"I Walk on Guilded Splinters" | |
---|---|
Song by Dr. John | |
from the album Gris-Gris | |
Released | January 22, 1968 |
Recorded | 1967, Los Angeles |
Genre | |
Length | 7:37 |
Label | Atco |
Songwriter(s) | Dr. John Creaux |
Producer(s) | Harold Battiste |
"I Walk on Guilded Splinters" (sometimes "I Walk on Gilded Splinters" or "Walk on Gilded Splinters") is a song written by Mac Rebennack using his pseudonym of Dr. John Creaux. It first appeared as the closing track of his debut album Gris-Gris (1968), credited to Dr. John the Night Tripper. The song has subsequently been performed and recorded by many other musicians, including Widespread Panic, The Neville Brothers, Cher, Marsha Hunt, Johnny Jenkins, Humble Pie, King Swamp, the Allman Brothers Band, Paul Weller, the Flowerpot Men, Michael Brecker, Tedeschi Trucks Band and Jello Biafra.
According to Broadcast Music, Inc. (BMI), the legal title of the song is "I Walked on Guilded Splinters". [1] The original liner notes for Gris-Gris contained several unconventional spellings, such as "dreged" and "reincannted", and many later versions of the song have used the orthodox spelling "…Gilded…" rather than "…Guilded…".
Dr. John stated that the song was based on a traditional voodoo church song. He said: "It's supposed to be 'Splendors', but I turned it into 'Splinters'... I just thought splinters sounded better and I always pictured splinters when I sung it." [2] The New Orleans musician Coco Robicheaux, whose name is called out in the song, said: [3]
"Dr. John, he was very much interested in metaphysics... In voodoo they call the gilded splinters the points of a planet. Mystically, they appear like little gilded splinters, like little gold, like fire that holds still. They’re different strengths at different times. I guess it ties in with astrology, and influence the energy. That's what that's about."
The sessions for the Gris-Gris album took place in the Gold Star Studios in Los Angeles, California. The album aimed to combine various strains of New Orleans music. It centered on a character named "Dr. John" who was based on a 19th-century healer called Dr. John Montaine, who claimed to be an African potentate. [4] The musicians mostly originated from New Orleans, and as well as Rebennack (vocals, keyboards, guitar, percussion) included arranger and record producer Harold Battiste (bass, clarinet, percussion), together with Richard 'Didimus' Washington (guitar, mandolin, percussion), Plas Johnson (saxophone), Lonnie Boulden (flute), Steve Mann (guitar, banjo), Ernest McLean (guitar, mandolin), Bob West (bass), Mo Pedido (congas), John Boudreaux (drums), and backing singers who included Jessie Hill, Ronnie Barron, Shirley Goodman and Tami Lynn. [5]
Critic Richie Unterberger wrote that "I Walk On Guilded Splinters" was "the album's most durable song, a creepy voodoo soup that both smoldered with ominous foreboding and simmered with temptations of sensual delights." [6] Tom Moon of Rolling Stone described the track as "a masterpiece of vibe that has retained its aura even after being sampled and covered every which way. An ambling processional framed by a simple pentatonic guitar melody, it's everything you want in voodoo music: a feast of pummeling drums, swirling ethereal voices and the patient, mumbled incantations of Dr. John, all coalescing into the sound of a solemn, revelatory ritual." [7] Thom Jurek, at Allmusic, also described it as the album's masterpiece, stating: [8]
"Dr. John is brazen about the power of his spells in a slippery, evil-sounding boast. Congas, tom-toms, snaky guitar, and harmonica underscore his juju, while a backing chorus affirms his power like mambo priestesses in unison. A ghostly baritone saxophone wafts through the turnarounds. Droning blues, steamy funk, and loopy R&B are inseparably entwined in its groove."
An edited version of the song was released in 1969 as a promotional single on the Atlantic label by Cher, produced by Jerry Wexler. [9] It was also included on her album, 3614 Jackson Highway . The Gris-Gris recordings had been made during studio time originally reserved for Sonny & Cher, [5] and were released on the Atlantic subsidiary label Atco.
