"Going Up the Country" | ||||
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Single by Canned Heat | ||||
from the album Living the Blues | ||||
B-side | "One Kind Favor" | |||
Released | November 22, 1968 | |||
Recorded | August 6–7, 1968 | |||
Studio | I.D. Sound Recorders, Hollywood, California | |||
Genre | Blues rock [1] | |||
Length | 2:50 | |||
Label | Liberty | |||
Songwriter(s) | Alan Wilson (see text) | |||
Producer(s) | Canned Heat, Skip Taylor | |||
Canned Heat singles chronology | ||||
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"Going Up the Country" (also "Goin' Up the Country") is a song adapted and recorded by American blues rock band Canned Heat. Called a "rural hippie anthem", [2] it became one of the band's biggest hits and best-known songs. [3] As with their previous single, "On the Road Again", the song was adapted from a 1920s blues song and sung by Alan Wilson.
Canned Heat, who were early blues enthusiasts, based "Going Up the Country" on "Bull Doze Blues", recorded in 1928 by Texas bluesman Henry Thomas. [4] Thomas was from the songster tradition and had a unique sound, [5] sometimes accompanying himself on quills, an early Afro-American wind instrument similar to panpipes. He recorded "Bull Doze Blues" in Chicago on June 13, 1928, for Vocalion Records. [6]
For "Going Up the Country", Canned Heat's Wilson used Thomas' melody on the quills and his basic rhythm, but arranged it for a rock setting and rewrote the lyrics. In addition to the bass and drum rhythm section, Henry Vestine supplied a "light electric rhythm guitar" [4] and multi-instrumentalist Jim Horn reproduced Thomas' quill parts on the flute. [7]
Although linked to the counterculture of the 1960s' back-to-the-land movement, Wilson's lyrics are ambiguous, leading some to suggest they were about evading the draft during the Vietnam War by moving to Canada: [8]
Now, baby, pack your leaving trunk, you know we've got to leave today
Just exactly where we're going, I cannot say, but we might even leave the U.S.A.
'Cause there's a brand new game that I don't wanna play
In October 1968, Liberty Records first released "Going Up the Country" on Canned Heat's third album, Living the Blues , and followed it with a single on November 22, 1968. [9] The single peaked at number 11 on the Billboard Hot 100 singles chart on January 25, 1969, making it the band's best showing on the main U.S. chart. [10] On January 6, 1969, the song reached number 5 on the Canadian RPM charts, [11] and on January 7, 1969, the song peaked at number 19 on the UK Singles Chart. [12]
The song appears on several Canned Heat compilation albums, including Canned Heat Cookbook, Let's Work Together: The Best of Canned Heat (1989) and Uncanned! The Best of Canned Heat (1994). [9] The group performed "Going Up the Country" at the Woodstock music festival in August 1969 and the song is used in the Woodstock film [2] and appears on the original soundtrack album. [13]
The song was also included in the soundtrack for the 2010 skateboarding video game Skate 3. [14]
Canned Heat is an American blues and rock band that was formed in Los Angeles in 1965. The group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson, Henry Vestine and later Harvey Mandel, Larry Taylor (bass), and Adolfo de la Parra (drums).
Henry Thomas was an American country blues singer, songster and musician. Although his recording career, in the late 1920s, was brief, Thomas influenced performers including Bob Dylan, Taj Mahal, the Lovin' Spoonful, the Grateful Dead, and Canned Heat. Often billed as "Ragtime Texas", Thomas's style is an early example of what later became known as Texas blues guitar.
"I Hear You Knocking" is a rhythm and blues song written by American musician Dave Bartholomew. New Orleans rhythm and blues singer Smiley Lewis first recorded the song in 1955. The lyrics tell of the return of a former lover who is rebuffed.
"Proud Mary" is a song by American rock band Creedence Clearwater Revival, written by vocalist and lead guitarist John Fogerty. It was released as a single in January 1969 by Fantasy Records and on the band's second studio album, Bayou Country. The song became a major hit in the United States, peaking at No. 2 on the Billboard Hot 100 in March 1969, the first of five singles to peak at No. 2 for the group.
