Sound hole

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The sound holes of cellos and other instruments of the violin family are known as F-holes and are located on opposing sides of the bridge. Cello study.jpg
The sound holes of cellos and other instruments of the violin family are known as F-holes and are located on opposing sides of the bridge.

A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board. Sound holes have different shapes:

Contents

Some instruments come in more than one style (mandolins may have F-holes, round or oval holes). A round or oval hole or a rosette is usually a single one, under the strings. C-holes, D-holes and F-holes are usually made in pairs placed symmetrically on both sides of the strings. Most hollowbody and semi-hollow electric guitars also have F-holes.

Though sound holes help acoustic instruments project sound more efficiently, sound does not emanate solely from the sound hole. Sound emanates from the surface area of the sounding boards, with sound holes providing an opening into the resonant chamber formed by the body, letting the sounding boards vibrate more freely, and letting vibrating air inside the instrument travel outside the instrument. The F-holes in the violin family instruments also serve the purpose of enabling a luthier to use specialized tools to adjust the sound post inside the instrument.

In 2015, researchers at MIT, in collaboration with violin makers at North Bennet Street School, published an analysis that charted the evolution and improvements in effectiveness of violin F-hole design over time. [1] [2] One of the conclusions of this paper was that acoustic conductance (air flow) is proportional to the length of the perimeter of the sound hole and not the area. They proved this mathematically, and showed how it drove the evolution of shape of the F-holes in the violin family. The highest air flow in a violin's F-hole are the places at the top and bottom where the points nearly touch the other side. The effect is analogous to putting one's thumb over the end of a hose to accelerate the water coming out. By this measure, the open round hole of a flat-top acoustic guitar is not very effective.

Alternative sound hole designs

Some Ovation stringed instruments feature a particularly unique sound hole architecture with multiple smaller sound holes that, being combined with a composite bowl back body, are said to produce a clear and bright sound.

Tacoma Guitars has developed a unique "paisley" sound hole placed on the left side of the upper bout of their "Wing Series" guitars. This is a relatively low-stress area that requires less bracing to support the hole. [3]

A few hollowbody or semi-hollow electric guitars, such as the Fender Telecaster Thinline and the Gibson ES-120T, have one f-hole instead of two, usually on the bass side.

B&G Guitars, a private build guitar company from Tel Aviv, Israel, uses their signature "backwards" sound holes on their guitars. [4]

Holes not positioned on the top of an acoustic guitar are called soundports. They are usually supplementary to a main sound hole, and are located on an instrument's side facing upward in playing position, allowing players to monitor their own sound. [5]

Related Research Articles

<span class="mw-page-title-main">Steel-string acoustic guitar</span> Musical instrument

The steel-string acoustic guitar is a modern form of guitar that descends from the gut-strung Romantic guitar, but is strung with steel strings for a brighter, louder sound. Like the modern classical guitar, it is often referred to simply as an acoustic guitar, or sometimes as a folk guitar.

<span class="mw-page-title-main">Electric guitar</span> Electrical string musical instrument

An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock and heavy-metal guitar-playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.

<span class="mw-page-title-main">Guitar</span> Fretted string instrument

The guitar is a stringed musical instrument that is usually fretted and typically has six or twelve strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A guitar pick may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic pickup and an amplifier.

<span class="mw-page-title-main">Jazz guitar</span> Jazz instrument and associated playing style

Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.

<span class="mw-page-title-main">Mandolin</span> Musical instrument in the lute family

A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.

<span class="mw-page-title-main">Sound board (music)</span> Musical instrument part

A soundboard is the surface of a string instrument that the strings vibrate against, usually via some sort of bridge. Pianos, guitars, banjos, and many other stringed instruments incorporate soundboards. The resonant properties of the soundboard and the interior of the instrument greatly increase the loudness of the vibrating strings. "The sound board is probably the most important element of a guitar in terms of its influence on the quality of the instrument's tone [timbre]."

When the [guitar] top vibrates, it generates sound waves, much like a loudspeaker. As the soundboard moves forward, the air that is in front of it is compressed and it moves away from the guitar. As the soundboard moves back, the pressure on the air in front of the guitar is reduced. This is called a "rarefaction," and air rushes in to fill the rarefied region. Through this process, an alternating series of compression and rarefaction pulses travel away from the soundboard, creating sound waves.

<span class="mw-page-title-main">Luthier</span> Craftsman of stringed musical instruments

A luthier is a craftsperson who builds or repairs string instruments.

<span class="mw-page-title-main">Semi-acoustic guitar</span> Type of electric guitar

A semi-acoustic guitar, also known as a hollow-body electric guitar, is a type of electric guitar designed to be played with a guitar amplifier featuring a fully or partly hollow body and at least one electromagnetic pickup. First created in the 1930s, they became popular in jazz and blues, where they remain widely used, and the early period of rock & roll, though they were later largely supplanted by solid-body electric guitars in rock.

<span class="mw-page-title-main">Archtop guitar</span> Type of steel-stringed acoustic or semi-acoustic guitar

An archtop guitar is a hollow acoustic or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players.

