Slapping and popping are ways to produce percussive sounds on a stringed instrument. It is primarily used on the Guitar, double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on upright bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately.
On the double bass, the technique was developed in Western swing bands in the 1920s, and spread to other genres, including jazz, rockabilly, and other offshoots of those styles. On the bass guitar, the technique is widely credited to Larry Graham, a bass guitarist playing with Sly and the Family Stone in the late 1960s. The technique quickly spread to the funk and disco genres.
Slapping is a technique also adopted by acoustic and electric fingerstyle guitarists.
On double bass it refers to the technique that is a more vigorous version of pizzicato, where the string is plucked so hard that when released it bounces off the finger board[ citation needed ], making a distinctive sound. A percussive sound can also made by smacking the strings with some or all of the fingers on the right hand in between the notes of a bassline, usually in time with the snare drum.
The earliest players of this technique in American music include Bill Johnson (1872-1972), Theodore "Steve" Brown (1890-1965),Wellman Braud (1891-1966), Pops Foster (1892-1969), and Chester Zardis (1900-1990).
Slap bass was used by Western Swing and Hillbilly Boogie musicians. It became an important component of an early form of rock and roll that combined blues and what was then called hillbilly music—a musical style now referred to as rockabilly. Bill Black, who played with Elvis Presley and Scotty Moore was a well-known slap bass player The technique inspired the George and Ira Gershwin song "Slap That Bass".
Slap bass continues to be used in the 21st century, as it is widely used by modern rockabilly and psychobilly band bassists, including Kim Nekroman (Nekromantix), Geoff Kresge (Tiger Army), Scott Owen (The Living End) and Jimbo Wallace (The Reverend Horton Heat). Kresge's rapid slapping ability is all the more remarkable given that for much of his career he was an electric bassist. The top rockabilly and psychobilly bassists have developed the ability to perform rapid triplet slaps at the same time as they play a walking bassline.
On bass guitar and Guitar, slapping usually refers to a percussive playing technique most commonly used in funk, disco, soul, R&B, jazz, country music, rock, and many other genres. The style sounds much more percussive than regular plucking of notes with the soft part of the plucking hands fingers, and is also usually louder (although on an electric instrument, the volume can be adjusted with the volume knob or through compression), brighter, and more distinct than the sound of a bass guitar played with the usual plucking or pick techniques.
The slap sound comes from the combination of two elements: slapping, which involves striking the string with the side of the bony joint in the middle of the thumb, a harder surface than the pads of the fingers (used in plucked fingering); and intentionally allowing the vibrating string to come into contact with the metal frets, producing a "toney" or buzzing sound that is normally avoided in plucked/fingered bass.
In the slap technique, the bassist replaces the usual plucking motion of the index and middle fingers with "slaps" and "pops". In the slap, the bassist uses the thumb to strike the strings (usually the lower E and A strings) near the base of the guitar's neck. In the pop, the bassist will use the index or middle finger of the plucking hand to snap the strings (usually the higher D and G strings) away from the body of the bass, causing them to bounce off the fretboard; this produces a prominent buzzing tone with a sharp attack and more high-frequency vibrations than present in plucked bass.
The bassist can play many notes quickly by rotating the forearm, alternately slapping and popping: during the pop, the hand moves away from the fretboard, "winding up" or getting in position for the next slap. The slap and pop techniques are commonly used with pull-offs and hammer-ons with the fretting (usually left) hand, to further increase the rate at which notes may be played. Ghost notes, or notes played with the string damped, are also commonly played in slap bass to increase the percussive feel of the technique.
The invention of slap on electric bass guitar is generally credited to funk bassist Larry Graham.Graham has stated in several interviews that he was trying to emulate the sound of a drum set before his band had found its drummer. Graham himself refers to the technique as "thumpin′ and pluckin′".
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Some prominent bass guitar players known for their use of slapping in their playing include:
There are numerous variants of the slapping technique. Some bassists use other fingers of the strumming hand to achieve this sound, such as bassist Abraham Laboriel, Sr., who uses his thumb to pop the strings, and his other four fingers to slap the strings. Bassist Victor Wooten uses a double thumb technique which is like a slap, but uses both sides of the thumb for all the strings, fast enough to produce the equivalent of a drumroll on the bass guitar.
Funk fingers invented by progressive rock bass player Tony Levin create a similar sound by using a hard surface to strike the strings and intentionally cause string contact with the fretboard. Spank bass developed from the slap and pop style and treats the electric bass as a percussion instrument, striking the strings above the pickups with an open palmed hand.
The slap technique bears some resemblance to tambour, a percussive technique used in flamenco and classical guitar[ citation needed ], although the tonal quality produced in this technique is quite different from that of a slapped electric bass. Japanese musician Miyavi is well known for creating a unique slapping style of playing electric guitars. Tosin Abasi, guitarist for progressive metal band Animals as Leaders, is also known for a slapping and popping technique on electric guitar, which he uses for both melodic and percussive effect.
