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"Hallelujah I Love Her So" | ||||
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Single by Ray Charles | ||||
from the album Ray Charles (or, Hallelujah I Love Her So) | ||||
B-side | "What Would I Do Without You" | |||
Released | 1956 | |||
Recorded | 1956 | |||
Genre | ||||
Length | 2:35 | |||
Label | Atlantic | |||
Songwriter(s) | Ray Charles | |||
Producer(s) | Jerry Wexler | |||
Ray Charles singles chronology | ||||
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"Hallelujah I Love Her So" is a single by American musician Ray Charles. The rhythm and blues song was written and released by Charles in 1956 on the Atlantic label, and in 1957 it was included on his self-titled debut LP, also released on Atlantic. The song peaked at number five on the Billboard R&B chart. It is loosely based on 'Get It Over Baby' by Ike Turner (1953).
The song incorporates Gospel music. "Hallelujah I Love Her So" is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson. Several artists, including Stevie Wonder, Peggy Lee, Eddie Cochran, and Humble Pie have covered the song. [1]
"Hallelujah I Love Her So" | |
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Song by the Beatles (then known as the Quarrymen) | |
from the album Anthology 1 | |
Released | 20 November 1995 |
Recorded | July 1960 [2] |
Genre | Rhythm and blues |
Length | 1:13 |
Songwriter(s) | Ray Charles |
According to biographer Mark Lewisohn (in The Complete Beatles Chronicle, p. 362), the Beatles (first as the Quarrymen) regularly performed the song, from at least 1960 through 1962 with Paul McCartney on lead vocal. A very early home recording rehearsal (dated tentatively to May 1960) of it was included on Anthology 1 as well as on previous unauthorized releases. They continued playing it regularly including at The Star-Club in Hamburg through the end of 1962, an audience recording was made there which is included in the album Live! at the Star-Club in Hamburg, Germany; 1962 . Additionally according to author Doug Sulpy (in Drugs, Divorce And A Slipping Image, sec. 22.25) on Jan. 22, 1969 during the massive Get Back sessions they cut a version with John Lennon doing a "loose" lead vocal of it, that version has never been officially released. Lastly, in December 1961 the two singer-musicians that were asked to join the Beatles, namely Tony Sheridan and Roy Young, did a studio version that was released on the Sheridan album My Bonnie (1962) although none of the Beatles participate.
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"Hallelujah, I Love Her So" | ||||
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Single by Eddie Cochran | ||||
from the album The Eddie Cochran Memorial Album | ||||
B-side | "Little Angel" | |||
Released | November 1959 | |||
Recorded | August 31, 1959 | |||
Genre | Rock 'n' roll | |||
Label | Liberty F-55217 | |||
Songwriter(s) | Ray Charles | |||
Producer(s) | Eddie Cochran | |||
Eddie Cochran singles chronology | ||||
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"Hallelujah, I Love Her So" is an adaption of the Ray Charles song by Eddie Cochran. It was released as a single on Liberty Records in November 1959.
Chart (1960) | Peak position |
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UK Singles Chart | 22 |
George Jones covered the song on his 1984 album Ladies' Choice as a duet with Brenda Lee titled "Hallelujah, I Love You So". It was released as a single in 1984 and peaked at number 15 on the Billboard Hot Country Singles chart in 1985. [4]
Chart (1984–1985) | Peak position |
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US Billboard Hot Country Singles [4] | 15 |
Canada RPM Country Tracks | 13 |
The fifth Beatle is an informal title that has been applied to people who were at one point a member of the Beatles or who had a strong association with John Lennon, Paul McCartney, George Harrison and Ringo Starr. The "fifth Beatle" claims first appeared in the press immediately upon the band's rise to global fame in 1963–64. The members have offered their own beliefs of the "fifth Beatle":
Anthology 1 is a compilation album by the Beatles, released on 20 November 1995 by Apple Records as part of The Beatles Anthology series. It features rarities, outtakes and live performances from the period 1958–64, including songs with original bass player Stuart Sutcliffe and drummer Pete Best. It is the first in a trilogy of albums with Anthology 2 and Anthology 3, all of which tie in with the televised special The Beatles Anthology. It contains "Free as a Bird", billed as the first new Beatles song in 25 years, which was released as a single two weeks after Anthology 1.
Anthony Esmond Sheridan McGinnity, known professionally as Tony Sheridan, was an English rock and roll singer-songwriter and guitarist who spent much of his adult life in Germany. He was best known as an early collaborator of the Beatles, one of two non-Beatles to receive label performance credit on a record with the group, and the only non-Beatle to appear as lead singer on a Beatles recording which charted as a single.
