Rob Sheffield | |
---|---|
Born | Robert James Sheffield February 2, 1966 Milton, Massachusetts, U.S. |
Occupation | Author, columnist |
Nationality | American |
Genre | Music pop culture |
Spouse | Renee Crist (m. 1991;died 1997)Ally Polak (m. 2006) |
Robert James Sheffield (born February 2, 1966) is an American music journalist and author. [1]
He is a long time contributing editor at Rolling Stone , writing about music, TV, and pop culture. Previously, he was a contributing editor at Blender , Spin and Details magazines. A native of Milton, Massachusetts, Sheffield has a bachelor's degree from Yale University and master's degree (1991) from the University of Virginia. [2]
Sheffield has written eight books. His first, a memoir published by Random House in January 2007, is titled Love Is a Mix Tape: Life and Loss, One Song at a Time . An excerpt of the book was featured in the January 2007 issue of GQ . A national bestseller, the book was met with much acclaim. [4] [5]
Sheffield's sixth book, released in April 2017, is called Dreaming the Beatles: The Love Story of One Band and the Whole World. An excerpt was published online by Rolling Stone. [6] USA Today gave Dreaming the Beatles three and one-half (out of four) stars and called it a "charming new collection of essays." [7] Spin added that "Dreaming the Beatles is equal parts history and cultural criticism, as Sheffield draws from dozens of sources to lay down the story of how the Beatles came to be, before writing about why any of it matters." [8] MTV opined that "Dreaming the Beatles is one of the best books about the band ever written." [9] Sheffield won the ASCAP Foundation's Virgil Thomson Award for Outstanding Music Criticism for Dreaming the Beatles in 2017. [10]
Sheffield's latest book, published in November 2024, about singer Taylor Swift, is entitled Heartbreak Is the National Anthem: How Taylor Swift Reinvented Pop Music. Writing in The New York Times, Amanda Hess praises his encyclopedic knowledge of Swift's music, fans, and business acumen, but especially her talent as a songwriter, saying "everything always leads back to her virtuosic writing". [11] Publisher's Weekly says "the unrestrained delight with which Sheffield captures his subject, [mixes] a fan’s exuberance with a music critic’s nuanced analysis." [12] Kirkus Reviews similarly calls it "an affectionate homage from an ardent fan". [13]
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
"New Romantics" is a song by the American singer-songwriter Taylor Swift, who wrote it with the producers Max Martin and Shellback. The title is a reference to a cultural movement of the 1970s and 1980s, whose new wave musical style influenced the song's synth-pop production and pulsating synthesizers. The lyrics are about reigniting one's hopes and energy after emotional hardships.
"Revolution 9" is a sound collage from the Beatles' 1968 self-titled double album. The composition, credited to Lennon–McCartney, was created primarily by John Lennon with assistance from Yoko Ono and George Harrison. Lennon said he was trying to paint a picture of a revolution using sound. The composition was influenced by the avant-garde style of Ono as well as the musique concrète works of composers such as Edgard Varèse and Karlheinz Stockhausen.
Rockism and poptimism are ideological arguments about popular music prevalent in mainstream music journalism. Rockism is the belief that rock music depends on values such as authenticity and artfulness, which elevate it over other forms of popular music. So-called "rockists" may promote the artifices stereotyped in rock music or may regard the genre as the normative state of popular music. Poptimism is the belief that pop music is as worthy of professional critique and interest as rock music. Detractors of poptimism describe it as a counterpart of rockism that unfairly privileges the most famous or best-selling pop, hip hop and R&B acts.
Mark "Spike" Stent is an English record producer and mixing engineer who has worked with many international artists including Madonna, Marshmello, U2, Beyoncé, Björk, Depeche Mode, Echo & the Bunnymen, Grimes, Ed Sheeran, Beth Orton, Harry Styles, Frank Ocean, Selena Gomez, All Saints, Spice Girls, Lady Gaga, Coldplay, Mansun, Maroon 5, Muse, Lily Allen, Peter Gabriel, Gwen Stefani, Moby, No Doubt, Lenka, Usher, Kaiser Chiefs, Linkin Park, the Yeah Yeah Yeahs, Oasis, Keane, Massive Attack, Bastille, Diana Vickers and Take That.
"Star Star" is a song recorded by the English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards. In a few select countries, the song was released as a single from the band's album Goats Head Soup (1973), with "Doo Doo Doo Doo Doo (Heartbreaker)" as its B-side. The song's title was changed to "Star Star" from "Starfucker" after Ahmet Ertegün of Atlantic Records insisted on the change.
Fearless is the second studio album by the American singer-songwriter Taylor Swift. She wrote the majority of the album while touring in 2007–2008 and produced it with Nathan Chapman.
"Long Live" is a song written and recorded by the American singer-songwriter Taylor Swift for her third studio album, Speak Now (2010). Produced by Swift and Nathan Chapman, "Long Live" is a heartland rock song featuring girl group harmonies and chiming rock guitars. The lyrics are about Swift's gratitude for her fans and bandmates, using high-school and royalty imagery to describe the accomplishments in the narrator's life.
