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"Drown in My Own Tears", originally credited as "I'll Drown in My Tears", is a song written by Henry Glover. It is best known in the version released as a single in 1956 by Ray Charles on the Atlantic record label.
"Drown in My Own Tears" was first recorded in 1951 by Lula Reed, on the King label (King 4527) as part of a split-single 78rpm; blues pianist Sonny Thompson was featured on the A-side with the instrumental track, "Clang, Clang, Clang". The record was a No.5 hit on the US Billboard R&B chart. [1]
Ray Charles' recording featured his lead vocal and piano, with instrumentation by session musicians. It was his third number-one single on the Billboard R&B singles chart. [2] It was one of his most important singles during his Atlantic period, where he dominated the R&B singles chart, and influenced him to recruit a singing group he later called the Raelettes.
Other recordings include one by Dinah Washington on the 1998 CD reissue of The Swingin' Miss "D" (1957), originally on the EmArcy Records label. [5] The song was also performed by Simply Red in 1991 at the Montreux Jazz Festival, featuring on the live album of the event.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a #1 hit on the UK Singles Chart for the week ending 12 September 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a #1 hit on both the Billboard Hot 100 and R&B Singles charts.
"Teach Me Tonight" is a popular song that has become a jazz standard. The music was written by Gene De Paul, the lyrics by Sammy Cahn. The song was published in 1953.
Little Johnny Taylor was an American blues and soul singer. He made recordings throughout the 1960s and 1970s, and continued public performances through the 1980s and 1990s.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Summer Breeze" is a song written and originally recorded by American soft rock duo Seals and Crofts. It is the title track of their fourth studio album, and was released as the album's lead single in August 1972. The song reached No. 6 on the Billboard Hot 100 chart in the US. In 2013, it was ranked No. 13 in Rolling Stone′s "Best Summer Songs of All Time". The song also became a hit for the Isley Brothers in 1974.
Ernest Aaron Freeman was an American pianist, organist, bandleader, and arranger. He was responsible for arranging many successful rhythm and blues and pop records from the 1950s to the 1970s.
"Hot Pants (She Got to Use What She Got to Get What She Wants)" is a funk song by James Brown. Brown recorded the song in 1971 and released it that year as a three-part single on his People Records label, which was then distributed by his primary label King. It was a number-one R&B hit and reached number fifteen on the Billboard Hot 100 pop chart in the U.S. along with reaching number ten on the Cashbox magazine charts. "Hot Pants" was Brown's final release under King's purview before he (and the People label) moved to Polydor Records. The song's lyrics are an ode to the captivating power of the title garment, which members of the band first saw on their 1970 European tour.
Sonny Thompson, born Alfonso Thompson or Hezzie Tompson, was an American R&B bandleader and pianist, popular in the 1940s and 1950s.
"Beechwood 4-5789" is a song written by Marvin Gaye, William "Mickey" Stevenson and George Gordy. It was a 1962 hit single for the Motown girl group The Marvelettes on Motown's Tamla subsidiary record label. The song became a hit again when it was covered by the pop duo The Carpenters in 1982.
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by Billboard. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012.
"Stuff Like That" is a hit song with music and lyrics written by Quincy Jones, Ashford & Simpson, Steve Gadd, Eric Gale, Ralph MacDonald and Richard Tee. The song was originally an instrumental rhythm track. Jones worked on the track with Ashford & Simpson, Chaka Khan and studio musicians Gadd, Gale, MacDonald and Tee to turn it into a single. Ashford & Simpson and Khan featured as vocalists while George Young was playing alto saxophone. The song was included on Jones' 1978 album Sounds...And Stuff Like That!. The single spent one week at number one on the R&B singles chart, for the week ending 1 July 1978, and peaked at number 21 on the Billboard Hot 100 singles chart.
"I'll Go Crazy" is a rhythm and blues song recorded by James Brown and The Famous Flames. Released as a single in 1960, it was Brown's fourth R&B hit, charting at #15. Brown and the Flames also performed it as the first song on their 1963 album Live at the Apollo.
"634-5789 " is a soul song written by Eddie Floyd and Steve Cropper. It was first recorded by Wilson Pickett on December 20, 1965 and included on his 1966 Atlantic Records album The Exciting Wilson Pickett with backing vocals by Patti LaBelle and the Blue Belles. The single reached number 1 on the Billboard Hot Rhythm & Blues Singles chart and number 13 on the Hot 100 singles chart.
"Black Night" is a blues song recorded by Charles Brown in 1951. Although the songwriter credit is usually given to Jessie Mae Robinson, "Brown is believed to have written 'Black Night'", according to author Steve Sullivan.
Lula Reed was an American rhythm and blues and gospel singer who recorded in the 1950s and 1960s. She had two R&B hits in 1952 as vocalist with pianist and bandleader Sonny Thompson, and later recorded with guitarist Freddy King. She was occasionally credited as Lulu Reed.
"We Gonna Move to the Outskirts of Town" is a song originally recorded on September 3, 1936, by Piedmont blues musician Casey Bill Weldon. Weldon performed it as a solo piece, with vocals and acoustic guitar plus piano and double bass accompaniment.
Michael Lovesmith is an American R&B singer, songwriter, musician, record producer and executive. He has sometimes been credited as Michael L. Smith.
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