My Bonnie is a 1962 album by English rock and roll singer-songwriter and musician Tony Sheridan. Sheridan, then playing in clubs in Hamburg with the Beatles, was discovered by producer Bert Kaempfert and subsequently signed with him to record for Polydor. Sheridan recorded several songs with the Beatles, of which only a single was released in 1961, credited to Tony Sheridan and the Beat Brothers. While the two songs are included here, the remaining tracks on this album were credited again to the Beat Brothers but recorded without the Beatles.
Live! at the Star-Club in Hamburg, Germany; 1962 is a double album featuring live performances by the English rock band the Beatles, recorded in late December 1962 at the Star-Club during their final Hamburg residency. The album was released in 1977 in two different versions, comprising a total of 30 songs by the Beatles.
"You've Got to Hide Your Love Away" is a song by the English rock band the Beatles. It was written and sung by John Lennon and released on the album Help! in August 1965.
"Till There Was You" is a show tune written in 1950 by Meredith Willson, originally entitled "Till I Met You." It was originally recorded October 25, 1950, by Meredith Willson & his Orchestra and Eileen Wilson. The song was retitled and used in his musical play The Music Man (1957), and which also appeared in the 1962 movie version. It is sung by librarian Marian Paroo to "Professor" Harold Hill toward the end of Act Two.
"I Saw Her Standing There" is a song by the English rock band the Beatles credited to Paul McCartney and John Lennon, but written primarily by McCartney. It is the opening track on the band's 1963 debut UK album Please Please Me and their debut US album Introducing... The Beatles.
"P.S. I Love You" is a song recorded by English rock band the Beatles in 1962. It was composed principally by Paul McCartney, and produced by Ron Richards. The song was released in the UK on 5 October 1962 as the B-side of their debut single "Love Me Do" and is also included on their debut album Please Please Me (1963). It was later included on the American release Introducing... The Beatles (1964), its reissue The Early Beatles (1965), and the Beatles compilation album Love Songs (1977).
"Do You Want to Know a Secret" is a song by English rock band the Beatles from their 1963 album Please Please Me, sung by George Harrison. In the United States, it was the first top ten song to feature Harrison as a lead singer, reaching No. 2 on the Billboard chart in 1964 as a single released by Vee-Jay, VJ 587. In the UK, Billy J. Kramer released a cover of the song as his debut single, reaching No. 1 on the NME singles chart and No. 2 on the Record Retailer chart.
Birth of the Beatles is a 1979 biographical film, produced by Dick Clark Productions and directed by Richard Marquand. The film was released into cinemas worldwide, except in the United States, where it was shown as a TV film on ABC. The film focuses on the early history of the Beatles. It was released nine years after the announced break-up of the Beatles themselves, and is the only Beatles biopic to be made while John Lennon was still alive. Pete Best, the Beatles' original drummer, served as a technical advisor for the production.
The Beatles' First! is a German compilation album of songs recorded in Hamburg in 1961 and 1962 by Tony Sheridan with the Beatles as his backing group. It was originally released in 1964 in Germany, then issued in 1967 in England, 1969 in Canada and finally in the United States in 1970.
Horst Fascher is a German music business figure who was a friend and business associate of the Beatles during their early career playing in Hamburg, Germany.
"Cayenne" is an instrumental track by the Beatles. It was recorded in 1960, when they were still known as the Quarrymen, and was not officially released until its inclusion on the 1995 album Anthology 1.
"Twenty Flight Rock" is a song originally performed by Eddie Cochran in the 1956 film comedy The Girl Can't Help It, and released as a single the following year. The song was published in 1957 as written by Ned Fairchild and Eddie Cochran, by American Music Incorporated and Campbell, Connelly and Company. Cochran's contribution was primarily on the music. His version is rockabilly-flavored, but artists of a variety of genres have covered the song.
"Ain't She Sweet" is a song composed by Milton Ager, with lyrics by Jack Yellen. It was published in 1927 by Ager, Yellen & Bornstein, Inc. It became popular in the first half of the 20th century and typified the Roaring Twenties. Like "Happy Days Are Here Again" (1929), it became a Tin Pan Alley standard. Both Ager and Yellen were elected to the Songwriters Hall of Fame.
"Hello Little Girl" is one of the first songs written by John Lennon, credited to the Lennon–McCartney songwriting partnership. Written in 1957, it was used as one of the songs at the Beatles unsuccessful Decca audition in 1962, included on the 1995 compilation album Anthology 1. A 1960 home demo recording has never been officially released.
The Top Ten Club was a music club in Hamburg's St. Pauli district at Reeperbahn 136, which opened on 31 October 1960 and kept its name until 1994.
Songs We Remember is an album by a re-incarnated version of The Quarrymen, which was the band that eventually evolved into The Beatles.
The original lineup of the Beatles, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best regularly performed at different clubs in Hamburg, West Germany, during the period from August 1960 to December 1962; a chapter in the group's history which honed their performance skills, widened their reputation, and led to their first recording, which brought them to the attention of Brian Epstein.