"Holy Ground" is a song written and recorded by the American singer-songwriter Taylor Swift for her fourth studio album, Red (2012). Produced by Jeff Bhasker, "Holy Ground" is an upbeat song combining country rock and heartland rock with insistent drums. In the lyrics, the narrator reminisces about a good moment in a failed relationship; she describes where she and the ex-lover once stood as "holy ground".
"This Love" is a song written and recorded by the American singer-songwriter Taylor Swift for her fifth studio album, 1989 (2014). Swift produced the song with Nathan Chapman. An atmospheric ballad, "This Love" combines soft rock and synth-pop. Its lyrics use oceanic imagery to describe the revival of a faded romance.
"I Did Something Bad" is a song by the American singer-songwriter Taylor Swift, taken from her sixth studio album, Reputation (2017). Swift wrote the song with its producers, Max Martin and Shellback. It features a heavy electronic production that combines electro-trap, grunge and EDM elements, incorporating manipulated vocals and electronic instruments. The lyrics are about Swift's lack of remorse after acknowledging her allegedly wrongful behaviors that caused a sensation, inspired by the female characters Sansa and Arya Stark of the fantasy series Game of Thrones.
"Delicate" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). She wrote the song with the producers Max Martin and Shellback. Inspired by events surrounding Swift's celebrity and personal life, the lyrics depict a narrator's vulnerability when she ponders if her reputation would affect the blossoming romance. "Delicate" is an electropop and synth-pop ballad that features vocals manipulated with a vocoder. Its production incorporates dense synthesizers and beats that evoke tropical house and dancehall.
"Getaway Car" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). It served as a single in Australia and New Zealand on September 7, 2018, to support the Australian shows of Swift's Reputation Stadium Tour (2018). Written and produced by Swift and Jack Antonoff, it is a synth-pop song with pulsing synthesizers, programmed drums, and distorted vocals. Lyrically, the song describes Swift's efforts to exit a relationship using romance with someone else, knowing the new relationship will also end briefly because its purpose was only to "get away" from the first one.
"New Year's Day" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Swift wrote and produced the song with Jack Antonoff. "New Year's Day" is an acoustic ballad with a sparse arrangement incorporating recurring piano riffs and subdued guitar and synth notes. In the lyrics, the narrator spends the morning after a New Year's Eve party with a lover, and they together clean up their shared house and care for each other. Swift performed "New Year's Day" live on The Tonight Show Starring Jimmy Fallon on November 13, 2017, and Big Machine Records released the song to US country radio as a single on November 27, 2017.
"Juice" is a song recorded by American singer and rapper Lizzo. It was released on January 4, 2019, by Atlantic Records as the lead single from her third and debut major-label studio album, Cuz I Love You. The single was written by Lizzo, Theron Thomas, Sam Sumser, Sean Small and Ricky Reed; the latter also handled the song's production. Musically, it is a retro-inspired funk and funk-pop song that is based on a throwback groove. Lyrically, the song discusses self-love, and has been described as a self-esteem anthem.
"Miss Americana & the Heartbreak Prince" is a song by the American singer-songwriter Taylor Swift from her seventh studio album Lover (2019). She wrote the song a few months after the 2018 U.S. midterm elections to capture her disillusionment with the American political climate. Written and produced by Swift and Joel Little, "Miss Americana & the Heartbreak Prince" is a synth-pop tune with marching band-styled percussion and background cheerleading shouts. It is a protest song that makes use of high-school imagery lyrically to depict the struggles navigating through a flawed system, with allusions to a troubled love story.
"Only the Young" is a song by the American singer-songwriter Taylor Swift. It was released on January 31, 2020, through Republic Records, as a promotional single for Miss Americana, a 2020 Netflix documentary on Swift. In the film's closing credits, the song is featured. Held back from being included on Swift's seventh studio album, Lover (2019), the song was both written and produced by Swift and Joel Little, inspired by the 2018 United States elections.
"August" is a song by the American singer-songwriter Taylor Swift from her eighth studio album, Folklore (2020). Swift and Jack Antonoff wrote the song, and the two produced it with Joe Alwyn.
"Treacherous" is a song by the American singer-songwriter Taylor Swift, taken from her fourth studio album, Red (2012). Swift wrote the track with its producer Dan Wilson. Blending styles of country and pop, "Treacherous" is a slow-burning ballad that builds up into a finale. Its lyrics are about a narrator's attempt to protect a fragile and dangerous relationship. A demo of the song was included in the tracklist of Red's deluxe edition.
"Labyrinth" is a song by the American singer-songwriter Taylor Swift from her tenth studio album, Midnights (2022). Written and produced by Swift and Jack Antonoff, it has a prominent electronic production. The track begins with dense, pulsating synthesizers, subtle guitars, muffled trap and house beats, and Swift's vocals in their upper register; its outro consists of repeated refrains sung with Swift's low-pitched voice. Music critics categorize the genre as synth-pop, dance-pop, and bedroom pop. In the lyrics, the narrator expresses her anxiety from falling in love again after going through heartbreak.