The Beatles: Get Back

Last updated

The Beatles: Get Back
TheBeatles-GetBackposter.png
Promotional release poster
Genre Music documentary
Directed by Peter Jackson
Starring
Music by
Country of origin
  • United Kingdom
  • New Zealand
  • United States
Original languageEnglish
No. of episodes3
Production
Executive producers
  • Jeff Jones
  • Ken Kamins
Producers
Editor Jabez Olssen
Running time
  • 157 minutes (part 1)
  • 173 minutes (part 2)
  • 138 minutes (part 3)
  • 468 minutes (total) [1]
Production companies
Original release
Network Disney+
Release25 November (2021-11-25) 
27 November 2021 (2021-11-27)

The Beatles: Get Back is a documentary television series directed and produced by Peter Jackson. It covers the making of the Beatles' 1970 album Let It Be (which had the working title of Get Back) and draws largely from unused footage and audio material originally captured for and recycled original footage from the 1970 documentary of the album by Michael Lindsay-Hogg. The docuseries has a total runtime of nearly eight hours, consisting of three episodes, each of duration between two and three hours covering about one week each, together covering 21 days of studio time.

Contents

Also co-produced by Paul McCartney, Ringo Starr, Yoko Ono and Olivia Harrison, the series is presented by Walt Disney Studios in association with Apple Corps and WingNut Films. [2] It premiered with three consecutive daily releases on Disney+ beginning on 25 November 2021. [3] [4] A portion of it, titled The Beatles: Get Back – The Rooftop Concert, was given a theatrical release in IMAX theatres across numerous US cities on 30 January 2022. [5] It was then released internationally between 11 and 13 February 2022. [6] [7] The Beatles: Get Back was released on DVD and Blu-ray on 12 July 2022. [8]

Jackson characterised the miniseries as "a documentary about a documentary". [4] Get Back received critical acclaim for its coverage of the group's creative process, although some criticized the relatively long runtime. Commentators described it as challenging longtime beliefs that the making of the Let It Be album was marked entirely by tensions between the Beatles, instead showing a more upbeat side to its production. [9] [10]

Production

While visiting Apple Corps to discuss working on a potential Beatles exhibition featuring augmented or virtual reality, Peter Jackson asked Apple about the archival footage for the 1970 documentary of the album, which he was allowed access to for a potential new documentary. Jackson was hesitant to sign onto the project because of his fears about the long-reported acrimony surrounding the Beatles breakup. [11] Upon viewing the footage, he later stated, he "was relieved to discover the reality is very different to the myth ... Sure, there's moments of drama – but none of the discord this project has long been associated with." [12] Sixty hours of film footage, shot in January 1969, [13] and over 150 hours of audio stemming from the original Let It Be film were made available to Jackson's team. [14]

Production of The Beatles: Get Back employed film restoration techniques developed for Jackson's They Shall Not Grow Old . [15] Jackson spent close to four years editing the series. [16] It was created with cooperation from Paul McCartney, Ringo Starr and the widows of John Lennon (Yoko Ono) and George Harrison (Olivia Harrison), [12] as well as music supervisor Giles Martin (son of George Martin and a regular producer of Beatles projects since 2006). [17] In a news release, McCartney said: "I am really happy that Peter has delved into our archives to make a film that shows the truth about the Beatles recording together." Starr said: "There was hours and hours of us just laughing and playing music, not at all like the Let It Be film that came out [in 1970]. There was a lot of joy and I think Peter will show that." [18]

Disney was persuaded by the filmmakers to allow for the inclusion of profanity, [19] with viewer discretion warnings at the start of each episode. [20] According to Jackson: "The Beatles are Scouse boys and they freely swear but not in an aggressive or sexual way. We got Disney to agree to have swearing, which I think is the first time for a Disney channel." [19] Episodes also contain viewer discretion warnings for tobacco use. [20] As a result, the theatrical release of The Beatles: Get Back – The Rooftop Concert received a PG-13 rating by the MPA for "brief strong language, and smoking". [21]

Episodes

  1. "In Spite of All the Danger" (Paul McCartney, George Harrison; recorded as the Quarrymen)
  2. "Some Other Guy" (Jerry Leiber, Mike Stoller, Richie Barrett)
  3. "Love Me Do"
  4. "Please Please Me"
  5. "Twist and Shout" (Phil Medley, Bert Berns)
  6. "She Loves You"
  7. "I Want to Hold Your Hand"
  8. "Do You Want to Know a Secret"
  9. "All My Loving"
  10. "Eight Days a Week"
  11. "A Hard Day's Night"
  12. "Can't Buy Me Love"
  13. "I Should Have Known Better"
  14. "Help!"
  15. "Act Naturally" (Johnny Russell, Voni Morrison, Buck Owens)
  16. "Yesterday"
  17. "Drive My Car"
  18. "Yellow Submarine"
  19. "Taxman" (Harrison)
  20. "Tomorrow Never Knows"
  21. "Strawberry Fields Forever"
  22. "Penny Lane"
  23. "Sgt. Pepper's Lonely Hearts Club Band"
  24. "With a Little Help from My Friends"
  25. "Lucy in the Sky with Diamonds"
  26. "All You Need Is Love"
  27. "A Day in the Life"
  28. "Magical Mystery Tour"
  29. "I Am the Walrus"
  30. "Back in the U.S.S.R."
  31. "While My Guitar Gently Weeps" (Harrison)
  32. "Blackbird"
  33. "Hey Jude"