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The classical guitar is a member of the guitar family used in classical music. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars are derived from the Spanish vihuela and gittern in the fifteenth and sixteenth century, which later evolved into the seventeenth and eighteenth century Baroque guitar and later the modern classical guitar in the mid nineteenth century.
The double bass, also known simply as the bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra.
The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the fingers/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when the performer plays or sounds the strings in some manner.
Pizzicato is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument:
Larry Graham Jr. is an American bassist and singer, both with the psychedelic soul/funk band Sly and the Family Stone, and as the founder and frontman of Graham Central Station. He is credited with the invention of the slapping technique on the electric bass guitar, which radically expanded the tonal palette of the bass, although he himself refers to the technique as "thumpin' and pluckin' ".
The palm mute is a playing technique for guitar and bass guitar, executed by placing the side of the picking hand below the little finger across the strings to be plucked, very close to the bridge, and then plucking the strings while the damping is in effect. This produces a muted sound. The name is a slight misnomer, as the muting is performed by the side of the hand, not the palm.
Clawhammer, sometimes called frailing, is a distinctive banjo playing style and a common component of American old-time music.
A bassline is the term used in many styles of music, such as jazz, blues, funk, dub and electronic, traditional music, or classical music for the low-pitched instrumental part or line played by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard. In unaccompanied solo performance, basslines may simply be played in the lower register of any instrument such as guitar or piano while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes.
A guitar solo is a melodic passage, instrumental section, or entire piece of music written for a classical guitar, electric guitar or an acoustic guitar. In 20th and 21st century traditional music and popular music such as blues, swing, jazz, jazz fusion, rock and metal, guitar solos often contain virtuoso techniques and varying degrees of improvisation. Guitar solos on classical guitar, which are typically written in musical notation, are also used in classical music forms such as chamber music and concertos.
Jazz bass is the use of the double bass or bass guitar to improvise accompaniment ("comping") basslines and solos in a jazz or jazz fusion style. Players began using the double bass in jazz in the 1890s to supply the low-pitched walking basslines that outlined the chord progressions of the songs. From the 1920s and 1930s Swing and big band era, through 1940s Bebop and 1950s Hard Bop, to the 1960s-era "free jazz" movement, the resonant, woody sound of the double bass anchored everything from small jazz combos to large jazz big bands.
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking. The term "fingerstyle" is something of a misnomer, since it is present in several different genres and styles of music—but mostly, because it involves a completely different technique, not just a "style" of playing, especially for the guitarist's picking/plucking hand. The term is often used synonymously with fingerpicking except in classical guitar circles, although fingerpicking can also refer to a specific tradition of folk, blues and country guitar playing in the US. The terms "fingerstyle" and "fingerpicking" also applied to similar string instruments such as the banjo.
In music, strumming is a way of playing a stringed instrument such as a guitar, ukulele, or mandolin. A strum or stroke is a sweeping action where a finger or plectrum brushes over several strings to generate sound. On most stringed instruments, strums are typically executed by a musician's designated strum hand, while the remaining hand often supports the strum hand by altering the tones and pitches of any given strum.
The electric upright bass (EUB) is an instrument that can perform the musical function of a double bass. It requires only a minimal or 'skeleton' body to produce sound because it uses a pickup and electronic amplifier and loudspeaker. Therefore, a large resonating structure is not required to project the sound into the air. This minimal body greatly reduces the bulk and weight of the instrument. EUBs must always be connected to an amplifier and speaker cabinet to produce an adequate audible sound. The EUB retains enough of the features of the double bass so that double bass players are able to perform on it.
Louis Johnson was an American bass guitarist. Johnson was best known for his group The Brothers Johnson and his session playing on several hit albums of the 1970s and 1980s, including the best selling album of all time, Thriller.
An extended-range bass is an electric bass guitar with a wider frequency range than a standard-tuned four-string bass guitar.
In classical guitar, the right hand is developed in such a way that it can sustain two, three, and four voice harmonies while also paying special attention to tone production. The index (i), middle (m), and ring (a) fingers are generally used to play the melody, while the thumb (p) accompanies in the bass register adding harmony, and produces a comparable texture and effect to that of the piano. The classical guitar is a solo polyphonic instrument, and it is difficult to master.
A flamenco guitar is a guitar similar to a classical guitar but with thinner tops and less internal bracing. It usually has nylon strings, as opposed to steel. Usually, it has a livelier sound compared to the classical guitar. It is used in toque, the guitar-playing part of the art of flamenco.
Guitar picking is a group of hand and finger techniques a guitarist uses to set guitar strings in motion to produce audible notes. These techniques involve plucking, strumming, brushing, etc. Picking can be done with:
In music, a ghost note is a musical note with a rhythmic value, but no discernible pitch when played. In musical notation, this is represented by an "X" for a note head instead of an oval, or parentheses around the note head. It should not be confused with the X-shaped notation that raises a note to a double sharp.
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