"Holly Holy" | ||||
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Single by Neil Diamond | ||||
from the album Touching You, Touching Me | ||||
B-side | "Hurtin' You Don't Come Easy" | |||
Released | October 13, 1969 | |||
Genre | Pop, soft rock | |||
Length | 4:27 (single version) 4:40 (album version) | |||
Label | Uni | |||
Songwriter(s) | Neil Diamond | |||
Producer(s) | Tom Catalano, Tommy Cogbill | |||
Neil Diamond singles chronology | ||||
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"Holly Holy" is a song written and recorded by Neil Diamond with instrumental backing provided by the American Sound Studio house band in Memphis. Released as a single on October 13, 1969, [1] it was a successful follow up to "Sweet Caroline", reaching #6 on the U.S. pop singles chart by December. [2] [3] The song also reached #5 on the Easy Listening chart. [4] It became a gold record and then eventually a platinum record. [1]
While it is a love song, it also has a spiritual focus. [5] Its storyline and style were influenced by gospel music. [1] The first lyrics are sung by Diamond alone. But in the second verse, a gospel choir is accompanying him as the song builds in intensity. Later lyrics echo a Bible story: "Touch a man who can't walk upright and that lame man, he's gonna fly." [6]
Record World predicted the song "will be as famous as its author and constant hitmaker." [7] It was Diamond's favorite of the songs he had written to that point. [3]
"Holly Holy" was later included on Diamond's November 1969 album Touching You, Touching Me . [1] It has been included in live versions on Diamond's Hot August Night (from 1972) and Greatest Hits: 1966–1992 (from 1992) as well as various compilations.
Weekly charts
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Produced by Clancy Eccles in 1970, the song was an instant success for Jamaican reggae group the Fabulous Flames, almost crossing into the UK's popular music chart. [17]
The song was covered by UB40 on their album Labour of Love III in 1998.
The song was covered by Nancy Sinatra and released on her album Shifting Gears in 2013. [18]
The song plays during opening credits of the 1999 Kate Winslet–Harvey Keitel film Holy Smoke! . Additionally, it was played live in concert at the end of the 2001 film Saving Silverman during the end credits scene by Neil Diamond (as himself) and the main cast members (in character). It was also featured in the 2012 Kevin James film Here Comes the Boom as James's character's entrance song in mixed martial arts (MMA). The song was also featured in the 2017 TV series Mr. Mercedes Season 3, episode 4. The song was used in Mike Flanagan's 2021 Netflix miniseries Midnight Mass during a montage in the third episode.
"Deep Inside My Heart" is a song by former Eagles member Randy Meisner, with prominent backing vocal by Kim Carnes. It became a hit in the United States during the summer of 1980, reaching #22 on the Billboard Hot 100. The song was a bigger hit in Canada, where it reached #12.
"America" is a song written and originally recorded by Neil Diamond, released in 1980 on the soundtrack album of Diamond's film The Jazz Singer. The song was a hit single in the United States in 1981, reaching number eight on the Billboard Hot 100, and was Diamond's sixth number one on the Adult Contemporary chart. Billboard also rated it the #62 pop single overall for 1981. Although the single version was a studio recording, overdubs of crowd cheering simulate the feel of a live performance.
"Tell Me a Lie" is a song composed by Mickey Buckins and Barbara Wyrick. Originally recorded by Lynn Anderson for her 1974 What a Man My Man Is album, it was released later that same year as a single by Sami Jo Cole, who took it to number 21 on both of the major U.S. pop charts. It also charted in Canada (#17). Cole's version was also an Adult Contemporary hit, reaching number 14 in the U.S. and number 27 in Canada.
"Montego Bay" is a song co-written and performed by Bobby Bloom about the city in Jamaica of the same name. The song was a top ten hit for Bloom in the Fall of 1970 on both sides of the Atlantic. It reached No. 3 on the UK Singles Chart, No. 5 on the Canadian RPM 100 Singles Chart, No. 7 on the Australian Go-Set Singles Chart and No. 8 on the US Billboard Hot 100. The song was co-written and produced by Jeff Barry. In the master tape of the song, Bloom breaks into a chorus of "Oh, What a Beautiful Mornin'" at the end of the recording. The song features a whistler, as well as Jamaican instruments in a calypso style.