<span class="mw-page-title-main">Selmer guitar</span>

The Selmer guitar — often called a Selmer-Maccaferri or just Maccaferri by English speakers, as early British advertising stressed the designer rather than manufacturer — is an unusual acoustic guitar best known as the favored instrument of Django Reinhardt. Selmer, a French manufacturer, produced the instrument from 1932 to about 1952.

The Ovation Guitar Company is a manufacturer of string instruments. Ovation primarily manufactures steel-string acoustic guitars and nylon-string guitars, often with pickups for electric amplification. In 2015, it became a subsidiary of Drum Workshop after being acquired from KMCMusicorp.

<span class="mw-page-title-main">Lloyd Loar</span> Mandolin designer and luthier

Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, including the F-5 model mandolin and L-5 guitar. In his later years he worked on electric amplification of stringed instruments, and demonstrated them around the country. One example, played in public in 1938 was an electric viola that used electric coils beneath the bridge, with no back, able to "drown out the loudest trumpet."

<span class="mw-page-title-main">Tenor guitar</span> Four-stringed guitar

The tenor guitar or four-string guitar is a slightly smaller, four-string relative of the steel-string acoustic guitar or electric guitar. The instrument was initially developed in its acoustic form by Gibson and C.F. Martin so that players of the four-string tenor banjo could double on guitar.

<span class="mw-page-title-main">Outline of guitars</span> Overview of and topical guide to guitars

The following outline is provided as an overview of and topical guide to guitars:

<span class="mw-page-title-main">Inlay (guitar)</span> Decorative material set into the wooden surface

Inlay on guitars or similar fretted instruments are decorative materials set into the wooden surface of the instrument using standard inlay techniques. Although inlay can be done on any part of a guitar, it is most commonly found on the fretboard, headstock—typically the manufacturer's logo—and around the sound hole of acoustic guitars. Only the positional markers on the fretboard or side of the neck and the rosette around the sound hole serve any function other than decoration. Nacre, plastic and wood are the materials most often used as inlay.

An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. While the original, general term for this stringed instrument is guitar, the retronym 'acoustic guitar' – often used to indicate the steel stringed model – distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.

The Gibson ES series of semi-acoustic guitars are manufactured by the Gibson Guitar Corporation.

<span class="mw-page-title-main">Bridge (instrument)</span> Part of a stringed instrument

A bridge is a device that supports the strings on a stringed musical instrument and transmits the vibration of those strings to another structural component of the instrument—typically a soundboard, such as the top of a guitar or violin—which transfers the sound to the surrounding air. Depending on the instrument, the bridge may be made of carved wood, metal or other materials. The bridge supports the strings and holds them over the body of the instrument under tension.

Guitar bracing refers to the system of wooden struts which internally support and reinforce the soundboard and back of acoustic guitars.

<span class="mw-page-title-main">Grimshaw Guitars</span> British guitar manufacturer

Grimshaw Guitars was a British manufacturer of guitars and related instruments from the 1930s to the 1980s, known for producing acoustic archtop guitars in the 1930s–1940s, electrified archtop guitars in the 1940s and 1950s, semi-solid (thinline) electric guitars in the 1950s–1960s, and mainly solidbody guitars from the late 1950s to 1980s, along with smaller quantities of banjos, hawaiian guitars, electric bass guitars, acoustic guitars and nylon string guitars. Their archtop guitars were used by British players from the 1930s to the 1950s, when equivalent U.S.-made instruments were difficult to obtain in Britain, and their early electric thinline instruments such as the "S.S.1" and "S.S.1 deluxe" were popular with British "beat" groups of the early 1960s. Sales declined in the later 1960s and 1970s with easier access by customers to better made U.S. instruments at one end of the scale, and cheaper imported instruments, mostly from Japan, with which the Grimshaw line could not compete on price. The Grimshaw factory closed in the mid 1980s and its junior partner founder, Emile Grimshaw Jnr, passed away in 1987. Since that time, surviving instruments occasionally appear on the used market but tend to be somewhat overshadowed in favour of better known instruments of similar age by other British manufacturers such as Burns, Vox, etc.

References

  1. "Power efficiency in the violin". MIT News | Massachusetts Institute of Technology. 10 February 2015.
  2. Nia, Hadi T.; Jain, Ankita D.; Liu, Yuming; Alam, Mohammad-Reza; Barnas, Roman; Makris, Nicholas C. (March 8, 2015). "The evolution of air resonance power efficiency in the violin and its ancestors". Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences. 471 (2175): 20140905. Bibcode:2015RSPSA.47140905N. doi:10.1098/rspa.2014.0905. PMC   4353046 . PMID   25792964.
  3. Salter, Trent (2004-04-13). "interview with Leith Anderson". Archived from the original on 2004-04-13.
  4. "B&G Guitars". B&G Guitars.
  5. "Q. What is the effect of the soundport? | Shelley D. Park Guitars :: Gypsy Jazz Guitar Luthier in the Style of Selmer Maccaferri". May 15, 2008. Archived from the original on 15 May 2008.