Woodstock: Music from the Original Soundtrack and More is a live album of selected performances from the 1969 Woodstock counterculture festival officially known as "The Woodstock Music & Art Fair". The album was compiled & produced by Eric Blackstead. Originally released on Atlantic Records' Cotillion label as a triple album on May 11, 1970, it was re-released as a 4 CD box by Mobile Fidelity Sound Labs in 1986 followed by a two-CD set released by Atlantic in 1987. Atlantic re-issued the two-CD set in 1994 correcting a few mastering errors found on their 1987 release. Veteran producer Eddie Kramer along with Lee Osbourne were the sound engineers during the three-day event.
Alan Christie Wilson, nicknamed "Blind Owl", was an American musician, best known as the co-founder, leader, co-lead singer, and primary composer of the blues band Canned Heat. He sang and played harmonica and guitar with the group live and on recordings. Wilson was the lead singer for the group's two biggest U.S. hit singles: "On the Road Again" and "Going Up the Country".
"On the Road Again" is a song recorded by the American blues rock group Canned Heat in 1967. A driving blues rock boogie, it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second guitarist and harmonica player Alan Wilson provides the distinctive high pitched vocal, sometimes described as a falsetto.
Boogie with Canned Heat is the second studio album by American blues and rock band Canned Heat. Released in 1968, it contains mostly original material, unlike their debut album. It was the band's most commercially successful album, reaching number 16 in the US and number 5 in the UK.
Living the Blues is the third album by Canned Heat, a double album released in late 1968. It was one of the first double albums to place well on album charts. It features Canned Heat's signature song, "Going Up the Country", which would later be used in the Woodstock film. John Mayall appears on piano on "Walking by Myself" and "Bear Wires". Dr. John appears on "Boogie Music". The 20-minute trippy suite "Parthenogenesis" is dwarfed by the album-length "Refried Boogie", recorded live.
Uncanned! The Best of Canned Heat is a two-disc CD set issued in 1994 that features various tracks from previous albums and some previously unreleased tracks. Highlights include an alternate, longer take of "On the Road Again," and the first release of "Let's Work Together" in stereo.
Samuel Lawrence "Larry" Taylor was an American bass guitarist, best known for his work as a member of Canned Heat. Before joining Canned Heat he had been a session bassist for The Monkees and Jerry Lee Lewis. He was the younger brother of Mel Taylor, long-time drummer of The Ventures.
"Rollin' and Tumblin'" is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known.
"Soul Man" is a 1967 song written and composed by Isaac Hayes and David Porter, first successful as a number 2 hit single by Atlantic Records soul duo Sam & Dave, which consisted of Samuel "Sam" Moore and David "Dave" Prater. In 2019, "Soul Man" was selected for preservation in the National Recording Registry as "culturally, historically, and aesthetically significant" by the Library of Congress. It was No. 463 in "Top 500 Greatest Songs of All Time" by Rolling Stone in 2010 and No. 458 in 2004.
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"Let's Stick Together" is a blues-based rhythm and blues song written by Wilbert Harrison. In 1962, Fury Records released it as a single. Harrison further developed the song and in 1969, Sue Records issued it as a two-part single titled "Let's Work Together". Although Harrison's original song did not appear in the record charts, his reworked version entered the U.S. Top 40.
"The Hunter" is a blues song first recorded by Albert King in 1967 for his landmark album Born Under a Bad Sign. It was written by Stax Records' house band, Booker T. and the MGs, and Carl Wells. Along with "Born Under a Bad Sign" and "Crosscut Saw", "The Hunter" is one of King's best-known and most-recorded songs. In 1969, Ike & Tina Turner's version reached the singles charts in the U.S.
"Here We Go Again" is a country music standard written by Don Lanier and Red Steagall that first became notable as a rhythm and blues single by Ray Charles from his 1967 album Ray Charles Invites You to Listen. It was produced by Joe Adams for ABC Records/Tangerine Records. To date, this version of the song has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.
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