In the United Kingdom and Europe, a version of the song was released by Marsha Hunt as a single on Track Records in 1969. The recording was arranged and produced by Tony Visconti, [10] and the single reached number 46 on the UK singles chart. [11]
Johnny Jenkins recorded the song as the opening track on his album Ton-Ton Macoute! (1970), produced by, and featuring, guitarist Duane Allman. It was issued as a single by Capricorn Records, and was later sampled by Beck in his 1993 song "Loser". [12] The recording with Jenkins also featured on the Duane Allman album An Anthology Vol. II , released in 1974. [13] Long after Duane Allman's death, the Allman Brothers Band performed the song at their 2004 concert at the Fox Theatre in Atlanta, issued as part of their Instant Live album series. [14]
A version of the song lasting over 23 minutes was recorded by Humble Pie on their live album Performance Rockin' the Fillmore (1971). [15] The song was also recorded by the band Widespread Panic, accompanied by Dirty Dozen Brass Band for their live album, Another Joyous Occasion (2000). Paul Weller recorded the song on his album Stanley Road (1995). [16]
Jello Biafra recorded the song in a 13-minute version on his live album of New Orleans-related soul and rock covers, Walk on Jindal's Splinters . Although the recording itself is a straight cover of the song, Biafra's play on the song title for the album itself refers to Louisiana governor Bobby Jindal.
The Drive-By Truckers' recording "Ever South" from their release American Band (2016) features a rhythm track emulating the original "Gris-Gris" recording.
Louisiana native Malcolm "Papa Mali" Welbourne offers an authentic, yet unique spin on the song on his album, Thunder Chicken (1999) by Papa Mali & The Instagators, on Fog City records.
Chicago musician Little Lord Robert uses a refrain from the song's lyrics for "Highway Joe" on his album Saint Chicago. Little Lord Robert sings "till it burns up" in place of "till I burn up".
Brit-pop band Oasis sampled or interpolated the song intro into their 2000 hit "Go Let It Out". [17] [18]
The song appears in the Hulu miniseries adaptation of Little Fires Everywhere . The version sung by Paul Weller is played over the montage at the end of Season Four of The Wire .
Elijah Blue Allman, known professionally as P. Exeter Blue I , is an American musician, and the son of singer Cher and her second husband, Gregg Allman; he is the half-brother of Chaz Bono, Delilah Allman, Michael Allman, Layla Allman, and Devon Allman. He is the lead vocalist, guitarist and lyricist of the industrial metal band Deadsy.
Derek and the Dominos was an English–American blues rock band formed in the spring of 1970 by singer-guitarist Eric Clapton, keyboardist-singer Bobby Whitlock, bassist Carl Radle and drummer Jim Gordon. All four members had previously played together in Delaney & Bonnie and Friends, during and after Clapton's brief tenure with Blind Faith. Dave Mason supplied additional lead guitar on early studio sessions and played at their first live gig. Another participant at their first session as a band was George Harrison, the recording for whose album All Things Must Pass marked the formation of Derek and the Dominos.
Malcolm John Rebennack, Jr., better known by his stage name Dr. John, was an American singer, songwriter and pianist. His music combined New Orleans blues, jazz, R&B, soul and funk.
Gregory LeNoir Allman was an American musician, singer and songwriter. He was known for performing in the Allman Brothers Band. Allman grew up with an interest in rhythm and blues music, and the Allman Brothers Band fused it with rock music, jazz, and country. He wrote several of the band's most popular songs, including "Whipping Post", "Melissa", and "Midnight Rider". Allman also had a successful solo career, releasing seven studio albums. He was born and spent much of his childhood in Nashville, Tennessee, before relocating to Daytona Beach, Florida and then Macon, Georgia.
Stanley Road is the third solo studio album by the English singer-songwriter and musicianPaul Weller, released by Go! Discs in 1995. The album took its name from the street in Woking where Weller grew up. Weller's cover version of the song "I Walk on Guilded Splinters" was featured in the series ending montage of The Wire's fourth series end, Final Grades.
Curtis John Arceneaux better known by the name Coco Robicheaux, was an American blues musician and artist, from Ascension Parish, Louisiana, United States.
Warren Haynes is an American musician, singer and songwriter. He is best known for his work as longtime guitarist with the Allman Brothers Band and as founding member of the jam band Gov't Mule. Early in his career he was a guitarist for David Allan Coe and The Dickey Betts Band. Haynes also is known for his associations with the surviving members of the Grateful Dead, including touring with Phil Lesh and Friends and the Dead. In addition, Haynes founded and manages Evil Teen Records.
