peg made from animal skeletal material, probably bone. (FindID 551578).jpg
Medieval bone tuning pin. One end is pierced for the string; the other is squared off to fit in a tuning lever socket. The middle section, which would pass through the wood, is tapered.

A variety of methods are used to tune different stringed instruments. Most change the pitch produced when the string is played by adjusting the tension of the strings.

Contents

A tuning peg in a pegbox is perhaps the most common system. A peg has a grip or knob on it to allow it to be turned. A tuning pin is a tuning peg with a detachable grip, called a tuning lever. The socket on the tuning lever fits over the pin and allows it to be turned. Tuning pins are used on instruments where there is no space for a knob on each string, such as pianos and harps.

Turning the peg or pin tightens or loosens the string. Some tuning pegs and pins are tapered, some threaded. Some tuning pegs are ornamented with shell, metal, or plastic inlays, beads (pips) or rings.

Other tuning systems include screw-and-lever tuners, geared tuners, and the konso friction tuning system (using braided leather rings).

Pegbox or headstock

A pegbox is the part of certain stringed musical instruments (the violin family: violin, viola, cello, double bass) that houses the tuning pegs. The corresponding part of the lute family (including guitar, mandolin, banjo, ukulele) is called the headstock .

Tapered pegs and pins

Tuning pegs on a tro Khmer instruments 05.jpg
Tuning pegs on a tro

A tapered peg is simply a smooth peg with a string wound around it. The tension of the string is controlled by turning the peg, and the peg is held in place by friction in its hole (in contrast to tuning machines, below).

A properly working peg will turn easily and hold reliably, that is, it will neither stick nor slip. Modern pegs for violin and viola have conical shafts, turned to a 1:30 taper, changing in diameter by 1 mm over a distance of 30 mm. Modern cello pegs have a slightly more aggressive 1:25 taper. 19th century and earlier pegs, for use with stretchier gut strings, typically had an even steeper taper of 1:20.

The taper allows the peg to turn more easily when pulled out slightly, and to hold firmly when pushed in while being turned. Since the typical wear pattern on a peg shaft interferes with this action, pegs occasionally require refitting, a specialized job which amounts to reshaping both pegs and holes to a smooth circular conical taper.

Tapered tuning pins are similar, but must be turned with a tuning tool, usually called a tuning key, tuning lever, or tuning wrench. Historically, pins were also tapered (see image of bone peg, right), but they are now generally threaded, instead (see below).

Use

Tuning pegs with knobs on a veena. Tuning Pegs (Kunti) of Saraswati Veena.jpg
Tuning pegs with knobs on a veena.

Tapered pegs are a simple, ancient design, common in many musical traditions.

Tapered pegs are common on classical Indian instruments such as the sitar, the Saraswati veena, and the sarod, but some like the esraj and Mohan veena often use modern tuning machines instead. Tapered pegs are also used on older European instruments, such as the Bulgarian gadulka and the hurdy-gurdy, as well as on flamenco guitars.

Among modern Western musical instruments, tapered pegs are most often used on violin family instruments, though usually the double bass uses tuning machines.

Peg dope

Two types of compound; bearing surfaces of peg are visible as shiny bands Peg compound.JPG
Two types of compound; bearing surfaces of peg are visible as shiny bands

"Peg dope" (also peg paste, peg stick, peg compound) is a substance used to coat the bearing surfaces [1] of the tapered tuning pegs of string instruments (mainly violins, violas, cellos, viols and lutes ). Manufactured varieties are generally sold in either a small stick (resembling lipstick), a block, or as a liquid in a bottle. Commonly used home expedient treatments may include soap, graphite, or talc.

Peg dope serves two different (and almost conflicting) purposes. It both lubricates the peg shaft so it turns easily in the pegbox and provides friction to keep the pegs from slipping with the force of string tension. Tuning pegs that are well fitted and properly doped will both turn smoothly throughout an entire rotation and hold firmly wherever the player wishes.

Without the proper amount of friction to hold the peg in place, a tapered tuning peg will tend to "slip", making a tuning setting virtually impossible to maintain. String instruments with pegs that are slipping can be tuned briefly, but will be out of tune within minutes as soon as the peg slips again. With too much friction, adjusting the tuning at all is impossible. If the pegs or their holes are not perfectly round, or if the bearing surfaces of the pegs are indented from wear, peg dope will not remedy the resulting problems.

Threaded pegs and pins

Some pegs and pins are threaded with a shallow, fine thread. They are not tapered, but straight, and they go into straight-sided holes.