Twickenham Studios sessions

  1. "Child of Nature" (John Lennon)
  2. "Everybody's Got Soul"
  3. "Don't Let Me Down"
  4. "I've Got a Feeling"
  5. "Johnny B. Goode" (Chuck Berry)
  6. "Quinn the Eskimo" (Bob Dylan)
  7. "I Shall Be Released" (Dylan)
  8. "Two of Us"
  9. "Tea for Two" (Vincent Youmans, Irving Caesar)
  10. "Taking a Trip to Carolina" (Richard Starkey)
  11. "Just Fun"
  12. "Because I Know You Love Me So"
  13. "Thinking of Linking"
  14. "Won't You Please Say Goodbye"
  15. "One After 909"
  16. "Ob-La-Di, Ob-La-Da"
  17. "Midnight Special" (traditional)
  18. "What Do You Want to Make Those Eyes at Me For?" (Joseph McCarthy, Howard Johnson, James V. Monaco)
  19. "The Third Man Theme" (Anton Karas)
  20. "Gimme Some Truth" (Lennon)
  21. "All Things Must Pass" (Harrison)
  22. "Every Little Thing"
  23. "I'm So Tired"
  24. "You Wear Your Women Out" (Lennon, McCartney, Harrison, Starkey)
  25. "My Imagination" (Lennon, McCartney, Harrison, Starkey)
  26. "Get Back"
  27. "She Came In Through the Bathroom Window"
  28. "When I'm Sixty-Four"
  29. "Maxwell's Silver Hammer"
  30. "Across the Universe"
  31. "Rock and Roll Music" (Berry)
  32. "I Me Mine" (Harrison)
  33. "Stand by Me" (Ben E. King, Leiber, Stoller)
  34. "Baa, Baa, Black Sheep" (traditional)
  35. "You Win Again" (Hank Williams)
  36. "Another Day" (McCartney)
  37. "The Long and Winding Road"
  38. "Golden Slumbers"
  39. "Carry That Weight"
  40. "The Palace of the King of the Birds"
  41. "Commonwealth"
  42. "Enoch Powell"
  43. "Honey Hush" (Big Joe Turner)
  44. "Suzy Parker" (Lennon, McCartney, Harrison, Starkey)
  45. "The House of the Rising Sun" (traditional)
  46. "Mama, You Been on My Mind" (Dylan)
  47. "Shakin' in the Sixties" (Lennon)
  48. "Let It Be"
  49. "Carolina Moon" (Joe Burke, Benny Davis)
  50. "Jam" (Lennon, McCartney, Starkey, Yoko Ono)
  51. "John" (Ono)
  52. "Isn't it a Pity" (Harrison)
  53. "It's Only Make Believe" (Jack Nance, Conway Twitty)
  54. "You're My World" (Umberto Bindi, Gino Paoli, Carl Sigman)
  55. "Build Me Up Buttercup" (Mike d'Abo, Tony Macaulay)
  56. "Piano Piece" (Bonding)
  57. "Martha My Dear"
  58. "I Bought a Piano the Other Day" (Lennon, McCartney, Starkey)
  59. "Woman" (McCartney)
  60. "The Back Seat of My Car" (McCartney)
  61. "Song of Love"
  62. "Help!"
  63. "Tutti Frutti" (Little Richard, Dorothy LaBostrie)
  64. "Mean Mr. Mustard"
  65. "Madman"
  66. "Oh! Darling"