"Longfellow Serenade" is the title of a 1974 song by the American singer-songwriter Neil Diamond. It was written by Diamond, produced by Tom Catalano, and included on Diamond's album Serenade.
"Solitary Man" is a song written by American musician Neil Diamond, who recorded the song for Bang Records in late January 1966. It has since been covered many times, notably by T. G. Sheppard, Gianni Morandi, Chris Isaak, Johnny Cash and HIM.
"Song Sung Blue" is a 1972 hit song written and recorded by Neil Diamond, inspired by the second movement of Mozart's Piano Concerto #21. It was released on Diamond's album Moods, and later appeared on many of Diamond's live and compilation albums. The song was a #1 hit on the Billboard Hot 100 chart in the United States for one week, the week of July 1, and it spent twelve weeks in the Top 40. It also reached #14 on the UK Singles Chart.
"Desirée" is a 1977 song written and recorded by Neil Diamond and included as a track on Diamond's 1977 album, I'm Glad You're Here with Me Tonight. The single peaked at number 16 on the Billboard Hot 100 and reached number one on the U.S. Easy Listening chart to become his fifth number one on that chart. The song likewise reached number one on the Canadian AC chart.
"An American Dream" is a song written by Rodney Crowell. He recorded it under the title "Voilá, An American Dream" on his 1978 album Ain't Living Long Like This, and released it as the B-side to that album's single "(Now and Then There's) A Fool Such as I".
"And the Grass Won't Pay No Mind" is a song written by Neil Diamond and recorded in 1969 on his Brother Love's Travelling Salvation Show LP. It was also featured on his live LP Hot August Night. Diamond's original became a minor hit in Australia before the song became a U.S. and Canadian hit for Mark Lindsay in the fall of 1970.
"Love in the Shadows" is an uptempo pop song co-written and recorded by Neil Sedaka. The song became an international Top 20 hit in 1976.
"Really Wanna Know You" is a 1981 song by Gary Wright that was a hit single in the U.S., reaching No. 16 on the Billboard Hot 100. It was taken from the album The Right Place. The song spent 17 weeks on the chart and became Wright's third biggest U.S. hit. It was his final charting single.
"Long Tall Glasses (I Can Dance)" is a 1974 song by Leo Sayer, co-written with David Courtney. It was released in the United Kingdom in late 1974, becoming Sayer's third hit record on both the British and Irish singles charts and reaching number four in both nations. It was included on Sayer's album Just a Boy.
"Keep Your Eye on the Sparrow", also known as "Baretta's Theme", is a song written by Morgan Ames and Dave Grusin, recorded by multiple artists during the summer of 1975. Merry Clayton's version was the first to chart, reaching #45 on the U.S. Billboard Hot 100.
"Could You Ever Love Me Again" is a 1973 song recorded by Gary and Dave. It became their greatest hit, reaching #7 in Australia and #1 in Canada. It was also a minor hit in the United States.
"Let's Call It a Day Girl" is a 1966 song which became a hit for Florida-based pop rock group The Razor's Edge. The song was written by Irwin Levine and Neil Sheppard. Bobby Vee also recorded the song, with his rendition becoming a hit three years later.
"Melanie Makes Me Smile" is a 1970 song written by United Kingdom songwriters Barry Mason and Tony Macaulay. British singer Tony Burrows issued his version in April 1970, which reached No. 87 in the US. Macaulay also produced Burrows' single. Burrows had previously recorded Mason and Macauley's "Love Grows " as lead singer of Edison Lighthouse. "Melanie Makes Me Smile" was released by Australian pop group the Strangers as a cover version in June 1970; it became a top 10 hit there in September.
"Rainy Jane" is a song written and originally recorded by Neil Sedaka in 1969, covered two years later by Davy Jones. Sedaka's rendition became a minor hit in the U.S., Canada and Australia.
"That's When the Music Takes Me" is a song written and originally recorded by Neil Sedaka in 1972. It is a track from his Solitaire LP, as it was billed in the UK, entitled as Neil Sedaka in the U.S.
"Children" is a song written by Joe South, originally from his 1969 album Don't It Make You Want to Go Home?. In 1970, he released it as a single.