Like tapered pins, threaded pins must be set in a pin block of fairly hard wood, such as cherry or white oak, or they will not stay in tune well. [2] Some pin block woods come from endangered trees. [3] Some specialized plywoods can also be used (piano pin block stock or the die maker's ply used for rotary dies). [4]

Threaded tuners are durable, will take very high string tensions. They do not push outwards on the hole and wedge the wood apart, which can reduce the risk of splitting it. They can be set in blind holes, which allows the wood to retain more strength for a given weight. [5] They can, however, also be set in holes drilled right through the wood, to look like older pins. Threaded pins can be installed with an arbor press, and do not need to be re-set, but should be backed off a few turns when changing a string to keep pin height even. [6] [7]

Use

Tuning pins may be known as wrest pins or zither pins, regardless of the instrument on which they are used. They are used on instruments with many close strings, as they are more compact and cheaper. Modern pianos use threaded pins, as do many harps, psaltries, dulcimers, zithers, and other instruments.

Screw-and-lever tuners

A violin tailpiece. Here, the two strings on the far side pass through the keyhole slots directly, but the nearer two strings use fine tuners. FineTuner-pjt.jpg
A violin tailpiece. Here, the two strings on the far side pass through the keyhole slots directly, but the nearer two strings use fine tuners.

Fine tuners are used on the tailpiece of some stringed instruments, as a supplement to the tapered pegs at the other end. Tapered pegs are harder to use to make small adjustments to pitch.

Fine tuners are not geared. They have a screw with a knurled head, whose lower end advances against one end of a lever with a right-angle bend in it. The string is fastened to the other end of the lever, and tightening the screw tightens the string. [8] With the screw at the lower limit of its travel, the lever can come close enough to the instrument's top to pose a risk of scarring it. [9] To avoid damage to the top, the screw may be turned out as far as it goes while still engaging the lever, and the string re-tuned using the peg. [10]

Fine tuners can buzz, and may cut strings if not filed smooth before use. They add weight and, when not built into the tailpiece, reduce string afterlength. [9] Fine tuners are common on cellos, but some violinists regard them as an aid for beginners who have not yet learned to tune precisely using pegs alone. [11]

Geared tuners

Pegs for double bass and guitar family instruments are usually geared, and are called tuning machines or machine heads. They often use a worm gear. The gearing ratio varies; while higher ratios are more sensitive, they are also more difficult to manufacture precisely. Machine heads may be open, with exposed gears, or closed, with a casing around all the gears.

Geared pegs for violin family instruments also exist, although they have not gained wide use, which has to do with the extensive and irreversible physical modification that must be made to the peg box in order to mount them, which is often viewed as ruining the aesthetics of the instrument, combined with a bad reputation they acquired due to poorly designed early models that were prone to failure, often with catastrophically damaging results.

The most recently marketed pegs of this sort use planetary gears designed to fit inside a case shaped like a friction peg. They have seen some adoption as they look almost exactly like friction pegs, require no more modification of the instrument than a new set of friction pegs, and make fine tuners unnecessary. They are also durable and less sensitive to changes in temperature and humidity. [12] They are popular on banjos. [13]

Konso

Jali Fily Sissokho playing a kora tuned with konso (braided leather ring) string terminations. Kora-Player2.jpg
Jali Fily Sissokho playing a kora tuned with konso (braided leather ring) string terminations.

The konso system is traditionally used on koras. It consists of braided leather rings that wrap around the neck of the instrument. The rings are pulled along the neck of the instrument to change string tension. It can be quick to adjust but requires a fair degree of strength. [14]

See also

Related Research Articles

<span class="mw-page-title-main">Cello</span> Bowed string instrument

The cello ( CHEL-oh; plural celli or cellos) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages.

<span class="mw-page-title-main">Double bass</span> Bowed string instrument

The double bass, also known simply as the bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. Similar in structure to the cello, it has four, although occasionally five, strings.

Tuner may refer to someone or something which adjusts or configures a mechanical, electronic, or musical device.

<span class="mw-page-title-main">Violin</span> Bowed string instrument

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<span class="mw-page-title-main">Hardanger fiddle</span> Traditional Norwegian stringed instrument

A Hardanger fiddle is a traditional stringed instrument considered to be the national instrument of Norway. In modern designs, this type of fiddle is very similar to the violin, though with eight or nine strings and thinner wood. The F-holes of the Hardanger fiddle are distinctive, oftentimes with a more “sunken” appearance, and generally straighter edges. Four of the strings are strung and played like a violin, while the rest, named understrings or sympathetic strings, resonate under the influence of the other four. These extra strings are tuned and secured with extra pegs at the top of the scroll, effectively doubling the length of a Hardingfele scroll when compared to a violin. The sympathetic strings, once fastened to their pegs, are funneled through a “hollow” constructed fingerboard, which is built differently than a violin’s, being slightly higher and thicker to allow for these extra strings. The resonant strings lay on the center of the special bridge, attached to extra hooks on the tailpiece. Carved out within the center of the bridge is a smaller secondary “bridge”, or opening, designed specifically for these resonant strings to pass through. This is where the resonance is picked up and reverberated; as notes are played, the vibrations are sent through the bridge, where the sympathetics echo those notes.

<span class="mw-page-title-main">Machine head</span> Apparatus for tuning stringed musical instruments

A machine head is a geared apparatus for tuning stringed musical instruments by adjusting string tension. Machine heads are used on mandolins, guitars, double basses and others, and are usually located on the instrument's headstock. Other names for guitar tuners include pegs, gears, machines, cranks, knobs, tensioners and tighteners.

