"New Orleans" | ||||
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Single by Gary U.S. Bonds | ||||
from the album Dance 'Til Quarter to Three with U.S. Bonds | ||||
B-side | "Please Forgive Me" | |||
Released | September 1960 | |||
Genre | Rock and roll | |||
Length | 2:44 | |||
Label | Legrand | |||
Songwriter(s) | Frank Guida, Joseph Royster [1] | |||
Producer(s) | Frank Guida | |||
Gary U.S. Bonds singles chronology | ||||
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"New Orleans" is a song written by Frank Guida and Joseph Royster and performed by Gary U.S. Bonds. It was featured on his 1961 album Dance 'Til Quarter to Three with U.S. Bonds. [2] Frank Guida also produced the track. [3] Backing was provided by Gene Barge's group The Church Street Five.
"New Orleans" reached #5 on the U.S. R&B chart, #6 on the U.S. pop chart, and #16 on the UK Singles Chart in 1960. [4]
"Louie Louie" is a rhythm and blues song written and composed by American musician Richard Berry in 1955, recorded in 1956, and released in 1957. It is best known for the 1963 hit version by the Kingsmen and has become a standard in pop and rock. The song is based on the tune "El Loco Cha Cha" popularized by bandleader René Touzet and is an example of Afro-Cuban influence on American popular music.
The Kingsmen are a 1960s American rock band from Portland, Oregon. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the Billboard charts for six weeks and has become an enduring classic.
Pauline Matthews, better known by her stage name Kiki Dee, is an English pop singer. Known for her blue-eyed soul vocals, she was the first female singer from the UK to sign with Motown's Tamla Records.
"Money (That's What I Want)" is a rhythm and blues song written by Tamla founder Berry Gordy and Janie Bradford, which was the first hit record for Gordy's Motown enterprise. Barrett Strong recorded it in 1959 as a single for the Tamla label, distributed nationally on Anna Records. Many artists later recorded the tune, including the Beatles in 1963 and the Flying Lizards in 1979.
"At My Front Door" is a song written by Ewart Abner and John Moore and performed by The El Dorados. It reached #1 on the U.S. R&B chart and #17 on the U.S. pop chart in 1955. The song was featured on their 1957 album, Crazy Little Mama.
"I'm Your Puppet" is a song written by Dan Penn and Spooner Oldham; the best known version is the one recorded by James & Bobby Purify which reached #5 on the US R&B chart and #6 on the Billboard Hot 100 in 1966. The single was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals in 1967. The song was featured on their 1967 album, James & Bobby Purify.
"Loving You" is a song written by Jerry Leiber and Mike Stoller and performed by Elvis Presley with backup vocals provided by The Jordanaires. It reached No. 15 on the U.S. country chart, #20 on the U.S. pop chart, and #24 on the UK Singles Chart in 1957. It was featured on his 1957 album Loving You. It was featured in Presley's 1957 movie Loving You. The single's A-side, "(Let Me Be Your) Teddy Bear" reached No. 1 on the U.S. pop, country, and R&B charts and #3 on the UK Singles Chart in 1957.
Come See About Me is a 1984 album by American pop singer Neil Sedaka. It was released in the US on the Curb label and in Europe on the MCA label.
"Slip Away" is a song written by William Armstrong, Marcus Daniel, and Wilbur Terrell and performed by Clarence Carter, featured on the 1968 album This Is Clarence Carter.
"With These Hands" is a song written by Benny Davis and Abner Silver and performed by Eddie Fisher featuring Hugo Winterhalter and His Orchestra. It reached number 7 on the U.S. pop chart in 1953.
"Let the Little Girl Dance" is a song written by Carl Spencer and Henry Glover and performed by Billy Bland. It reached #7 on the U.S. pop chart, #11 on the U.S. R&B chart, and #15 on the UK Singles Chart in 1960.
"Mission Bell" is a song written by William Michael and Jesse Hodges and performed by Donnie Brooks, with backing vocals by The Blossoms. It reached number 7 on the U.S. pop chart in 1960. It was featured on his 1961 album, The Happiest.
"Ooh Poo Pah Doo" is a song written and performed by Jessie Hill. It was arranged and produced by Allen Toussaint. The single reached No. 3 on the Billboard R&B chart and No. 28 on the Hot 100 in 1960.
"Gee Whiz (Look at His Eyes)" is a song written and performed by Carla Thomas. It reached #5 on the U.S. R&B chart and #10 on the U.S. pop chart in 1961. It was featured on her 1961 album Gee Whiz.
"Dear Lady Twist" is a song written and produced by Frank Guida, and performed by Gary U.S. Bonds. It reached #5 on the U.S. R&B chart and #9 on the U.S. pop chart in 1962. It was featured on his 1962 album Twist Up Calypso.
"Party Lights" is a song written and performed by Claudine Clark. It reached #3 on the U.S. R&B chart and #5 on the U.S. pop chart in 1962. It was featured on her 1962 album Party Lights.
"The Wah-Watusi" is a song written by Kal Mann and Dave Appell and performed by The Orlons. It reached No.2 on the U.S. pop chart behind Bobby Vinton's "Roses Are Red ", No.5 on the U.S. R&B chart, and No. 12 in Canada in 1962. It was featured on their 1962 album The Wah-Watusi.
"The Jolly Green Giant" is a song written by Lynn Easton, Don Harris, and Dewey Terry and performed by The Kingsmen. It reached No.1 on the Canadian chart, No.4 on the U.S. pop chart, and No.25 on the U.S. R&B chart in 1965. It was featured on their 1965 album The Kingsmen Volume 3. The song was based on Green Giant's mascot the Jolly Green Giant. The single originally only credited Easton as the writer, but Harris and Terry were later added when it was determined the song was a re-write of The Olympics song "Big Boy Pete".
"The Duck" is a song written by Fred Sledge Smith and Earl Nelson and performed by Jackie Lee. It was featured on his 1966 album The Duck. The song was arranged by Fred Hill and produced by Fred Sledge Smith.
"The Men in My Little Girl's Life" is a song written by Mary Candy, Eddie Dean, and Gloria Shayne and performed by Mike Douglas. The song was arranged by Jerry Fielding and produced by Manny Kellem. It was featured on Douglas' 1966 album The Men in My Little Girl's Life.