Apple Studios sessions

  1. "You Are My Sunshine" (Jimmie Davis, Charles Mitchel)
  2. "New Orleans" (Frank Guida, Joseph Royster)
  3. "Queen of the Hop" (Woody Harris)
  4. "Gilly Gilly Ossenfeffer Katzenellen Bogen by the Sea" (Al Hoffman, Dick Manning)
  5. "Thirty Days" (Berry)
  6. "Too Bad About Sorrows"
  7. "Dig a Pony"
  8. "My Baby Left Me" (Arthur Crudup)
  9. "Hi-Heel Sneakers" (Tommy Tucker)
  10. "Hallelujah I Love Her So" (Ray Charles)
  11. "Milk Cow Blues" (Kokomo Arnold)
  12. "Good Rocking Tonight" (Roy Brown)
  13. "Shout" (O'Kelly Isley Jr., Rudolph Isley, Ronald Isley)
  14. "Going Up the Country" (Alan Wilson)
  15. "You're Going to Lose That Girl"
  16. "Some Other Guy" (Leiber, Stoller, Barrett)
  17. "A Taste of Honey" (Bobby Scott, Ric Marlow)
  18. "Save the Last Dance for Me" (Doc Pomus, Mort Shuman)
  19. "Cupcake Baby" (Lennon)
  20. "Freakout Jam" (Lennon, McCartney, Ono)
  21. "Twenty Flight Rock" (Ned Fairchild, Eddie Cochran)
  22. "Reach Out I'll Be There" (Brian Holland, Lamont Dozier, Eddie Holland)
  23. "Please Please Me"
  24. "School Days" (Berry)
  25. "Polythene Pam"
  26. "Her Majesty"
  27. "Teddy Boy" (McCartney)
  28. "Maggie May" (traditional; arranged by Lennon, McCartney, Harrison, Starkey)
  29. "Fancy My Chances With You"
  30. "Dig It" (Lennon, McCartney, Harrison, Starkey)
  31. "Dehradun" (Harrison)
  32. "Within You Without You" (Harrison)
  33. "Why Don't We Do It in the Road?"
  34. "Act Naturally" (Johnny Russell, Voni Morrison)
  35. "Bye Bye Love" (Felice and Boudleaux Bryant)
  36. "For You Blue" (Harrison)
  37. "I Lost My Little Girl" (McCartney)
  38. "Window, Window" (Harrison)
  39. "Octopus's Garden" (Starkey)
  40. "I Told You Before" (Lennon, McCartney, Harrison, Starkey, Heather)
  41. "Twist and Shout" (Phil Medley, Bert Berns)
  42. "Blue Suede Shoes" (Carl Perkins)
  43. "Shake, Rattle and Roll" (Jesse Stone)
  44. "Kansas City" (Leiber–Stoller)
  45. "Miss Ann" (Johnson, Penniman)
  46. "Old Brown Shoe" (Harrison)
  47. "Strawberry Fields Forever"
  48. "Take These Chains from My Heart" (Fred Rose, Hy Heath)
  49. "Water! Water!"
  50. "Something" (Harrison)
  51. "Love Me Do"
  52. "I Want You (She's So Heavy)"
  53. "Half a Pound of Greasepaint"
  54. "Danny Boy" (traditional)
  55. "God Save the Queen" (traditional)
  56. "A Pretty Girl Is Like a Melody" (Irving Berlin)
  57. "Take This Hammer" (traditional)
  58. "Friendship" (Cole Porter)
  59. "Run for Your Life"

Rooftop concert

  1. "Get Back" (sound check)
  2. "Get Back" (take one)
  3. "Get Back" (take two)
  4. "Don't Let Me Down" (take one)
  5. "I've Got a Feeling" (take one)
  6. "One After 909"
  7. "Dig a Pony"
  8. "I've Got a Feeling" (take two)
  9. "Don't Let Me Down" (take two)
  10. "Get Back" (take three)

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No.TitleDirected by [22] Original release date [22]
1"Part 1: Days 1–7" Peter Jackson 25 November 2021 (2021-11-25)
The Beatles begin rehearsing at Twickenham Studios for what is at first meant to be a television special about the recording of their next album leading up to a live show at a location to be determined. The band rehearse embryonic versions of songs that will appear on the Let It Be album, as well as some songs that were later recorded for solo releases by John Lennon, Paul McCartney and George Harrison. Yoko Ono is constantly present in the studio, on one occasion singing, and shown chatting with Linda McCartney. Harrison is shown with Hare Krishna friends. Music publisher Dick James appears and runs through the latest catalogue of songs he has acquired for Northern Songs. Director Michael Lindsay-Hogg tries to persuade the Beatles to end the project with an impressive live show. After seven days of tense rehearsals that reveal problems in the band members' motivation and collaborative process, Harrison abruptly leaves the group.
2"Part 2: Days 8–16"Peter Jackson26 November 2021 (2021-11-26)
Rehearsals briefly resume amid uncertainty over the band's future. Actor Peter Sellers makes an awkward appearance. Following a productive meeting with Harrison, the Beatles agree to abandon the idea of a live show and relocate to their Apple Corps studio to formally record the new album. Glyn Johns, recording engineer and co-producer for the sessions, finds the studio's facilities substandard and contacts George Martin with an urgent request for replacement gear. Billy Preston, a musician the group met in Hamburg, joins in on the sessions on electric piano.