<span class="mw-page-title-main">Tailpiece</span>

A tailpiece is a component on many stringed musical instruments that anchors one end of the strings, usually opposite the end with the tuning mechanism.

<span class="mw-page-title-main">Jackscrew</span> Mechanical lifting device operated by turning a leadscrew

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<span class="mw-page-title-main">Zhongruan</span>

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A nut, on a stringed musical instrument, is a small piece of hard material that supports the strings at the end closest to the headstock or scroll. The nut marks one end of the vibrating length of each open string, sets the spacing of the strings across the neck, and usually holds the strings at the proper height from the fingerboard. Along with the bridge, the nut defines the scale lengths of the open strings.

<span class="mw-page-title-main">Violin making and maintenance</span>

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<span class="mw-page-title-main">Violin construction and mechanics</span>

A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings. The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it. There are many variations of chinrests: center-mount types such as Flesch or Guarneri, clamped to the body on both sides of the tailpiece, and side-mount types clamped to the lower bout to the left of the tailpiece.

<span class="mw-page-title-main">Violin technique</span>

Playing the violin entails holding the instrument between the jaw and the collar bone. The strings are sounded either by drawing the bow across them (arco), or by plucking them (pizzicato). The left hand regulates the sounding length of the strings by stopping them against the fingerboard with the fingers, producing different pitches.

<span class="mw-page-title-main">Tuning wrench</span>

A tuning wrench is a specialized socket wrench used to tune string instruments, such as the piano, harp, and hammer dulcimer, that have strings wrapped around tuning pins. Other string instruments do not require a tuning wrench because their tuning pins or pegs come with handles, or geared tuning machines.

<span class="mw-page-title-main">Scroll (music)</span>

A scroll is the decoratively carved beginning of the neck of certain stringed instruments, mainly members of the violin family. The scroll is typically carved in the shape of a volute according to a canonical pattern, although some violins are adorned with carved heads, human and animal. The quality of a scroll is one of the things used to judge the luthier's skill. Instrument scrolls usually approximate a logarithmic spiral. Although many references assert that the instrument scroll closely follows the golden spiral this assertion is demonstrably false. Scrollwork is a common feature of Baroque ornament, the period when string instrument design became essentially fixed.

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<span class="mw-page-title-main">Bridge (instrument)</span> Part of a stringed instrument

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The Guitarrón Chileno is a guitar-shaped plucked string instrument from Chile, with 25 or 24 (rarely) strings. Its primary contemporary use is as the instrumental accompaniment for the traditional Chilean genre of singing poetry known as Canto a lo Poeta, though a few virtuosi have also begun to develop the instrument's solo possibilities.

<span class="mw-page-title-main">Tromba marina</span>

A tromba marina, marine trumpet or nuns' fiddle, is a triangular bowed string instrument used in medieval and Renaissance Europe that was highly popular in the 15th century in England and survived into the 18th century. The tromba marina consists of a body and neck in the shape of a truncated cone resting on a triangular base. It is usually four to seven feet long, and is a monochord. It is played without stopping the string, but playing natural harmonics by lightly touching the string with the thumb at nodal points. Its name comes from its trumpet like sound due to the unusual construction of the bridge, and the resemblance of its contour to the marine speaking-trumpet of the Middle Ages.

<span class="mw-page-title-main">Viola da terra</span>

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References

  1. Paul Hostetter. "String Instrument Care" . Retrieved 8 September 2010. Pegs are tapered, and must contact the insides of the holes on both sides of the pegbox. The fit is very important, of course, as is the nature of the contacting surfaces there. Raw wood on raw wood never works well, so a preparation is usually applied to facilitate a smooth turning of the peg.
  2. "Chapter 8. Fabricating the Neck and Pillar" (Book chapter). sligoharps.com. Retrieved 1 February 2023.
  3. "Restricted and Endangered Wood Species | The Wood Database".
  4. "Chapter 2. Creating, Buying, Borrowing or Stealing a Design" (Book Chapter). sligoharps.com. Retrieved 1 February 2023.
  5. "FolcHarp - Zither pins". Archived from the original on 2008-07-24.
  6. "Threaded Harp Tuning Pins | Dusty Strings".
  7. Replacing harp strings [ dead link ]
  8. "How to Install and Use Violin Fine Tuners".
  9. 1 2 "How to Select the Right Fine Tuners | Strings Magazine". February 2009.
  10. "dummies - Learning Made Easy".
  11. "The Violin Shop: Fine Tuners".
  12. "Information – Perfection pegs". perfectionpegs.twofold.com.au. Retrieved 10 August 2019.
  13. "Banjo Tuning Pegs Planetary vs Geared". Folkmusician. 30 March 2018.
  14. "Make an easier-to-tune replacement neck for a leather-ring (Konso) African Kora neck".