Win, Lose or Draw is the fifth studio album and sixth overall by American rock group the Allman Brothers Band. Produced by Johnny Sandlin and the band themselves, it was released on August 22, 1975 in the United States by Capricorn Records. It was the last studio album to feature bassist Lamar Williams and pianist Chuck Leavell.
Gris-Gris is the debut album by American musician Dr. John. Produced by Harold Battiste, it was released on Atco Records in 1968. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor. The style of Gris-Gris is a hybrid of traditional New Orleans R&B elements and psychedelia. It was recorded in California, albeit with several native New Orleans musicians.
Enlightened Rogues is the sixth studio album by American rock band the Allman Brothers Band. Produced by Tom Dowd, the album was released in February 1979 in the United States by Capricorn Records and PolyGram Records elsewhere. The Allman Brothers Band had broken up in 1976 following internal turmoil, amplified by escalating drug use. The band members splintered into different acts — among those Great Southern, Sea Level, and the Gregg Allman Band. Guitarist Dickey Betts approached his bandmates in 1978 with the prospects of a reunion. It is the first to feature guitarist Dan Toler and bassist David Goldflies. Living together in Sarasota, Florida, they rehearsed and wrote the material for their next album in fall 1978.
Johnny Edward Jenkins was an American left-handed blues guitarist, who helped launch the career of Otis Redding. His flamboyant style of guitar playing also influenced Jimi Hendrix.
Ton-Ton Macoute! is the 1970 debut solo album of American blues musician Johnny Jenkins. Jenkins had previously led The Pinetoppers, a band which at one time featured Otis Redding. Jenkins then appeared on two Redding albums, playing guitar, before releasing his solo debut.
"These Days" is a song written by Jackson Browne and recorded by numerous artists. Browne wrote the song at age 16; its lyrics deal with loss and regret. It was first recorded by Nico in 1967 for her album Chelsea Girl, and Nico's arrangement was recorded by several other artists. Tom Rush recorded the song with a string arrangement for his album Tom Rush in 1970. Gregg Allman recorded a new arrangement of the song for his 1973 LP Laid Back, and Browne released his own version, based on Allman's arrangement, on For Everyman, also in 1973. "These Days" has since been recorded by many other artists, and remains one of Browne's most enduring compositions.
"I'm No Angel" is a rock song written by Tony Colton and Phil Palmer, and first recorded by Bill Medley of The Righteous Brothers on his 1982 solo album Right Here and Now. It gained greater fame when it was covered by American Southern rock band the Gregg Allman Band as the title track and lead single of their 1987 album I'm No Angel, released on Epic Records. The song was an unexpected hit, gaining heavy album-oriented rock airplay and reaching number one on Billboard's Album Rock Tracks chart.
Backstreets of Desire is an album by Willy DeVille. It was recorded in various Los Angeles recording studios in 1992. To make the album, DeVille was joined by many prominent musicians, including Dr. John, David Hidalgo of Los Lobos, Zachary Richard, Jim Gilstrap, Freebo, Efrain Toro, and Jimmy Zavala.
Laid Back is the debut solo studio album by American singer-songwriter Gregg Allman, released in October 1973 by Capricorn Records. Allman, best known as the vocalist/lyricist/organist of the Allman Brothers Band, first began considering a solo career after internal disagreements with that group. He developed the album as a small creative outlet wherein he would assume full control, and he co-produced the album alongside Johnny Sandlin. Laid Back was largely recorded in March 1973 at Capricorn Sound Studios in Macon, Georgia, with additional recording and mixing taking place at the Record Plant by Manhattan Recording Engineer, Jim Reeves in New York City.
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Walk on Jindal's Splinters is a live album by Jello Biafra and the Raunch and Soul All-Stars, a group of Southern musicians assembled especially for the occasion by Dash Rip Rock's Bill Davis and Cowboy Mouth's Fred LeBlanc. The album title is a play on the Dr. John song "I Walk on Gilded Splinters" meant to insult now-former Louisiana governor Bobby Jindal.
An Anthology Vol. II is an album by Duane Allman. It is a compilation of songs on which Allman plays guitar. On some tracks he plays as a session musician on recordings by other artists, including Aretha Franklin, Otis Rush, Ronnie Hawkins, Wilson Pickett, and Boz Scaggs. Other tracks feature Allman as a member of various bands, most famously the Allman Brothers Band. He sings lead vocals on three songs – "Happily Married Man", "No Money Down", and "Dimples". Six of the 21 tracks were previously unreleased.