The violoncello ( VY-ə-lən-CHEL-oh, Italian pronunciation:[vjolonˈtʃɛllo]), normally simply abbreviated as cello ( CHEL-oh), is a middle pitched bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, tenor clef, alto clef and treble clef used for higher-range passages.
The double bass, also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched chordophone in the modern symphony orchestra. Similar in structure to the cello, it has four or five strings.
The viola ( vee-OH-lə, Italian:[ˈvjɔːla,viˈɔːla]) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4.
The viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Although treble, tenor and bass were most commonly used, viols came in different sizes, including pardessus, treble, alto, small tenor, tenor, bass and contrabass. Separating these from other bowed string instruments such as the viola da braccio was the instruments' orientation; members of the older viol family were played with the neck oriented upwards, the rounded bottom downwards to settle on the lap or between the knees.
The viola d'amore is a 7- or 6-stringed musical instrument with additional sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin.
The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso.
The Brandenburg Concertos by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. The original French title is Six Concerts Avec plusieurs instruments, meaning "Six Concertos for several instruments". Some of the pieces feature several solo instruments in combination. They are widely regarded as some of the greatest orchestral compositions of the Baroque era.
Mario Davidovsky was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called Synchronisms, which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape.
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound.
The term violone can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted instrument, and may have six, five, four, or even only three strings. The violone is also not always a contrabass instrument. In modern parlance, one usually tries to clarify the 'type' of violone by adding a qualifier based on the tuning or on geography, or by using other terms that have a more precise connotation. The term violone may be used correctly to describe many different instruments, yet distinguishing among these types can be difficult, especially for those not familiar with the historical instruments of the viol and violin families and their respective variations in tuning.
Hille Perl is a German virtuoso performer of the viola da gamba and lirone.
The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family. The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass.
A tenor violin (or tenor viola) is an instrument with a range between those of the cello and the viola. An earlier development of the evolution of the violin family of instruments, the instrument is not standard in the modern symphony orchestra. Its tuning, typically G2-D3-A3-E4 (an octave below the regular violin) places the range between the cello and viola and thus is sometimes confused with the modern baritone violin which has the same tuning on the standard violin body.
The viola pomposa is a five-stringed instrument developed around 1725. There are no exact dimensions applicable to all instruments used under this name, although in general the pomposa is slightly wider than a standard viola. It uses four viola strings, tuned conventionally (C-G-D-A), with the addition of a high E string, giving it a greater range than the orchestral viola; the trade-off comes in a sound which is slightly more resonant than a violin. The viola pomposa is played on the arm and has a range from C3 to A6 with fingered notes. Using harmonics, the range can be extended to C8 depending on the quality of the strings.
Bass violin is the modern term for various 16th- and 17th-century bass instruments of the violin family. They were the direct ancestor of the modern cello. Bass violins were usually somewhat larger than the modern cello, but tuned to the same nominal pitches or sometimes one step lower. Contemporaneous names for these instruments include "basso de viola da braccio," "basso da braccio," or the generic term "violone," which simply meant "large fiddle." The instrument differed from the violone of the viol, or "viola da gamba" family in that like the other violins it had at first three, and later usually four strings, as opposed to five, six, or seven strings, it was tuned in fifths, and it had no frets. With its F-holes and stylized C-bouts it also more closely resembled the viola da braccio.
Giovanni Battista Vitali was an Italian composer and violone player.
In music, a decet—sometimes dectet, decimet, decimette, or even tentet—is a composition that requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet.
In music, a duodecet—sometimes duodectet, or duodecimette—is a composition which requires twelve musicians for a performance, or a musical group that consists of twelve people. In jazz, such a group of twelve players is sometimes called a "twelvetet". The corresponding German word is Duodezett. The French equivalent form, douzetuor, is virtually unknown. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a duodecet.
Christophe Coin is a French cellist, viola da gamba player and conductor active in the field of historically informed performance. He is the cellist of the Quatuor Mosaïques and is the director of the Ensemble Baroque de Limoges.
Ryo Terakado is a Japanese violinist and conductor who specializes in historically informed performance. He also plays the viola, viola d'amore and violoncello da spalla. He has been teaching at the Royal Conservatory of The Hague and the Toho Gakuen School of Music.
